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1

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WOMAN: OK, LET ME SEE.

2
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NO. NO.

3
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NO. NO. UH-UH.

4
00:00:11,446 --> 00:00:13,143
NO. NO.

5
00:00:13,274 --> 00:00:15,189
STOP PLAYING AROUND.
TAKE ANOTHER ONE,

6
00:00:15,319 --> 00:00:16,886
BUT, YOU KNOW,
MAKE IT GOOD THIS TIME.

7
00:00:17,017 --> 00:00:19,280
I NEED SOME BEAUTIFUL
VACAY SHOTS FOR
MY INSTAGRAM.

8
00:00:19,410 --> 00:00:20,716
DID YOU JUST SAY "VACAY"?

9
00:00:20,846 --> 00:00:22,370
THIS IS HOW I GET
TO WORK EVERY DAY.

10
00:00:22,500 --> 00:00:23,849
IT'S NOT EXACTLY
THE LINCOLN MEMORIAL.

11
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OK. HOW ABOUT THIS?

12
00:00:30,726 --> 00:00:33,076
OK, OK. STEP A LITTLE
TO YOUR RIGHT.

13
00:00:34,643 --> 00:00:36,471
WHOOPS. I'M RECORDING.
14
00:00:36,601 --> 00:00:37,646
YOUR PHONE IS
SUPER DUMB.

15
00:00:45,567 --> 00:00:47,395
AAH!

16
00:00:47,525 --> 00:00:49,701
MAN: ALL RIGHT, GUYS,
GET BACK.

17
00:00:51,007 --> 00:00:52,704
GET BACK, GET BACK.

18
00:00:52,835 --> 00:00:54,532
THERE'S A MAN OUT HERE
STABBING PEOPLE.

19
00:00:54,663 --> 00:00:55,664
SOME GUY'S HURT
REALLY BAD.

20
00:00:55,794 --> 00:00:57,013
MAN: HEY.HE'S BLEEDING!

21
00:00:57,144 --> 00:00:58,667
LEAVE THEM ALONE.

22
00:00:58,797 --> 00:00:59,494
WE NEED AN AMBULANCE.

23
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WHERE? K STREET AND 18th.

24
00:01:03,715 --> 00:01:05,935
MAN: OH, MY GOD.

25
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SECOND MAN:
HE'S COMING THIS WAY.

26
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OH, MAN. OH, MAN.

27
00:01:11,332 --> 00:01:12,724
HANG IN THERE.
HELP IS COMING.

28
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I'M A NURSE.
LET ME THROUGH.

29
00:01:16,250 --> 00:01:17,599
QUICK, YOUR JACKET.

30
00:01:17,729 --> 00:01:18,948
WE GOT TO PUT PRESSURE
ON HIS WOUNDS.

31
00:01:19,079 --> 00:01:20,123
WE'RE NEAR THE METRO STOP.

32
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WHAT IS TAKING SO LONG?

33
00:01:23,996 --> 00:01:26,173
IT'S GONNA BE OK.
STAY WITH US. HEY.

34
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HE WAS AFRICAN AMERICAN.

35
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HE WAS WEARING
A GREEN JACKET,

36
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A WHITE BANDANA
ACROSS HIS FACE.

37
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OH, MY GOD,
IS HE DEAD?

38
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NO. NO, HE JUST PASSED OUT.

39
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HERE! OVER HERE!

40
00:01:46,193 --> 00:01:49,370
ALL RIGHT, FBI.
I NEED YOU TO STAY BACK.

41
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HAVE YOUR MEN SECURE
THE SCENE.

42
00:01:52,677 --> 00:01:53,765
HEY, LET'S GO.

43
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CLEAR A PATH FOR
THE EMTs.

44
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MAKE WAY.

45
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ALL RIGHT, ALL THESE
BUSINESSES ARE GONNA
HAVE SECURITY CAMERAS.

46
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THESE WITNESSES HERE.

47
00:02:02,687 --> 00:02:04,472
ALL RIGHT, I NEED
A HARD TARGET SEARCH

48
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ON EVERY BUILDING,
BUREAU, RESTAURANT,

49
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RESIDENCE,
DEPARTMENT STORE,

50
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CLOTHING STORE,
GROCERY STORY,

51
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AND GAS STATION IN
THE IMMEDIATE VICINITY.

52
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I WANT OFFICERS--
53
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NOBODY LEAVES
UNTIL I SAY SO.

54
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UNIT CHIEF PRENTISS,
UNIT CHIEF ANDREW MENDOZA,

55
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WASHINGTON FIELD.

56
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SSAs SIMMONS AND JAREAU.

57
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I APPRECIATE YOU GUYS
COMING OUT.

58
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WE NEED ALL HANDS ON DECK.

59
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ALL RIGHT, METRO P.D.
HAS BACK UP ON THE WAY

60
00:02:28,887 --> 00:02:29,932
AND WE'VE SET
A PERIMETER.

61
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WE GOT MULTIPLE
EYEWITNESSES.

62
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IS HE GONNA MAKE IT?MAN: NOT SURE, SIR.

63
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MENDOZA, THE EYEWITNESSES?

64
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OVER HERE WITH
THE CHIEF.

65
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I'M ON IT.
66
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WHAT ABOUT CCTV FOOTAGE
OR SECURITY CAMERAS?

67
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WELL, THESE 3 ARE
GONNA BE OUR BEST BET.

68
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WE SENT AN OFFICER--

69
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MATT.

70
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DAMMIT.

71
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DARCY, NEWS CREWS.

72
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SIR.

73
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THIS IS THE THIRD
MACHETE ATTACK REPORTED

74
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WITHIN THE LAST HOUR.

75
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YEAH, WE'RE TALKING ABOUT
CROWDED CITY CENTERS HERE,

76
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BROAD DAYLIGHT,
MEN AND WOMEN.

77
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FIRST TWO VICTIMS ARE
IN CRITICAL CONDITION.

78
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AND RIGHT NOW I DON'T KNOW
IF THIS IS AN ACT OF TERRORISM,
79
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A DOMESTIC FRINGE GROUP,
OR SOME NUTCASE ON
A KILLING SPREE.

80
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NOW, THE FIRST CALL
CAME IN A FEW MINUTES
AFTER NOON?

81
00:03:04,749 --> 00:03:06,751
YEAH. AND EVERY HALF
HOUR SINCE WE'VE HAD
ANOTHER ATTACK.

82
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CHARLES O'NEILL JUST DIED.

83
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THE FIRST VICTIM.
HE DIED FROM HIS INJURIES.

84
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SON OF A BITCH.

85
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THIS MANHUNT JUST TURNED
INTO A HOMICIDE INVESTIGATION.

86
00:03:13,758 --> 00:03:15,151
YEAH. HOW DO YOU WANT
TO HANDLE IT?

87
00:03:15,282 --> 00:03:16,848
FIRST THINGS FIRST,
WE NEED DETAILED STATEMENTS

88
00:03:16,979 --> 00:03:18,067
FROM ANY AND ALL WITNESSES.

89
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AND I WANT THEM VETTED.

90
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ANY AND ALL PERSONNEL
GOING IN OR OUT OF THE SCENE
91
00:03:21,592 --> 00:03:22,593
WE NEED VETTED.

92
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THIS GUY STICKS TO PATTERN.

93
00:03:24,291 --> 00:03:25,988
WE GOT LESS THAN
30 MINUTES BEFORE
HE STRIKES AGAIN.

94
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LET'S MAKE IT COUNT.GOT IT.

95
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FBI WILL RUN POINT.

96
00:04:19,433 --> 00:04:21,652
AND YOU PUT DISTRICT
ON CITYWIDE TACTICAL ALERT?

97
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YES, I'VE GOT OFFICERS
STANDING BY.

98
00:04:23,828 --> 00:04:24,960
WHAT SHOULD I SAY
TO THE MEDIA?

99
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OUR FOCUS IS ON
PROTECTING THE PUBLIC.

100
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RELEASE A DESCRIPTION
OF THE ATTACKER,

101
00:04:29,007 --> 00:04:30,748
BUT DON'T SPECULATE
AS TO MOTIVE OR INTENT.

102
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YES, I'M HERE.

103
00:04:31,923 --> 00:04:33,316
GO AHEAD, GARCIA.

104
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GARCIA: AS YOU ALL KNOW,
THIS IS THE THIRD MACHETE ATTACK

105
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IN THE STREETS OF
WASHINGTON D.C.

106
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IN THE LAST HOUR.

107
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WE'VE BEEN ASKED TO FORM
A JOINT TASKFORCE

108
00:04:40,715 --> 00:04:42,107
WITH THE WASHINGTON
FIELD OFFICE.

109
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THEY NEED A PROFILE.
IT'S OUR JOB TO GET
IT TO THEM.

110
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WHAT DO WE KNOW
SO FAR?

111
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THERE ARE 3 VICTIMS--

112
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CHARLES O'NEILL,
KARY KARLSSON,

113
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AND PARK JI SUNG.

114
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FIRST VICTIM,
CHARLES O'NEILL,

115
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HAS ALREADY DIED
FROM HIS INJURIES.
116
00:04:52,944 --> 00:04:55,991
THE OTHER TWO VICTIMS
ARE AT THE HOSPITAL
IN CRITICAL CONDITION.

117
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PRENTISS: WITNESSES
DESCRIBED OUR ATTACKER

118
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AS AN AFRICAN-AMERICAN
MALE IN HIS LATE TWENTIES
TO EARLY THIRTIES.

119
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IT SAYS HERE HE
WAS WEARING
A WHITE BANDANA

120
00:05:02,476 --> 00:05:04,042
OVER THE LOWER
HALF OF HIS FACE.

121
00:05:04,173 --> 00:05:05,305
THAT'S CURIOUS
CONSIDERING

122
00:05:05,435 --> 00:05:06,915
HE'S TAKING NO
OTHER PRECAUTIONS.

123
00:05:07,045 --> 00:05:08,612
YEAH, HE'S PICKED
CROWDED CITY STREETS

124
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AND HEAVILY-TRAFFICKED
THOROUGHFARES.

125
00:05:10,397 --> 00:05:11,920
THIS ISN'T EXACTLY
SOMEONE WHO'S AFRAID
OF BEING SEEN.

126
00:05:12,050 --> 00:05:13,356
MAYBE IT FUNCTIONS
AS A MASK,
127
00:05:13,487 --> 00:05:15,010
A COSTUME, A WAY
FOR OUR UNSUB

128
00:05:15,140 --> 00:05:16,620
TO DISTANCE HIMSELF
FROM HIS ACTIONS.

129
00:05:16,751 --> 00:05:18,361
ALVEZ: WHATEVER THE REASON,
I MEAN, IT'S ALL BY DESIGN.

130
00:05:18,492 --> 00:05:20,537
THIS IS SOMEBODY WHO WANTS
TO CREATE A SPECTACLE,

131
00:05:20,668 --> 00:05:22,017
MAYBE EVEN SEND A MESSAGE.

132
00:05:22,147 --> 00:05:22,713
WHAT, YOU THINK
HE'S GONNA REACH OUT

133
00:05:23,714 --> 00:05:24,541
TO THE MEDIA
LIKE THE D.C. SNIPERS?

134
00:05:24,672 --> 00:05:25,934
RIGHT NOW HE'S LETTING
HIS ACTIONS DO THE TALKING.

135
00:05:26,064 --> 00:05:27,370
LET'S TALK ABOUT
THE MACHETE.

136
00:05:27,501 --> 00:05:28,719
I MEAN, THAT'S
A BRUTAL WEAPON.

137
00:05:28,850 --> 00:05:30,417
YOU GOT TO GET
UP CLOSE.
IT'S MESSY.

138
00:05:30,547 --> 00:05:31,853
REID: WELL, FROM
POLITICAL UPRISINGS

139
00:05:31,983 --> 00:05:33,942
TO JASON VOORHEES,
THE ICONOGRAPHY IS
CERTAINLY VIVID.

140
00:05:34,072 --> 00:05:35,378
MAYBE THAT'S
HIS POINT?

141
00:05:35,509 --> 00:05:37,598
BUT THE ANGER INVOLVED
IN HACKING A VICTIM TO DEATH,

142
00:05:37,728 --> 00:05:39,251
IT FEELS MORE PERSONAL
THAN IDEOLOGICAL.

143
00:05:39,382 --> 00:05:40,818
LIKE THIS IS SOME
KIND OF VENDETTA.

144
00:05:40,949 --> 00:05:42,907
WE HAVE A TICKING CLOCK,

145
00:05:43,038 --> 00:05:44,387
AND 3 PRIMARY QUESTIONS--

146
00:05:44,518 --> 00:05:46,041
WHAT DOES OUR UNSUB WANT,

147
00:05:46,171 --> 00:05:47,085
WHERE IS HE HEADED NEXT,

148
00:05:47,216 --> 00:05:48,783
AND HOW IS HE
SELECTING HIS VICTIMS?

149
00:05:48,913 --> 00:05:51,699
TO THAT END, REID,
I NEED YOU TO WORK UP
A GEO-PROFILE.

150
00:05:51,829 --> 00:05:53,962
LUKE, TARA, PENELOPE,
YOU'RE ON VICTIMOLOGY.
151
00:05:54,092 --> 00:05:56,791
WE HAVE TO FIGURE OUT
IF THESE ARE VICTIMS
OF OPPORTUNITY

152
00:05:56,921 --> 00:05:57,966
OR IF HE'S TARGETING THEM--

153
00:05:58,096 --> 00:05:59,446
SORRY, I NEED YOU.

154
00:05:59,576 --> 00:06:00,925
OR IF HE'S TARGETING
THEM SPECIFICALLY.

155
00:06:01,056 --> 00:06:02,492
I GOTTA GO.FOUND SOMETHING.

156
00:06:02,623 --> 00:06:05,016
I WAS GOING OVER
THE 9-1-1 CALLS
LIKE YOU SUGGESTED.

157
00:06:05,147 --> 00:06:08,106
FOR THIS MOST RECENT
ATTACK, THE FIRST CALL
WAS AN ANONYMOUS MALE.

158
00:06:08,237 --> 00:06:09,891
HE GAVE AN ADDRESS
AND A BASIC DESCRIPTION

159
00:06:10,021 --> 00:06:11,632
OF THE ATTACK,
AND THEN HE HUNG UP.

160
00:06:11,762 --> 00:06:12,937
DID THEY TRACE THE CALL?

161
00:06:13,068 --> 00:06:13,982
NO, IT WAS A BURNER PHONE,
BUT THAT'S NOT

162
00:06:14,112 --> 00:06:15,462
WHAT GOT MY ATTENTION.
163
00:06:20,380 --> 00:06:21,598
WHAT AM I LOOKING AT?

164
00:06:21,729 --> 00:06:23,731
EMS CALL LOGS
FROM THIS MORNING.

165
00:06:23,861 --> 00:06:26,908
EYEWITNESS ACCOUNTS PUT
THE TIME OF THE THIRD
ATTACK AT 12:58,

166
00:06:27,038 --> 00:06:30,433
BUT THE ANONYMOUS CALL
CAME IN AT 12:57
ON THE DOT.

167
00:06:30,564 --> 00:06:31,521
A FULL MINUTE
BEFORE ANY OTHER?

168
00:06:31,652 --> 00:06:33,044
THAT GOT ME THINKING.

169
00:06:33,175 --> 00:06:34,872
SO I LOOKED INTO
PREVIOUS INCIDENTS.

170
00:06:35,003 --> 00:06:36,831
THE SECOND ATTACK,
AN ANONYMOUS CALL

171
00:06:36,961 --> 00:06:38,136
CAME IN AT 12:30.

172
00:06:38,267 --> 00:06:41,662
CCTV FOOTAGE PUT
THE INCIDENT AT 12:31.

173
00:06:41,792 --> 00:06:42,924
THE FIRST ONE--

174
00:06:43,054 --> 00:06:46,536
WAS AT 12:05 ACCORDING
TO WITNESSES,

175
00:06:46,667 --> 00:06:50,671
BUT THE FIRST EMS CALL
CAME IN AT 12:03.

176
00:06:50,801 --> 00:06:52,281
HE'S CALLING 9-1-1 HIMSELF.

177
00:06:52,412 --> 00:06:53,935
HOW ELSE DO YOU EXPLAIN
SOMEBODY REPORTING

178
00:06:54,065 --> 00:06:55,980
THE ATTACKS BEFORE
THEY HAPPEN?

179
00:06:56,111 --> 00:06:58,156
27 MINUTES.

180
00:06:58,287 --> 00:07:00,158
THAT'S THE TIME
BETWEEN CALLS.

181
00:07:00,289 --> 00:07:01,899
IT'S NOT ROUGHLY
EVERY 30 MINUTES.

182
00:07:02,030 --> 00:07:03,640
IT'S 27 MINUTES
ON THE DOT.

183
00:07:03,771 --> 00:07:05,337
AND HE HASN'T DEVIATED YET.

184
00:07:05,468 --> 00:07:06,513
IT'S A SIGNATURE.

185
00:07:06,643 --> 00:07:08,471
27 MINUTES MEANS
SOMETHING TO HIM.

186
00:07:08,602 --> 00:07:10,560
AND TO STICK TO THAT
SCHEDULE SO CAREFULLY

187
00:07:10,691 --> 00:07:12,388
MEANS THAT THE TIMING
OF THE ATTACKS
188
00:07:12,519 --> 00:07:14,869
IS AS IMPORTANT TO HIM
AS THE VICTIMS THEMSELVES.

189
00:07:14,999 --> 00:07:18,133
ALSO MEANS THAT WE ONLY
HAVE 14 MINUTES LEFT

190
00:07:18,263 --> 00:07:20,570
UNTIL THE NEXT ATTACK,
NOT 17.

191
00:07:24,008 --> 00:07:26,054
JJ: ANYTHING ELSE?

192
00:07:26,184 --> 00:07:28,012
HE HAD ON
A GREEN JACKET.

193
00:07:28,143 --> 00:07:30,145
OK. UH, HEY, MATT.

194
00:07:30,275 --> 00:07:31,799
CAN I BORROW THAT?

195
00:07:31,929 --> 00:07:32,713
WOMAN: YEAH, OF COURSE.

196
00:07:32,843 --> 00:07:34,976
THANKS.

197
00:07:35,106 --> 00:07:38,153
APPARENTLY THE BUILDING'S
CAMERA SYSTEMS ARE DOWN
FOR TESTING.

198
00:07:38,283 --> 00:07:38,936
UH, I GOT YOU COVERED.

199
00:07:40,024 --> 00:07:42,157
THESE TWO FILMED
THE ENTIRE ENCOUNTER.

200
00:07:42,287 --> 00:07:43,463
LET'S TAKE A LOOK.
201
00:07:43,593 --> 00:07:45,203
OK, THERE.

202
00:07:45,334 --> 00:07:47,641
PARK JI SUNG
ENTERS THE FRAME,

203
00:07:47,771 --> 00:07:49,947
AND THEN THE UNSUB.

204
00:07:50,078 --> 00:07:51,993
WAIT, HE LOOKS WOUNDED

205
00:07:52,123 --> 00:07:53,734
BEFORE ANY OF THIS
EVEN STARTED.

206
00:07:56,214 --> 00:07:58,478
SIMMONS: THE UNSUB
IS IN COMPLETE CONTROL.

207
00:07:58,608 --> 00:08:00,044
JI SUNG'S DEFINITELY
NOT GETTING AWAY.

208
00:08:00,175 --> 00:08:03,178
IT'S ALMOST LIKE
THE UNSUB WAS STALKING
OR HUNTING HIM.

209
00:08:03,308 --> 00:08:05,397
QUESTION IS, DID HE
FOLLOW HIM HERE

210
00:08:05,528 --> 00:08:07,051
OR DID HE JUST PICK
HIM OUT OF THE CROWD?

211
00:08:07,182 --> 00:08:10,968
YEAH. NOT TO MENTION
THERE WERE DOZENS
OF PEOPLE ON THE STREET.

212
00:08:11,099 --> 00:08:12,883
I MEAN, HE COULD HAVE
CHOSEN ANYONE.
213
00:08:13,014 --> 00:08:14,885
HE COULD HAVE ATTACKED
MORE THAN ONE.

214
00:08:15,016 --> 00:08:17,975
YEAH, BUT HE DOESN'T.
HE STICKS WITH HIS MAN,
HIS MISSION.

215
00:08:18,106 --> 00:08:22,197
OK, SO WHAT WAS IT
ABOUT PARK JI SUNG
THAT STOOD OUT?

216
00:08:22,327 --> 00:08:24,808
WHY HIM?

217
00:08:30,292 --> 00:08:31,902
ALVEZ: HEY, DAVE.HOW YOU HOLDING UP?

218
00:08:32,033 --> 00:08:34,905
OK. PRENTISS GAVE ME
A DIRECT ORDER

219
00:08:35,036 --> 00:08:36,603
AND I DISOBEYED IT.

220
00:08:36,733 --> 00:08:38,082
IT SUCKS TO BE BENCHED,

221
00:08:38,213 --> 00:08:39,736
BUT I JUST WANT TO HELP
IN ANY WAY I CAN.

222
00:08:39,867 --> 00:08:42,130
GOOD. I'M WITH
THE SECOND VICTIM,
KARY KARLSSON,

223
00:08:42,260 --> 00:08:44,219
AND I JUST SPOKE
WITH HER PARENTS.

224
00:08:44,349 --> 00:08:46,221
NOW, WHEN I WALKED THEM
THROUGH THE ATTACK,
225
00:08:46,351 --> 00:08:47,962
THEY WERE SURPRISED
TO HEAR THAT KARY

226
00:08:48,092 --> 00:08:50,747
WAS FOUND IN
THE NEIGHBORHOOD
OF TRINIDAD.

227
00:08:50,878 --> 00:08:52,749
WELL, THAT'S A ROUGH
PART OF TOWN.

228
00:08:52,880 --> 00:08:55,273
AND THEY HAD NO IDEA
WHY SHE WOULD EVEN
BE THERE.

229
00:08:55,404 --> 00:08:58,146
NOW, KARY'S REASONS
MAY HAVE BEEN
INNOCENT ENOUGH,

230
00:08:58,276 --> 00:09:00,670
BUT THAT DOESN'T MEAN SHE
DOESN'T HAVE A SECRET.

231
00:09:00,801 --> 00:09:02,106
WHAT, SOME KIND OF
SECRET LIFE?

232
00:09:02,237 --> 00:09:04,456
EXACTLY. I'LL TALK
TO KARY'S FRIENDS.

233
00:09:04,587 --> 00:09:06,284
THERE MIGHT BE
SOMETHING THERE.

234
00:09:06,415 --> 00:09:07,721
WE'LL RUN IT DOWN
ON THIS END,

235
00:09:07,851 --> 00:09:09,070
AND I'LL GET BACK TO YOU.
THANKS, DAVID.
236
00:09:16,033 --> 00:09:18,470
SO SOMETHING INTERESTING
CAME UP IN ROSSI'S INTERVIEW

237
00:09:18,601 --> 00:09:19,907
OF KARY KARLSSON'S FAMILY.

238
00:09:20,037 --> 00:09:22,039
NOW, KARY LIVED
AND WORKED IN NOMA,

239
00:09:22,170 --> 00:09:23,867
AND SHE WAS ATTACKED
IN TRINIDAD.

240
00:09:23,998 --> 00:09:25,782
THIS STRUCK
HER FAMILY AS ODD,

241
00:09:25,913 --> 00:09:27,175
LIKE KARY WAS SOMEWHERE
SHE DIDN'T BELONG.

242
00:09:27,305 --> 00:09:29,873
WELL, LOOK, KARY WAS
A SINGLE, SUCCESSFUL,

243
00:09:30,004 --> 00:09:31,309
CAREER-ORIENTED
GRAPHIC DESIGNER.

244
00:09:31,440 --> 00:09:32,615
I MEAN, SHE COULD HAVE
BEEN IN THAT NEIGHBORHOOD

245
00:09:32,746 --> 00:09:34,182
TO MEET A CLIENT
OR A FRIEND.

246
00:09:34,312 --> 00:09:35,487
WHAT ABOUT
THE OTHER TWO?

247
00:09:35,618 --> 00:09:37,881
UH, FIRST VICTIM,
CHARLES O'NEILL,
248
00:09:38,012 --> 00:09:41,319
40-YEAR-OLD SECURITY
GUARD, MARRIED, TWO KIDS.

249
00:09:41,450 --> 00:09:43,278
EVERYTHING I'VE LEARNED
ABOUT HIM, SUPER GREAT GUY.

250
00:09:43,408 --> 00:09:45,672
YEAH, THIRD VICTIM,
PARK JI SUNG, MARRIED, 55.

251
00:09:45,802 --> 00:09:47,412
HE WAS A LINE COOK
IN CHINATOWN.

252
00:09:47,543 --> 00:09:50,111
ACCORDING TO HIS WIFE,
HE WAS SAVING UP TO OPEN
HIS OWN RESTAURANT.

253
00:09:50,241 --> 00:09:53,157
WE'VE GOT DIVERSITY
IN AGE, RACE,
AND BACKGROUND.

254
00:09:53,288 --> 00:09:56,204
I MEAN, IF THEY'RE
SURROGATES, FOR WHAT?

255
00:09:56,334 --> 00:09:58,902
WELL, YOU SAID THAT
KARY KARLSSON WAS
FOUND IN TRINIDAD,

256
00:09:59,033 --> 00:10:00,164
A NEIGHBORHOOD
WHERE SHE DIDN'T BELONG.

257
00:10:01,731 --> 00:10:02,993
AND THAT'S ACTUALLY
KIND OF TRUE FOR ALL
3 OF OUR VICTIMS.

258
00:10:03,124 --> 00:10:05,256
ALL OF THEM WERE FOUND
SOMEWHERE THEY WOULDN'T
CUSTOMARILY BE.
259
00:10:05,387 --> 00:10:06,997
OUTSIDE OF THEIR
REGULAR ROUTINE.

260
00:10:07,128 --> 00:10:08,738
RIGHT, RIGHT.
I MEAN, CHARLES O'NEILL

261
00:10:08,869 --> 00:10:10,131
LIVED AND WORKED
IN ANACOSTIA,

262
00:10:10,261 --> 00:10:12,394
SO WHAT WAS HE DOING
IN NOMA ON A TUESDAY?

263
00:10:12,524 --> 00:10:14,614
YEAH. AND PARK JI SUNG
SHOULD HAVE BEEN

264
00:10:14,744 --> 00:10:16,180
AT HIS RESTAURANT
HE WORKED AT THEN.

265
00:10:16,311 --> 00:10:17,355
SO WHY WAS HE
ON K STREET?

266
00:10:17,486 --> 00:10:19,314
WELL, THEY WERE IN
THE WRONG NEIGHBORHOOD

267
00:10:19,444 --> 00:10:21,142
AND DID THE UNSUB PICK THEM
BECAUSE THEY STOOD OUT?

268
00:10:21,272 --> 00:10:23,144
AND IF SO, WHAT IS
THE UNSUB'S CONNECTION

269
00:10:23,274 --> 00:10:26,103
TO ALL 3 OF
THESE NEIGHBORHOODS?

270
00:10:37,114 --> 00:10:38,159
PRENTISS: RIGHT NOW
THE UNSUB'S BANKING

271
00:10:38,289 --> 00:10:40,814
ON THE MEDIA TO
AMPLIFY HIS VIOLENCE,
HIS MESSAGE.

272
00:10:40,944 --> 00:10:43,686
WE NEED TO MINIMIZE
THE COVERAGE WITHOUT
DOWNPLAYING THE DANGER.

273
00:10:43,817 --> 00:10:45,209
I'LL GET MY GUYS ON IT.

274
00:10:48,517 --> 00:10:50,214
FROM NOMA TO TRINIDAD
TO K STREET.

275
00:10:50,345 --> 00:10:51,563
IN THE BROADEST OF
TERMS, OUR UNSUB

276
00:10:51,694 --> 00:10:52,782
IS JUMPING FROM
WEALTHY NEIGHBORHOODS

277
00:10:52,913 --> 00:10:54,392
TO POOR NEIGHBORHOODS,
THEN BACK AGAIN.

278
00:10:54,523 --> 00:10:56,220
SO HE'D NEED
TRANSPORTATION,

279
00:10:56,351 --> 00:10:58,048
SOMETHING THAT WOULD
BLEND IN REGARDLESS
OF THE AREA,

280
00:10:58,179 --> 00:10:59,223
LIKE A SERVICE VAN.

281
00:10:59,354 --> 00:11:00,485
AND GIVEN THE TIME
IT WOULD TAKE TO GET

282
00:11:00,616 --> 00:11:01,748
FROM ONE NEIGHBORHOOD
TO THE NEXT,

283
00:11:01,878 --> 00:11:03,488
FIND HIS VICTIMS,
PLAN HIS ESCAPE, ET CETERA,

284
00:11:03,619 --> 00:11:05,273
IT'S CLEAR THAT HE KNOWS
THE CITY AS ONLY A LOCAL WOULD.

285
00:11:05,403 --> 00:11:09,886
SO HE ATTACKS, ABDUCTS,
ATTACKS, ABDUCTS, AND SO ON.

286
00:11:10,017 --> 00:11:12,106
RIGHT NOW OUR BEST OPTION
IS TO SET UP A SERIES
OF ROADBLOCKS.

287
00:11:12,236 --> 00:11:13,847
AT THE VERY LEAST,
WE CAN DISRUPT HIS MOVEMENTS

288
00:11:13,977 --> 00:11:15,544
AND MAYBE SLOW HIM DOWN.WHERE ARE WE ON TIME?

289
00:11:15,675 --> 00:11:16,980
8 MINUTES, 53 SECONDS.

290
00:11:17,111 --> 00:11:18,242
COORDINATE
WITH METRO P.D.

291
00:11:18,373 --> 00:11:19,417
LET'S SEE IF WE CAN
BUY OURSELVES SOME TIME

292
00:11:19,548 --> 00:11:21,071
AND GET OUT
IN FRONT OF HIM.

293
00:11:21,202 --> 00:11:22,725
MENDOZA: PRENTISS, WE
NEED TO START TALKING

294
00:11:22,856 --> 00:11:24,248
ABOUT POSSIBLE MOTIVES.

295
00:11:24,379 --> 00:11:25,293
I'VE GOT OFFICIALS
IN MY EAR WORRIED

296
00:11:26,642 --> 00:11:27,469
THAT THIS COULD BE SOME
SORT OF ACT OF TERRORISM.

297
00:11:27,599 --> 00:11:29,906
I NEED TO KNOW
IF I SHOULD BE
SETTING OFF ALARMS.

298
00:11:30,037 --> 00:11:31,299
OUR UNSUB IS ON A SPREE.

299
00:11:31,429 --> 00:11:33,605
HE'S ONLY KILLED
ONE VICTIM SO FAR,

300
00:11:33,736 --> 00:11:35,782
BUT THE MANNER IN WHICH
HE DID IT WAS SELECTIVE,
PERSONAL.

301
00:11:35,912 --> 00:11:39,220
YOU SAID THAT THE
VIOLENCE HERE HAS BEEN
DELIBERATELY SENSATIONAL,

302
00:11:39,350 --> 00:11:42,049
THE DESIRE FOR THIS
UNSUB TO BE SEEN

303
00:11:42,179 --> 00:11:43,441
SPEAKS TO SOMEONE
ON A MISSION.

304
00:11:43,572 --> 00:11:45,748
YES, BUT THERE'S BEEN
NO MASS CASUALTY EVENT,

305
00:11:45,879 --> 00:11:48,229
AND THE TARGETED
SELECTION OF HIS VICTIMS
306
00:11:48,359 --> 00:11:50,361
FIGHTS AGAINST THE BROADER
IDEA OF TERRORISM.

307
00:11:50,492 --> 00:11:51,841
THEY'RE NOT
MUTUALLY EXCLUSIVE.

308
00:11:51,972 --> 00:11:55,453
NO. BUT LOOK, HE COULD
BE CUTTING HIS VICTIMS'
HEADS OFF,

309
00:11:55,584 --> 00:11:57,629
KILLING THEM INSTANTANEOUSLY,
BUT HE'S NOT.

310
00:11:57,760 --> 00:12:00,937
HE'S LEAVING THEM
SUFFERING AND BLEEDING
ON THE GROUND.

311
00:12:01,068 --> 00:12:02,939
YES, HE'S ANGRY
AND HE'S MOTIVATED,

312
00:12:03,070 --> 00:12:05,246
BUT IF THIS WAS POLITICAL,
WHY CALL 9

313
00:12:05,376 --> 00:12:08,771
HE'S GIVING THEM
A CHANCE TO SURVIVE.

314
00:12:08,902 --> 00:12:11,165
AGENTS, MY MEN
HAVE FOUND SOMETHING.

315
00:12:11,295 --> 00:12:13,428
THIS MATCHES
THE SUSPECT'S BANDANA.

316
00:12:13,558 --> 00:12:14,995
MENDOZA: WE SHOULD
CLEAR THIS GARAGE.

317
00:12:15,125 --> 00:12:16,779
HE MAY HAVE A VEHICLE
OR BE LOOKING
TO BOOST ONE.

318
00:12:16,910 --> 00:12:18,955
YOU TWO TAKE
THE SOUTH ENTRANCE.
CHIEF WAGNER.

319
00:12:19,086 --> 00:12:20,087
WAGNER: WE'LL TAKE
THE NORTH.

320
00:12:20,217 --> 00:12:21,436
YES, MA'AM.

321
00:12:21,566 --> 00:12:23,177
MAN: ALL RIGHT, LET'S
GET EYES ON ALL DOORS.

322
00:12:36,668 --> 00:12:38,322
MENDOZA: HANDS UP!

323
00:12:38,453 --> 00:12:39,628
PUT YOUR HANDS UP NOW!

324
00:12:39,759 --> 00:12:41,891
I GOT HIM. I SHOT HIM,
THE MACHETE KILLER.

325
00:12:42,022 --> 00:12:43,066
PRENTISS:
DROP YOUR WEAPON.

326
00:12:43,197 --> 00:12:44,807
DO IT NOW.

327
00:12:44,938 --> 00:12:47,854
WAGNER: I NEED AN AMBULANCE.
I HAVE A SUSPECT DOWN.

328
00:12:47,984 --> 00:12:49,333
I SAW HIM TRYING TO
BREAK INTO THAT CAR.

329
00:12:49,464 --> 00:12:51,422
HE HAD ON--HE HAS ON
THE GREEN JACKET.

330
00:12:51,553 --> 00:12:53,468
THEY SAID ON THE NEWS.
AND THE MACHETE.

331
00:12:53,598 --> 00:12:54,730
HE HAS THE MACHETE.

332
00:13:02,085 --> 00:13:03,347
IT'S NOT HIM.

333
00:13:03,478 --> 00:13:04,958
WAIT, IT'S HIM, ISN'T IT?

334
00:13:05,088 --> 00:13:06,611
DAMMIT!

335
00:13:06,742 --> 00:13:07,830
MAN: IT'S HIM, ISN'T IT?

336
00:13:07,961 --> 00:13:08,700
HE'S THE MACHETE
KILLER, RIGHT?

337
00:13:08,831 --> 00:13:09,832
GET HIM OUT OF HERE!

338
00:13:09,963 --> 00:13:11,399
NO, I THOUGHT--
HE LOOKED--

339
00:13:11,529 --> 00:13:12,922
HE LOOKS LIKE THE GUY.

340
00:13:13,053 --> 00:13:14,489
HE HAS ON THE
GREEN JACKET.

341
00:13:14,619 --> 00:13:16,970
HE LOOKS LIKE THE GUY.
I THOUGHT IT WAS HIM.

342
00:13:17,100 --> 00:13:20,451
I THOUGHT IT WAS HIM.
HE LOOKED LIKE THE GUY.

343
00:13:28,155 --> 00:13:29,852
AN UNARMED MAN
WAS JUST SHOT.

344
00:13:29,983 --> 00:13:31,593
I'M ASKING, HOW DO YOU
WANT ME TO PROCEED?

345
00:13:31,723 --> 00:13:33,203
BE TRANSPARENT.

346
00:13:33,334 --> 00:13:35,640
EXPLAIN THAT
THE SHOOTER IS
IN POLICE CUSTODY

347
00:13:35,771 --> 00:13:37,686
AND THAT'S IT'S
AN EVOLVING SITUATION.

348
00:13:37,817 --> 00:13:39,035
THE WHOLE CITY IS WATCHING.

349
00:13:40,689 --> 00:13:41,951
WE GET THIS WRONG,
THERE COULD BE A RIOT.
PEOPLE IN THE STREET.

350
00:13:42,082 --> 00:13:43,213
THEN DON'T GET IT WRONG.

351
00:13:44,780 --> 00:13:46,782
UNTIL THIS IS OVER,
WE NEED D.C. RESIDENTS
TO STAY INSIDE,

352
00:13:46,913 --> 00:13:49,480
SHARE ANY AND ALL INFORMATION
THEY HAVE WITH THE AUTHORITIES

353
00:13:49,611 --> 00:13:51,569
AND ONLY THE AUTHORITIES.
THAT'S IT.

354
00:13:55,747 --> 00:13:57,358
PRENTISS, YOU GOOD?

355
00:13:59,012 --> 00:14:00,709
IT'S MY FAULT.

356
00:14:00,840 --> 00:14:03,364
I TOLD THE POLICE
TO RELEASE A DESCRIPTION
OF THE SUSPECT.

357
00:14:03,494 --> 00:14:04,931
I SHOULD HAVE WAITED
UNTIL WE KNEW MORE.

358
00:14:05,061 --> 00:14:08,108
NOW AN INNOCENT MAN
MAY LOSE HIS LIFE
BECAUSE OF IT.

359
00:14:08,238 --> 00:14:11,241
NO, WE HAD A DUTY
TO INFORM THE PUBLIC,

360
00:14:11,372 --> 00:14:12,721
ABOVE ALL ELSE.

361
00:14:12,852 --> 00:14:14,679
YOU ARE NOT
RESPONSIBLE FOR THIS.

362
00:14:14,810 --> 00:14:16,681
THERE'S NO WAY
TO PREDICT A KID
WITH A GUN

363
00:14:16,812 --> 00:14:19,641
IS GONNA TRY TO
PLAY HERO.

364
00:14:19,771 --> 00:14:20,860
VICTIM'S NAME IS
PETER SALAH.

365
00:14:20,990 --> 00:14:22,296
HE'S HEADING INTO
SURGERY RIGHT NOW.

366
00:14:22,426 --> 00:14:23,427
HE'S IN CRITICAL
CONDITION.

367
00:14:23,558 --> 00:14:24,559
PETER'S 24, SINGLE,

368
00:14:24,689 --> 00:14:25,908
WORKS DOWN THE STREET
AS A HANDYMAN.

369
00:14:26,039 --> 00:14:27,475
HE WAS ON A JOB
ALL MORNING, HEADED OUT

370
00:14:27,605 --> 00:14:28,824
TO GET SOME PIPING
TO FINISH A WORK ODER.

371
00:14:28,955 --> 00:14:30,521
THE KEYS TO HIS CAR
WERE IN HIS POCKET.

372
00:14:30,652 --> 00:14:32,306
OK. I WANT A FULL SEARCH OF
ALL THE SURROUNDING BUILDINGS.

373
00:14:32,436 --> 00:14:34,090
OUR UNSUB WAS HERE.

374
00:14:34,221 --> 00:14:37,050
AND WE HAVE LESS
THAN 5 MINUTES.

375
00:14:37,180 --> 00:14:39,835
ALL RIGHT,
I JUST SPOKE TO A NEIGHBOR

376
00:14:39,966 --> 00:14:41,532
WHO SAYS THAT HE SAW
KARY KARLSSON BEING FORCED

377
00:14:41,663 --> 00:14:43,447
INTO A VEHICLE OUTSIDE
HER APARTMENT BUILDING.

378
00:14:43,578 --> 00:14:45,406
SHE WAS ABDUCTED?ACCORDING THE NEIGHBOR,

379
00:14:45,536 --> 00:14:46,886
A MAN FITTING
THE DESCRIPTION
OF OUR UNSUB

380
00:14:47,016 --> 00:14:49,671
APPROACHED KARY
BRANDISHING A WEAPON
OF SOME KIND.

381
00:14:49,801 --> 00:14:51,064
PROBABLY THE MACHETE.

382
00:14:51,194 --> 00:14:53,936
HE FORCED HER INTO
A WHITE SEDAN AND DROVE OFF.

383
00:14:54,067 --> 00:14:56,808
THE NEIGHBOR DIDN'T
REPORT THE INCIDENT
UNTIL HE ARRIVED AT WORK

384
00:14:56,939 --> 00:14:58,158
SOME 40 MINUTES LATER.

385
00:14:58,288 --> 00:14:59,463
SOME NEIGHBOR.

386
00:14:59,594 --> 00:15:02,640
SO OUR UNSUB GRABBED KARY
OUTSIDE OF HER LOFT,

387
00:15:02,771 --> 00:15:04,816
DROVE HER TO
A SECONDARY LOCATION,

388
00:15:04,947 --> 00:15:06,949
VICIOUSLY ATTACKED HER,
AND THEN LET HER GO.

389
00:15:07,080 --> 00:15:09,996
WHY? WHY RISK
MOVING HER AT ALL?

390
00:15:10,126 --> 00:15:11,954
DO YOU THINK THEY
WERE ALL ABDUCTED?

391
00:15:12,085 --> 00:15:12,912
THAT'S A GOOD BET.

392
00:15:13,042 --> 00:15:14,348
LEWIS:
IT'S LIKE REID SAID.

393
00:15:14,478 --> 00:15:17,090
THE MOVEMENTS OF THIS UNSUB,
THEY'RE CALCULATED.

394
00:15:17,220 --> 00:15:19,353
HE TAKES A
WORKING-CLASS FAMILY MAN

395
00:15:19,483 --> 00:15:21,703
AND KILLS HIM IN
AN UPSCALE COMMUNITY,

396
00:15:21,833 --> 00:15:24,097
AND THEN HE TAKES
A WELL-TO-DO GRAPHIC DESIGNER

397
00:15:24,227 --> 00:15:25,968
AND DROPS HER OFF
IN A SEEDY NEIGHBORHOOD.

398
00:15:26,099 --> 00:15:27,491
AND FINALLY, HE TAKES A COOK

399
00:15:27,622 --> 00:15:31,060
AND LAYS HIM AT THE FEET
OF RICH LOBBYISTS ON K STREET.

400
00:15:31,191 --> 00:15:34,629
THIS ENTIRE THING,
THIS IS ABOUT INEQUALITY.

401
00:15:36,152 --> 00:15:38,154
RIGHT. OK.

402
00:15:38,285 --> 00:15:39,764
I'M ON IT.
403
00:15:39,895 --> 00:15:43,333
HEY, HANG ON. HANG ON.

404
00:15:43,464 --> 00:15:48,164
SO OUR UNSUB GRABS KARY,

405
00:15:48,295 --> 00:15:50,862
PUTS HER IN THE CAR,

406
00:15:50,993 --> 00:15:52,777
CLOSES THE DOOR,
LOCKS IT,

407
00:15:52,908 --> 00:15:55,432
RUNS AROUND TO THE OTHER
SIDE OF THE CAR,

408
00:15:55,563 --> 00:15:58,174
GETS IN, CLOSES
THE DOOR, LOCKS IT,

409
00:15:58,305 --> 00:16:00,263
STARTS THE CAR,
AND DRIVES.

410
00:16:00,394 --> 00:16:03,963
AND ALL THE WHILE
HOLDING A MACHETE
ON KARY?

411
00:16:04,093 --> 00:16:07,009
AND SHE DOESN'T FIGHT
BACK OR MAKE A RUN FOR IT?

412
00:16:07,140 --> 00:16:08,750
THAT DOESN'T MAKE SENSE.

413
00:16:10,360 --> 00:16:11,796
UNLESS...

414
00:16:19,717 --> 00:16:21,067
HE HAS A PARTNER.

415
00:16:21,197 --> 00:16:23,939
SOMEONE IN THE BACKSEAT
WITH A KNIFE OR A GUN
416
00:16:24,070 --> 00:16:26,507
TO CONTROL THE VICTIM.

417
00:16:26,637 --> 00:16:29,075
WE'RE LOOKING
FOR A TEAM.

418
00:16:30,728 --> 00:16:33,079
USUALLY IT'S JUST
ME AND MY GUYS
TALKING IT OVER.

419
00:16:33,209 --> 00:16:35,255
WE DON'T NORMALLY
DO PROFILES.

420
00:16:35,385 --> 00:16:37,039
JUST FOLLOW MY LEAD.
YOU'LL BE FINE.

421
00:16:39,085 --> 00:16:40,608
WAGNER:
EVERYBODY SETTLED?

422
00:16:40,738 --> 00:16:41,870
OK, LET'S GO.

423
00:16:43,437 --> 00:16:46,570
AS YOU KNOW, WE ARE
NOW TWO HOURS INTO
A CITYWIDE MANHUNT.

424
00:16:46,701 --> 00:16:49,051
WE CAN NOW SAY WITH
CONFIDENCE THAT WE'RE
LOOKING FOR A PAIR

425
00:16:49,182 --> 00:16:51,271
OF STATEMENT-ORIENTED
SPREE KILLERS.

426
00:16:51,401 --> 00:16:53,447
THESE PARTNERS ARE BELIEVED
TO BE IN THEIR LATE TWENTIES

427
00:16:53,577 --> 00:16:56,058
TO EARLY THIRTIES,
AFRICAN-AMERICAN MALES.

428
00:16:56,189 --> 00:17:00,584
OUR UNSUBS ARE
PROBABLY BONDED BY
A SHARED GRIEVANCE--

429
00:17:00,715 --> 00:17:02,543
A LOSS OR A PAST TRAUMA.

430
00:17:02,673 --> 00:17:05,720
AS WITH ANY PARTNERSHIP,
LIKE THE D.C. SNIPERS,

431
00:17:05,850 --> 00:17:07,417
THERE IS MOST LIKELY
A DOMINANT AND A SUBMISSIVE.

432
00:17:07,548 --> 00:17:09,115
EXAMINATION OF
THE WOUND PATTERNS

433
00:17:09,245 --> 00:17:12,901
DICTATES THAT BOTH
OF THESE MEN HAVE HAD
HANDS IN THESE ATTACKS.

434
00:17:13,032 --> 00:17:14,642
THEY'RE TAKING TURNS.

435
00:17:14,772 --> 00:17:17,340
SO WHILE ONE MAY BE
DOMINANT OVER THE OTHER,

436
00:17:17,471 --> 00:17:19,473
THEY ARE EQUAL
PARTICIPANTS,

437
00:17:19,603 --> 00:17:21,040
EQUALLY DANGEROUS.

438
00:17:21,170 --> 00:17:23,042
OUR SUSPECTS ARE
ABDUCTING THEIR VICTIMS.

439
00:17:23,172 --> 00:17:25,261
THEY'RE TAKING THEM
FROM THE NEIGHBORHOODS
WHERE THEY LIVE

440
00:17:25,392 --> 00:17:28,482
INTO NEIGHBORHOODS THEY WOULD
NOT BE LIKELY TO VISIT.

441
00:17:28,612 --> 00:17:30,049
THIS BACK AND FORTH
ACROSS THE CITY

442
00:17:30,179 --> 00:17:31,963
IS A DELIBERATE
PROVOCATION

443
00:17:32,094 --> 00:17:35,663
DESIGNED TO QUESTION
OUR ASSUMPTIONS ABOUT
WHO BELONGS WHERE--

444
00:17:35,793 --> 00:17:38,753
INEQUALITY,
PRIVILEGE, CLASS.

445
00:17:38,883 --> 00:17:43,323
OUR UNSUB'S ANGER IS
FOCUSED ON SOMETHING
ALONG THOSE LINES.

446
00:17:43,453 --> 00:17:46,413
WE NEED TO CONCENTRATE
ON RECENT FLASHPOINTS
IN THE CITY'S HISTORY--

447
00:17:46,543 --> 00:17:48,284
BAD SHOOTING,
SUSPICIOUS DEATH.

448
00:17:48,415 --> 00:17:51,070
ANYTHING THAT WOULD
HAVE CAUSED A BACKLASH
OR CONTROVERSY

449
00:17:51,200 --> 00:17:52,375
WITHIN THE COMMUNITY.

450
00:17:52,506 --> 00:17:54,377
THESE ATTACKS
ARE A STATEMENT.

451
00:17:54,508 --> 00:17:56,075
IT'S THEIR RESPONSE.

452
00:17:56,205 --> 00:17:58,164
AND THEY WON'T STOP
UNTIL THEY FEEL HEARD.

453
00:17:58,294 --> 00:18:00,905
IN ADDITION TO THE MANNED
CHECKPOINTS GOING UP
AROUND THE DISTRICT,

454
00:18:01,036 --> 00:18:05,127
WE NEED TO BE LOOKING
AT ARREST RECORDS,
COMPLAINTS, THREATS.

455
00:18:05,258 --> 00:18:06,781
THESE TWO ARE OUT THERE.

456
00:18:06,911 --> 00:18:08,913
WE KNOW WHAT WE'RE
LOOKING FOR.
LET'S GET TO WORK.

457
00:18:15,050 --> 00:18:16,399
WAGNER: OK, LET'S GO.

458
00:18:16,530 --> 00:18:17,879
ANYTHING?

459
00:18:18,009 --> 00:18:21,796
NO. GARCIA'S MONITORING
EMS CALLS, BUT THEY'RE LATE.

460
00:18:21,926 --> 00:18:22,884
MAYBE OUR ROADBLOCKS
ARE WORKING.

461
00:18:23,014 --> 00:18:24,668
IF OUR UNSUBS
STICK TO PATTERN,

462
00:18:24,799 --> 00:18:26,148
THEY'VE LIKELY ALREADY
ABDUCTED THEIR NEXT VICTIM.

463
00:18:26,279 --> 00:18:27,584
THE QUESTION IS WHERE
WOULD THEY TAKE THEM?

464
00:18:27,715 --> 00:18:29,369
WELL, WHAT WOULD MAKE
THE BIGGEST SPLASH?

465
00:18:29,499 --> 00:18:30,892
WELL, IF THEY CONTINUED
HEADING NORTH CYCLING
BETWEEN RICH

466
00:18:31,022 --> 00:18:32,894
AND POOR NEIGHBORHOODS, THEY
HAVE A COUPLE OF OPTIONS,

467
00:18:33,024 --> 00:18:34,200
BUT COLUMBIA HEIGHTS
HAS BEEN IN THE NEWS LATELY.

468
00:18:34,330 --> 00:18:35,505
JJ: YEAH,
I READ ABOUT THAT.

469
00:18:35,636 --> 00:18:37,072
RESIDENTS ARE UPSET
ABOUT SOME OF THE EFFORTS

470
00:18:37,203 --> 00:18:38,856
TO GENTRIFY
THE NEIGHBORHOOD.

471
00:18:38,987 --> 00:18:39,988
YEAH. THEY'RE TRYING
TO TURN THE AREA

472
00:18:40,119 --> 00:18:41,250
AROUND HEIGHT'S PARK
INTO LUXURY CONDOS.

473
00:18:42,817 --> 00:18:42,904
WELL, THAT WOULD
CERTAINLY FIT WITH
THEIR MISSION STATEMENT.
474
00:18:44,253 --> 00:18:44,819
REID: WE'VE GOT UNITS
CANVASSING THESE TWO BLOCKS,

475
00:18:44,949 --> 00:18:46,429
BUT NOTHING HERE
NEAR THE PARK.

476
00:18:46,560 --> 00:18:49,954
CALL LUKE.

477
00:18:50,085 --> 00:18:51,173
HAVE HIM MEET YOU THERE

478
00:18:51,304 --> 00:18:52,261
WITH A COUPLE OF
PLAINCLOTHES OFFICERS.

479
00:18:52,392 --> 00:18:54,045
TAKE A LOOK.

480
00:18:54,176 --> 00:18:56,657
THEY'RE LATE,
BUT THERE'S NO WAY
THEY'RE NOT SHOWING UP,

481
00:18:56,787 --> 00:18:58,572
NOT ONCE THEY'VE FINALLY
GOT EVERYONE'S ATTENTION.

482
00:18:58,702 --> 00:18:59,921
STILL, WHAT'S THEIR ENDGAME?

483
00:19:00,051 --> 00:19:02,010
I MEAN, THEY AREN'T TRYING
TO GET AWAY WITH THIS,

484
00:19:02,141 --> 00:19:03,794
OTHERWISE THEY WOULD HAVE
TAKEN MORE PRECAUTIONS.

485
00:19:03,925 --> 00:19:05,187
IT FEELS LIKE THEY'RE
PREPARED TO DIE,

486
00:19:05,318 --> 00:19:07,102
LIKE THE VEGAS OR
THE ORLANDO SHOOTERS,

487
00:19:07,233 --> 00:19:10,323
EITHER IN A HAIL
OF BULLETS OR
SUICIDE BY COP.

488
00:19:10,453 --> 00:19:11,802
WELL, THAT'S LIKELY
TRUE FOR THE DOMINANT,

489
00:19:11,933 --> 00:19:13,152
WHOSE SENSE OF AGREE

490
00:19:13,282 --> 00:19:14,414
HEY, GARCIA.

491
00:19:14,544 --> 00:19:15,719
I JUST INTERCEPTED
A 9-1-1 CALL.

492
00:19:15,850 --> 00:19:16,590
THERE'S BEEN ANOTHER ATTACK.

493
00:19:16,720 --> 00:19:18,069
WHERE?

494
00:19:18,200 --> 00:19:19,506
RIGHT THERE.
RIGHT WHERE YOU ARE.

495
00:19:20,637 --> 00:19:23,074
HELP! I NEED HELP!
SOMEBODY!

496
00:19:24,380 --> 00:19:26,600
DRIVER: HEY, WATCH IT!

497
00:19:26,730 --> 00:19:28,079
JJ: ARE YOU HURT?

498
00:19:28,210 --> 00:19:28,993
NO, THE PARKING LOT. A MAN.

499
00:19:29,124 --> 00:19:30,212
HURRY!

500
00:19:30,343 --> 00:19:32,083
THIS IS SSA
LUKE ALVEZ.

501
00:19:32,214 --> 00:19:33,955
I NEED AN AMBULANCE
IMMEDIATELY.

502
00:19:35,391 --> 00:19:38,394
WE'RE IN A RESIDENTIAL
PARKING LOT ON 16th,

503
00:19:38,525 --> 00:19:39,787
700 BLOCK.

504
00:19:39,917 --> 00:19:41,005
NO, NO, NO, NO.
DON'T MOVE.

505
00:19:41,136 --> 00:19:42,529
DON'T MOVE, OK?

506
00:19:42,659 --> 00:19:43,791
HEY, DID YOU SEE
WHO ATTACKED HIM?

507
00:19:43,921 --> 00:19:46,097
IT WAS A MAN,
AFRICAN AMERICAN.

508
00:19:46,228 --> 00:19:47,229
WHICH WAY DID HE GO?

509
00:19:47,360 --> 00:19:48,578
THAT WAY.

510
00:19:48,709 --> 00:19:50,145
JJ: GO. GO, LUKE.
WE'RE FINE.

511
00:19:50,276 --> 00:19:51,799
OFFICERS, COME WITH ME.
LET'S GO.
512
00:19:58,501 --> 00:20:01,025
1 AND 2 AND 3 AND 4

513
00:20:01,156 --> 00:20:03,114
AND 1 AND 2 AND 3 AND 4.

514
00:20:03,245 --> 00:20:04,812
AND 1 AND 2 AND 3 AND 4.

515
00:20:04,942 --> 00:20:06,074
HEY, STAY BACK.

516
00:20:06,205 --> 00:20:09,425
MAN: HANG ON.

517
00:20:09,556 --> 00:20:12,776
HEY, COME ON, MAN.
TURN THAT OFF.

518
00:20:12,907 --> 00:20:16,084
FBI, TURN YOUR PHONE OFF.

519
00:20:16,215 --> 00:20:19,130
LET'S GO BACK TO
THE FIRST VICTIM,
CHARLES O'NEILL.

520
00:20:19,261 --> 00:20:21,045
OUR UNSUBS TOOK
A BIG RISK

521
00:20:21,176 --> 00:20:23,134
GOING AFTER A GUY
LIKE THAT FIRST.

522
00:20:23,265 --> 00:20:25,180
JJ: FBI. TURN YOUR PHONE OFF.GUYS, THIS IS LIVE.

523
00:20:25,311 --> 00:20:26,921
THIS IS HAPPENING
RIGHT NOW.

524
00:20:28,270 --> 00:20:29,489
LEWIS: OH, MY GOD.

525
00:20:31,578 --> 00:20:33,493
SON OF A BITCH.

526
00:20:33,623 --> 00:20:35,190
I DON'T WANT TO SEE
ANY OF THIS ON THE NEWS.

527
00:20:35,321 --> 00:20:36,626
WE NEED TO SHUT THIS
FEED DOWN IMMEDIATELY.

528
00:20:36,757 --> 00:20:38,411
AGREED.

529
00:20:42,415 --> 00:20:43,807
ALVEZ: GET THE PLATE!

530
00:20:51,162 --> 00:20:53,600
COME ON. AND 2 AND 3, 4.

531
00:20:53,730 --> 00:20:55,428
SPENCER, COME ON.
LET ME.

532
00:20:55,558 --> 00:20:58,126
I GOT IT. I GOT IT.
I CAN DO IT. I CAN DO THIS.

533
00:21:10,573 --> 00:21:13,010
HEY. UH, HE'S BEEN
STABBED MULTIPLE TIMES.

534
00:21:13,141 --> 00:21:15,143
MULTIPLE STAB WOUNDS.

535
00:21:15,274 --> 00:21:17,537
WE GOT IT FROM HERE.
WE GOT IT.

536
00:21:17,667 --> 00:21:19,103
OK.

537
00:21:19,234 --> 00:21:21,802
MAN: WE'RE GETTING
HIM SOME HELP, GUYS.
BACK IT UP.
538
00:21:21,932 --> 00:21:23,543
COME ON, GET BACK.

539
00:21:27,329 --> 00:21:29,244
CLEAR.

540
00:21:29,375 --> 00:21:31,202
COME ON, COME ON.

541
00:21:39,385 --> 00:21:40,516
COME BACK TO US.

542
00:21:40,647 --> 00:21:41,909
HE MUST HAVE HIT
AN ARTERY.

543
00:21:42,039 --> 00:21:43,171
HE'S LOST TOO MUCH BLOOD.

544
00:21:43,302 --> 00:21:44,172
GOING AGAIN.

545
00:21:45,304 --> 00:21:47,175
CLEAR.

546
00:21:54,051 --> 00:21:55,139
HE'S GONE.

547
00:21:55,270 --> 00:21:57,185
SORRY.

548
00:22:00,101 --> 00:22:03,147
HE'S DEAD.

549
00:22:03,278 --> 00:22:04,192
NO, HE'S NOT DEAD.
THERE'S GOT TO BE

550
00:22:04,323 --> 00:22:05,236
SOMETHING ELSE THAT
THEY CAN DO.

551
00:22:05,367 --> 00:22:07,761
GARCIA...
552
00:22:07,891 --> 00:22:09,719
RESTART THE CLOCK.

553
00:22:28,129 --> 00:22:28,825
FBI, DON'T MOVE.

554
00:22:28,956 --> 00:22:30,174
OFFICER: PUT YOUR HANDS
IN THE AIR.

555
00:22:30,305 --> 00:22:33,047
DROP THE WEAPON NOW.

556
00:22:33,177 --> 00:22:34,135
TURN AROUND.

557
00:22:34,265 --> 00:22:36,529
HANDS BEHIND YOUR HEAD.

558
00:22:56,853 --> 00:22:58,420
UH, 700.

559
00:22:58,551 --> 00:23:00,291
NICE WORK.

560
00:23:00,422 --> 00:23:01,597
YEAH, THANKS.

561
00:23:01,728 --> 00:23:02,903
WE TRACKED HIM FROM
THE PARKING LOT.

562
00:23:03,033 --> 00:23:04,687
THEY SPLIT UP?YEAH, THIS ONE RAN.

563
00:23:04,818 --> 00:23:05,471
THE OTHER ONE DROVE OFF.

564
00:23:06,559 --> 00:23:06,602
WE'VE GOT UNIFORMS
CANVASSING THE AREA.

565
00:23:07,690 --> 00:23:09,039
UPON CONTACT, THIS
SUSPECT SURRENDERED.
566
00:23:09,170 --> 00:23:10,867
NO FIGHT.

567
00:23:10,998 --> 00:23:13,479
HE'S GOT NO I.D.
HE HASN'T SAID OR
ASKED FOR ANYTHING.

568
00:23:13,609 --> 00:23:15,524
BUT HE GAVE HIMSELF UP.MM-HMM.

569
00:23:15,655 --> 00:23:18,440
WE PROFILED THESE GUYS
AS CONFRONTATIONAL
AND STATEMENT-DRIVEN.

570
00:23:18,571 --> 00:23:20,007
THE FACT THAT HE
SURRENDERED MAKES ME THINK

571
00:23:20,137 --> 00:23:21,791
HE MUST BE THE SUBMISSIVE
IN THE PARTNERSHIP.

572
00:23:21,922 --> 00:23:23,140
HOW DO YOU WANT
TO DO THIS?

573
00:23:23,271 --> 00:23:25,142
WE NEED TO GET HIM TALKING,

574
00:23:25,273 --> 00:23:27,449
SEE IF WE CAN GET HIM
TO GIVE UP HIS ACCOMPLICE.

575
00:23:27,580 --> 00:23:29,146
I'LL DO IT ALONE.

576
00:23:29,277 --> 00:23:30,452
I THINK HE'LL RESPOND
TO SOMEONE LESS AUTHORITATIVE

577
00:23:30,583 --> 00:23:32,323
THAN HIS PARTNER.

578
00:23:35,501 --> 00:23:36,545
GIVE ME A MINUTE.

579
00:23:36,676 --> 00:23:38,242
YES, MA'AM.

580
00:23:42,159 --> 00:23:44,858
I'M EMILY PRENTISS.
I'M WITH THE FBI.

581
00:23:44,988 --> 00:23:46,729
YOU CAN CALL ME EMILY.

582
00:23:46,860 --> 00:23:49,558
WHAT'S YOUR NAME?

583
00:23:49,689 --> 00:23:51,604
YOU HAVE A NAME, RIGHT?

584
00:23:56,304 --> 00:23:58,088
WHAT ABOUT YOUR PARTNER?

585
00:23:58,219 --> 00:24:00,134
WHERE'D HE GO?

586
00:24:00,264 --> 00:24:02,832
HE JUST TOOK OFF,

587
00:24:02,963 --> 00:24:04,268
LEFT YOU BEHIND?

588
00:24:04,399 --> 00:24:06,183
LEFT YOU HOLDING
THE MACHETE.

589
00:24:08,185 --> 00:24:10,318
I CAN HELP YOU.

590
00:24:10,449 --> 00:24:13,669
THERE'S STILL TIME
TO DO THE RIGHT THING.

591
00:24:13,800 --> 00:24:16,193
I KNOW THIS WASN'T
YOUR IDEA.
592
00:24:16,324 --> 00:24:19,806
AND THIS ISN'T WHAT
YOU REALLY WANT.

593
00:24:19,936 --> 00:24:22,678
18:46.

594
00:24:22,809 --> 00:24:24,680
18:45.

595
00:24:24,811 --> 00:24:26,377
18:44.

596
00:24:26,508 --> 00:24:28,641
18:43.

597
00:24:34,168 --> 00:24:35,517
THIS IS NOT A GAME.

598
00:24:35,648 --> 00:24:37,911
NO, IT ISN'T, EMILY.

599
00:24:38,041 --> 00:24:40,391
WHAT IS YOUR NAME?

600
00:24:40,522 --> 00:24:44,352
TICK TOCK, EMILY.
TICK TOCK.

601
00:24:52,360 --> 00:24:54,057
ALL RIGHT,
THEY'VE SPLIT UP.

602
00:24:54,188 --> 00:24:56,843
THEY KNOW WE'RE
CLOSING IN.
WHAT'S NEXT?

603
00:24:56,973 --> 00:24:58,366
WELL, WE'VE DISRUPTED
THEIR ABILITY TO ABDUCT

604
00:24:58,497 --> 00:24:59,933
AND TO TRANSPORT
THEIR VICTIMS,
605
00:25:00,063 --> 00:25:02,152
SO NOW THE DOMINANT
NOT ONLY HAS TO PICK
HIS NEXT VICTIM,

606
00:25:02,283 --> 00:25:03,806
BUT HIS NEXT SPOT.

607
00:25:03,937 --> 00:25:07,114
MAYBE A MALL
OR MUSEUM, PARK.

608
00:25:07,244 --> 00:25:08,158
RIGHT. SOMEWHERE WEALTHY,

609
00:25:08,289 --> 00:25:09,899
SOMETHING THAT
REPRESENTS PROGRESS,

610
00:25:10,030 --> 00:25:11,814
BUT AT THE SAME TIME,
AT THIS POINT,

611
00:25:11,945 --> 00:25:13,599
IT'S PERSONAL TO THEM.

612
00:25:13,729 --> 00:25:15,339
PRENTISS: HE'S TAUNTING US.

613
00:25:15,470 --> 00:25:16,819
AS LONG AS HIS PARTNER'S
STILL OUT THERE,

614
00:25:16,950 --> 00:25:18,560
THE MISSION CONTINUES,
AND HE KNOWS IT.

615
00:25:18,691 --> 00:25:20,344
YEAH, WE CAN'T JUST
KEEP MAKING RUNS AT HIM.

616
00:25:20,475 --> 00:25:21,302
HE'S GONNA LAWYER UP.

617
00:25:21,432 --> 00:25:22,564
IN 15 MINUTES,
IT WON'T MATTER.

618
00:25:22,695 --> 00:25:24,523
NO ONE ELSE DIES TODAY.

619
00:25:26,742 --> 00:25:28,875
DAVE, TELL ME YOU
FOUND SOMETHING.

620
00:25:29,005 --> 00:25:30,180
WE'VE BEEN SPINNING
OUR WHEELS,

621
00:25:30,311 --> 00:25:31,355
TRYING TO FIGURE OUT
WHY THESE TWO WOULD

622
00:25:31,486 --> 00:25:33,532
GO AFTER A GUY LIKE
CHARLES O'NEILL FIRST.

623
00:25:33,662 --> 00:25:36,230
WELL, I JUST GOT
OFF THE PHONE WITH
O'NEILL'S WIFE.

624
00:25:36,360 --> 00:25:38,406
SHE TOLD ME THAT
OUTSIDE OF HIS DAY JOB,

625
00:25:38,537 --> 00:25:40,495
HE WOULD MOONLIGHT
AS A BOUNCER.

626
00:25:40,626 --> 00:25:44,238
HE WORKED IN ANACOSTIA
AT A CLUB CALLED HARD TIMES.

627
00:25:44,368 --> 00:25:46,196
LAST WEEK THERE
WAS A STABBING.

628
00:25:46,327 --> 00:25:48,198
A YOUNG MAN DIED.
BLED TO DEATH.

629
00:25:48,329 --> 00:25:49,199
SOUND FAMILIAR?

630
00:25:49,330 --> 00:25:50,287
GARCIA: I FOUND IT

631
00:25:50,418 --> 00:25:52,028
BURIED IN THE WEEKLY
BEAT REPORT.

632
00:25:52,159 --> 00:25:54,596
YOUNG MAN'S NAME
WAS TOM WELLS,
18 YEARS OLD,

633
00:25:54,727 --> 00:25:55,902
BORN AND RAISED
IN THE DISTRICT.

634
00:25:56,032 --> 00:25:58,034
HE'S SURVIVED BY HIS
TWO OLDER BROTHERS,

635
00:25:58,165 --> 00:25:59,601
JAMES AND MARCUS WELLS.

636
00:25:59,732 --> 00:26:01,690
JAMES IS THE OLDEST.
HE RAISED BOTH THE OTHER TWO

637
00:26:01,821 --> 00:26:03,910
WHEN THEIR MOM DIED
WHEN THEY WERE YOUNG.

638
00:26:04,040 --> 00:26:06,782
YOU'VE ARRESTED MARCUS.
JAMES IS STILL OUT THERE.

639
00:26:06,913 --> 00:26:09,524
LOOKS LIKE THEIR BROTHER'S
FUNERAL WAS YESTERDAY.

640
00:26:09,655 --> 00:26:12,266
WHAT ABOUT THE INCIDENT ITSELF?
DID THEY ARREST ANYONE?

641
00:26:12,396 --> 00:26:16,009
YEAH. GUY'S NAME
WAS LONNY CARSON.

642
00:26:16,139 --> 00:26:17,750
HE IS IN JAIL.
HE'S AWAITING TRIAL.

643
00:26:17,880 --> 00:26:18,707
I'M SENDING YOU
EVERYTHING I'VE GOT NOW.

644
00:26:19,665 --> 00:26:20,230
PRENTISS: LOOP
MENDOZA'S TEAM IN.

645
00:26:20,361 --> 00:26:21,841
I WANT AGENTS AT
THEIR WORK AND HOME,

646
00:26:21,971 --> 00:26:23,364
GIRLFRIENDS,
BOYFRIENDS, FAMILY.

647
00:26:23,494 --> 00:26:26,323
NO STONE UNTURNED.
THAT'S HOW I ROLL.

648
00:26:30,284 --> 00:26:31,894
WHAT THE HELL AM
I MISSING HERE?

649
00:26:32,025 --> 00:26:34,984
IF THE GUY THAT
STABBED THEIR BROTHER
IS SITTING IN JAIL,

650
00:26:35,115 --> 00:26:37,334
WHY ARE THEY STILL
OUT HERE CARVING UP
INNOCENT PEOPLE?

651
00:26:37,465 --> 00:26:43,123
OK, GO BACK TO THE PROFILE.
INEQUALITY, CLASS, INJUSTICE.

652
00:26:43,253 --> 00:26:46,430
THEY'RE TRYING TO TELL US
THIS IS ABOUT SOMETHING DEEPER.
653
00:26:46,561 --> 00:26:48,432
SO THEN WHY TARGET
CHARLES O'NEILL?

654
00:26:48,563 --> 00:26:51,087
ALL THE OTHERS SEEM
TO HAVE BEEN CHOSEN
AT RANDOM.

655
00:26:51,218 --> 00:26:53,002
IT'S POSSIBLE THEY FEEL
CHARLES O'NEILL

656
00:26:53,133 --> 00:26:55,352
BEARS SOME BLAME
FOR TOM'S DEATH.

657
00:26:55,483 --> 00:26:58,007
BUT CHARLES IS LIKE THEM.
HE'S FROM A SIMILAR
NEIGHBORHOOD

658
00:26:58,138 --> 00:26:59,922
AND ECONOMIC BACKGROUND.

659
00:27:00,053 --> 00:27:02,795
STRIKING HIM FIRST
DRAWS A DIRECT PARALLEL

660
00:27:02,925 --> 00:27:05,885
BETWEEN THEIR BROTHER'S
DEATH AND EVERYONE ELSE'S.

661
00:27:06,015 --> 00:27:07,974
THERE'S NO WAY MARCUS
IS GONNA GIVE UP
HIS BROTHER.

662
00:27:08,104 --> 00:27:10,977
MAYBE NOT. BUT FOR
THE FIRST TIME TODAY,
WE HAVE THE UPPER HAND.

663
00:27:21,465 --> 00:27:26,296
MARCUS WELLS,
1521 HARRIS STREET
IN GARFIELD HEIGHTS.
664
00:27:26,427 --> 00:27:28,821
BROTHER OF TOM
AND JAMES WELLS.

665
00:27:30,649 --> 00:27:33,913
I AM SORRY ABOUT
THE LOSS OF YOUR BROTHER.

666
00:27:34,043 --> 00:27:36,263
HE SEEMED LIKE A GOOD KID.

667
00:27:36,393 --> 00:27:38,569
GRADUATED TOP OF HIS CLASS.

668
00:27:38,700 --> 00:27:40,354
TOM WAS A FRESHMAN
AT HALLRIDGE UNIVERSITY--

669
00:27:40,484 --> 00:27:41,485
DON'T.

670
00:27:43,183 --> 00:27:44,924
DON'T EVEN SAY
HIS NAME.

671
00:27:45,054 --> 00:27:47,535
YOU'RE NOT ALLOWED
TO SAY HIS NAME.

672
00:27:48,841 --> 00:27:51,147
WHAT ABOUT JAMES?

673
00:27:51,278 --> 00:27:53,236
I'M GOING TO LEVEL
WITH YOU, MARCUS.

674
00:27:53,367 --> 00:27:55,412
THERE ARE ONLY TWO WAYS
FOR THIS TO END,

675
00:27:55,543 --> 00:27:57,806
AND I DON'T THINK YOU
WANT TO BURY ANOTHER
BROTHER THIS WEEK.

676
00:27:57,937 --> 00:28:01,157
I NEED YOU TO TELL ME
WHERE JAMES IS.

677
00:28:01,288 --> 00:28:03,464
I KNOW THIS WHOLE DAY
WAS HIS IDEA.

678
00:28:03,594 --> 00:28:05,684
HE WAS SENT TO
JUVIE TWICE, JAIL ONCE.

679
00:28:05,814 --> 00:28:06,859
JAMES LIKES TO FIGHT.

680
00:28:06,989 --> 00:28:09,470
YOU HAVE NO IDEA
WHO JAMES IS.

681
00:28:09,600 --> 00:28:11,385
HE RAISED US.

682
00:28:11,515 --> 00:28:14,475
HE WORKED TWO JOBS
JUST TO PUT TOM
THROUGH SCHOOL.

683
00:28:14,605 --> 00:28:16,651
YOU DON'T KNOW HIM.

684
00:28:16,782 --> 00:28:18,914
YOU DON'T KNOW ME,

685
00:28:19,045 --> 00:28:21,047
WHAT WE'VE BEEN
THROUGH.

686
00:28:21,177 --> 00:28:22,875
SO TELL ME.

687
00:28:23,005 --> 00:28:26,008
WHY? YOU DON'T CARE
ABOUT ME OR MY BROTHER.

688
00:28:26,139 --> 00:28:28,489
YOU JUST AS SOON SHOOT
US DEAD IN THE STREET,
689
00:28:28,619 --> 00:28:31,187
LIKE THAT UNARMED MAN
WHO GOT SHOT TODAY.

690
00:28:31,318 --> 00:28:32,406
WHERE WERE YOU THEN?

691
00:28:32,536 --> 00:28:34,800
WHAT DID YOU DO
TO HELP HIM?

692
00:28:34,930 --> 00:28:37,193
THE WAY I SEE IT,
THAT BLOOD IS ON
YOUR HANDS.

693
00:28:37,324 --> 00:28:40,283
SO YOU THINK THIS IS
WHAT TOM WOULD HAVE WANTED,

694
00:28:40,414 --> 00:28:42,633
FOR YOU TO KILL
A BUNCH OF INNOCENT PEOPLE
IN HIS NAME?

695
00:28:42,764 --> 00:28:44,244
SEE, I THINK HE
WOULD HAVE BEEN ASHAMED.

696
00:28:44,374 --> 00:28:45,462
NO, NO, NO.

697
00:28:46,986 --> 00:28:49,379
NO, HE WOULD HAVE
UNDERSTOOD WHAT WE
WERE TRYING TO SAY.

698
00:28:49,510 --> 00:28:53,601
MARCUS, WHATEVER POINT
YOU WERE TRYING TO MAKE
IS IRRELEVANT NOW.

699
00:28:53,732 --> 00:28:55,734
YOU'VE KILLED TWO PEOPLE.

700
00:28:55,864 --> 00:28:57,910
YOU'VE CRITICALLY
INJURED TWO OTHERS.

701
00:28:58,040 --> 00:28:59,563
THIS IS OVER.

702
00:28:59,694 --> 00:29:02,871
LOOK, YOUR ONLY OPTION
IS TO TALK TO ME,

703
00:29:03,002 --> 00:29:04,438
TO TELL ME WHERE
JAMES IS.

704
00:29:04,568 --> 00:29:06,570
THERE IS STILL TIME.

705
00:29:06,701 --> 00:29:09,008
YOU'VE GOT A CHANCE HERE
TO DO THE RIGHT THING.

706
00:29:09,138 --> 00:29:10,400
THE RIGHT THING?

707
00:29:10,531 --> 00:29:12,359
MY BROTHER DID
EVERYTHING RIGHT

708
00:29:12,489 --> 00:29:13,664
AND HE NEVER HAD
A CHANCE.

709
00:29:13,795 --> 00:29:15,971
HE NEVER HAD A CHANCE.

710
00:29:16,102 --> 00:29:18,582
TODAY PROVED THAT.

711
00:29:18,713 --> 00:29:21,629
A CHANCE AT WHAT?

712
00:29:23,849 --> 00:29:25,589
SURVIVING?

713
00:29:30,551 --> 00:29:34,511
WHY 27, MARCUS?
WHY NOT 26 OR 24?
714
00:29:36,383 --> 00:29:39,690
I ASK MYSELF THAT
QUESTION EVERY DAY.

715
00:29:40,779 --> 00:29:43,216
EVERY DAMN DAY.

716
00:29:47,481 --> 00:29:50,136
WHAT DOES 27 MEAN?

717
00:29:51,528 --> 00:29:54,183
EVERYTHING.

718
00:29:54,314 --> 00:29:56,359
IT MEANS EVERYTHING.

719
00:29:58,361 --> 00:30:01,712
I'M DONE TALKING.
I WANT A LAWYER.

720
00:30:14,987 --> 00:30:15,857
ANYTHING?

721
00:30:15,988 --> 00:30:17,424
WE'LL SEE.

722
00:30:17,554 --> 00:30:18,599
GARCIA?

723
00:30:18,729 --> 00:30:19,600
YEAH, I'M HERE.
TALK TO ME.

724
00:30:20,906 --> 00:30:21,776
I NEED YOU TO PULL
EMERGENCY RESPONSE
CALL LOGS

725
00:30:21,907 --> 00:30:23,430
FROM THE NIGHT THAT
TOM WELLS WAS MURDERED.

726
00:30:23,560 --> 00:30:24,953
ON IT.
727
00:30:26,825 --> 00:30:27,608
HOW MUCH TIME
DO WE HAVE?

728
00:30:27,738 --> 00:30:28,522
LESS THAN 10 MINUTES.

729
00:30:28,652 --> 00:30:29,828
WHAT ARE YOU THINKING?

730
00:30:29,958 --> 00:30:31,742
27 MINUTES HAS BEEN
STARING US IN THE FACE

731
00:30:31,873 --> 00:30:33,266
THIS WHOLE TIME.

732
00:30:33,396 --> 00:30:36,356
MARCUS AND HIS BROTHER
THINK THAT WHERE YOU LIVE

733
00:30:36,486 --> 00:30:38,184
NOT ONLY DETERMINES
YOUR QUALITY OF LIFE,

734
00:30:38,314 --> 00:30:39,620
BUT YOUR QUALITY OF CARE.

735
00:30:39,750 --> 00:30:41,535
YOUR ZIP CODE
DETERMINES YOUR FATE.

736
00:30:41,665 --> 00:30:43,493
THAT'S WHY THEY'RE
MOVING THESE PEOPLE
BACK AND FORTH.

737
00:30:43,624 --> 00:30:45,626
THEY'RE TRYING TO
SHOW US THE DISPARITY
IN RESPONSE TIMES.

738
00:30:45,756 --> 00:30:47,019
THAT'S WHY
THEY CALL 9-1-1.

739
00:30:47,149 --> 00:30:48,759
YEAH, RICH NEIGHBORHOODS
GET FASTER CARE

740
00:30:48,890 --> 00:30:50,239
THAN POOR NEIGHBORHOODS.

741
00:30:50,370 --> 00:30:52,154
AND ACTIONS SPEAK
LOUDER THAN WORDS.

742
00:30:52,285 --> 00:30:55,462
THEY THOUGHT THE MOST
EFFECT WAY TO GET
THEIR MESSAGE ACROSS

743
00:30:55,592 --> 00:30:56,942
WOULD BE TO DEMONSTRATE
IT IN REAL TIME.

744
00:30:57,072 --> 00:30:58,639
THE NIGHT TOM DIED,

745
00:30:58,769 --> 00:31:00,380
I BET WE'RE GONNA
FIND OUT IT TOOK
27 MINUTES

746
00:31:00,510 --> 00:31:01,555
FOR HELP TO ARRIVE.

747
00:31:01,685 --> 00:31:03,818
TOM PROBABLY BLED
TO DEATH IN THE STREET

748
00:31:03,949 --> 00:31:05,298
IN HIS BROTHERS' ARMS.

749
00:31:06,734 --> 00:31:08,040
OH, JEEZ, THIS IS AWFUL.

750
00:31:08,170 --> 00:31:10,564
THEY CALLED 9-1-1 9 TIMES.

751
00:31:10,694 --> 00:31:12,696
AND FOR WHATEVER REASON,
IT TOOK THE AMBULANCE
752
00:31:12,827 --> 00:31:14,698
27 MINUTES TO GET THERE.

753
00:31:14,829 --> 00:31:17,310
TOM WAS PRONOUNCED
DEAD AT THE SCENE.

754
00:31:19,703 --> 00:31:23,055
WHAT CAN YOU TELL ME
ABOUT TOM AND JAMES'
RELATIONSHIP?

755
00:31:23,185 --> 00:31:25,448
JAMES DID EVERYTHING
FOR HIS LITTLE BROTHER.

756
00:31:25,579 --> 00:31:27,102
THE NIGHT THAT THEY
WENT OUT,

757
00:31:27,233 --> 00:31:29,626
IT WAS TO CELEBRATE
TOM'S FIRST SEMESTER
AT HALLRIDGE UNIVERSITY.

758
00:31:29,757 --> 00:31:31,237
HALLRIDGE.
THAT'S IT.

759
00:31:31,367 --> 00:31:33,326
WHEN I MENTIONED
THAT TOM WAS
A FRESHMAN THERE,

760
00:31:33,456 --> 00:31:34,675
MARCUS LOST IT.

761
00:31:34,805 --> 00:31:35,719
YOU THINK THAT'S
WHERE JAMES IS HEADED?

762
00:31:37,069 --> 00:31:38,026
I THINK THEY'RE
GRIEVING FOR WHAT
THEY'VE LOST,

763
00:31:38,157 --> 00:31:40,463
THIS FUTURE THAT
WAS RIPPED AWAY

764
00:31:40,594 --> 00:31:41,595
FROM THEIR BROTHER
AND THEIR FAMILY,

765
00:31:41,725 --> 00:31:42,988
AND HALLRIDGE IS
A PART OF THAT.

766
00:31:43,118 --> 00:31:44,467
AN INNOCENT STUDENT
WOULD IN ESSENCE

767
00:31:44,598 --> 00:31:45,904
BE THE PERFECT STAND IN
FOR THEIR BROTHER.

768
00:31:46,034 --> 00:31:47,122
ROSSI:
THE ULTIMATE SURROGATE.

769
00:31:47,253 --> 00:31:48,776
GARCIA: HALLRIDGE
ISN'T FAR,

770
00:31:48,907 --> 00:31:50,212
JUST A FEW MILES AWAY.

771
00:31:50,343 --> 00:31:51,213
YOU KNOW, IT'S ALMOST
LIKE THEY'VE BEEN

772
00:31:51,344 --> 00:31:52,823
HEADING THERE
THIS WHOLE TIME.

773
00:31:52,954 --> 00:31:54,260
MENDOZA: LISTEN, IF WE'RE
GOING TO SHUT DOWN

774
00:31:54,390 --> 00:31:56,262
AN ENTIRE CAMPUS
IN LESS THAN 10 MINUTES,

775
00:31:56,392 --> 00:31:57,959
WE'RE GONNA HAVE TO
DIVERT ALL OF OUR RESOURCES,

776
00:31:58,090 --> 00:31:59,961
PULL THE UNITS
OFF THE STREETS.

777
00:32:00,092 --> 00:32:01,180
IF WE'RE WRONG.

778
00:32:01,310 --> 00:32:02,921
WE'RE NOT WRONG.
THIS IS HIS FINAL PLAY,

779
00:32:03,051 --> 00:32:04,357
I'M SURE OF IT.

780
00:32:04,487 --> 00:32:07,186
KEEP A LOW PROFILE.
WE DON'T WANT TO PROVOKE HIM.

781
00:32:07,316 --> 00:32:08,970
THAYER HALL,
WHERE TOM ROOMED,

782
00:32:09,101 --> 00:32:10,580
IS DIRECTLY TO
OUR NORTH.

783
00:32:10,711 --> 00:32:13,496
JAMES IS NOT PLANNING ON
WALKING OUT OF HERE ALIVE.

784
00:32:13,627 --> 00:32:16,238
OUR GOAL IS TO ISOLATE
AND DEESCALATE.

785
00:32:19,938 --> 00:32:21,809
ALL RIGHT, LET'S
CLEAR THESE STUDENTS
OUT OF HERE, PLEASE.

786
00:32:21,940 --> 00:32:22,723
THIS WAY.

787
00:32:23,942 --> 00:32:24,855
HEY, GUYS, COULD
I GET YOU TO DO
ME A FAVOR

788
00:32:24,986 --> 00:32:26,031
AND HEAD INDOORS?

789
00:32:26,161 --> 00:32:28,555
ALL RIGHT, MOVE
THESE PEOPLE OUT.

790
00:32:29,643 --> 00:32:32,167
HEY, GUYS. FBI.

791
00:32:32,298 --> 00:32:33,690
WE NEED YOU TO
HEAD INSIDE, OK?

792
00:32:33,821 --> 00:32:34,996
YES, SIR.

793
00:32:35,127 --> 00:32:36,476
ON CHAPTER TWO...

794
00:32:36,606 --> 00:32:38,173
LADIES, I'M WITH
THE FBI.

795
00:32:38,304 --> 00:32:39,958
GO ON.

796
00:32:41,394 --> 00:32:43,222
EVERYBODY PLEASE
JUST HEAD INSIDE.

797
00:32:43,352 --> 00:32:44,963
THANK YOU.

798
00:32:49,358 --> 00:32:52,013
MENDOZA: LADIES, I NEED
YOU TO TAKE IT INDOORS
FOR ME, OK?

799
00:32:52,144 --> 00:32:54,537
GUYS, TAKE IT INDOORS,
PLEASE.
800
00:32:54,668 --> 00:32:57,018
GUYS, TAKE IT INDOORS
FOR ME, WILL YOU?

801
00:32:57,149 --> 00:33:00,021
WILL YOU HEAD INSIDE?
COME ON. COME ON, LET'S GO.

802
00:33:00,152 --> 00:33:01,762
FELLAS, TAKE IT INDOORS
FOR ME, WILL YOU?

803
00:33:01,892 --> 00:33:04,417
GUYS, I NEED YOU TO
TAKE IT INSIDE. LET'S GO.

804
00:33:04,547 --> 00:33:07,768
AAH!

805
00:33:09,161 --> 00:33:10,858
STATUS REPORT.

806
00:33:12,033 --> 00:33:13,469
YEAH, I HEARD IT.

807
00:33:13,600 --> 00:33:15,558
I'M AT 3 O'CLOCK,
BUT I DON'T SEE ANYTHING.

808
00:33:15,689 --> 00:33:17,473
NOTHING TO YOUR SOUTH.

809
00:33:17,604 --> 00:33:19,693
MENDOZA, STATUS.

810
00:33:19,823 --> 00:33:21,956
MENDOZA.
DON'T!

811
00:33:22,087 --> 00:33:23,827
DO YOU COPY?
DON'T!

812
00:33:25,133 --> 00:33:28,571
MISS, LOOK AT ME.
LOOK AT ME.
813
00:33:28,702 --> 00:33:30,747
YOU'RE GONNA BE OK.

814
00:33:30,878 --> 00:33:32,749
OK? YOU'RE GONNA BE OK.

815
00:33:32,880 --> 00:33:36,840
JAMES, I'M GONNA NEED YOU
TO LET HER GO.

816
00:33:36,971 --> 00:33:38,886
I WANT YOU TO TAKE ME,
ALL RIGHT?

817
00:33:39,017 --> 00:33:40,540
I'M FBI.

818
00:33:42,194 --> 00:33:45,414
A FED.
I'M THE GUY YOU WANT.

819
00:33:47,721 --> 00:33:49,418
OK?

820
00:33:53,074 --> 00:33:55,990
YOU WANT PEOPLE TO
PAY ATTENTION, RIGHT?

821
00:33:57,992 --> 00:33:59,907
LET HER GO.

822
00:34:02,910 --> 00:34:05,739
COME ON, BROTHER.
LET HER GO.

823
00:34:07,132 --> 00:34:08,742
TAKE ME.

824
00:34:12,789 --> 00:34:15,792
COME ON. COME ON.

825
00:34:17,011 --> 00:34:18,534
FBI, GET OUT OF THE WAY.

826
00:34:20,014 --> 00:34:22,930
GET OUT OF THE WAY.

827
00:34:23,061 --> 00:34:25,846
AAH!

828
00:34:36,074 --> 00:34:37,510
PRENTISS:
JAMES, DROP THE WEAPON.

829
00:34:37,640 --> 00:34:39,642
WE HAVE YOU SURROUNDED.
THIS IS OVER NOW.

830
00:34:39,773 --> 00:34:41,427
NO, IT AIN'T.

831
00:34:41,557 --> 00:34:43,733
YOU GONNA FEEL
WHAT IT'S LIKE.

832
00:34:43,864 --> 00:34:45,518
YOU GONNA FEEL
WHAT IT'S LIKE

833
00:34:45,648 --> 00:34:47,085
TO WATCH SOMEONE
YOU CARE ABOUT

834
00:34:47,215 --> 00:34:48,869
BLEED TO DEATH
IN FRONT OF YOU.

835
00:34:52,002 --> 00:34:57,182
WE WAITED 27 MINUTES
AND NO ONE CAME.

836
00:34:57,312 --> 00:34:58,835
NO ONE.

837
00:34:58,966 --> 00:35:00,620
DO YOU KNOW WHAT
THAT'S LIKE?

838
00:35:00,750 --> 00:35:02,230
HUH?
839
00:35:02,361 --> 00:35:04,058
TO BE POWERLESS?

840
00:35:04,189 --> 00:35:07,453
YOU THINK HE'S GOT
27 MINUTES?

841
00:35:07,583 --> 00:35:10,238
WHAT HAPPENED TO
YOUR BROTHER WAS A TRAGEDY.

842
00:35:10,369 --> 00:35:11,457
MISTAKES WERE MADE.

843
00:35:11,587 --> 00:35:13,589
NO! NO.

844
00:35:13,720 --> 00:35:15,852
IT WASN'T A MISTAKE.

845
00:35:15,983 --> 00:35:17,854
AND IT WASN'T
AN ACCIDENT.

846
00:35:17,985 --> 00:35:22,468
THE SYSTEM WORKED
EXACTLY LIKE
IT WAS BUILT TO.

847
00:35:26,602 --> 00:35:30,780
TOM DID EVERYTHING RIGHT,

848
00:35:30,911 --> 00:35:34,784
AND THEY STILL LET HIM
DIE IN THE STREET.

849
00:35:36,612 --> 00:35:38,484
YOU'RE RIGHT.

850
00:35:38,614 --> 00:35:40,399
IT'S NOT FAIR

851
00:35:40,529 --> 00:35:44,533
AND IT'S NOT EQUAL,
AND THAT HAS TO CHANGE.
852
00:35:44,664 --> 00:35:48,972
BUT WE CAN'T CONTROL
WHAT HAPPENS AROUND US
OR TO US.

853
00:35:49,103 --> 00:35:52,846
WE CAN ONLY CONTROL
HOW WE RESPOND.

854
00:35:52,976 --> 00:35:55,631
LOOK, I DON'T WANT
TO SHOOT YOU.

855
00:35:58,243 --> 00:36:00,593
DO YOU SEE THOSE
NEWS CREWS OVER THERE?

856
00:36:01,855 --> 00:36:03,639
I'M GONNA LET YOU
TELL YOUR STORY,

857
00:36:03,770 --> 00:36:06,642
SO WE CAN MAKE SURE
THAT WHAT HAPPENED
TO YOUR BROTHER

858
00:36:06,773 --> 00:36:08,601
NEVER HAPPENS AGAIN.

859
00:36:19,394 --> 00:36:21,657
STAY DOWN.
STAY DOWN.

860
00:36:21,788 --> 00:36:22,658
HANDS, HANDS.

861
00:36:24,791 --> 00:36:26,227
I NEED A MEDIC.
WE'VE GOT A MAN DOWN.

862
00:36:27,620 --> 00:36:29,143
YOU'RE GONNA BE FINE.

863
00:36:29,274 --> 00:36:30,579
I'VE GOT YOU.
HELP IS COMING.
864
00:36:30,710 --> 00:36:32,146
WE'LL NEED A BOARD.

865
00:36:32,277 --> 00:36:34,975
YOU CAN'T TELL FROM
MY FACE HOW MUCH
THIS HURTS, RIGHT?

866
00:36:35,105 --> 00:36:36,498
NOT AT ALL.

867
00:36:36,629 --> 00:36:38,370
YOU'RE GONNA BE FINE.

868
00:36:39,806 --> 00:36:41,155
YOU'RE GONNA BE OK.

869
00:36:46,160 --> 00:36:48,902
LEWIS: HEY.
YOU ALL RIGHT?

870
00:36:49,032 --> 00:36:52,035
YEAH. WE GOT HIM.

871
00:36:52,166 --> 00:36:54,429
THAT WAS A HELL
OF A PUNCH.

872
00:36:56,257 --> 00:36:58,041
HEH.

873
00:36:59,304 --> 00:37:06,049
WILL SAMSON:
♪ YOUR BODY IS A BIRD

874
00:37:06,180 --> 00:37:14,144
♪ WITH ITS WINGS HIDDEN
DEEP IN YOUR MIND ♪

875
00:37:14,275 --> 00:37:21,108
♪ JUST LIKE A LIGHT
IN THE STORM CLOUDS ♪

876
00:37:21,239 --> 00:37:22,892
♪ HOW THEY SHINE
877
00:37:23,023 --> 00:37:28,811
♪ OH, HOW THEY SHINE

878
00:37:28,942 --> 00:37:35,209
♪ GHOSTS IN THE NIGHT,
I CAN SEE THEM ♪

879
00:37:35,340 --> 00:37:37,559
♪ WHO CAUSED YOU HARM?

880
00:37:37,690 --> 00:37:43,304
♪ WHO'S BEEN UNKIND?

881
00:37:43,435 --> 00:37:49,745
♪ SMILE ONLY WITH YOUR EYES

882
00:37:49,876 --> 00:37:57,100
♪ 'CAUSE WITH YOUR MOUTH,
IT'S JUST A GOOD DISGUISE ♪

883
00:38:26,869 --> 00:38:28,654
HEY.

884
00:38:28,784 --> 00:38:30,133
HEY.

885
00:38:30,264 --> 00:38:31,700
I KNOW IT'S LATE.

886
00:38:31,831 --> 00:38:33,398
I JUST WANTED TO SEE
HOW YOU WERE DOING.

887
00:38:33,528 --> 00:38:34,616
YOU LOOK WELL.

888
00:38:34,747 --> 00:38:36,575
THANKS.
IT'S...

889
00:38:36,705 --> 00:38:38,794
PAIN MEDS ARE
SPECTACULAR.

890
00:38:40,492 --> 00:38:44,322
PETER SALAH, THE MAN
OUR WOULD-BE HERO SHOT,

891
00:38:44,452 --> 00:38:45,410
HE'S GONNA PULL THROUGH.

892
00:38:45,540 --> 00:38:46,976
OH, GREAT.

893
00:38:47,107 --> 00:38:48,674
THAT'S GREAT.
THAT'S GREAT.

894
00:38:48,804 --> 00:38:51,546
YOU KNOW, YOU'RE
D.C.'s NEW CELEBRITY.

895
00:38:51,677 --> 00:38:54,114
THEY CAN'T STOP
TALKING ABOUT YOU.

896
00:38:55,507 --> 00:38:57,944
LISTEN, YOUR REPUTATION,

897
00:38:58,074 --> 00:39:00,033
IT DOESN'T DO YOU JUSTICE.

898
00:39:01,295 --> 00:39:03,906
PEOPLE TOLD ME
YOU WERE GOOD,

899
00:39:04,037 --> 00:39:07,562
BUT YOU'RE LIKE
REALLY GOOD.

900
00:39:07,693 --> 00:39:11,261
IT'S A GROUP EFFORT.

901
00:39:11,392 --> 00:39:12,785
ANYWAY, WHEN ARE YOU
GETTING OUT OF HERE?

902
00:39:12,915 --> 00:39:15,353
UH, SOON, I HOPE.

903
00:39:15,483 --> 00:39:19,269
UM, MY VITAL ORGANS
ARE IN PLACE,

904
00:39:19,400 --> 00:39:20,793
SO THERE'S THAT.

905
00:39:20,923 --> 00:39:23,056
GOOD.

906
00:39:23,186 --> 00:39:28,844
BECAUSE, UH,
I DID SAVE YOUR LIFE.

907
00:39:28,975 --> 00:39:32,065
LEAST YOU COULD DO IS
BUY ME A BEER OR SOMETHING.

908
00:39:34,459 --> 00:39:36,199
YEAH.

909
00:39:36,330 --> 00:39:38,332
YEAH, I COULD DO THAT.

910
00:39:40,203 --> 00:39:44,991
I MIGHT EVEN BE ABLE TO
TAKE YOU TO DINNER.

911
00:39:46,906 --> 00:39:49,822
I MEAN, SINCE WE'RE
GONNA BE OUT.

912
00:39:49,952 --> 00:39:52,781
MAYBE A BALLGAME.

913
00:39:52,912 --> 00:39:55,393
I COULD GET YOU ONE
OF THOSE LITTLE HATS

914
00:39:55,523 --> 00:39:57,960
WITH ICE CREAM IN IT.

915
00:39:58,091 --> 00:40:00,572
YOU KNOW, IF YOU'RE
INTO THAT KIND OF THING.

916
00:40:01,747 --> 00:40:04,271
WELL, IT SOUNDS
LIKE A DATE.

917
00:40:04,402 --> 00:40:07,535
YEAH.

918
00:40:07,666 --> 00:40:10,495
IT'D BE A DATE.

919
00:40:12,279 --> 00:40:14,194
I'LL THINK ABOUT IT.

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