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FESTIVAL BOOK
Chief Editor N Vidyashankar
Design Hemanth N
Veeresha Hogesoppinavar
SIDDARAMAIAH
Hon’ble Chief Minister
Government of Karnataka
SECRETARY
The 10th edition of the Bengaluru International Film Festival is all set to
be launched on the 22nd of February 2018 and will be celebrated for a
week till 1st of March 2018. I extend my heartiest greetings to all those
film enthusiasts who have es en e on en aluru to e art of this
Film Festival.
Over the ears the estival has attaine so mu h o ularit amon st
the u li an film rofessionals that it has e ome an inte ral art of
their lifest le he visi ilit of the festival a ross the lo al film fraternit
is evident from the sheer number of entries the festival has received this
ear here is a hu e eman for arti i ation from oth the u li an
film ma ers from all over the worl
has ma e si nifi ant han es to rovi e an im rove e erien e
to the au ien e an this has resulte in more an more film enthusiasts
an film rofessionals ta in art in the festival here has een on-
stant efforts in ma in han es to rovi e the est sele tion of anna a
re ional national an worl inema to the u li whi h has hel e the
festival s stea rise in the lo al film festival ir uit
he arnata a overnment has rovi e man in entives to arnata a
Film Industry and BIFFES is another incentive. Moreover, the establish-
ment of anna a halana hitra a em the overnment of arna-
ta a is a hu e im etus to
ishin all the su ess to this resti ious th e ition of
-
al upgrades and the enthusiastic participation of audiences. The huge
demand for delegate registration and the long queues at the screening
to extend the scope of the festival and also enlarge the infrastructure.
enlightened audiences.
Our endeavour is to ensure that the festival climbs to greater heights
N VIDYASHANKAR
Artistic Director
JURY MEMBERS
Emïì ¢ ¯Á
L’ORA LEGALE
DIRECTOR - SALVATORE FICARRA & VALENTINO PICONE
ITALY / 2017 / ITALIAN / 92 MIN.
SYNOPSIS
In the small town, the moment has arrived to elect a new Mayor, where for years
it was under the corrupt leadership. Now an unlikely opponent comes in the
form of the mild mannered old professor. With no political background, the
professor simply wants to give his daughter an alternative to vote for. Against
all odds he wins, and starts a new age of legality and respect for the rules in
town. But the citizens of the town have become so used to living amid corruption
an ine ien re the oin to o e with this new a e of honest lea ershi
PÀxÁ¸ÁgÀ
D ¸ÀtÚ ¥ÀlÖtzÀ°è £ÀÆvÀ£À ªÉÄÃAiÀÄgï DAiÉÄÌAiÀÄ ¸ÀªÀÄAiÀÄ §A¢zÉ. C£ÉÃPÀ ªÀµÀðUÀ¼À
PÁ® D ¥ÀlÖt ¨sÀæµÀÖ DqÀ½vÀPÉÌ UÀÄjAiÀiÁVvÀÄÛ. EAvÀºÀ ¸ÀªÀÄAiÀÄzÀ°è ªÀÄÈzÀÄ ¸Àé¨sÁªÀzÀ,
AiÀiÁªÀ zÉà gÁ ÃAiÀÄ »£Éß É Ä®zÀ ¥ÁæzsÁ ¥ÀPÀ£ÉÆ ZÀÄ£ÁªÀ ÉUÉ ¤AvÀÄ UÉ®ÄvÁÛ£É.
PÁ£ÀƤUÉ U gÀªÀ PÉÆlÄÖ ¸ÀZÀ DqÀ½vÀ £ÀqɸÀÄvÁÛ£É. DzÀgÉ ¨sÀæµÁÖZÁgÀ ºÁUÀÆ
zÀÄgÁqÀ½vÀPÉÌ ºÉÆÃzÀ ¸ÁªÀð ¤PÀgÀÄ ¥ÁæªÀiÁ PÀvÀ£ÀzÀ £ÁAiÀÄP ÄPÀvÀªÀ£ÀÄß ºÁUÀÆ
CªÀ£À DqÀ½vÀªÀ£ÀÄß M¥ÀÄàvÁÛgÉAiÉÄÃ?
Won Best Film - Italian National Syndicate of Film Journalists | Best Screenplay -
AWARDS Nominated -Golden Ciak Awards | Best Original Story - Won BIFEST
DOP :
CREW Ferran Paredes SALVATORE FICARRA &
Producer : Editor : VALENTINO PICONE
Attilio De Razza, Claudio di Mauro
Gianluca Passone Sound/Music : Salvatore Ficarra and Valentino Picone started in 1993
Screenplay : Giovanni Marolla as a comedy trio with Salvatore Borrello,
Edoardo De performing together on stage as Chiamata
Angelis, Urbana Urgente. In 1998, after Borrello
Ficarra, had left the trio the pair began to use
Nicola CAST their surnames: Ficarra & Picone. In 2000
Guaglianone,
Salvatore they made Chiedimi Se Sono Felice and
Picone,
Fabrizio Testini Ficarra, two years later they made their acting
Valentino debut in Natistanchi.
Picone
¯Á¸ïÖ ZÉʯïØ
SALANAMEUN AYI
DIRECTOR - SHIN DONG-SEOK
KOREA / 2017 / KOREAN / 123 MIN.
SYNOPSIS
Sungcheol and Misook are a couple running an interior shop. They lost their son
Eunchan 6 months ago, who drowned while saving one of his friends, Kihyun.
One day, Sungcheol witnesses Kihyun, being harassed, and decides to take the
struggling boy under his wing. His wife, Misook attempts to have another child
throu h artifi ial insemination ut fails es ite ein in es air she fin s sola e
in Kihyun who slowly becomes part of the couple’s life. But one day, Kihyun
confesses a shocking truth behind Eunchan’s death.
PÀxÁ¸ÁgÀ
M¼ÁAUÀt C®APÁgÀ ±Á¥ï ElÄÖPÉÆArgÀĪÀ zÀA¥ÀwUÉ KPÉÊPÀ ¥ÀÄvÀæ AiÀÄÆ£ï ZÁ£ï.
DgÀÄ wAUÀ¼À »AzÉ ¥ÀæªÁ¸À ºÉÆÃVzÁÝUÀ ªÀÄļÀÄUÀÄwÛzÀÝ ¸ÉßûvÀ VAiÉÆãï£À£ÀÄß
PÁ¥ÁqÀ®Ä ºÉÆÃV, AiÀÄÆ£ï ZÁ£ï ¸ÁAiÀÄÄvÁÛ£É. vÀAzÉUÉ ¥ÀÄvÀæ ±ÉÆÃPÀ
¤gÀAvÀgÀªÁ gÀÄvÀÛzÉ. AzÀÄ ¢£À AiÉÆãï vÉÆAzÀgÉAiÀÄ gÀĪÀ zÀ£zÀ£ÀÄß PÀAqÀ AiÀÄÆ£ï
ZÁ£ï£À vÀAzÉ ªÀ¤UÉ ¸ÀºÁAiÀÄ ªÀiÁqÀ®Ä ªÀÄÄAzÉ gÀÄvÁÛ£É. ªÀ¤UÉ ¼ÁAUÀ
PÉ®¸ÀUÀ¼À vÀgÀ¨Éà PÉÆqÀÄvÁÛ£É. PÀæªÉÄà zÀA¥À UÀ¼À PÀÄlÄA zÀ AiÉÆãï PÀÆqÀ
£ÁUÀÄvÁÛ£É. ¨ÁAzsÀªÀ ¨É¼ÉAiÀÄÄ ÛzÀÝAvÉAiÉÄà AiÉÆãïUÉ ¥Á¥À¥Àæ É PÁqÀÄvÀÛzÉ.
ªÀgÀ ¥ÀÄvÀæ AiÀÄÆ£ïZÁ£ï£À ¸Á £À UÉ gÀºÀ¸À ªÉ AzÀ£ÀÄß AiÀÄ®Ä ªÀiÁqÀĪÀ
ªÀÄÆ®PÀ vÀ¥ÉÆà¦àPÉƼÀÄîvÁÛ£É.
SYNOPSIS
Sentenced to death for murdering her husband, Soraya writes a long letter to
her country’s president requesting a special pardon. This letter, which is as long
as a novel is re eate l lost foun an finall rea hes the Presi ent an irst
Lady. The story told from her perspective graphically describes the reality of
Afghan women who are desperate to lead their own lives. Meanwhile, her
children, unaware of sad destiny, play in the garden; if the woman is killed, they
will e entruste to the mafia ran father ollea ue of ora a feels uilt
because it was he who caused this situation.
PÀxÁ¸ÁgÀ
vÀ£Àß ¥ÀwAiÀÄ£ÀÄß PÉÆAzÀzÀÝPÁÌV ªÀÄgÀtzÀAqÀ£ÉUÉ UÀÄjAiÀiÁVgÀĪÀ ¸ÉÆgÀAiÀÄå, PÀëªÀiÁzÁ£À
PÉÆÃj gÁµÀÖçzÀ CzsÀåPÀëjUÉ ¸ÀÄ¢ÃWÀð ¥ÀvÀæªÉÇAzÀ£ÀÄß §gÉAiÀÄÄvÁÛ¼É. F PÀxÁgÀÆ¥ÀzÀ
¸ÀÄ¢ÃWÀð ¥ÀvÀæ CzsÀåPÀëgÀ£ÀÄß vÀ®Ä¥ÀĪÀ ªÀÄÄ£Àß PÀ¼ÉzÀĺÉÆÃUÀÄvÀÛzÉ, ªÀÄvÉÛ zÉÆgÀPÀÄvÀÛzÉ
»ÃUÉ PÉÆ£ÉUÀÆ CzsÀåPÀëgÀ PÉÊ ¸ÉÃgÀÄvÀÛzÉ. D¥sÀÏ£ï ªÀÄ»¼ÉAiÀÄgÀ ªÁ¸ÀÛªÀ §zÀÄPÀ£Éßà CªÀgÀÄ
vÀªÀÄä ¥ÁrUÉ vÁªÀÅ §zÀÄPÀ®Ä ©qÀzÀ ¸ÀªÀiÁdzÀ ªÀvÀð£ÉAiÀÄ£ÀÄß ¥ÀvÀæ J¼ÉJ¼ÉAiÀiÁV
©r¹qÀÄvÀÛzÉ. vÀªÀÄ vÁ Ä ªÀiÁ¦AiÀiÁ UÀÄA¦¤AzÀ PÀ ÉzÀÄgÉà PÉÆ ÉAiÀiÁzÀgÀÆ ªÀ¼À
ªÀÄPÀ̼ÀÄ vÀªÀÄä PÀgÁ¼À ¨sÀ«µÀåzÀ Cj«®èzÉà CªÀgÀ ¥ÁrUÉ CªÀÅ DlªÁqÀÄwÛgÀÄvÀÛªÉ.
C±ÀévÁܪÄÀ
DIRECTOR - PUSHPENDRA SINGH
INDIA / 2017 / BRAJ / 120 MIN.
SYNOPSIS
After bandits raid their home killing his mother, 9-year-old Ishvaku, is sent to
his uncle’s village to start a new life with his cousins. Still in shock and pain,
Ishvaku tries to cope with his loss by entering an imaginary realm. But the
i ulties an m steries of realit won t let him o that easil
PÀxÁ¸ÁgÀ
E±ÁéPÀÄ 9 ªÀµÀð ªÀAiÀĹì£À ¨Á®PÀ. CªÀ£À ªÀÄ£ÉUÉ £ÀÄVÎzÀ zÀgÉÆÃqÉPÉÆÃgÀgÀÄ CªÀ£À
vÁ¬ÄAiÀÄ£ÀÄß PÉÆAzÀÄ ºÉÆÃUÀÄvÁÛgÉ. E±ÁéPÀĪÀ£ÀÄß ¸ÀA§A¢üPÀgÀ ªÀÄ£ÉUÉ
PÀ¼ÀÄ»¸À¯ÁUÀÄvÀÛzÉ. E£ÀÆß DWÁvÀzÀ¯Éèà EgÀĪÀ E±ÁéPÀÄ, vÀ£ÀUÁVgÀĪÀ C¥ÁgÀ £ÀµÀÖ
vÀÄA©PÉƼÀÄîªÀ ¸À®ÄªÁV PÀ®à£Á ¯ÉÆÃPÀPÉÌ vÉgÀ¼ÀÄvÁÛ£É. DzÀgÉ PÀµÀÖUÀ¼ÀÄ, ªÁ¸ÀÛªÀvÉAiÀÄ
¤UÀÆqsÀvÉ ªÀ£À£ÀÄß µÀÄÖ ¸ÀÄ®¨sÀªÁ ©qÀĪÀ ¢®.
AWARDS ominate for est film in ew urrents om etition at usan ilm estival
¨ÁèPÃÉ eï
DIRECTOR - MOHSEN GHARAIE
IRAN / 2017 / PERSIAN / 82 MIN.
SYNOPSIS
Ghasem, an unsympathetic and opportunistic man, works at the Tehran
uni i alit oli in ille al street ven ors ut he s a out to e fire for orru t
ealin s e s ountin on his wife ram s inheritan e to u a tru ut ram
wants to u a house so the an move from hasem s father s home
PÀxÁ¸ÁgÀ
vɺÀgÁ£ï ªÀÄÄ£À¹¥Á°nAiÀÄ°è PÉ®¸ÀªÀiÁqÀĪÀ UÁ¹ÃªÀiï CªÀiÁ£À«ÃAiÀÄ ºÁUÀÆ
¸ÀªÀÄAiÀĸÁzsÀPÀ ªÀÄ£ÀĵÀå. ©Ã¢ §¢ ªÁå¥ÁjUÀ½AzÀ ¸ÀÄ°UÉ ªÀiÁqÀĪÀÅzÉà CªÀ£À
PÁAiÀÄPÀ. ¨sÀæµÁÖZÁgÀPÁÌV ²PÉëUÀÆ M¼ÀUÁUÀ¨ÉÃPÁzÀ ªÀåQÛ. vÀ£Àß ¥ÀwßUÉ §gÀĪÀ
D¹Û¬ÄAzÀ læPÉÆÌAzÀ£ÀÄß PÉƼÀî¨ÉÃPÉAzÀÄ CªÀ£ÀÄ PÁAiÀÄÄwÛgÀÄvÁÛ£É. DzÀgÉ CPÀæªÀiïUÉ
ªÀÄ£ÉAiÉÆAzÀ£ÀÄß PÉƼÀÄîªÀ §AiÀÄPÉ. CªÀj§âgÀÆ UÁ¹ªÀiï vÀAzÉAiÀÄ ªÀÄ£ÉUÉ
ºÉÆgÀqÀÄvÁÛgÉ.
Won Best Film - Busan IFF (coveted New Currents Award) | International premiere
AWARDS - Busan IFF | Won best actor - Hamed Behdad @ Celebration of Iranian Cinema
Critics and Screenwriters | | Nominated Best Screenplay, Best Actor, Best Editing
- Saeed Roustayi, Gity Ghasemi & Nader Fallah, Sepideh Abdolvahab @ Fajr FF
Pɸ
æ Öq
É ï L©¸ï
DIRECTOR - QIAO LIANG
CHINA / 2017 / MANDARIN / 107 MIN.
SYNOPSIS
The story begins with Vince Kang, a reporter in Beijing having to go back to his
hometown to report a crested ibis, one of the national treasures found
unexpectedly. During the process of pursuit and to hide this ibis, everyone’s
interest is revealed and the scars, both mental and physical were rip up. In
addition, the environment pollution, an aftermath from China’s development
pattern, is brought into daylight. The story reveals the living condition of rural
China and exposes the dilemma of humanity. In the end, Vince had no alternative
but make a compromise with his birthland.
PÀxÁ¸ÁgÀ
©ÃfAUï£À°è ªÀgÀ¢UÁgÀ£ÁVgÀĪÀ «£ïì PÁAUï, £À²¸ÀÄwÛgÀĪÀ, C¥ÀgÀÆ¥ÀzÀ PÉÆPÀÌgÉUÀ¼À
§UÉÎ ªÀgÀ¢ ªÀiÁqÀ®Ä vÀ£Àß ºÀÄlÆÖjUÉ vÉgÀ¼ÀÄvÁÛ£É. gÁ¶ÖçÃAiÀÄ D¹ÛAiÉÄà DVgÀĪÀ F
¥À UÀ¼À£ÀÄß PÁ¥ÁqÀĪÀ zÉà zÉÆqÀ ¸ÁºÀ¸ÀªÁ zÉ. gÁ¸ÁAiÀĤPÀ UÉÆ gÀzÀ ¼ÀPÉ
CwAiÀiÁzÀ Qæ«Ä£Á±ÀPÀUÀ¼À §¼ÀPɬÄAzÀ EAvÀºÀ C¥ÀgÀÆ¥ÀzÀ ¥ÀQëUÀ¼À£ÀÄß gÀQë¸ÀĪÀÅzÀÄ
PÀµÀÖzÀ PÉ®¸À. d£ÀgÀ ªÀÄ£ÉÆèsÁªÀ£ÉUÉ E°è MvÀÄÛPÉÆqÀ¯ÁVzÉ. aãÁzÀ C©üªÀÈ¢Þ
ºÉ¸Àj£À §zÀ¯ÁªÀuÉUÀ½AzÁV DVgÀĪÀ ¥ÀjuÁªÀÄUÀ¼À£ÀÄß E°è awæ¸À¯ÁVzÉ. UÁæ«ÄÃt
aãÁzÀ §zÀÄPÀÄ ºÁUÀÄ ªÀiÁ£À«ÃAiÀÄvÉAiÀÄ zÀéAzÀé E°è C£ÁªÀgÀtUÉÆArzÉ. PÉÆ£ÉUÉ
ªÀgÀ¢UÁgÀ «£ïì vÀ£Àß ºÀÄlÆÖjUÁV PÉ®ªÀÅ vÁåUÀ ªÀiÁqÀ¨ÉÃPÁUÀÄvÀÛzÉ.
JPïìPª
À ÃÉ lgï
DIRECTOR - JU-HYOUNG LEE
SOUTH KOREA / 2017 / KOREAN / 92 MIN.
SYNOPSIS
20 years after discharge from the army, Kim Gang – I is now an excavator driver.
He is a former paratrooper who was mobilized to suppress the May 18th
Democratic Uprising in Korea in 1980. One day he accidentally found a skull in
the ground while driving his excavator. He pays visits to his former superiors
one by one and realizes they were all both assailants and victims of the times.
PÀxÁ¸ÁgÀ
¸ÉÃ£É ÄAzÀ 0 ªÀµÀðUÀ¼À »AzÉAiÉÄà ¤ªÀ vÀÛ£ÁzÀ ªÀiï UÀAUï- UÀ
¨sÀÆ ÄvÉÆÃqÀĪÀ AiÀÄAvÀæzÀ ZÁ®PÀ£Á zÁÝ£É. 0 gÀ ªÉÄà gÀAzÀ
gÀAzÀÄ PÉÆjAiÀiÁzÀ
£ÀzÀAUÉAiÀiÁzÁUÀ DUÀ ¥Á gÁlÆæ¥Àgï D zÀÝ ªÀiï zÀ£ÀÄß ºÀ ÛPÀÌ®Ä PÀæªÀÄ
PÉ UÉÆArzÀÝ. AzÀÄ ¢£À ¨sÀÆ ±ÉÆÃzsÀ£É ªÀiÁqÀĪÁUÀ vÀ É ÄgÀÄqÉAiÉÆAzÀÄ
UÉÆÃZÀj¸ÀÄvÀÛzÉ £ÀߣÁzÀ ªÀiï DUÀ ¸ÉãÁ ªÀÄÄ ¸ÀgÁ zÀݪÀgÀ£ ÀgÀ£Éß Á gÁzÀ
ªÉÄÃ É gÀAvÉ ®gÀ£ÀÄß ¨sÉÃnAiÀiÁUÀÄvÁÛ£É. ªÀgÉ®gÀÆ A¢£À ¢£ÀUÀ¼À
PÉÆ É¥ÁvÀPÀgÀÄ ºÁUÀÆ ¥À±ÀÄUÀ¼ÀÄ A ÄzÀ£ÀÄß ªÀÄ£ÀUÁ ÄvÁÛ£É.
AWARDS Winner: Best Director - Tallinn Black Nights Film Festival 2017
QPÉÆ ¨ÁQìAeÉgÆ
É
DIRECTOR - THOP NAZARENO
PHILIPPINES / 2017 / FILIPINO /76 MIN.
SYNOPSIS
Kiko, an 11-year-old boy, was left alone with his nanny Diday after the recent
death of his mother. Longing for family, Kiko reconnects with his estranged
father, George, a former boxer. Despite Diday’s misgiving, she gives Kiko a chance
to spend time with George. She thinks it will help heal Kiko who is still grieving
from his loss. Filling the gap of the time lost, the father and son bonds through
their shared love for boxing. Kiko found the father that he longs for. But then,
is George the father he hoped he would be?
PÀxÁ¸ÁgÀ
PÉÆ ªÀµÀð ªÀAiÀĹ£À ¨Á®PÀ. vÁ ÄAiÀÄ ¤zsÀ£Á£ÀAvÀgÀ ªÀ£ÀÄ PÁA AiÀiÁUÀÄvÁÛ£É.
PÀÄlÄA êÀ£ÀPÁÌ ºÁvÉÆgÉAiÀÄĪÀ PÉÆUÉ ¨ÁPÀgï D gÀĪÀ ªÀ£À vÀAzÉAiÀÄ ÉÆvÉ
gÀ®Ä ªÀPÁ±À ªÀiÁrPÉÆqÀÄvÁÛ¼É. vÁ ÄAiÀÄ£ÀÄß PÀ¼ÉzÀÄPÉÆAqÀÄ ºÀvÁ±À£Á gÀĪÀ
¨Á®PÀ¤UÉ vÀAzÉAiÀÄ ÉÆvÉ gÀĪÀ zÀÄ PÉ®PÁ®ªÁzÀgÀÆ ªÀÄ£À¸É AiÀÄð PÉÆqÀÄvÀÛzÉ AzÀÄ
£ÀA©zÁݼÉ. vÀÛ vÀAzÉ ªÀÄvÀÄÛ ªÀÄUÀ£À £ÀqÀÄªÉ ªÀÄvÉÛ ¦æà UÀÄgÀÄvÀÛzÉ. ¨Á AUï£À
jUÀÆ gÀĪÀ ªÉÆúÀ ªÀgÀ£ÀÄß AzÀÄUÀÆr¸ÀÄvÀÛzÉ. vÁ£ÀÄ AzÀÄUÀÆqÀ®Ä ºÀA ¸ÀÄ zÛ ÀÝ
vÀAzÉ zÀ zÌ À Ä AiÀÄ gÀÄvÁÛ£É PÉÆ. vÀAzÉUÀÆ zÉà ¨sÁªÀ£É ªÀÄÆqÀÄvÀÛzÉAiÉÄÃ
SYNOPSIS
he film is a visual e loration of life of a ou le om ine with a tra itional
hai ai ri art an u hist Philoso h Pit h an hane who on e were lovers
are tr in to heal the ain of their ontem orar lives revivin their ol
roman e throu h the fa ri atin of the tra itional hai ornament whi h is ma e
of leaves an owers an s m oli es love an virtue hen hane fin s out that
Pi h is in he e i es to e a mon forever he movie is usses homose ual
love an u hist hiloso h
PÀxÁ¸ÁgÀ
xÁAiÀiï£À ¸ÁA¥ÀæzÁ¬ÄPÀ xÁAiÀiï ¨ÁAiÀiï ²æà Dmïð ªÀÄvÀÄÛ ¨ËzÀÞvÀvÀéUÀ¼À ªÀÄÆ®PÀ
zÀA¥ÀwAiÀÄ fêÀ£À±ÉÆÃzsÀªÉà F avÀæ. ¦Zï ªÀÄvÀÄÛ ±Á£É MAzÀÄ PÁ®zÀ ¥Àæt¬ÄUÀ¼ÀÄ.
¸ÁA¥ÀæzÁ¬ÄPÀ aQvÉì ªÀÄÆ®PÀ gÉÆÃUÀUÀ¼À£ÀÄß UÀÄt¥Àr¸ÀÄwÛgÀÄvÁÛgÉ. ¸ÁA¥ÀæzÁ¬ÄPÀ
xÁAiÀiï D¨sÀgÀtUÀ¼À ªÀÄÆ®PÀ gÀƦ¹zÀ, J¯ÉUÀ¼ÀÄ ªÀÄvÀÄÛ ºÀÆUÀ½AzÀ C®APÀÈvÀUÉÆAqÀ
DPÀÈwAiÀÄ£ÀÄß gÀƦ¸ÀĪÀ ªÀÄÆ®PÀ CªÀj§âgÀÆ vÀªÀÄä ºÀ¼ÉAiÀÄ ¥ÀætAiÀĪÀ£ÀÄß
¥ÀÄ£ÀgÁgÀA©ü¸ÀÄvÁÛgÉ. F DPÀÈw ¦æÃw ªÀÄvÀÄÛ ¸ÀzÀÄÎtzÀ ¥ÀæwÃPÀ. ¦Zï ¸ÁAiÀÄÄwÛzÁÝ£É
JA§ÄzÀ£ÀÄß ªÀÄ£ÀUÀAqÀ ±Á£É ¨ËzÀÞ ¸À£Áå¹AiÀiÁV G½zÀ fêÀ£À PÀ¼ÉAiÀÄ®Ä
¤zsÀðj¸ÀÄvÁÛ£É. ¸À AUÀ ¦æà ªÀÄvÀÄÛ ¨ zÀ ¹zÁAvÀUÀ¼À£ÀÄß vÀæ ZÀ ð¸ÀÄvÀÛzÉ.
vÀ
Won Best Film – Busan IFF (Kim Ji-Seok Award ) | Nominated Best Film – Singapore
AWARDS IFF | Won Best Director – Singapore IFF ( Silver Screen Award )
£ÉÊmï DQìqAÉ mï
DIRECTOR - TEMIRBEK BIRNAZAROV
KYRGYZSTAN / 2017 / KYRGYZ / 90 MIN.
SYNOPSIS
Night Accident transforms some very modest ingredients into a heart-stirring
hymn to the healing power of love and simple human kindness. A 70-years-old
man, is driving a car aggressively to take revenge, suddenly knocks off a young
girl. This odd couple of lost souls share an uneasy friendship since that moment.
Affectionate sentiments start to appear between them while riding a motorcycle
on a lonely stretch of moonlit highway.
PÀxÁ¸ÁgÀ
J¥ÀàvÀÄÛªÀµÀð ªÀAiÀĹì£À ªÀÄÄzÀÄPÀ ºÀÄZÀÑ£À jÃw PÁgÀÄ ZÀ¯Á¬Ä¸ÀÄwÛgÀÄvÁÛ£É. EzÀÝQÌzÀÝAvÉ
AiÀÄĪÀwAiÉƧâ½UÉ UÀÄzÀÄÝvÁÛ£É. ªÀÄÄzÀÄPÀ£À PÀÄlÄA§zÀ°è £ÉªÀÄä¢ E®è. ¦æÃw
£ÀÄߪÀ zÀ£ÀÄß ªÀ£ÀÄ PÀAqÉà ®. ¤UÀÆqsÀ AiÀÄĪÀ UÉ ªÀ£Éà vvÉ ¤ÃqÀÄvÁÛ£É.
ªÀ¤UÉà j ®zÉ ¨sÁªÀ£ÁvÀ PÀ £ÀAlÄ ªÀj gÀ ¨É¼ÉAiÀÄÄvÀÛzÉ.
AWARDS Won Best Movie - Tallinn Black Nights FF (Grand Jury prize)
¥Á¢
DIRECTOR - CHANDRAN NARIKODE
INDIA / 2017 / MALAYALAM / 91 MIN.
SYNOPSIS
“Paathi” is about a person who is utterly and deeply in pain as he has to confront
the cries of many children in his soul every day; the result of his own actions.
Set in the background of Theyyam in North Malabar, it is about the serious subject
of foeticide dealt with utmost intensity emotionally, without losing the seriousness
of the subject. This is an attempt to bring alive all shapes and shadows when
su h om le ities reates a verse situations in life his is also a film that ee l
anal ses the m sterious ourne of o s o fi ure an their human ounter arts
PÀxÁ¸ÁgÀ
aUÀÄgÀĪÀ ªÀÄÄ£ÀߪÉà fêÀ PÀ¼ÉzÀÄPÉÆAqÀ JµÉÆÖà fêÀUÀ¼ÀÄ vÀ£ÀߣÀÄß PÁqÀÄwÛgÀĪÀ
UÁqsÀ£ÉÆë£À°è PÀªÀÄägÀ£ï ¥ÀjvÀ¦¸ÀÄwÛzÁÝ£É. £ÀÆgÁgÀÄ DvÀäUÀ¼ÀÄ vÀ£ÉÆß¼ÀUÉ PÀÆvÀÄ
DPÀæA¢¸ÀÄwÛªÉ. GvÀÛgÀ ªÀÄ®¨Ágï£À°ègÀĪÀ vÉAiÀÄåA PÀÆqÁ CªÀ£À F £ÉÆëUÉ
ºÀ®ªÁgÀÄ ¸À®ºÉUÀ¼À£ÀÄß PÉÆlÖgÀÆ CªÀ£ÀÄ ªÀiÁrzÀ ¥Á¥À¢AzÀ ºÉÆgÀ§gÀ¯ÁgÀ£ÁVzÁÝ£É.
¨sÀÆætºÀvÉåAiÀÄ §UÉÎ UÀA©üÃgÀ aAvÀ£É ªÀiÁqÀĪÀ PÀxÀ£À E°èzÉ. ªÀÄPÀ̼ÀÄ zÉêÀgÀ
ªÀÄvÉÆÛAzÀÄ gÀÆ¥À. CªÀÅUÀ¼À£ÀÄß PÉÆAzÀ £Á£ÀÄ «±ÀézÀ J¯Éèà ºÉÆÃzÀgÀÆ ¥Á¥À¥ÀæeÉÕ¬ÄAzÀ
©qÀÄUÀqÉ ® £ÀÄߪÀ ¤zsÁðgÀPÉÌ gÀÄvÁÛ£É.
¥ÀqÁجÄ
DIRECTOR - ABHAYA SIMHA
INDIA / 2017 / TULU / 100 MIN.
SYNOPSIS
Paddayi is a modern day adaptation of the epic drama, Macbeth from Shakespeare.
a hava an u an hi are a newl marrie ou le from the fishin ommunit
of South India. Their lust for better life and thirst for upward mobility is ignited
by the prophecies from the spirit that wander the land. Dinesha, owner of the
eet ives them new reams an ho es ut when their life was on a new hi h
Dinesha betrays and takes back what he gave. Now Madhava and Sugandhi are
determined for a bitter revenge. The story soon turns into a tale of murder and
regrets.
PÀxÁ¸ÁgÀ
±ÉÃPï¦AiÀÄgï£À ªÀiÁ Pï¨Évï £ÁlPÀzÀ DzsÀĤPÀ PÁ®zÀ gÀÆ¥ÁAvÀgÀªÉà ¥ÀzÁÝ Ä . ªÀiÁzsÀªÀ
ªÀÄvÀÄÛ ¸ÀÄUÀA¢ zÀ ¨sÁgÀvÀzÀ ÄãÀÄ »rAiÀÄĪÀ PÀÄlÄA zÀ zÀA¥À . ºÉƸÀ êÀ£ÀPÁÌ
vÀÄrvÀ ¸ÀªÀiÁ zÀ vÀªÀÄ PÁ®ªÉÄÃ É vÁªÀ ¤®¨ÉÃPÉA ºÀA ® vÀªÀÄ zÉà DzÀ ÄãÀÄ
ºÉÆAzÀ¨ÉÃPÉA ºÀA ® ªÀgÀzÀÄ. ¸ÀªÀÄAiÀÄzÀ ¢£ÉñÀ A ¨sÀƪÀiÁ ÃPÀ ªÀjAzÀ ºÀ
¥ÀqÉzÀÄ ÄãÀÄ ¤ÃqÀÄvÁÛ£É. zÀA¥À ¸ÀÄ ªÁ gÀ¨ÉÃPÁzÀgÉ ¢£ÉñÀ £É®ªÀ£ÀÄß ªÁ¥À¸ÀÄ ¥ÀqÉzÀÄ
ªÀgÀ£ÀÄß ªÀA ¸ÀÄvÁÛ£É. ªÉÆøÀ ºÉÆÃzÀ ªÀiÁzsÀªÀ ªÀÄvÀÄÛ ¸ÀÄUÀA¢ ¸ÉÃqÀÄ Ãj¹PÉƼÀ®Ä
¤zsÀðj¸ÀÄvÁÛgÉ. PÉÆ É ºÁUÀÆ µÁzÀzÀ PÀvÉ.
SYNOPSIS
Hatsumi Takimoto, former teacher, has a secret. Three years after her boyfriend
died, she encounters a former student and a young artist. In the night of summer,
she confesses her past. At present, she is working part-time at a local soba
restaurant. She receives a letter from her lover who died three years ago wrote
to the first sea
PÀxÁ¸ÁgÀ
±Á¯ÉAiÉÆAzÀgÀ°è nÃZÀgï DV PÉ®¸À vÉÆgÉ¢zÀÝ ºÀvÀÄì«Ä mÁQªÉÆmÉÆ, ¸ÀܽÃAiÀÄ
gɸÉÆÖÃgÉAmï£À°è CgÉPÁ°PÀ PÉ®¸À ªÀiÁqÀÄwÛgÀÄvÁÛ¼É. ªÀÄÆgÀÄ ªÀµÀðzÀ »AzÉ ¸ÀvÀÄÛ
ºÉÆÃVgÀĪÀ ºÀvÀÄì«ÄAiÀÄ ¦æAiÀÄvÀªÀÄ §gÉzÀ ¥ÀvÀæªÉÇAzÀÄ CªÀ½UÉ ¹UÀÄvÀÛzÉ. CzÀgÀ°è
CªÀ£À ¸Á«£À PÀÄjvÀ gÀºÀ¸ÀåªÉÇA¢gÀÄvÀÛzÉ. ºÀvÀÄì«Ä gɸÉÆÖÃgÉAmï£À°è DPÀ¹äPÀªÁV
¨sÉÃnAiÀiÁzÀ AiÀÄĪÀ PÀ¯Á«zÀ£ÉÆA¢UÉ DwäÃAiÀÄvÉ ¨É¼ÉzÀÄ CªÀ£ÉÆA¢UÉ
KPÁAvÀzÀ°ègÀĪÁUÀ CªÀ¼À ¦æAiÀÄvÀªÀÄ£À PÀÄjvÀ gÀºÀ¸ÀåªÀ£ÀÄß ºÀAaPÉƼÀî®Ä ªÀÄ£À¸ÀÄì
ªÀiÁrzÀgÀÆ, CzÀÄ CµÀÄÖ ¸ÀÄ®¨sÀªÉÃ? D «µÀAiÀĪÁzÀgÀÆ K£ÀÄ?
Won Best Film - Moscow International Film Festival (FIPRESCI Prize, Russian Film
AWARDS riti s war e ial ention O ial ele tion – ai ei nternational ilm
Festival | Nominated Best Director - Moscow International Film Festival-2017
SYNOPSIS
Madame Tang, who colludes and mediates between the government and the
rivate usinesses for the enefits of her famil One ase oes not o a or in
to the lan an an entire famil lose to a ame an fall vi tim to a ruesome
mur er m ition esire an lust eventuall han e an s relationshi s with
her famil
PÀxÁ¸ÁgÀ
ªÀÄzÁªÀiï vÁAUï vÀ£Àß PÀÄlÄA§zÀ ¯Á¨sÀPÁÌV ¸ÀPÁðgÀ ªÀÄvÀÄÛ ªÀÄzsÀåªÀwðUÀ¼À £ÀqÀĪÉ
ªÀåªÀºÁgÀzÀ°è ¸ÀA¥ÀPÀð ¸Á¢ü¸ÀĪÀ KeÉAmï. MAzÀÄ ªÀåªÀºÁgÀ CªÀ¼ÀÄ CAzÀÄPÉÆAqÀAvÉ
DUÀ°®è. ªÀÄzÁªÀiï vÁAUïUÉ Cw ºÀwÛgÀzÀ PÀÄlÄA§ªÉÇAzÀÄ WÉÆÃgÀ PÉÆ¯É WÀl£ÉAiÀÄ
C¥ÀgÁ¢üUÀ¼ÁUÀ¨ÉÃPÁ¬ÄvÀÄ. DPÉÆæñÀ, C¥À£ÀA©PÉUÀ½AzÁV D PÀÄlÄA§zÉÆA¢V£À
vÁAUï¼À ¸ÀA§AzsÀ ºÀzÀUÉnÖvÀÄ.
Won Best Film - Golden Horse Film Festival (Golden Horse Award, Audience Choice
Award) | Nominated Best Director - Golden Horse Film Festival | Won Best Actor
AWARDS - Kara Hui (Leading Actreess) & Vicky Chen (Supporting Actress) @ Golden Horse
Film Festival | Nominated Best Screenplay, Art Direction, Makeup and Costume -
Ya-che Yang, Penny Tsai, Chia Hui Wang @ Golden Horse Film Festival - 2017.
¢ mɸ֪
À ÄÉ Amï
DIRECTOR - AMICHAI GREENBERG
ISRAEL / 2017 / HEBREW / 88 MIN.
SYNOPSIS
oel a meti ulous historian lea in a si nifi ant e ate a ainst holo aust
deniers, discovers that his mother carries a false identity. He is an international
e ert in olo aust resear h has s ent over fifteen ears ili entl stu in the
Nazi’s methods of annihilating Jews in Austria and Hungary. In the course of his
resear h he is overs almost han e lassifie o uments whi h hint to the
fact that his mother is living under an assumed identity. Yoel is certain that this
is a mista e ut the further he lun es into his resear h the more he ou ts
his mother’s Jewish identity.
PÀxÁ¸ÁgÀ
45 ªÀµÀðzÀ AiÉÆïï CAvÀgÀgÁ¶ÖçÃAiÀÄ ¸ÀA±ÉÆÃzsÀPÀ. £ÁjhÄ DqÀ½vÀzÀ°è D¹ÖçÃAiÀiÁ
ºÁUÀÆ ºÀAUÉÃjAiÀÄ°è £ÀqÉzÀ AiÀĺÀÆ¢UÀ¼À ºÀvÁåPÁAqÀzÀ PÀÄjvÁV DvÀ 15 ªÀµÀð
¸ÀA±ÉÆÃzsÀ£É £ÀqɹzÁÝ£É. DPÀ¹ PÀªÁ DvÀ¤UÉ ªÀgÀ¢AiÉÆAzÀÄ ¹UÀÄvÀ ¹UÀÄvÀÛzÉ. zÀgÀ DvÀ£À
vÁ Ä ¨ÉÃgÉÆAzÀÄ ºÉ¸Àj£À à ¸ÀÄ ÛgÀĪÀ zÀÄ ½AiÀÄÄvÀÛzÉ. DvÀ¤U
DvÀ¤UÉ £ÀĪÀiÁ£À
±ÀÄgÀĪÁUÀÄvÀÛzÉ. DvÀ ºÉ Ñ£À zsÀ AiÀÄ£À £ÀqɹzÁUÀ DvÀ£À vÁ ÄAiÀÄ AiÀĺÀÆ¢ ªÀÄÆ®
© ÑPÉƼÀÄvÀÛzÉ. ¸ÀvÀ PÁÌ ªÀÄ£ÀĵÀ ® ¸ÀªÀÄ¸É zÀÄj¹ £ÀqɸÀ ºÀÄzÁzÀ
ºÉÆÃgÁlzÀ vÀæ PÀ É ÄzÀÄ.
Won Best Film - Israeli Film Competition Award- Haifa IFF | Nominated for Best
AWARDS Film - Venice FF - 2017.
C£À£åÀ
UNPARALLELED
DIRECTOR - ARUP MANNA
INDIA / 2017 / ASSAMESE / 99 MIN.
SYNOPSIS
Sometimes a distance comes between the relationship of the two on certain
circumtances. Either consciously or unconsciously, the third one ever enter at
the gap of the two, says - The mind of a human being is not static. It moves from
one place to another.
PÀxÁ¸ÁgÀ
E§âgÀ £ÀqÀÄªÉ EgÀĪÀ ¸ÀA§AzsÀUÀ¼ÀÄ PÉ®ªÉÇAzÀÄ ¸ÀAzÀ¨sÀðUÀ¼À°è CAvÀgÀ
PÁ¥ÁrPÉƼÀÄîvÀÛªÉ. CzÀÄ ¥ÀæeÁÕ¥ÀƪÀðPÀªÁVgÀ§ºÀÄzÀÄ E®èªÉÃ
C¥ÀæeÁÕ¥ÀƪÀðPÀªÁVgÀ§ºÀÄzÀÄ EAvÀºÀ ¸ÀAzÀ¨sÀðzÀ°è ªÀÄÆgÀ£Éà ªÀåQÛAiÀÄ
¥ÀæªÉñÀªÁUÀ¨ÁgÀzÀÄ. ªÀÄ£ÀĵÀå£À ¸Àé¨sÁªÀªÉà ¸ÁܬÄAiÀÄ®è. CzÀÄ ¸ÀzÁ avÀÛZÀAZÀ®ªÁV
MAzÀÄ ¸ÀܼÀ¢AzÀ ªÀÄvÉÆÛAzÀÄ ¸ÀܼÀPÉÌ ZÀ°¸ÀÄwÛgÀÄvÀÛzÉ.
P ¤
SELF EXILE
DIRECTOR - ARNAB K MIDDYA
INDIA / 2017 / BENGALI / 86 MIN.
SYNOPSIS
This is a saga of womanhood in the correlative context of human relationships
and complex society. Andarkahini is stitched with four stories of different
iversities with the ore risis of womanhoo n the film four women
protagonists are from four different stories where one character is connected
to the other three. It symbolizes the very aspect of womanhood as a metaphor.
ith stories an ifferent hara ters the film travels throu h various ontours
of our society to open up the dark hidden aspects of various relationships and
its complexities.
PÀxÁ¸ÁgÀ
ªÀiÁ£À«ÃAiÀÄ ¸ÀA§AzsÀ ºÁUÀÆ ¸ÀAQÃtð ¸ÀªÀiÁdzÀ°è ¥ÀgÀ¸ÀàgÀ ¸ÀA§AzsÀUÀ¼À£ÀÄß
ºÀÄqÀÄPÀÄvÁÛ ºÉÆÃUÀĪÀ ªÀÄ»¼Á ÉÆÃPÀzÀ PÀ ÉAiÉÄà AzÀgï PÀ»¤.
ªÀÄ»¼Á¯ÉÆÃPÀzÀ°ègÀĪÀ ©PÀÌnÖ£À ªÉÊ«zsÀåªÀ£ÀÄß M¼ÀUÉÆAqÀ £Á®ÄÌ PÀvÉUÀ¼À£ÀÄß MAzÀÄ
AzsÀzÀ £ÉÃAiÀÄ Á zÉ. £Á®ÆÌ ©£Àß PÀvÉUÀ¼À £Á®ÄÌ ªÀÄ»¼Á ¥ÁvÀæUÀ¼À£ÀÄß ¼ÉÃ
ªÀÄ»¼É ¤ªÀð»¹gÀĪÀ zÀÄ £À ªÉ µÀÖ . ªÀÄ»¼ÉAiÀÄgÀ êÀ£ÀzÀ ggÀÆ¥ÀPÀ
¸ÁAPÉà PÀªÁ qÀªÀÄÆrzÉ. ¸ÀªÀiÁ zÀ ªÀÄ»¼É zÀÄj¸ÀÄ ÛgÀĪÀ ºÀ®ªÁgÀÄ
¸ÀªÀÄ¸É UÀ¼À ¸ÀÄvÀÛ ¸ÀA AzsÀUÀ¼À ¸ÀÄvÀÛ £À PÀvÉ ¸ÁUÀÄvÀÛzÉ.
QèAmï
CLINT
DIRECTOR - HARIKUMAR
INDIA / 2017 / MALAYALAM / 138 MIN.
SYNOPSIS
his film is ase on the true stor of mun homas lint a ro i ious hil
who was orn to ose h an hinnamma ose h of lle e in erala in
a he master artist left the worl on the th of ril a month
short of his seventh irth a leavin ehin a treasure of eautiful
i tures
PÀxÁ¸ÁgÀ
¸ÁzsÁgÀ ¨Á®PÀ qÀ Aqï ÁªÀĸï A ï£À ¤ êÀ£ÀzÀ PÀvÉ. PÉÃgÀ¼ÀzÀ
ɦAiÀÄ ªÉÄÃ. gÀ £À£À. vÀAzÉ A.n. ÉÆøɥsï ªÀÄvÀÄÛ vÁ Ä £ÀߪÀÄ
ÉÆøɥsï. ¦æ ï gÀ vÀ ¤zsÀ£À£ÁzÁUÀ ªÀ£À ªÀAiÀĸÀÄ ¼Éà ªÀµÀð.
DzÀgÉ ªÀ£ÀÄ ©lÄÖ ºÉÆÃzÀ PÀ Á¨sÀAqÁgÀzÀ ¸Á gÀ ¸ÀÄAzÀgÀ vÀæUÀ½zÀݪÀ .
CONTACT: HARIKUMAR
22 SUKRUTHAMHK@YAHOO.COM
EVENING SHADOWS
¸ÀÄgïªÀiÁ¬Ä±ÁªÀiï
SURMAEE SHAAM
DIRECTOR - SRIDHAR RANGAYAN
INDIA / 2018 / HINDI / 102 MIN.
SYNOPSIS
In a small town in Southern India, when Kartik, a young gay man, comes out to
his conservative mother Vasudha, she has no one to turn to dispel her own fears
an self ou ts he un erstan s her lovin son s truth he has to fin her own
ways to deal with her intolerant husband Damodar and the unforgiving traditional
society around her. It is universal story about a mother-son bonding and its
emotional strength to withstand the ravages of time and the harsh realities of
our society.
PÀxÁ¸ÁgÀ
«µÀAiÀÄ ®A¥Àl£ÁzÀ AiÀÄĪÀPÀ PÁwðPï, ¸ÀA¥ÀæzÁAiÀĪÁ¢AiÀiÁzÀ vÀ£Àß vÁ¬Ä
ªÀ¸ÀÄzsÁ¼À ªÀÄ£ÉUÉ §gÀÄvÁÛ£É. vÀ£Àß ¥ÀÄvÀæ£À ¦æÃwAiÀÄ£ÉßãÀÆ CjAiÀÄzÀªÀ¼À®è ªÀ¸ÀÄzsÁ.
ªÀÄUÀ£À UÉ UÀAqÀ¤ zÀÝ ¸ÀºÀ£ÉAiÀÄ£ÀÄß vÀ£Àß ¸ÀÄvÀÛ gÀĪÀ ¸ÀA¥ÀæzÁAiÀÄ zÀ
¸ÀªÀiÁdªÀ£ÀÄß ¢üPÀÌj¹ ªÀ¸ÀÄzsÁ ªÀÄUÀ£À£ÀÄß gÀQë¸ÀÄvÁÛ¼É. ¸ÀAeÉAiÀÄ£ÉgÀ¼ÀÄ vÁ¬Ä ªÀÄUÀ£À
¦æà AiÀÄ£ÀÄß ºÉüÀĪÀ ÁUÀ PÀ PÀvÉ.
EµÀÄ
ISHU
DIRECTOR - UTPAL BORPUJARI
INDIA / 2017 / ASSAMESE / 91 MIN.
SYNOPSIS
Happy-go-lucky Ishu’s world in a remote, tribal village in Assam, Northeastern
India, revolves around his friends or Bhalu, his pet puppy. His days are spent
with them, and with his favourite aunt, Ambika. But one day, this happy world
of Ishu turns around as the village quack, in a conspiracy hatched with Ishu’s
another aunt Bhadreswari, declares Ambika as a witch. Beaten up by the mob
and her house burnt down, Ambika vanishes, and no one seems to know where
she is ill shu e a le to fin her hat ha ene to m i a
PÀxÁ¸ÁgÀ
F±Á£Àå gÁdåªÁzÀ D¸ÁìA£À ªÀÄƯÉAiÉÆAzÀgÀ°ègÀĪÀ Vjd£ÀgÀ ºÀ½îAiÉÆAzÀgÀ°ègÀĪÀ
¨Á®PÀ EµÀÄ eÁ° ºÀÄqÀÄUÀ. CªÀ£Á¬ÄvÀÄ CªÀ£À UɼÉAiÀÄ ºÁUÀÆ ¥ÀÄlÖ £Á¬ÄªÀÄj
zÀµÉÖà ªÀ£À ¥Àæ¥ÀAZÀ. ªÀ£À DAn A©PÀ AzÀgÉ ªÀ¤UÉ ¥Áæ . DzÀgÉ AzÀÄ ¢£À
µÀÄ £À ¸ÀAvÉÆõÀzÀ êÀ£À vÀ ÉPɼÀUÁUÀÄvÀÛzÉ. UÁæªÀÄzÀ ¼À ÉPÁ Ä ¥ÀArvÀ
¦vÀÆj ªÀiÁr A©PÀ ªÀiÁlUÁ AzÀÄ ¸ÁgÀÄvÁÛ£É. zÀ£ÀÄß £ÀA©zÀ j£À £À
j£
A©PÀ¼À£ÀÄß À½¹ ªÀ¼À ªÀÄ£ÉUÉ ¨ÉA ºÁPÀÄvÁÛgÉ. A©PÁ £Á¥ÀvÉÛAiÀiÁUÀÄvÁÛ¼É.
ªÀ¼É zÁÝ¼É £ÀÄߪÀ zÉà AiÀiÁjUÀÆ ½AiÀÄzÀÄ. ªÀ¼À£ÀÄß µÀÄ ¥ÀvÉÛ ºÀ ÑzÀ£ÉÃ
Best Film and Best Director Nomination in Indian Languages Competition at Kolkata
AWARDS Iternational Film Festival -2017.
ªÀÄAiÀÄÆgÁQë
MAYURAKSHI
DIRECTOR - ATANU GHOSH
INDIA / 2017 / BENGALI / 102 MIN.
SYNOPSIS
Sushovan, 84, a former professor of History, is presently suffering from dementia.
His middle-aged son Aryanil visits him, an intimately sensitive man going through
an unsettling phase in his life. Though deeply attached to his father, Aryanil is
settled in US, and as such cut off from the soul who shaped his life. Few days
become more eventful than years and through the process of confrontation with
a in an estin r anil has to fin an ultimate solution to eal with the resent
mental state of his father and also, to seek peace, hope and sustenance in his
own life.
PÀxÁ¸ÁgÀ
¸ÀıÉƪÀ£ï 84 ªÀµÀð ªÀAiÀĹì£À ZÀjvÉæAiÀÄ ªÀiÁf ¥ÉÆæ¥sɸÀgï. FUÀ avÀÛªÉÊPÀ®å¢AzÀ
£ÀgÀ¼ÀÄ ÛzÁÝgÉ. ªÀjUÉÆ ªÀÄzsÀ ªÀAiÀĹ£À ªÀÄUÀ DgÀ ¤ ï. DUÁUDUÁUÀ vÀAzÉAiÀÄ£ÀÄß AzÀÄ
£ÉÆÃrºÉÆÃUÀÄ ÛgÀÄvÁÛ£É. vÀ£ÀߣÀÄß ªÀÄlÖPÉÌ gÀƦ¹zÀ vÀAzÉAiÀÄ£
Ä£ÀÄß ©lÄÖ DvÀ
ªÉÄjPÀzÀ £É ɹzÁÝ£É zÀPÉÌ PÁgÀ zÉ. êÀ£ÀzÀ ªÀ¤£ÀÆß £É É PÀAr®.
ªÁºÀ ZÉÃzÀ£ÀªÁ zÉ. ªÀAiÀĸÁzÀªÀgÀÄ ºÁUÀÆ ¢AiÀÄ DlzÀ UÉ A ¹
DgÀ ¤ ï PÉÆ£ÉUÀÆ AzÀÄ ¥ÀjºÁgÀ PÀAqÀÄ »rAiÀÄÄvÁÛ£É. vÀAzÉ qÀ r¸ÀÄ ÛzÀÝ
ªÀÄAiÀÄÆgÁ AiÀÄ£ÀÄß PÀgÉvÀAzÀÄ ¸ÀªÀÄ¸É UÉ ¥ÀjºÁgÀ ºÀÄqÀÄ PÉƼÀ
PÉƼÀÄvÁÛ£É.
ªÀÄÄgÁA§
MURAMBA
DIRECTOR - VARUN NARVEKAR
INDIA / 2017 / MARATHI / 128 MIN.
SYNOPSIS
his film is a stor of eshmu hs who elon to Pune heir onl son lo has
een in a relationshi with n u sin e the last ears his is a stor a out how
arents in to a s times res e t an un erstan their hil ren s relationshi s
lo thou h relu tantl o ens u a out his relationshi with n u e shares
the u s an ownsin his life life to his arents an over the ourse reali es that
li e his frien s his arents too are a a le of still un erstan in him his li ht
hearte film ma es oth the enerations reali e the ifferen es in ealin with
relationshi s an ma es them a re iate the ifferen e
PÀxÁ¸ÁgÀ
¥ÀÄuÉAiÀÄ°è ªÁ¹¸ÀĪÀ zÉñÀªÀÄÄRgÀ PÀvÉ ªÀÄÄgÁA§. CªÀgÀ KPÉÊPÀ ¥ÀÄvÀæ C¯ÉÆÃPÀ £Á®ÄÌ
ªÀµÀð¢AzÀ EAzÀÄ JA§ AiÀÄĪÀwAiÀÄ£ÀÄß ¦æÃw¸ÀÄwÛzÁÝ£É. ªÀÄPÀ̼À F jÃwAiÀÄ ¸ÀA§AzsÀªÀ£ÀÄß
EA¢£À ¥ÉÆõÀPÀgÀÄ ºÉÃUÉ UËgÀ«¸ÀÄvÁÛgÉ, ºÉÃUÉ CxÀðªÀiÁrPÉƼÀÄîvÁÛgÉ J£ÀÄߪÀÅzÉà PÀvÉ.
EAzÀÄ eÉÆvÉ vÀ£Àß ¥ÉÆõÀPÀgÀ «gÉÆÃzsÀªÀ£ÀÄß ºÉýPÉƼÀÄîªÀ C¯ÉÆÃPÀ, ªÀÄ£ÉAiÀÄ°è ºÉÃUÉ
KgÀÄ¥ÉÃgÀÄUÀ¼ÁUÀÄwÛzÉ J£ÀÄߪÀÅzÀ£ÀÆß PÀAqÀÄPÉƼÀÄîvÁÛ£É. DzÀgÉ ªÀÄÄAzÉ vÀ£Àß ¥ÉÆõÀPÀgÀÆ
¸ÉßûvÀgÀAvÉAiÉÄà EzÁÝgÉ J£ÀÄߪÀÅzÀ£ÀÄß CjAiÀÄÄvÁÛ£É. ¥ÉÆõÀPÀgÀÄ AiÀÄĪÀªÀÄ£À¸ÀÄìUÀ¼À£ÀÄß
jvÀÄPÉƼÀĪÀµÀÄÖ ¸À±ÀPÀÛgÁ zÁÝgÉ £ÀÄߪÀ zÀÆ ªÀ¤UÉ j UÉ gÀgÀÄvÀÛzÉ.
NOMINATED FOR ZEE GAURAV AWARDS ZEE CINE AWARDS REGIONAL CATEGORY
AWARDS INDIAN PANAROMA MAHARASHTRA TIMES -2017
¥ÁwgÀPÁ®A
NOCTURNAL TIMES
DIRECTOR - PRIYANANDANAN
INDIA / 2017 / MALAYALAM / 132 MIN.
SYNOPSIS
ein an en less ourne throu h t rann es air overt the film ali rates
the imensions of af aes ue worl remains in our worl he film s fin in s
as of all see ers fin in s shows hollowness of the s stem uilt u a au us
of or orates an ower oliti ians whi h manifests itself militar an oli e
to the oor an inno ent
PÀxÁ¸ÁgÀ
ɺÀ£ÁgÀ ð£ï£À zÀÄ ªÀÄÄ ¹ ¤UÀÆqsÀªÁ PÀ gÉAiÀiÁ gÀĪÀ vÀ£Àß vÀAzÉAiÀÄ£ÀÄß
ºÀÄqÀÄPÀĪÀ ¸À®ÄªÁ PÉÃgÀ¼ÀzÀ ºÀÄlÆÖjUÉ ªÀÄgÀ½ gÀÄvÁÛ¼É. ªÀiÁ££ÀªÀvÁªÁ¢ ºÀĸÉãï
PÀ gÉAiÀiÁUÀĪÀ ªÀÄÄ£Àß PÉÆ£ÉUÀ½UÉAiÀĪÀgÉUÀÆ ÉºÀ£ÁgÀ¼À ¸ÀA¥ÀPÀðzÀ zÀÝ. ɺÀ£ÁgÀ
¥ÉÆ Ã¸ÀjUÉ zÀÆgÀÄ ¤ÃqÀÄvÁÛ¼É. ºÀÄqÀÄ PÉÆqÀĪÀAvÉ ªÀ îgÀ ªÉÆgÉ ºÉÆÃUÀÄvÁÛ¼É.
PÉÆ£ÉUÉ ªÀ¼ÀÄ ºÁUÀÆ ªÀ¼À ¥ÀvÀæPÀvÀð ¸ÉßûvÀ ªÀĺÉÃ±ï ¸ÉÃj £É ï£À ºÀÄqÀÄPÁl
DgÀA©¸ÀÄvÁÛgÉ. ɺÀ£ÁgÀ¼À ÉÆvÉ ºÀĸÉÃ£ï ªÉĸÉÃ ï ªÀiÁqÀĪÁUÀ ¥ÀzÉÃ¥ÀzÉÃ
¼À¸ÀÄ ÛzÀÝ ºÉ¸ÀgÀÄUÀ¼À ÁqÀÄ »rzÀÄ ªÀgÀÄ £É ï Á ÁqÀÄvÁÛgÉ. ºÀÄqÀÄPÁl
AzsÀPÁgÀzÀ gÀĪÀ ±ÀzÀ AzÀÄ ¸ÀÄvÀÄÛ. ¤gÀAPÀıÁ¢PÁgÀzÀ PÀv
PÀvÉ ºÀvÁ±É ºÁUÀÆ
qÀvÀ£ÀzÀ gÀĪÀªÀgÀ ªÉÄÃ É ±ÀzÀ £ÀqÉAiÀÄÄ ÛgÀĪÀ zÀ¨Á½PÉA
zÀ¨Á½PÉAiÀÄ AzÀÄ ªÀÄÄ .
CONTACT: PRIYANANDANAN
27 PRIYANANDANAN@GMAIL.COM
PIMPAL
¦A¥Á¯ï
PIMPAL
DIRECTOR - GAJENDRA AHIRE
INDIA / 2017 / MARATHI / 92 MIN.
SYNOPSIS
Arvind, a retired widower, has been living alone in his apartment in Pune. He
follows a routine that includes video chatting with his children and grandchildren
in meri a One a rvin has a fall in the athroom e s fine ut his hil ren
are adamant that he has to move to the US. With a heavy heart, Arvind agrees.
As he is packing his belongings, he comes across an old letter that his mother
had written to him. He had made a promise to her. A promise that he was never
a le to fulfil
PÀxÁ¸ÁgÀ
gÀ Azï zsÀÄgÀ. ¤ªÀ vÀÛ. ¥ÀÄ ÉAiÀÄ ¥Á ïðªÉÄAn£À PÁA AiÀiÁ
à ¸ÀÄ ÛzÁÝ£É. ªÉÄjPÀzÀ gÀĪÀ ¥ÀÄvÀægÀÄ ºÁUÀÆ ªÉƪÀÄ PÀ¼ÉÆA¢U
PÀ¼ÉÆA¢UÉ rAiÉÆà ZÁ ï
ªÀiÁqÀÄvÁÛ PÁ®PÀ¼ÉAiÀÄÄ ÛzÁÝ£É. AzÀÄ ¢£À ¨ÁvïgÀÆ Ä£À ©zÀÄÝ©qqÀÄvÁÛ£É.
vÀAzÉAiÀÄ£ÀÄß ªÉÄjPÀPÉÌ PÀgÉzÉÆAiÀÄ ¨ÉÃPÀÄ £ÀÄߪÀ zÀÄ ªÀÄPÀ̼À ºÀ À. ªÀÄ£À¹®zÀ
ªÀÄ£À¹¤AzÀ gÀ Azï zÉñÀPÉÌ ºÉÆÃUÀ®Ä ¹zÀ£ÁUÀÄvÁÛ£É. ÉÖ gÉ ªÀÄÆ ÉPÀlÄÖªÁUÀ
gÀ AzïUÉ vÀ£Àß vÁ Ä gÉzÀ ¥ÀvÀæªÉ AzÀÄ ¹UÀÄvÀÛzÉ. vÁ ÄUÉ ¤ÃrzÀ ¤ÃrzÀÝ ¨sÀgÀªÀ¸É
£Á ÄvÀÄ zÀ£ÉßÃPÉ £Á£ÀÄ qÉÃj¸À®Ä DUÀ ® £ÀÄߪÀ zÀÄ gÀ AzÀ£ AzÀ£À AvÉ..
¸Àé£AÀ
SWNAM
DIRECTOR - DEEPESH T
INDIA / 2017 / MALAYALAM / 83 MIN.
SYNOPSIS
Darkness and light severed them onto two separate paths. Later, they journeyed
together on one path.
PÀxÁ¸ÁgÀ
PÀvÀÛ®Ä ªÀÄvÀÄÛ ¨É¼ÀPÀÄ JgÀqÀÆ ºÁ¢UÀ¼À°è ¸ÁUÀÄvÀÛªÉ. £ÀAvÀgÀ JgÀqÀÆ MAzÉà ºÁ¢AiÀÄ°è
¥ÀAiÀÄt¸ÀÄvÀÛªÉ.
CONTACT: DEEPESH T
29 DEEPESHSUMALA@GMAIL.COM
TAKE OFF
mÉÃPï D¥sï
TAKE OFF
DIRECTOR - MAHESH NARAYANAN
INDIA / 2017 / MALAYALAM / 132 MIN.
SYNOPSIS
urse ameera ivor e mother of an ear ol o ma es the i ult e ision
to ta e u a o in war torn ra owin to finan ial lia ilities Take Off portrays
not just the struggle for survival and escape from a war torn country, also
underpins the quest for meaningful existence of human beings amidst adverse
ir umstan es
PÀxÁ¸ÁgÀ
¸À ÄÃgÀ ZÉâvÀ ªÀÄ»¼É. ªÀ½UÉ AlÄ ªÀµÀð ªÀAiÀĹ£À ¥ÀÄvÀæ¤zÁ zÁÝ£É. ºÀ PÁ¹£À
vÉÆAzÀgÉ ÄAzÁ ªÀ¼ÀÄ gÁPï£À AiÀÄzÀ¨sÀÆ ÄAiÀÄ PÉ®¸À ªÀiÁqÀĪÀ PÀ ¤zsÁðgÀ
vÉUÉzÀÄPÉƼÀÄvÁÛ¼É. ªÀ¼À ¤zsÁðgÀ PÉêÀ® zÀÄPÀĪÀ zÀPÁÌ £ÀqÉzÀ ºÉÆÃgÁlªÀ®.
AiÀÄzÀ¨sÀÆ Ä ÄAzÀ ¥À ÁAiÀÄ£À ªÀiÁqÀĪÀ zÀÆ ®. Àð¥ÀÆ ð ªÀiÁ£À ÃAiÀÄ
¹ÛvÀPÁÌ ªÀ¼À gÀvÀ ºÉÆÃgÁlzÀ ZÀ® ¤zsÁðgÀ.
CREW Sound/Music :
Gopi Sundar MAHESH NARAYANAN
Producer :
Anto Joseph Film Mahesh Narayanan, after completing his
Company graduation from FTII, Pune, started off as an advert
Screenplay : CAST Editor. He quickly progressed to documentaries,
Mahesh short films followed by features. His editorial
Narayanan Pv Parvathi debut, Rathrimazha, bagged National award
Shaji Kumar Thiruvoth
for the best director and five Kerala State
DOP : Fahad Fasil
Kunchacko
Awards.Take Off' is his directorial debut.
Sanu John
Varghese Boban Asif
Editor : Aliprakash
Mahesh Belwadi
Narayanan Alencier Eric
lÄ ¯Émï
TO LET
DIRECTOR - CHEZHIYAN RA
INDIA / 2017 / TAMIL / 99 MIN.
SYNOPSIS
To Let is the story of a couple with a child which takes place in 2007 in the Indian
city of Chennai which is experiencing a real estate boom as a result of an
exponential development of the IT sector. The owner of their house hikes their
rent whi h ma es their livin un omforta le he have onl thirt a s to fin
new house with their modest middle-class income. On their moped, they start
a race against time and all kinds of prejudice.
PÀxÁ¸ÁgÀ
ZÉ£ÉßöÊ£À°è ¥ÀÄlÖªÀÄUÀÄ«£ÉÆA¢UÉ ªÁ¹¸ÀÄwÛgÀĪÀ zÀA¥ÀwAiÀÄ F PÀvÉ £ÀqÉzÀ PÁ®
2007. ¸Á¥sïÖªÉÃgï ªÀ®AiÀÄzÀ C©üªÀÈ¢Þ¬ÄAzÁV jAiÀįï J¸ÉÖÃmï ªÀåªÀºÁgÀ
UÀUÀ£ÀPÉÌÃjzÀÝ PÁ®. F zÀA¥Àw ¨ÁrUÉVzÀÝ ªÀÄ£ÉAiÀÄ ªÀiÁ°ÃPÀ D¸É§ÄgÀÄPÀ. ºÉaÑ£À
¨ÁrUÉUÁV D¸É ¥ÀqÀÄwÛzÀÝ. EzÉà PÁgÀtPÉÌ CªÀgÀ£ÀÄß ªÀÄ£É ©qÀĪÀAvÉ ¸ÀÆa¹zÀÝ.
ªÀÄzsÀåªÀĪÀUÀðzÀ d£À PÉÆqÀ§ºÀÄzÁzÀ ¨ÁrUÉ «ÄwAiÉƼÀUÉ ªÀÄ£É ºÀÄqÀÄPÀ®Ä zÀA¥ÀwUÉ
ªÀÄƪÀvÉÛà ¢£ÀUÀ¼À UÀqÀĪÀÅ. CªÀgÀ ªÉÆ¥Éqï£À°è ªÀÄ£ÉAiÀÄ ºÀÄqÀÄPÁl DgÀA©ü¹zÁÝgÉ.
CONTACT: CHEZHIYAN RA
31 CHEZHIAN6@GMAIL.COM
UBUNTU
G§ÄAlÄ
UBUNTU
DIRECTOR - PUSHKAR SUDHAKAR SHROTRI
INDIA / 2017 / MARATHI / 114 MIN.
SYNOPSIS
Ubuntu is a story of a tiny school of a small village in Maharashtra; of it’s students
and their intense desire for education. In the small place allotted by the
Grampanchayat, Shelke Master is trying hard to add value to the life of handful
children of the village. But there comes a day when the school is about to shut
down due to very poor attendance. In the absence of Shelke Master, his students
shows tremendous courage to restart their school.
PÀxÁ¸ÁgÀ
ªÀĺÁgÁµÀÖçzÀ ¸ÀtÚUÁæªÀÄzÀ°è ²PÀët ¥ÀqÉAiÀĨÉÃPÉA§ CzÀªÀÄå D¸É ElÄÖPÉÆArgÀĪÀ
ºÀÄqÀÄUÀjgÀĪÀ MAzÀÄ ¸ÀtÚ±Á¯ÉAiÀÄ PÀvÉ G§ÄAlÄ. F ±Á¯ÉUÉ UÁæªÀÄ¥ÀAZÁAiÀÄw
¤ªÉñÀ£ÀªÀ£ÀÄß ªÀÄA ÆgÀÄ ªÀiÁrzÉ. ºÀ½AiÀÄ ºÀÄqÀÄUÀgÀ PÀ ººÁUÀÆ ÃªÀ£ÀzÀ
ªÀi ® ªÀ£ÀÄß vÀÄA ®Ä ±Á ÉAiÀÄ É̪ÀiÁ¸ÀÖgï ±Àæ ĸÀÄ ÛzÁÝgÉ. Dz
DzÀgÉ ±Á ÉUÉ
zÁ ðUÀ¼À ºÁ gÁ PÀrªÉÄAiÀiÁzÀ PÁgÀ ±Á ÉAiÀÄ£ÀÄß ªÀÄÄZÀÄѪÀ ¥¥Àj¹
vÀ ÉzÉÆÃgÀÄvÀÛzÉ. É̪ÀiÁ¸ÀÖgï £ÀÄ¥À¹ AiÀÄ PÀ PÀ AiÀĨÉÃPÉA ºÀA ®zÀ
zÁ ðUÀ¼ÀÄ ±Á ÉAiÀÄ£ÀÄß ½¹PÉƼÀ®Ä ºÉÆÃgÁlªÀ£Éßà £ÀqɸÀÄvÁÛgÉ.
C®èªÄÀ
DIRECTOR - T S NAGABHARANA
INDIA / 2016 / KANNADA / 139 MIN.
SYNOPSIS
he film o ens with the arrival of ol o i llama Pra hu after a lon ourne
at the famous al ana the a ital of ala huru i ala e will re ieve a warm
wel ome asavanna an is onvin e to as en the hoon a imhasana the
hair of nowle e at nu hava anta a t is an a a em of saints an
hiloso hers On seein a oun o la in the rum a ale he sli s a
into memor of his hil hoo hus starts the stor of his life
PÀxÁ¸ÁgÀ
PÀÌA¢¤AzÀ Éà ªÀÄzÀÝ¼É ¨Áj¸ÀĪÀ zÉAzÀgÉ ®ªÀĤUÉ ¦æà . »ÃUÉ ªÀªÀÄzÀÝ¼É ¨Áj¸ÀÄvÀÛ ÉÃ
AzÀÄ ¢£À ªÀÄ ¤UÀÆ ºÉüÀzÉ gÁvÉÆæÃgÁ æ ªÀģɩlÄÖ ºÉÆgÀqÀÄvÁÛ£É. ªÀ£À£ÀÄß
ºÀÄqÀÄPÀÄvÁÛ ªÀÄ gÀÄvÁÛ¼É. DzÀgÉ ®ªÀÄ AiÀiÁjUÀÆ ¤®ÄPÀzÉ ¤ zÀ jªÀ£ÀÄß
ºÀÄqÀÄPÀÄvÁÛ ºÉÆgÀlªÀ£ÀÄ ¢Ã ÀðPÁ®zÀ ¸ÀAZÁgÀzÀ £ÀAvÀgÀ PÀ¼ÀZÀÆg
PÀ¼ÀZÀÆgÀÄ © ¼À£À
gÁ zsÁ¤ PÀ Á PÉÌ gÀÄvÁÛ£É. ªÀ£À£ÀÄß ¸ÀªÀ ºÁUÀÆ vÀgÀ ±ÀgÀ gÀÄ
¸ÁUÀ ¹ Á£ÀzÉÃUÀÄ®ªÁzÀ £ÀĨsÀªÀ ªÀÄAl¥ÀzÀ ±ÀÆ£À ¹AºÁ¸À£À ggÀĪÀAvÉ ªÀÄ£À
ªÀiÁqÀÄvÁÛgÉ.
AWARDS th ational film awar s wo ational ilm awar s for est usi ire tion an
for est a eu rtist
CONTACT: T S NAGABHARANA
34 SHRUTHALAYA@GMAIL.COM
BETI
¨ÉÃn
DIRECTOR - P SHESHADRI
INDIA / 2017 / KANNADA / 101 MIN.
SYNOPSIS
he film is a stor of alma he roto onatist is oth male an female as she
oes throu h en er han e eti is the stor of the vi tor of alma t is els
the m th that en er is rimination has reli ious san tions an ultural
intoleran e
PÀxÁ¸ÁgÀ
zÀĨÉÊ£À°è PÉ®¸À ªÀiÁqÀĪÀ ¸ÀįÉêÀiÁ£ï, vÀ£Àß CPÀÌ vÀAVAiÀÄjUÉ®è ªÀÄzÀÄªÉ ªÀiÁr
ºÉÊgÁuÁVgÀÄvÁÛ£É. ºÁUÁV vÀ£ÀUÉ UÀAqÀĪÀÄUÀĪÉà ºÀÄlÖ¨ÉÃPÉAzÀÄ ºÉAqÀw dįÉÃSÁUÉ
vÁQÃvÀÄ ªÀiÁr zÀĨÉÊUÉ ºÉÆÃUÀÄvÁÛ£É. DzÀgÉ ºÀÄlÄÖªÀÅzÀÄ ºÉtÄÚªÀÄUÀÄ. PÀÄlÄA§zÀªÀgÀÄ
¸ÀÄ ÉêÀiÁ£ïUÉ ¥sÉÆãïªÀiÁr ¤£Àß ºÉAqÀ UÉ ºÉjUÉAiÀiÁ zÉ £ÀÄߪÀµÀÖgÀ Éà ¸ÀÄ ÉêÀiÁ£ï
vÀ£ÀUÉ ºÀÄnÖzÀÄÝ UÀAqÀĪÀÄUÀĪÉà AzÀÄ©qÀÄvÁÛ£É. ªÀµÀðUÀ¼À £ÀAvÀgÀ jUÉ gÀÄvÁÛ£É.
DUÀ ¸ÀÄ ÉêÀiÁ£ï£À ªÀiÁªÀ ªÀÄvÀÄÛ ªÀ£À UɼÉAiÀÄgÀÄ ¸ÉÃj AzÀÄ ¥ÁAiÀÄ ºÀÆqÀÄvÁÛgÉ.
¸ÀÄ ÉêÀiÁ£ï gÀĪÀªÀgÉUÉ ªÉƪÀÄ UÀ½UÉ UÀAr£ÀªÉõÀ ºÁPÀĪÀ zÀÄ AzÀÄ. ºÁUÉ ºÀÄqÀÄ
¸À Á ¸À Á £ï D zÀ ÁUÀÄvÁÛ¼É. ªÀ¼À qÉ PÀvÀÛj¹ ªÀ½UÉ ºÀÄqÀÄUÀ£À qÉæ¸ï
ºÁPÀ ÁUÀÄvÀÛzÉ. ªÀÄUÀ AzÉà ¨sÀæ ĹzÀ ¸ÀÄ ÉêÀiÁ£ï ªÀÄUÀ¤UÉ ¸ÀÄ£Àß ªÀiÁqÀ®Ä ºÉÆgÀ ÁUÀ
ªÀÄ£ÉAiÀÄ »jAiÀÄgÉ® PÀÌnÖUÉ ¹®ÄPÀÄvÁÛgÉ. DUÀ j£À ¸ÁAªÀÄÄ AqÀgÀÄ ªÀÄ£ÉUÉ AzÀÄ
PÀÄgÁ£ï£À ºÉ ĪÀÄPÀ̽UÉ U gÀªÀ zÉ. ®zÉ ºÉ Ä ºÀÄnÖzÉ A PÁgÀ PÉÌ ¤Ã£ÀÄ ºÉAqÀ UÉ
vÀ Á ï PÉÆqÀĪÀA ®. zÀ£ÀÄß ÄgÁ£ï ¥ÀĪÀ ¢® AzÀÄ ½ºÉüÀÄvÁÛgÉ. PÀqÉAiÀÄ
¸ÀÄ ÉêÀiÁ£ï ªÀÄUÀ¼À£ÀÆß ºÉAqÀ AiÀÄ£ÀÆß ¦PÉƼÀÄvÁÛ£É.
qÁ. ¸ÀÄPÀ£Áå
DIRECTOR - SRINATH VASISTHA
INDIA / 2017 / KANNADA / 110 MIN.
SYNOPSIS
Dr. Sukanya is an accomplished, well trained doctor. She refuses Dr. Arvind’s
marriage proposal, after learning his bad intentions. Ambujamma, a woman
with a wrong intuition about girl child, trusts astrologer more than anyone, forces
her daughter-in-law to get aborted from her pregnancy. Anand, son of
Ambujamma and his wife Sarala are expecting a baby are forced to check if the
fetus is male or female he on i t etween two o tors an an el erl woman
is a story of female feticide. What will Dr. Sukanya do to save the child?
PÀxÁ¸ÁgÀ
qÁ. ¸ÀÄPÀ£Áå vÀdÕ ªÉÊzÉå. qÁ.CgÀ«Azï CªÀ¼À£ÀÄß ªÀÄzÀĪÉAiÀiÁUÀ §AiÀĸÀÄvÁÛ£É. CªÀ£À
£ÀqÀªÀ½PÉ EµÀÖ¥ÀqÀzÀ ¸ÀÄPÀ£Áå CªÀ£À£ÀÄß wgÀ¸ÀÌj¸ÀÄvÁÛ¼É. ºÉtÄÚ JAzÀgÉ vÁvÁìgÀ vÁ¼ÀĪÀ
CA§ÄdªÀÄäUÉ eÉÆåÃw¶UÀ¼À §UÉÎ £ÀA©PÉ. CA§ÄdªÀÄä£À ªÀÄUÀ D£ÀAzï ªÀÄvÀÄÛ ¸ÉƸÉ
ºÀÄlÖ°gÀĪÀ ªÀÄUÀÄ«£À §UÉÎ PÀ£À¸ÀÄ PÁtÄwÛgÀÄvÁÛgÉ. DzÀgÉ, CA§ÄdªÀÄä ¨sÀÆætzÀ°ègÀĪÀ
ªÀÄUÀÄ UÀAqÉÆÃ, ºÉuÉÆÚà ¥ÀjÃPÉë ªÀiÁr¸À¨ÉÃPÉAzÀÄ MvÀÛqÀ vÀgÀÄvÁÛ¼É. ºÉtÄÚ ¨sÀÆætzÀ §UÉÎ
E§âgÀÄ ªÉÊzÀågÀÄ ºÁUÀÆ »jAiÀÄ ªÀÄ»¼ÉAiÀÄ £ÀqÀÄªÉ ¸ÀAWÀµÀð K¥ÀðqÀÄvÀÛzÉ. qÁ.¸ÀÄPÀ£Áå
D ªÀÄUÀĪÀ£ÀÄß PÁ¥ÁqÀÄvÁÛ¼ÉAiÉÄÃ?
ºÉ¨ÉâlÄÖ gÁªÀÄPÀÌ
DIRECTOR - N R NANJUNDE GOWDA
INDIA / 2017 / KANNADA / 144 MIN.
SYNOPSIS
he film aims at showin how an une u ate villa e woman s intelli en e
e i ation an honest rovi es a suita le o ortunit for the o resse eo le
of a villa e to su ee he film eals with the stru le of ama a the
roto anist to over ome male omination in the so iet
PÀxÁ¸ÁgÀ
ºÀ½ºÉ Ä gÁªÀÄPÀÌ£À£ÀÄß ªÀ¼À UÀAqÀ Á¥ÀAZÁAiÀÄvï ZÀÄ£ÁªÀ ÉU ÉUÉ ¤ ¹ UÉ ¸ÀÄvÁÛ£É.
£ÀPÀgÀ¸ÉAiÀiÁzÀ gÁªÀÄPÀÌ£À£ÀÄß ªÉÆzÀªÉÆzÀ®Ä ®gÀÆ UÉà ªÀiÁqÀÄvÁÛgÉ. ªÀ¼À
ºÉ¸Àj£À ªÀ¼À UÀAqÀ PÀ Éà AiÉÄà DqÀ½vÀ £ÀqɸÀÄ ÛgÀÄvÁÛ£É. zzÀjAzÀ £ÉÃPÀ jà AiÀÄ
ªÀªÀiÁ£ÀªÀ£ÀÄß gÁªÀÄPÀÌ zÀÄj¸À¨ÉÃPÁUÀÄvÀÛzÉ. ®zÉ UÀAqÀ PÀ ÉÉà ªÀ¼À
¢PÁgÀªÀ£ÀÄß zÀÄgÀÄ¥ÀAiÉÆÃUÀ¥Àr¹PÉÆAqÀÄ £ÉÃPÀ jà AiÀÄ ¨sÀæµÁÖZÁgÀªÀ£É߸ÀUÀÄvÁÛ£É.
DzÀgÉ PÀæªÉÄà vÀ£Àß ¦. . ªÀÄÆ®PÀªÉà gÁªÀÄPÀÌ zÀÄ- gÀºÀªÀ£ÀÄß PÀ vÀÄ DqÀ½vÀzÀ
¸ÀªÀÄ É𠤹PÉÆAqÀÄ Á¥ÀAZÁ Ä AiÀÄ DUÀÄ ÛzÀÝ ¨sÀæµÁÖZÁgÀPÉÌ PÉÆ£É ºÁr
vÀÛªÀÄ DqÀ½vÀ PÉÆqÀĪÀ AiÀıÀ¹AiÀiÁUÀÄvÁÛ¼É.
ªÀiÁZïð 22
DIRECTOR - KODLU RAMAKRISHNA
INDIA / 2017 / KANNADA / 153 MIN.
SYNOPSIS
he film is set in a villa e a a ur a where all the ommunities live in harmon
ut sooner eo le start stru lin for water as the rau ht hits a he
rota onists alman an ahul tr to hel eo le as mu h as the an alman
sooner e omes the of that villa e ahul with the hel of alman rin s
resour e eo le to the villa e to fin water o ies ill the fin it o e is all
that ee s the eo le of the villa e to ether
PÀxÁ¸ÁgÀ
ªÀÄA¢gÀ-ªÀĹâUÀ½VAvÀ, eÁw-ªÀÄvÀUÀ½VAvÀ, zsÀªÀÄðUÀ½VAvÀ fêÀzÉÆqÀØzÀÄ,
ªÀiÁ£À ÃAiÀÄvÉAiÉÄà ±ÉæõÀªÁzÀzÀÄÝ A ÄzÀ£ÀÄß ¸Áj ºÉüÀĪÀA À ¹¤ªÀiÁ. gÁAiÀÄzÀÄUÀð
A ºÀ½AiÀÄ »AzÀÆ-ªÀÄĹAgÉ®gÀÆ ¸ÀºÀ¨Á¼É £ÉÆ Ã£À vÉ ÄAzÀ zÀÄPÀÄ gÛ ÀÄvÁÛgÉ.
zÉà ¸ÀªÀÄAiÀÄzÀ D jUÉ gÀ AzÀÄ rà gÀÄ vÀvÀÛj¸ÀÄvÀÛzÉ. DU DUÀ ¸À Á £ï
ªÀÄvÀÛªÀ£À UɼÉAiÀÄ gÁºÀÄ ï jUÉ ¤ÃgÀÄ vÀj¸À®Ä ºÉÆÃgÁqÀÄvÁÛgÉ. ¸À Á £ï
ZÀÄ£ÁªÀ ÉUÉ ¤AvÀÄ ±Á¸ÀPÀ£Á DAiÉÄÌAiÀiÁUÀÄvÁÛ£É. DzÀgÉ ¤Ãj£À ªªÀ É UɺÀj¸À®Ä
¸ÁzsÀ ªÁUÀĪÀ ¢®. zÉà ºÉÆ ÛUÉ ¨sÀÆ Á¤ qÁ.gÀ ÀÄ£ÀAzÀ£ï£À£ÀÄß PÀgÉvÀAzÀÄ
®ªÀÄÆ®ªÀ£ÀÄß ¥ÀvÉÛºÀ ѸÀÄvÁÛgÉ. ®ªÀÄÆ® gÀĪÀ zÀÄ £À ªÀĹâAiÀÄ .
ªÀĹâAiÀÄ£ÀÄß qÉzÀgÉ ªÀiÁvÀæ ¤ÃgÀÄ ¹UÀĪÀ zÀÄ. »ÃUÉAzÀ PÀÆqÀ Éà »AzÀÆ ªÀÄĹA
UÀ®¨sÉAiÀiÁUÀÄvÀÛzÉ. PÉÆ£ÉUÉ »AzÀÆUÀ¼É® ªÀÄA¢gÀªÀ£ÀÄß qÉAiÀÄ®Ä ¸ÀAPÀ ¸ÀÄvÁÛgÉ.
ªÀgÀ£ÀÄß £ÉÆÃrzÀ ªÀÄĹêÀÄgÀÆ ªÀĹâAiÀÄ£ÀÄß qÉzÀÄ ¤ÃgÀÄ ºÀj¸ÀÄvÁÛgÉ.
ªÀiÁ£À ÃAiÀÄvÉAiÉÄà ±ÉæõÀ AzÀÄ ¸ÁgÀ ÁUÀÄvÀÛzÉ.
ªÀÄÆPÀºQÀ Ì
DIRECTOR - MANJUNATH N
INDIA / 2017 / KANNADA / 118 MIN.
SYNOPSIS
film that has en a sulate the on in love affe tion of three si lin s who
elon to a noma i ommunit an their livesto who are on a ourne in
sear h of livelihoo ut has not for otten to a ture the humiliation an
har shi that the o throu h in this ro ess he movie has also ta en u the
urrent issue of ow slau hter in n ia
PÀxÁ¸ÁgÀ
PÉÆïɧ¸ÀªÀ£À£ÀÄß Dr¸ÀĪÀ C¯ÉªÀiÁj d£ÁAUÀzÀªÀgÀ PÀvÉ. UËj ªÀÄÆV. CtÚ ªÀÄvÀÄÛ
vÀªÀÄä£ÉÆA¢UÉ ªÁ¸À«gÀÄvÁÛ¼É. ªÀÄÆV JA§ PÁgÀtPÁÌV CªÀ¼À ªÀÄzÀĪÉ
£ÀqÉAiÀÄĪÀÅ¢®è. PÉÆÃ¯É §¸ÀªÀ£À£ÀÄß Dr¸ÀÄvÀÛ HgÀÆgÀÄ C¯ÉAiÀÄĪÁUÀ D Hj£À
¥ÀÄqÁjAiÉƧâ UËjAiÀÄ ªÉÄÃ¯É PÀtÄÚ ºÁPÀÄvÁÛ£É. C°èAzÀ ºÉÃUÉÆà vÀ¦à¹PÉÆAqÀÄ
ªÀÄvÉÆÛAzÀÄ HjUÉ ºÉÆÃUÀÄvÁÛ¼É. MªÉÄä PÉÆÃ¯É §¸ÀªÀ£À eÉÆvÉ EgÀĪÀ PÀgÀÄ«UÉ
ºÀĵÁj®èªÉAzÀÄ ªÀÄĹèA UɼÉAiÀÄ£ÉÆA¢UÉ CtÚ ºÉÆÃzÀªÀ£ÀÄ ªÁ¥Á¸ÀÄì §gÀĪÀÅzÉà E®è.
PÀqÉUÉ UËjAiÉƧâ¼Éà vÀªÀÄä ºÁUÀÄ §¸ÀªÀ£À£ÀÄß PÀnÖPÉÆAqÀÄ ªÀÄÄA¢£À HjUÉ
ºÉÆÃUÀÄvÁÛ¼É. C°è M§â ²æêÀÄAvÀ EªÀ¼À vÀªÀÄä£À£ÀÄß vÁ£ÀÄ zÀvÀÄÛ vÉUÉzÀÄPÉÆAqÀÄ
CªÀ£À£ÀÄß N¢¸ÀÄvÉÛãÉAzÀÄ ºÉüÀÄvÁÛ£É. DzÀgÉ CzÀPÉÌ CªÀ£ÀÄ PÉüÀĪÀÅzÀÄ UËjAiÀÄ
¸ÀAUÀªÀ£ÀÄß. PÀqÉUÀÆ vÀªÀÄä£À£ÀÄß C°èAiÉÄà ©lÄÖ UËj C°èAzÀ®Æ ºÉÆgÀqÀÄvÁÛ¼É.
dé®AvÀ ¸ÀªÀĸÉåAiÀiÁzÀ UÉÆúÀvÉåAiÀÄ£ÀÆß avÀæ ¸ÀÆPÀëöäªÁV ZÀað¸ÀÄvÀÛzÉ.
CONTACT: MANJUNATH N
39 KODAGUMANJU@GMAIL.COM
MOOKA NAYAKA
ªÀÄÆPÀ £ÁAiÀÄPÀ
DIRECTOR - BARAGURU RAMACHANDRAPPA
INDIA / 2017 / KANNADA / 112 MIN.
SYNOPSIS
his film resents the relationshi etween art an so ial life he rota onist
ur a has won erful aintin s ills ut mute ll his life he has not even uttere
a sin le wor averi an el er sister of ur a is a ol an arin la who
on emns in usti e one villa e hea ur a alwa s res on s to the in i ents
o urre in the so iet throu h his aintin s n this film a an an tree is
ortra e as a meta hor of life whi h has stru les ontra i tions an
hallen es
PÀxÁ¸ÁgÀ
PÀ¯É ªÀÄvÀÄÛ ¸ÁªÀiÁfPÀ fêÀ£ÀªÀ£ÀÄß F avÀæ ¥Àæ¸ÀÄÛvÀ¥Àr¸ÀÄvÀÛzÉ. ¸ÀÆAiÀÄð, M¼ÉîAiÀÄ
avÀæPÀ¯Á«zÀ. CªÀ£ÉƧ⠪ÀÄÆUÀ. ªÀiÁvÀÄ ¨ÁgÀzÀ CªÀ£ÀÄ vÀ£Éß®è ¨sÁªÀ£ÉUÀ¼À£ÀÄß avÀæUÀ¼À
ªÀÄÆ®PÀªÉà D©üªÀåPÀÛUÉƽ¸ÀÄwÛgÀÄvÁÛ£É. vÀAzÉ-vÁ¬Ä E®èzÀ ¸ÀÆAiÀÄð CPÀÌ PÁªÉÃjAiÀÄ
eÉÆvÉ EgÀÄvÁÛ£É. D Hj£À d«ÄãÁÝgÀ Hj£ÀªÀgÉ®ègÀ d«ÄãÀÄUÀ¼À£ÀÄß PÀ§½¸ÀÄvÀÛ PÀqÉUÉ
PÁªÉÃgÀPÀÌ£À d«ÄãÀ£ÀÆß PÀ§½¸ÀÄvÁÛ£É. CªÀ£À ªÀÄUÀ½UÉ ¸ÀÆAiÀÄð ©r¸ÀĪÀ avÀæUÀ¼ÉAzÀgÉ
¦æÃw. EzÀ£Éßà vÀ¥ÁàV w½zÀ ¸ÀÆAiÀÄð CªÀ¼À£ÀÄß ¦æÃw¸ÀÄwÛgÀÄvÁÛ£É. DzÀgÉ D Hj£À
ªÉÄõÀÄÖç ªÀÄvÀÄÛ d«ÄãÁÝgÀ£À ªÀÄUÀ¼ÀÄ E§âgÀÆ ¥ÀgÀ¸ÀàgÀ ¦æÃw¸ÀÄwÛgÀÄvÁÛgÉ. EzÀÄ
ÄãÁÝgÀ¤UÉ ½zÀÄ £À Á AiÀĪÀ¤UÉ ªÀÄUÀ¼À£ÀÄß PÉÆqÀ®Ä ¥ÀzÉ ªÉÄà ÖUÉ ªÀªÀiÁ£À
ªÀiÁqÀÄvÁÛ£É. EzÀ£ÀÄß ¸ÀÆAiÀÄð ªÀÄvÀÄÛ CªÀ£À CPÀÌ PÁªÉÃj ¥Àæw¨sÀn¹zÀÝ®èzÉ ¥ÉưøÀjUÉ
zÀÆgÀ£ÀÆß ¤ÃqÀÄvÁÛgÉ. vÀæzÀ ¥ÀzÉÃ¥ÀzÉà ªÀÄÆr gÀĪÀ zÉÆqÀ D®zÀªÀÄgÀzÀ ©¼À®ÄUÀ¼ÀÄ
ºÉÆÃgÁlzÀ, ªÉÊgÀÄzsÀåUÀ¼À ºÁUÀÄ ¸ÀªÁ®ÄUÀ¼À gÀÆ¥ÀPÀªÁV awævÀªÁVzÉ.
ªÀÄÆqÀ¹è êÉÄAiÀÄ°
DIRECTOR - K SHIVARUDRAIAH
INDIA / 2017 / KANNADA / 122 MIN.
SYNOPSIS
A widow belongs to tribe, wants to make her only daughter, literate. This tribe
has a tradition of selling girls and widows. Her Father-in-law quotes his sons’
debts and he borrows money. She decides to leave the house, goes to her
brother’s place. When the money lender arrives, he starts harassing her as he
had already spent 1.25 lakh on her. She refuses to join him. This becomes a
bigger issue than she has ever imagined. When the village heads meet up and
decide that she should live with the man, who had spent money on her, what
o tion oes she have ill she e a le to fi ht a ainst a male ominant so iet
PÀxÁ¸ÁgÀ
§ÄqÀPÀlÄÖ «zsÀªÉUÉ vÀ£Àß M§â¼Éà ªÀÄUÀ¼À£ÀÄß CPÀëgÀ¸ÉÜAiÀÄ£ÁßV ªÀiÁqÀĪÀ ºÀA§®. D
d£ÁAUÀzÀ°è MAzÀÄ «avÀæ DZÀgÀuÉ. ºÀÄqÀÄVAiÀÄgÀÄ ºÁUÀÆ «zsÀªÉAiÀÄgÀ£ÀÄß C°è
ªÀiÁgÀĪÀ gÀÆrü¬ÄvÀÄÛ. «zsÀªÉAiÀiÁzÀ ¸ÉƸÉAiÀÄ£ÀÄß CªÀ¼À ªÀiÁªÀ£Éà ºÀtPÁÌV
¨ÉÃgÉAiÀĪÀjUÉ ªÀiÁgÀ§ºÀÄzÀÄ. EzÀÄ CªÀgÀ PÀįÁZÁgÀ. «zsÀªÉ £ÁAiÀÄQAiÀÄ KPÉÊPÀ
¥ÀÄwæAiÀÄ£ÀÄß ªÀiÁªÀ ªÀiÁgÀ®Ä AiÀÄwß¹zÁUÀ DPÉ ªÀģɩlÄÖ ºÉÆÃUÀÄvÁÛ¼É. F
DZÁgÀªÀ£ÀÄß ¢PÀÌj¹ j£À ® ªÀÄ»¼ÉAiÀÄgÀ£ÀÆß ¸ÀA Àn¹ ¥Àæ ¨sÀn¹ ¤®ÄvÁÛ¼É
£ÁAiÀÄQ. ¥ÀÄgÀĵÀ ¥ÀæzsÁ£À ªÀåªÀ¸ÉÜAiÀÄ£ÀÄß DPÉ UÉ®ÄèvÁÛ¼ÉAiÉÄÃ?
CONTACT: SHIVARUDRAIAH K
41 ANILMNAIDU@GMAIL.COM
NEERU THANDAVARU
¤Ã
DIRECTOR - AASIF KSHATHRIYA
INDIA / 2017 / KANNADA / 110 MIN.
SYNOPSIS
A young girl lives in a colony of so called ‘lower caste’ people. On the other hand,
‘upper caste’ people living in the neighbouring town, are living in their own belief
systems. The only river which is the source of drinking water for the colony, goes
dry. People are denied water from well on the pretext of sanctity. As colony
bore-well starts functioning, the water from the well gets drifted to the bore well.
The town goes dry without water. But nobody is ready to bring water from Keri.
How will the water be shared?
PÀxÁ¸ÁgÀ
Erà HjVgÀĪÀÅzÀÄ MAzÉà ¨Á«. CzÀÄ ªÉÄïÁÓwAiÀĪÀjgÀĪÀ PÉÃjAiÀÄ°ègÀÄvÀÛzÉ.
¤ÃjUÁ zÀ vÀgÀÄ ªÀÄvÀÄÛ ªÉÄà Á AiÀĪÀgÀ UÀ¼À ¥ÀðqÀÄvÀÛzÉ. PÀqÉUÉ zÀ vÀgÀ PÉÃjUÉ
¨ÉÆÃgïªÉ ï vÉUɸÀ ÁUÀÄvÀÛzÉ. zÀjAzÀ gÀĪÀ AzÉà ¨Á AiÀÄ ¤Ãg ¤ÃgÀÄ Û
ºÉÆÃUÀÄvÀÛzÉ. DUÀ gÀ zÉÆA©AiÀiÁUÀÄvÀÛzÉ. ªÉÄà Á AiÀĪÀjUÉ ¤ÃgÀÄ ¹UÀzÀ ¥Àj¹
gÀÄvÀÛzÉ. gÀqÀÆ ªÀUÀðzÀªÀgÀÄ ¥Àæ µÉUÉ ©zÀÄÝ ªÀÄPÀ¼ÀÄ ¤Ãj®zÉ ºÁºÁPÁgÀ
¥ÀqÀĪÀAvÁUÀÄvÀÛzÉ. ªÀiÁ£À ÃAiÀÄvÉAiÉÄà PÉÆ£ÉUÉ ªÉÄgÉAiÀÄÄvÀÛzÉ. zÀ vÀ ªÀÄ»¼ÉAiÀÄgÉ®
UÀÆr PÉÃjAiÀĪÀgÀ£Éß® ¢PÀÌj¹ ªÉÄà Á ªÀjUÉ ¤ÃgÀÄ PÉÆqÀ®Ä ªªÀÄÄAzÁUÀÄvÁÛgÉ.
SYNOPSIS
he film is ase on a fol tale a n a an an ani are ha il marrie
eanwhile nna a a womaniser has a thin for an ani ow will a n a
save his wife from nna a
PÀxÁ¸ÁgÀ
j£À ¥À Éî ¥À ¹Ûà ®A¥Àl. ªÀÄAUÀ¤ ªÀÄvÀÄÛ ªÀ¼À UÀAqÀ ªÀÄA
ªÀÄAiÀÄAzÀ ªÀgÀ
¥ÁrUÀªÀgÀÄ PÀ PÀÆ ªÀiÁrPÉÆArgÀÄvÁÛgÉ. ªÀ¼À ªÉÄÃ É ¥À Éî£
Éî£À PÀ Ä
©Ã¼ÀÄvÀÛzÉ. ºÁUÁ ªÀ¼À UÀAqÀ¤UÉ zÉ ªÀzÀ üÀ PÉÆlÄÖ zÉêÀgÀ ªªÉõÀ ºÁPÀ®Ä
vÁÛ Ä¸ÀÄvÁÛ£É. ºÁUÉ ¥ÀÆ É ªÀiÁqÀĪÁUÀ ªÀ£À£ÀÄß PÉÆ®ÄvÁÛ£É. zÀjAzÀ gÉÆ ÑUÉzÀÝ
ªÀÄAUÀ¤ UÀAqÀ£À vÉAiÀÄ AiÉÄà vÁ£ÀÄ ©Ã¼ÀĪÀ zÀ®zÉ ¥À Éî£À£ÀÆ
Éî£À£ÀÆß ©Ã¼ÀĪÀAvÉ ªÀiÁr
gÀÆ ¸ÁAiÀÄÄvÁÛgÉ.
±ÀÄ¢Þ
DIRECTOR - ADARSH H ESHWARAPPA
INDIA / 2017 / KANNADA / 116 MIN.
SYNOPSIS
n meri an in n ia efrien s two oun ournalists who are fi htin for uvenile
justice. Her trip turns into a spiritual journey.
PÀxÁ¸ÁgÀ
CvÁåZÁgÀzÀ «gÀÄzÀÞ E§âgÀÄ AiÀÄĪÀwAiÀÄgÀÄ ¸ÀªÀÄgÀ ¸ÁgÀÄvÁÛgÉ. «zÉñÀ¢AzÀ §AzÀ
AiÀÄĪÀwAiÉƧâ½UÉ vÀ£Àß PÀuÉÚzÀÄgÉà UɼÀwAiÀÄ ªÉÄÃ¯É £ÀqÉzÀ CvÁåZÁgÀ ªÀÄvÀÄÛ ¸ÁªÀÅ
PÀAUÉr¸ÀÄvÀÛzÉ. CªÀgÉ®ègÀ «gÀÄzÀÞ ¸ÉÃqÀÄ wÃj¹PÉƼÀÄîvÁÛ¼É. MAzÉqÉ CvÁåZÁgÀzÀ
«gÀÄzÀÞeÁUÀÈw C©üAiÀiÁ£À, ªÀÄvÉÆÛAzÉqÉ ²PÉë JgÀqÀÆ KPÀPÁ®zÀ°è dgÀÄUÀÄvÀÛªÉ.
j¸ÀªÃÉ ð±À£ï
DIRECTOR - NIKHIL MANJOO
INDIA / 2017 / KANNADA / 90 MIN.
SYNOPSIS
he film is a out the a use of aste reservation oli a ross n ia ut arti ularl
in a ehsil of arnata a the onstitution of n ia rovi es rivile e for su h
eo le who are ne le te ue to the aste is rimination an untou ha ilit
ra ti es in the ast everal hi h aste an su erior families an househol s
in n ia misuse this after ma in fa e o uments an for er he film loo s
into the matter of a use of eservation Poli
PÀxÁ¸ÁgÀ
»AzÀĽzÀ £ÁAUÀPÉÌ ªÀÄÄ ªÁ ¸ï¹ ¸ïnAiÀĪÀjUÉ ¸ÀPÁðgÀ ¤ÃrgÀĪÀ
ÄøÀ Á AiÀÄ£ÀÄß ªÉÄîUÀðzÀªÀgÀÄ zÀÄgÀÄ¥ÀAiÉÆÃUÀ¥Àr¹PÉÆAqÀÄ vvÀªÀÄ Á
¸Ànð¦PÉl£ÀÄß ¢Ý PÉ®¸À nÖ¹PÉƼÀÄvÁÛgÉ. ºÁUÉ zÁ É ¢ÝzÀ ¸ÀA¸ ¸ÀA¸ÁgÀªÉ AzÀÄ
PÀqÉUÉ PÉAiÀÄ£ÀÆß £ÀĨsÀ ¸ÀÄvÀÛzÉ. zÀ£ÀÄß PÀ ÁgÉ PÀAqÀ ªÀÄ£ÉÆúÀgÀ Á
zÁ ÉAiÀÄ£ÀÄß zÀÝ®Ä ¥ÀĪÀ ¢®. DzÀgÉ ªÀ£À ºÉAqÀ AiÀÄ vÁÛAiÀÄzÀ ªÉÄà É
zÀÄÝvÁÛ£É. DzÀgÉ ºÉƸÀvÁ AzÀ vÀºÀ¹Ã ÁÝgÀ£À zÀ¥ÀðzÉzÀÄgÀÄ ¸ÉÆÃvÀÄ vÀ¥À£ÀÄß
¦PÉƼÀÄvÁÛ£É.
SYNOPSIS
A romantic action drama about the life of an easygoing youngster named Surya,
whose life suddenly takes unexpected turns. In this journey he meets three
women along the way who will change his life forever.
PÀxÁ¸ÁgÀ
¸ÀÆAiÀÄð J£ÀÄߪÀ eÁ° ºÀÄqÀÄUÀ£À ¸ÁºÀ¸À, gÉÆêÀiÁ£ïì EgÀĪÀ PÀvÉ. vÀ£Àß ºÁ¢AiÀÄ°è
JzÀÄgÁUÀĪÀ ªÀÄƪÀgÀÄ ªÀÄ»¼ÉAiÀÄjAzÁV fêÀ£ÀzÀ°è ºÀ®ªÁgÀÄ wgÀĪÀÅUÀ¼À£ÀÄß PÁtÄvÁÛ£É.
CONTACT: KSDUSHYANTH@GMAIL.COM
47
CHAMAK
ZÀªÄÀ Pï
DIRECTOR - SIMPLE SUNI
INDIA / 2017 / KANNADA / 145 MIN.
SYNOPSIS
Kush, a gynaecologist refuses his family’s wish to get married as he’s afraid of
losing his freedom and his personal space. He’s thus married to Khushi forcibly.
an innocent girl while acting as if he is also an innocent guy in front of her family.
She seems to be just the gullible wife. To ensure this, he continues to live his
playful life post marriage.
PÀxÁ¸ÁgÀ
Rĵï M§â ¹Ûçà gÉÆÃUÀ vÀdÕ ªÀÄzÀĪÉAiÀiÁzÀgÉ vÀ£Àß ¸ÁévÀAvÀåç ºÉÆÃV©qÀÄvÀÛzÉ JAzÀÄ
£ÀA©gÀĪÀ DvÀ ªÀÄ£ÉAiÀĪÀgÀÄ £ÉÆÃrzÀ ºÉ £ÀÄß ¤gÁPÀj¸ÀÄvÁÛ£É. PÉÆ£ÉUÀÆ ªÀÄ£ÉAiÀĪÀgÀ£ÀÄß
¸ÀªÀiÁzsÁ£À ¥Àr¸À®Ä ªÀÄzÀĪÉUÉ ¥ÀÄvÁÛ£É. Ä AiÀÄ£ÀÄß ªÀÄzÀĪÉAiÀiÁUÀÄvÁÛ£É.
ªÀÄzÀĪÉAiÀiÁzÀgÀÆ æºÀ ZÁjAiÀiÁ AiÉÄà gÀ AiÀĸÀĪÀ ªÀ£À ZÀ® ¤zsÁðgÀ £ÁUÀÄvÀÛzÉ
CONTACT: SUNICINEMAS@GMAIL.COM
48
COLLEGE KUMAR
PÁ¯ÉÃeï PÀĪÀiÁgï
DIRECTOR - HARI SANTHU
INDIA / 2017 / KANNADA / 141 MIN.
SYNOPSIS
hiva is wor in as a se urit uar at his frien s o e he ele rate their
hil ren s irth to ether One a ue to some misun erstan in the fi ht an
se arate hiva ta es this as hallen e an stru les to rin u his son
rovi in e ellent e u ation ut in realit his son is aimless an unintereste
in a a emi s
PÀxÁ¸ÁgÀ
E§âgÀÄ ¸ÉßûvÀgÀÄ, M§â ZÉ£ÁßV N¢ zÉÆqÀØ ºÀÄzÉÝAiÀÄ°ègÀÄvÁÛ£É. E£ÉÆߧâ CªÀ£À
D¦üù£À¯Éèà dªÁ£À£ÁVgÀÄvÁÛ£É. C¢üPÁj EªÀ£À£ÀÄß UÉð ªÀiÁqÀÄvÁÛ£É. D ¹nÖUÉ vÀ£Àß
ªÀÄUÀ£À£ÀÄß zÉÆqÀØ C¢üPÁjAiÀÄ£ÁßV¸À¨ÉÃPÉA§ ºÀA§®. DzÀgÉ ªÀÄUÀ NzÀzÉ ¥ÉÆð
©Ã¼ÀÄvÁÛ£É. AzÀÄ ¸ÀAzÀ¨sÀðzÀ ¥À-ªÀÄUÀ¤UÉ UÀ¼ÀªÁ ¥À ¸Àª ¸ÀªÁ ɸÉzÀÄ PÁ Éà UÉ
ºÉÆà zÉÆqÀ ¢PÁjAiÀiÁUÀÄvÁÛ£É. ªÀÄUÀ¤UÀÆ ªÁ¨ÁÝjAiÀÄ jªÁ ¸¸ÁªÀAiÀĪÀ
PÀȶPÀ£ÁUÀÄvÁÛ£É.
CREW CAST
Producer : Vikky Varun,
HARI SANTHOSH
M R Pictures Samyuktha
Screenplay : Hegde, Hari Santosh is an emerging young Kannada
Hari Santhosh Ravishankar, filmmaker. He won Karnataka State Film
DOP : Sruthi Award for his debut movie Alemari.
A Azhagan College Kumar is his latest directorial
Editor : feature film.
K M Prakash
Sound/Music :
Arjun Janya
49
HEBBULI
ºÉ§Äâ°
DIRECTOR - S. KRISHNA
INDIA / 2017 / KANNADA / 141 MIN.
SYNOPSIS
Commander Ram is a fearless para commando who gets a sudden call from
home that says his elder brother, an honest Collector Sathyamurthy, has
committed suicide. Upon reaching home he stumbles upon clues and lead in
fin in out the motive ons ira sus e ts ehin his rother s eath e fi hts
a ainst the s stem to save his famil On the other si e to fulfill his rother s
vision he stru les more than what meets the e e
PÀxÁ¸ÁgÀ
PÀªÀiÁAqÀgï gÁªÀiï, CAdzÉAiÀÄ ¥ÁågÁ PÀªÀiÁAqÀgï. f¯Áè¢üPÁjAiÀiÁVzÀÝ gÁªÀiï£À
DvÀ ºÀvÉ ªÀiÁrPÉÆAqÀ ¸ÀÄ¢Ý zÀÝ ÌzÀÝAvÉ ªÀ¤UÉ gÀÄvÀÛzÉ. jUÉ ªÀÄgÀ½zÀ
gÁªÀiïUÉ vÀ£Àß £À PÉÆ É »£Éß ÉAiÀÄ gÀĪÀ ¦vÀÆj UÉÆvÁÛUÀÄvÀÛzÉ. ¸ÀĽªÀ ¹UÀÄvÀÛzÉ.
ªÀ ªÀ¸ÉAiÀÄ ÉÆvÉ ºÉÆÃgÁl DgÀA©¸ÀĪÀ gÁªÀiï PÀÄlÄA ªÀ£ÀÄß PÁ¥ PÁ¥ÁqÀĪÀ
ºÉÆ ÉUÁjPÉ ºÁUÀÆ vÀ£Àß £À PÉÆ£ÉAiÀÄ AiÉÆà £ÉAiÀÄ£ÀÄß ÁjUÉƽ¸ÀĪÀ
ºÉÆ ÉUÁjPÉAiÀÄ£ÀÄß ªÀ»¹PÉƼÀÄvÁÛ£É.
CONTACT: S KRISHNA
50 KRISHDOP@GMAIL.COM
MUFTI
ªÀĦüÛ
DIRECTOR - NARTHAN
INDIA / 2017 / KANNADA / 152 MIN.
SYNOPSIS
n un er over o travels all the wa to ana ura he villa e is rule a mafia
on he small worl here is fille with voilen e ore rutalit an loo she
hen the o finall ets an o urtunit to meet the on he is s ine hile to
see him closely and his modus operandi forms.
PÀxÁ¸ÁgÀ
¨sÀÆUÀvÀ¯ÉÆÃPÀzÀ zÉÆgÉAiÉƧâ£À ªÀ±ÀzÀ°ègÀĪÀ gÁuÁ¥ÀÄgÀPÉÌ ªÀiÁgÀĪÉõÀzsÁj ¥Éưøï
PÁ°qÀÄvÁÛ£É. ªÀiÁgÁªÀiÁj, gÀPÀÛzÀ ºÉƼÉAiÉÄà ºÀjAiÀÄÄwÛgÀĪÀ F UÁæªÀÄzÀ°èzÀÝ
qÁ£ï£À£ÀÄß ¨sÉÃnAiÀiÁ vÀ£Àß ±À Û vÉÆÃj¸À®Ä PÉÆ£ÉUÀÆ ¤zsÀðj¸ÀÄv
ðj¸ÀÄvÁÛ£É.
¨sÉÃnAiÀiÁzÁUÀ qÁ£ï£À PÁAiÀiÁðZÀgÀ ÉAiÀÄ zsÁ£À zÉÝñÀzÀ jªÁUÀÄvÀÛzÉ. ªÀÄÄAzÉ
£ÀqÉAiÀÄĪÀÅzÉãÀÄ?
CONTACT: NARTHAN
51 NARTHANSCREATIVE@GMAIL.COM
ONDU MOTTEYA KATHE
SYNOPSIS
his is a sim le tale of a oun al man tr in to fin his soulmate who woul
see how eautiful his thou hts are rather than his e ternal a earan e s not
havin hair on the hea su h a i reason to e u e an mo e at n this
stru le of o shamin will he fin the irl of his reams
PÀxÁ¸ÁgÀ
¨ÉÆüÀÄvÀ¯ÉAiÀÄ ºÀÄqÀÄUÀjUÉ ªÀzsÀÄ ¹UÀĪÀÅzÀÄ PÀµÀÖ. CAvÀºÀ £ÁAiÀÄPÀ£ÉƧâ
ªÀÄzÀĪÉAiÀiÁUÀ®Ä ¥ÀqÀĪÀ ¥Àj¥Ál®Ä E°èzÉ. ¨ÉÆüÀÄvÀ¯ÉAiÀÄ £ÁAiÀÄPÀ£À£ÀÄß AiÀiÁªÉǧâ
ºÀÄqÀÄVAiÀÄÆ ªÀÄzÀĪÉAiÀiÁUÀ®Ä M¥ÀÄàªÀÅ¢®è. M§â ºÀÄqÀÄV M¥ÀÄàvÁÛ¼É. DzÀgÉ CªÀ¼ÀÄ
vÀÄA zÀ¥À gÀÄvÁÛ¼É. £ÁAiÀÄPÀ¤UÉ µÀÖ DUÀĪÀ ¢®. PÀqÉUÉ £ÁAiÀÄPÀ DAvÀjPÀ
¸ËAzÀAiÀÄðzÀ CxÀðªÀ£ÀÄß UÀ滹, CªÀ¼À£Éßà ªÀÄzÀĪÉAiÀiÁUÀÄvÁÛ£É.
SYNOPSIS
Siddharth, aka Appu, is the ideal NRI, taking care of his father’s business and
fi htin for his native ountr s ri e e falls in love with an ini a salsa
instru tor an all seems to e oin reat ut a tra e rin s him a to his
roots in n ia an he un overs a ro lem relate to his famil that he resolves
to set ri ht
PÀxÁ¸ÁgÀ
D¸ÉÖà AiÀiÁzÀ zÀÝ ¤ªÁ¹ ¨sÁgÀ ÃAiÀÄ ¹zÁ Àð£À PÀÄlÄA zÀ ® ¸¸ÀzÀ¸À gÀÄ ªÀiÁ£À
¥À ÁvÀzÀ ¸ÁAiÀÄÄvÁÛgÉ. £ÀAvÀgÀ ¨sÁgÀvÀPÉÌ AzÀ ¹zÁ Àð vvÁ£ÀÄ ¨É¼ÉzÀ
£Á Á±ÀæªÀÄPÉÌ gÀÄvÁÛ£É. ¸ÀªÀiÁ ªÀÄvÀÄÛ gÁ ÃAiÀÄ ªÀ ªÀ¸ÉAiÀÄ £ÀqÉAiÀÄĪÀ £ÉÃPÀ
£Á AiÀÄ PÀæªÀÄUÀ¼À£ÀÄß AiÀÄ UɼÉAiÀÄĪÀ zÀ®zÉ vÀ£Àß PÀÄlÄA zÀ ªÉÄà £À
DgÉÆÃ¥ÀªÀ£ÀÄß ºÉÆÃUÀ Ár¹ vÀ£Àß ªÉÄ£ÀvÀ£ÀzÀ U gÀªÀªÀ£ÀÄß ½¸ÀÄvÁ
½¸ÀÄvÁÛ£É.
SYNOPSIS
NRI Tarak is an orphan and the grandson of Bengaluru-based businessman, who
is also name ara e ra uall falls in love with eera a sel ess romanti
girl who lives for the happiness of othes just like what her name alludes to. When
she hallen es him to test their love o the emer e vi torious
PÀxÁ¸ÁgÀ
vÁgÀPï, M§â C£ÁxÀ. ¨ÉAUÀ¼ÀÆgÀÄ ªÀÄÆ®zÀ GzÀå«ÄzÁgÀ£ÉƧâ£À ªÉƪÀÄäUÀ. CªÀ£À
ºÉ¸ÀgÀÄ vÁgÀPï. GzÁj. CªÀ£ÀÄ «ÄÃgÁ¼À ¦æÃwAiÀÄ°è ¹®ÄQPÉƼÀÄîvÁÛ£É. J®èjUÀÆ
¸ÀºÁAiÀĺÀ¸ÀÛ ZÁZÀĪÀ, J®ègÀÆ ¸ÀAvÉÆõÀzÀ°ègÀ¨ÉÃPÉ£ÀÄߪÀÅzÀÄ CªÀ£À D¸É. CªÀ£À
¦æà AiÀÄ£ÀÄß ¥Àjà ¸À®Ä ÄÃgÁ ªÀ¤UÉ ¸ÀªÁ ÉÆqÀÄvÁÛ¼É. zÀgÀ ªÀ£ÀÄ UɮĪÀ
¸Á¢ü¸ÀÄvÁÛ£ÉAiÉÄÃ?
CONTACT: PRAKASH.JRM@GMAIL.COM
54
CINEMA
OF THE
WORLD
A FANTASTIC WOMAN
UNA MUJER FANTASTICA
J ¥sAÉ mÁ¹ÖPï ªÀŪÀÄ£ï
DIRECTOR - SEBASTIAN LELIO
CHILE / 2017 / SPANISH / 105 MIN.
SYNOPSIS
Marina is a young waitress and aspiring singer. Orlando is 20 years older than
her, and owns a printing company. After celebrating Marina’s birthday one
evening, Orlando falls seriously ill, Marina rushes him to the emergency room,
but he passes away just after arriving at the hospital. Instead of being able to
mourn her lover, suddenly Marina is treated with suspicion. Marina struggles
for the right to be herself. She battles the very same forces that she has spent
a lifetime fi htin ust to e ome the woman she is now a om le stron
forthright and fantastic woman.
PÀxÁ¸ÁgÀ
ªÀÄjãÁ UÁAiÀÄQAiÀiÁUÀ¨ÉÃPÉA§ ºÀA§®zÀ AiÀÄĪÀ ¸ÀÄAzÀj. DPÉ ¥ÀjZÁjPÉAiÀiÁV PÉ®¸À
ªÀiÁqÀÄwÛgÀÄvÁÛ¼É. ªÀAiÀĹì£À°è DPÉVAvÀ 20 ªÀµÀð zÉÆqÀتÀ£ÁzÀ M¯ÁåðAqÉÆ ªÀÄÄzÀæt
PÀA¥À¤AiÀÄ ªÀiÁ ÃPÀ. DPÉ DvÀ£À ¥ÉæÃAiÀĹ. zÉÆAzÀÄ ¢£À ªÀÄjãÁ¼
ªÀÄjãÁ¼À £À ¢£À DZÀj¹zÀ
£ÀAvÀgÀ Á ðAqÉÆ ÃªÀæ ¸À¸À£ÁUÀÄvÁÛ£É. D¸ÀvÉæUÉ ¸Á ¸ÀĪÁUÀ ªÀiÁUÀð ªÀÄzsÉ ¸ÁªÀ£ÀߥÀÄvÁÛ£É.
£ÀAvÀgÀ ¸ÀªÀiÁ ªÀÄjãÁ¼À£ÀÄß £ÀĪÀiÁ£À¢AzÀ £ÉÆÃqÀvÉÆqÀUÀÄvÀÛzÉ. vÀ£Àß zÀÄPÀ£ÀÄß vÀ£Àß
EµÀÖzÀAvÉ §zÀÄPÀĪÀ ºÀQÌUÁV DPÉ ºÉÆÃgÁl ªÀiÁqÀ¨ÉÃPÁUÀÄvÀÛzÉ. £ÉÃgÀ, ¸ÀAQÃtð ºÁUÀÆ
UÀnÖ ªÀÄ£À¹ì£À ªÀÄ»¼ÉAiÀiÁUÀ®Ä DPÉ fêÀ£À«rà ºÉÆÃgÁl £ÀqɸÀ¨ÉÃPÁUÀÄvÀÛzÉ.
Best Foreign Language Category - Nominated Film - Oscars – 2018, Won Best Film –
AWARDS Berlin IFF, Black Film Critics Circle Awards, National Board of Review, Palm Springs
IFF, Premios Fonix. | Nominated Best Film – Golden Globes, AFI Fest, Broadcast Film
Critics Association Awards, Chicago Film Critics Association Awards, Goya Awards.
J dAl¯ï QæÃZÀgï
DIRECTOR - SERGEI LOZNITSA
FRANCE / 2017 / RUSSIAN / 143 MIN.
SYNOPSIS
One day, a woman receives the parcel she sent to her incarcerated husband
some time earlier. Confused and deeply concerned, she decides to go to the
prison in a remote area of Russia, to seek information. So, she begins the story
of a journey rife with humiliations and violence, the story of an absurd battle
against an impenetrable fortress.
PÀxÁ¸ÁgÀ
¸ÉgɪÀÄ£ÉAiÀÄ gÀĪÀ vÀ£Àß UÀAqÀ¤UÉ AzÉÆà PÀ¼ÀÄ»¹zÀ ¥Á¸Àð ï AzÀÄ ¢£À DPÉUÉÃ
ªÀÄgÀ½ AzÀÄ vÀ®Ä¥ÀÄvÀÛzÉ. UÉÆAzÀ® ºÁUÀÆ PÀ¼ÀªÀ¼ÀUÉƼÀĪÀ DPÉ gÀµÁ zÉñÀzÀ
ªÀÄÆ ÉAiÉÆAzÀgÀ gÀĪÀ ¸ÉgɪÀÄ£ÉUÉ ¨sÉÃn¤Ãr vÀ£Àß UÀAqÀ£À ¹ UÀ UÉ jAiÀÄ®Ä
ºÉÆgÀqÀÄvÁÛ¼É. DPÉ vÀ£Àß zÀÄgÀAvÀªÀÄAiÀÄ ªÀªÀiÁ£ÀPÁj ºÁUÀÆ »A¸ÁvÀ PÀ ¨sÉÃnAiÀÄ
PÀvÉ ºÉüÀvÉÆqÀUÀÄvÁÛ¼É. zÉÆAzÀÄ vÀgÀºÀzÀ ¨sÉâ¸À®¸ÁzsÀ PÉÆà ÉUÉ ®UÉ ÄqÀĪÀ
¸ÀAUÀvÀzÀAvÉ PÁ ÄvÀÛzÉ.
SYNOPSIS
Malena is a middle-class doctor in Buenos Aires. One afternoon she receives a
call from Dr Costas, insisting her to leave immediately for the North of the country:
the baby she was expecting is about to be born. Suddenly and almost without a
thought, Malena decides to set out on an uncertain voyage, packed with
crossroads at which she has to deal with all sorts of legal and moral obstacles
to the extent that she constantly asks herself to what limits she is prepared to
go to get the thing she wants most.
PÀxÁ¸ÁgÀ
ªÀįÉãÁ §Äå£À¸ïKj¸ï£À ªÀÄzsÀåªÀĪÀUÀðzÀ ªÉÊzÉå. CzÉÆAzÀÄ ¢£À qÁ.qÀUÁè¸ï DPÉUÉ
PÀgÉ ªÀiÁr zÉñÀzÀ GvÀÛgÀ ¨sÁUÀPÉÌ vÀPÀëtªÉà vÉgÀ¼ÀĪÀAvÉ w½¸ÀÄvÁÛ£É. DPÉ vÀÄA§Ä
UÀ©ð . AiÀiÁªÀ PÀ zÀ ÁzÀgÀÆ ªÀÄUÀÄ UÉ £À ¤ÃqÀĪÀ ¸ÁzsÀ vÉ. DzÀgÀÆ DPÉ
EzÀÝQzÀÝAvÉ ºÉÆgÀqÀ®Ä ¸À£ÀßzÀÞªÁUÀÄvÁÛ¼É. ªÀiÁUÀð ªÀÄzsÉå DPÉUÉ C£ÉÃPÀ vÉÆqÀPÀÄUÀ¼ÀÄ.
PÁ£ÀÆ£ÁvÀäPÀ ºÁUÀÆ £ÉÊwPÀ ¸ÀªÀĸÉåUÀ¼ÀÄ. ¥Àæw¸À®ªÀÇ ¸ÀªÀĸÉåAiÀÄ ¸ÀĽUÉ ¹®ÄQzÁUÀ
vÀ£ÀUÉ ¨ÉÃPÁzÀzÀÝ£ÀÄß ¥ÀqÉAiÀÄ®Ä vÁ£ÀÄ JAvÀºÀ PÀpt ¥Àj¹ÜwAiÀÄ£ÀÄß JzÀÄj¸À®Ä
¹zÀÞ½gÀ¨ÉÃPÀÄ JA§ ¥Àæ±Éß PÉýPÉƼÀÄîvÁÛ¼É.
Won Best Film - Chicago IFF | Nominated Best Film - CPH PIX, Philadelphia FF |
AWARDS Won Best Director - cademy of Motion Picture Arts and Sciences of Argentina | Won
Best Screenplay - Diego Lerman and María Meira @San Sebastián IFF.
J ¸É൯
À ï qÉÃ
DIRECTOR - HOMAYOUN ASSADIAN
IRAN / 2017 / PERSIAN / 93 MIN.
SYNOPSIS
A story about a young girl Manijeh, who has heart disease which forces her
rother ame to o a i ult hoi e a out what the shoul o an what is
fair.
PÀxÁ¸ÁgÀ
ºÀ ÄÃzÀ£ÀÄ vÀ£Àß ¸ÀºÉÆÃzÀj ªÀĤ ÉüÀ ºÀ zÀAiÀÄ ¸ÀA A¢ Á Ä ÉUÉ ¸ÀA AzsÀ ¥ÀlÖAvÉ
¸ÀÆPÀÛ zÀ qsÀ ¤zsÁðgÀ AzÀ£ÀÄß vÀUÉzÀÄPÉƼÀ ÁUÀzÉ ¸Àj vÀ¥ÀÄU
vÀ¥ÀÄUÀ¼À
vÉƼÀ ÁlzÀ gÀÄvÁÛgÉ.
Nominated Best Makeup, Set and Costume Design, Special Effects – Fajr FF (Crystal
AWARDS Simorgh) - 2017.
J PÉéöÊmï ºÁmïð
DIRECTOR - EITAN ANNER
ISRAEL / 2016 / HEBREW | ENGLISH / 92 MIN.
SYNOPSIS
In present day Jerusalem, a city increasingly dominated by religious fanaticism,
Naomi, a secular young woman seeks refuge from the pressure of her life as a
concert pianist. She quickly makes two unexpected connections- with a musically
gifted Ultra-Orthodox young boy and with Fabrizio, a charismatic Italian monk
and organist. These relationships allow Naomi to reconnect with her love of
music and sense of meaning, they also make her a target in her new community.
Faced with escalating isolation and violence, Naomi must learn to use music as
a bridge to overcome towering religious barriers
PÀxÁ¸ÁgÀ
EA¢£À eÉgÀƸÀ¯ÉëģÀ PÀvÉ. ¢£Éâ£Éà E°è zsÀªÀiÁðAzsÀvÉ ClÖºÁ¸À ªÀiÁqÀÄwÛzÉ. £ÉÆëÄ
JA§ eÁvÀåwÃvÀ ªÀÄ£ÉÆèsÁªÀzÀ AiÀÄĪÀw vÀ£Àß fêÀPÉÌ §A¢gÀĪÀ C¥ÁAiÀÄ¢AzÀ
vÀ¦¹PÉƼÀ®Ä ¦AiÀiÁ£ÉÆêÁzÀ AiÀiÁ ¤gÁ ævÀgÀ ©gÀ ¸ÉÃgÀÄvÁÛ¼É. ºÀ¼À ¨ÉÃUÀ
gÀÄ UɼÉAiÀÄgÀ ¸ÀA¥ÀPÀð zÉÆgÀPÀÄvÀÛzÉ. ¸ÀA ÃvÀ µÀÖ¥ÀqÀĪÀ AiÀÄĪÀPÀ ¥sÁ©æ ÉÆà ºÀ ÀÆ
l AiÀÄ DPÀµÀðPÀ ªÀ ÛvÀzÀ ¸À£Á ¹AiÀÄ ¥ÀjZÀAiÀĪÁUÀÄvÀÛzÉ. ¸ÀA¥ÀPÀð £ÉÆà ÄUÉ
¸ÀA ÃvÀzÀ UÉ £À ®ªÀ ºÁUÀÆ ÃªÀ£ÉÆÃvÁºÀ vÀÄA ÄvÀÛzÉ. ªÀgÀÄ ªÀ¼À zÀÄ £À
zÁj vÉÆÃj¸ÀÄvÁÛgÉ. PÁAvÀvÉ ÄAzÀ £ÀgÀ¼ÀÄ ÛzÀÝ £ÉÆÃ Ä zsÀªÀÄðzÀ PÀlÄÖ¥ÁqÀÄUÀ¼À£ÀÄß
«ÄÃgÀ®Ä AiÀÄw߸ÀÄvÁÛ¼É.
Won Best Director - Tallinn Black Nights FF | Nominated Best Film - Santa Barbara
AWARDS IFF | Won Best Screenplay - Haifa IFF | Won Best Actress - Ania Bukstein @ Tallinn
Black Nights FF
D¥sÖg
À ï zÀ ªÁgï
DIRECTOR - ANNARITA ZAMBRANO
FRANCE / 2017 / FRENCH / 92 MIN.
SYNOPSIS
Bologna, 2002. The opposition to the Labor Law explodes in universities. The
murder of a judge reopens old political wounds between Italy and France. Marco,
a former left-wing activist, sentenced for murder and exiled in France for 20
years, thanks to the Mitterrand doctrine, is accused of having ordered the attack.
he talian overnment re uests his e tra ition or e to ee with iola his
year old daughter, his life will change forever, as well as his family’s in Italy who
has to pay for Marco’s past faults.
PÀxÁ¸ÁgÀ
00 gÀ ¨ÉÆ®UÁ£ÀzÀ £À ±À zÁ ¤®AiÀÄUÀ¼À PÁ ÄðPÀ PÁ£ÀƤUÉ ¥Àæ ® gÉÆÃzsÀ
ªÀ PÀÛªÁUÀÄvÀÛzÉ. £Á AiÀiÁ¢Ã±ÀgÀ PÉÆ É ÄAzÁ l ªÀÄvÀÄÛ ¥sÁæ£ï £ÀqÀÄªÉ ºÀ¼ÉAiÀÄ
gÁ ÃAiÀÄ zÉõÀ ªÀÄgÀÄPÀ½¸ÀÄvÀÛzÉ. qÀ ¥ÀPÀzÀ ªÀiÁ PÁAiÀÄðPÀvÀð ªÀiÁPÉÆð¤UÉ
PÉAiÀiÁUÀÄvÀÛzÉ ºÁUÀÆ DvÀ ¥sÁæ£ïUÉ zÉñÁAvÀgÀ ªÀiÁrzÁÝ£É. l ¸ÀPÁðgÀ ºÀ ÉUÉ
PÁgÀ £ÁzÀ DvÀ£À£ÀÄß zÉñÀ¢AzÀ ºÉÆgÀºÁPÀ¨ÉÃPÉAzÀÄ ªÀÄ£À ªÀiÁqÀÄvÀÛzÉ. vÀ£Àß ªÀµÀð
ªÀAiÀĹ£À ¥ÀÄ æAiÉÆA¢UÉ zÉñÀ ©lÄÖ ¥ÀgÁjAiÀiÁ gÀĪÀ DvÀ£À PÀÄlÄA l AiÀÄ
ªÁ¸À zÉ. ªÀiÁPÉÆÃð AzÉÆà ªÀiÁrzÀ vÀ¥ÀÄUÀ½AzÀ ªÀ£À PÀÄlÄA ¥ÀjvÀ¦¸ÀÄ ÛzÉ.
SYNOPSIS
Ali loves a goat called ‘Nada’. Ibrahim, a depressed sound engineer who hears
voices he cannot decipher. Ali’s mother drags him to a healer, who gives Ali
stones to throw into the water so that he will be healed. At the healer’s place,
Ali meets Ibrahim, who has been given similar stones. In order to throw the
stones into the sea, Ali, his beloved goat and Ibrahim embark on a journey along
the shores of Egypt, and it turns into a voyage of friendship and self-discovery.
PÀxÁ¸ÁgÀ
£ÁzÀ A ªÉÄÃPÉ AzÀgÉ UÉ ¥ÀAZÀ¥Áæ . ±À ÛUÀÄA¢zÀ ¸ Aqï A ¤AiÀÄgï
¨Áæ»A zÀ¤ D ¸ÀÄvÁÛ£É DzÀgÉ ªÀiÁvÀÄ PÀ¼ÉzÀĺÉÆà zÉ. AiÀÄ vÁ Ä ªÀ£À£ÀÄß
ªÉ zÀ gÀ ½ PÀgÉzÉÆAiÀÄÄ vÁÛ¼É. ªÉ zÀ gÀÄ ¸À PÀ ÉÆAzÀ£ÀÄß ¤Ãr zÀ£ÀÄß ¤ÃjUÉ
¸ÉzÀgÉ UÀÄ ªÁUÀÄvÀÛzÉ AzÀÄ ºÉüÀÄvÁÛgÉ. ªÉ zÀ gÀ zÀªÁ Á£ÉAiÀÄ ÉÃ
¨Áæ»A£À£ÀÄß ¨sÉÃnAiÀiÁUÀÄvÁÛ£É. ¨Áj PÀ®£ÀÄß ¸ÀªÀÄÄzÀæPÉÌ ¸¸ÉAiÀÄ®Ä ªÉ zÀ
¸ÀÆ ¸ÀÄvÁÛ£É. ¸ÀªÀÄÄzÀæPÉÌ PÀ®Ä ¸ÉAiÀÄ®Ä ªÀ£À ¦æAiÀÄ ªÉÄÃPÉ ºÁUÀÄ ¨Áæ»A
¥ïÖ £À¢ ÃgÀzÀÄzÀÝPÀÄÌ ¥ÀAiÀÄ DgÀA©¸ÀÄvÁÛgÉ. ªÀÄƪÀgÀ ¥ÀA
¥ÀAiÀÄ ¸ÉßúÀ
¨ÁAzsÀªÀ DvÀ vÀ ¦ÛUÀ¼À ¨É¸ÀÄUÉ.
AWARDS Won Best Actor - Ali Subhi : Dubai IFF ( Muhr Award ) - 2017
SYNOPSIS
In a small seaside town, two schoolgirls are assaulted by a middle-aged man in
a motel. Mia, a teenager who was working on reception that night, is the only
witness. For fear of losing her job, she says nothing. Meanwhile, 12-year-old
en one of the vi tims fin s that her trou les have onl ust e un ra e
in a worl that offers them no safet ia an en will have to fin their own
way out.
PÀxÁ¸ÁgÀ
¸ÁUÀgÀ wÃgÀzÀ £ÀUÀgÀzÀ MAzÀÄ ºÉÆÃmɯï£À°è ªÀÄzsÀåªÀAiÀĸÀÌ ªÀÄ£ÀĵÀå£ÉƧâ E§âgÀÄ
±Á¯Á ¨Á®QAiÀÄgÀ ªÉÄÃ¯É zËdð£ÀåªÉ¸ÀUÀÄvÁÛ£É. C¥Áæ¥ÀÛ ¨Á¯É «ÄAiÀiÁ, D ¢£À
ºÉÆÃmɯï£À ¸ÁéUÀvÀPÁgÀtÂAiÀiÁV PÉ®¸ÀzÀ°èzÀݼÀÄ. D WÀl£ÉAiÀÄ£ÀÄß PÉêÀ® DPÉ ªÀiÁvÀæ
«ÃQë¹zÀݼÀÄ. ¸ÀvÀå ºÉýzÀgÉ, vÀ£ÀߣÀÄß PÉ®¸À¢AzÀ vÉUÉzÀÄ ºÁPÀ§ºÀÄzÉAzÀÄ ºÉzÀjzÀ DPÉ
¸ÀĪÀÄä£ÁUÀÄvÁÛ¼É. ªÉ£ï JA§ 12 ªÀµÀðzÀ ¨Á®Q zËdð£ÀåPÉÌ vÀÄvÁÛzÀªÀ¼ÀÄ. vÀ£Àß
fêÀ£ÀzÀ PÀµÀÖzÀ ¢£ÀUÀ¼ÀÄ DUÀ vÁ£É DgÀA¨sÀªÁzÀªÀÅ JAzÀÄ PÉƼÀÄîvÁÛ¼É. «ÄAiÀiÁ
ºÁUÀÆ ªÉ£ï ¸ÀÄgÀPÀëvÉAiÉÄà E®èzÀ dUÀwÛ£À°è ¹QÌ ©zÀÄÝ, vÀªÀÄäzÉà DzÀ ªÀiÁUÀð
PÀAqÀÄPÉƼÀÄîªÀAvÁUÀÄvÀÛzÉ.
Won Best Film - Antalya Golden Orange, Nantes Three Continents Festival |
AWARDS ominate est ilm sia Pa ifi reen war s sian ilm war s ol en orse
te or am ur on on Palm rin s roms eni e on est
ire tor ol en orse of n ia
C¥ÉArPïì
DIRECTOR - HOSEIN NAMAZI
IRAN / 2017 / PERSIAN / 84 MIN.
SYNOPSIS
Due to severe abdominal pain, Zari and her husband, Reza, go to the hospital.
However, Zaris insurance ID has expired and they are forced to borrow her friend
Leila Attarod’s ID. Eventually, she undergoes appendectomy using Leila’s ID and
the staff at the hospital suspect about this matter.
PÀxÁ¸ÁgÀ
êÀæ ºÉÆ ÉÖ £ÉÆà ¤AzÁ j ªÀÄvÀÄÛ DPÉAiÀÄ ¥À gÉà Á D¸ÀvÉæUÉ ºÉÆÃUÀÄvÁÛgÉ.
jAiÀÄ £ÀÆgÉ£ï PÁqïð£À ªÀ¢ ªÀÄÄ ¢gÀÄvÀÛzÉ. ªÀgÀÄ ªÀgÀ UɼÀ É Á
ÁÖqïð¼À r PÁqÀð£ÀÄß ¥ÀqÉzÀÄPÉƼÀÄvÁÛgÉ. £ÀAvÀgÀ DPÉ D PÁqÀð£ÀÄß ¼À¹
PÀgÀļÀĨÁ®zÀ gÉÆÃUÀPÉÌ vÉ ¥ÀqÉAiÀÄÄvÁÛgÉ. µÀAiÀÄzÀ D¸ÀvÉæAiÀĪÀjUÉ £ÀĪÀiÁ£À
gÀÄvÀÛzÉ.
K¦æ¯ïì qÁlgï
DIRECTOR - MICHEL FRANCO
MEXICO / 2017 / MEXICO / 103 MIN.
SYNOPSIS
eventeen ears ol an seven months re nant aleria a ears eatifi an
ontent he is livin with her sister lara in a Puerto allarta un alo he is
onstantl ma in lans for the future with her o frien ateo aleria ha
no lans to inform her estran e mother of her re nan ut after a all from
lara ril swoo s in to offer a un ant su ort ril is harmin outhful
ener eti an resour eful an i eal ran mother On e aleria s hil is orn
however ril s ta e har e attitu e assumes terrif in hues
PÀxÁ¸ÁgÀ
ºÀ¢£ÉüÀÄ ªÀµÀð ªÀAiÀĹì£À ªÀ¯ÉÃjAiÀiÁ FUÀ K¼ÀÄ wAUÀ¼À UÀ©üðtÂ. ¥ÀgÀªÀĸÀÄT ºÁUÀÆ
¸ÀAvÀĵÉÖAiÀiÁV PÁtĪÀ ªÀ¯ÉÃjAiÀiÁ vÀ£Àß ¸ÀºÉÆÃzÀj PÁègÁ eÉÆvÉ ªÁ¹¸ÀÄwÛzÁݼÉ. vÀ£Àß
¨ÁAiÀiï¥sÉæAqï ªÀÄvÉÃAiÉÆà eÉÆvÉ ¸ÀA¸ÁgÀ ºÀÆqÀĪÀ PÀ£À¸ÀÄ PÁtÄwÛzÁݼÉ. vÀ£Àß fêÀ£À¢AzÀ
«ªÀÄÄRªÁVgÀĪÀ vÁ¬ÄUÉ vÁ£ÀÄ UÀ©üÃðtÂAiÀiÁVgÀĪÀ ¸ÀAUÀw w½¸À®Ä CªÀ½UÉ ªÀÄ£À¹ì®è.
DzÀgÉ PÁègÁ½AzÀ §AzÀ MAzÀÄ PÀgÉ CªÀ½UÉ RĶ PÉÆqÀÄvÀÛzÉ. CªÀ¼À CfÓ K¦æ¯ï,
ªÀ ÉÃjAiÀiÁ¼À ¹ AiÀÄ ¸ÀAzÀ¨sÀðzÀ ªÀ½UÉ ¨ÉA ®ªÁ ¤AvÀÄ DUÀ ĸÀ zÁÝgÉ. ¦æ ï
ºÀ¸À£ÀÄäT, §Ä¢ÞªÀAvÉ, ¸ÀzÁ ZÀlĪÀnPÉAiÀÄ a®ÄªÉÄ J®ègÀÆ ¦æÃw¸ÀĪÀ CfÓ. ªÀ¯ÉÃjAiÀiÁUÉ
ºÉjUÉAiÀiÁzÀ £ÀAvÀgÀ, K¦æ¯ï, ªÀÄ£ÉÆèsÁªÀ ªÀÄvÀÄÛ ªÀåQÛvÀézÀ fêÀ£À¥ÁoÀ PÀ°¸ÀÄvÁÛ¼É.
Won Best Film - Cannes FF (Special Jury Prize), Cannes FF (Jury Prize) | Nominated Best
Film - Cannes FF (UnCertain Regard Award), Jameson CineFest - Miskolc IFF, José María
AWARDS or u war s an e asti n O ial ele tion – oronto arlov ar
to holm usan allinn la i hts ratislava
SYNOPSIS
An odyssey based on true events: Thupten, Droma und Kalsang, three children
from a Tibetan village, set out with their older companion Sonam for Shenzhen
in Southern China. They’re intending to perform as a band on TV. The special
thin a out their lon an i ult ourne is that none of them an see
PÀxÁ¸ÁgÀ
n¨Émï£À £Á®égÀÄ zÀȶ×zÉÆõÀzÀ ªÀÄPÀ̼ÀÄ JªÀgɸïÖ §ÄqÀzÀ°ègÀĪÀ ¸ÀtÚ ºÀ½îAiÉÆAzÀjAzÀ
ºÉÆgÀqÀÄvÁÛgÉ. n« ZÁ£À¯ï MAzÀgÀ°è §gÀĪÀ ¸ÁºÀ¸À ²PÀët PÁAiÀÄðPÀæªÀÄzÀ°è
¥Á¯ÉÆμÀî¨ÉÃPÉA§ÄzÀÄ CªÀgÀ D¸É. F ªÀÄPÀ̽UÉ ºÉzÀjPÉ JA§ÄzÉà E®è. UÀÄj vÀ®Ä¥À®Ä
¨ÉlÖUÀÄqÀØUÀ¼À£ÀÄß KgÀÄvÁÛgÉ, UÁ½, ªÀļÉUÉ CAdzÉ ¸À»¹PÉƼÀÄîvÁÛgÉ. ¸ÉÃvÀĪÉUÀ¼À£ÀÄß
zÁlÄvÁÛgÉ. £Á£Á jÃwAiÀÄ d£ÀgÀ£ÀÄß ¸ÀA¢ü¸ÀÄvÁÛgÉ. PÉÆ£ÉUÀÆ £ÀUÀgÀzÀ n« PÉÃAzÀæPÉÌ
AzÀÄ vÀ®Ä¥ÀÄvÁÛgÉ. ªÉÆà À PÁAiÀÄðPÀæªÀÄ ¤Ãr ®gÀ ªÉÄZÀÄÑUÉ UÀ½¸ÀÄvÁÛgÉ. ªÀjUÉ
zÀ馅 zÉÆõÀPÁÌV aQvÉì zÉÆgÉAiÀÄÄvÀÛzÉ. CªÀgÀÄ ¨É¼ÀPÀ£ÀÄß £ÉÆÃqÀ®Ä ±ÀPÀågÁUÀÄvÁÛgÉ.
SYNOPSIS
Mariam, a young Tunisian student with a bright future ahead of her, meets tall,
dark and handsome Youssef at a college party. But Mariam’s night takes a terrible
turn when she’s assaulted by a group of men—all members of the local police
for e an her irtation with oussef e omes instea a es erate sear h for
help and justice as they face the seemingly impossible task of reporting the
assault to a bureaucracy that refuses to listen.
PÀxÁ¸ÁgÀ
ªÀÄjAiÀiÁªÀiï lÄ £ÉùAiÀiÁzÀ vÀ AvÀ ¥Àæ ¨sÁªÀAvÀ PÁ ÉÃ Ä zÁ ð¤. PÁ Éà £À
MAzÀÄ ¥ÁnðAiÀÄ°è JvÀÛgÀzÀ, PÀ¥ÀÄà §tÚzÀ DPÀµÀðPÀ AiÀÄĪÀPÀ AiÀÄƸɥsï£À
¨sÉÃnAiÀiÁUÀÄvÀÛzÉ. zÉÆAzÀÄ gÁ æ DPÉAiÀÄ ¥Á UÉ PÀgÁ¼ÀgÁ æAiÀiÁUÀÄvÀÛzÉ. D ¥ÀlÖ zÀ
¥ÉÆ Ã¸ÀjAzÀ Éà DPÉAiÀÄ ªÉÄÃ É z ð£À £ÀqÉAiÀÄÄvÀÛzÉ. AvÀºÀ zÀ zÀÄgÀAvÀªÀÄAiÀÄ
¸À¤ßªÉõÀzÀ ªÀiÁjAiÀiÁªÀiï£À ÉÆvÉ zsÀ qÀªÁ ¤®ÄªÀ AiÀÄƸɥsï £Á AiÀÄPÁÌ
ºÁUÀÆ ¸ÀºÁAiÀÄPÁÌ ¸ÀvÀvÀ ºÉÆÃgÁl ªÀiÁqÀÄvÁÛgÉ. DzÀgÉ ¢PÁgÀ± ¢PÁgÀ±Á»AiÀÄ zÀÄgÀÄ
ªÀgÀ UÉÆüÀÄ gÀ gÉÆÃzÀ£ÀªÁUÀÄvÀÛzÉ.
Won Best Film – Valladolid IFF (Youth Jury Award) | Nominated best director -
AWARDS Valladolid IFF, Best New Director : Cannes FF (Un Certain Regard Award) - 2017.
CONTACT: JOUR2FETE
67 CLEMENCE.MICHALON@JOUR2FETE.COM
BEYOND WORDS
POMIEDZY SLOWAMI
©AiÀiÁAqï ªÀqïìð
DIRECTOR - URSZULA ANTONIAK
NETHERLANDS / 2017 / POLISH / 85 MIN.
SYNOPSIS
he film entres on a oun law er wor in for a firm that ta es on refu ee
ases hou h he loo s erman an s ea s the lan ua e uentl i hael is
himself an immi rant who assimilate over the ears s he re e ts on whether
he wants to ta e on the refu ee status ase of a la oet i hael s lon lost
father whom he has never seen was ea arrives on his oorste Over the
ourse of a wee en the two ma e aw war attem ts to esta lish some form
of onne tion emories an false starts on i t with his father s nee to
ommuni ate somethin essential to his son
PÀxÁ¸ÁgÀ
¤gÁ ævÀgÀ ¥ÀæPÀgÀ UÀ¼À£ÀÄß ¤ªÀð»¸ÀĪÀ ¸ÀA¸ÉAiÀÄ PÉ®¸À ªÀiÁqÀqÀĪÀ AiÀÄĪÀ ªÀ î£À ¸ÀÄvÀÛ
vÀæ vÉgÉzÀÄPÉƼÀÄvÀÛzÉ. ªÉÄ PÀ ï ªÀÄð¤AiÀĪÀ£À jà AiÉÄà PÁ ÄvÁÛ£É ºÁUÀÆ D
¨sÁµÉAiÀÄ£ÀÄß ¸ÀµÀÖªÁ ªÀiÁvÀ£ÁqÀÄvÁÛ£É. DzÀgÉ ¸ÀvÀ ªÉÄ PÀ ï ¤gÁ ævÀ.
¤gÁ ævÀ£Á D±ÀæAiÀÄ ¥ÀqÉ¢gÀĪÀ PÀ¥ÀÄPÀ AiÉÆ £À ¥ÀæPÀgÀ ªÀ£ÀÄß ¤¨sÁ ĸÀĪÀ zÉÃ
¨ÉÃqÀªÉà £ÀÄߪÀ zÀÄ ªÀ£À zÀAzÀ. vÁ£ÀÄ PÁ zÀ vÀAzÉ ªÀÄ£É ¸ÉÃgÀĪÀ ªÀÄÄ£ÀߪÉà ¸À ÛzÀÄÝ
ªÀ£À £É£À¦£À zÉ. vÀ£Àß vÀAzÉ ªÀ¤UÉ PÉÆ£ÉUÀ½UÉAiÀÄ vÀ®Ä¦¸À¨
vÀ®Ä¦¸À¨ÉÃPÁ zÀÝ UÀvÀ
¸ÀAzÉñÀªÁzÀgÀÆ ¤vÀÄÛ A £É£À¥À ªÀÄvÀÄÛ ¸ÀA AzsÀUÀ¼À UÉÆAzÀ®zÀ zÁÝ£É ªÉÄ PÀ ï.
Won Best Film - Warsaw IFF (Jury Award) | Nominated Best Film - Polish FF, Les
AWARDS Arcs European,Camerimage | Won Best Cinematography - Lennert Hillege @
Polish FF | Won Best Sound - Miroslaw Makowski, Jan Schermer, Maciej
Pawlowski @ Polish FF - 2017
Æ
É Ã ¤
DIRECTOR - DANIEL REZENDE
BRAZIL / 2017 / PORTUGUESE / 113 MIN.
SYNOPSIS
Augusto is an actor, hungry for a place in the spotlight. While starring in soft
orn an soa o eras he finall ets the han e to on uer the row s when
he is ast as O a television host lown ith his irreverent humor an
natural talent the show is a i hit ut a lause on his ontra t for i s him to
reveal his true i entit ith ma eu on he rin s ha iness to hil ren a ross
the ountr ut not to his own son a riel that sees his father istan in himself
in sear h of re o nition an fin s his ersonal e a
PÀxÁ¸ÁgÀ
CUÀ¸ÉÆÖà QÃwðUÁV ºÉÆÃgÁl £ÀqɸÀÄwÛgÀĪÀ M§â £Àl. PÁªÀÄ¥ÀæZÉÆÃzÀPÀ avÀæUÀ¼ÀÄ ªÀÄvÀÄÛ
£ÁlPÀUÀ¼À°è C©ü£À¬Ä¸ÀĪÀ DvÀ CzÉÆAzÀÄ ¢£À ‘©AUÉÆÃ’ JA§ ¥ÁvÀæ zÉÆgÉvÀÄ vÀ£Àß
C©ü£ÀAiÀÄzÀ ªÀÄÆ®PÀ ¥ÉæÃPÀëPÀgÀ ªÀÄ£À¸ÀÆgÉUÉƼÀÄîvÁÛ£É. DvÀ£À ¸ÀºÀd C©ü£ÀAiÀÄ¢AzÀ D PÁgÀåPÀæªÀÄ
vÀÄA¨Á AiÀıÀ¹éAiÀiÁUÀÄvÀÛzÉ. DzÀgÉ, M¥ÀàAzÀzÀ ¥ÀæPÁgÀ ©AUÉÆà ¥ÁvÀæzsÁjAiÀÄ ºÉ¸ÀgÀ£ÀÄß §»gÀAUÀ
¥Àr¸ÀĪÀAw®è. §tÚ ºÀaÑ C©ü£À¬Ä¸ÀĪÀ DvÀ Erà zÉñÀzÀ ªÀÄPÀ̼À ªÀÄÄRzÀ ªÉÄÃ¯É £ÀUÉ
ªÀÄÆr¸ÀÄvÁÛ£É. DzÀgÉ vÀ£Àß ªÀÄUÀ UÁå©æAiÀįï£À ªÀÄÄRzÀ ªÉÄÃ¯É £ÀUÉAiÀÄÄQ̸ÀĪÀAvÉ ªÀiÁqÀĪÀ°è
¥sÀ®£ÁUÀÄvÁÛ£É. à ðUÁ vÀ£Àß ºÉÆÃgÁlzÀ UÀ¸ÉÆÖà ªÀÄUÀ¤AzÀ zÀÆgÀªÁUÀÄvÀÛ
ºÉÆÃUÀÄvÁÛ£É. EzÀjAzÀ CªÀ£À ªÉÊAiÀÄQÛPÀ §zÀÄQ£À°è ¥ÀvÀ£ÀªÁUÀ¯ÁgÀA©ü¸ÀÄvÀÛzÉ.
Best Foreign Language Film Entry - Oscars 2018, Won Best Actor - Vladimir Brichta
AWARDS @ São Paulo Association of Art Critics Awards - 2017
¨Év
æ ï
DIRECTOR - NARGES ABYAR
IRAN / 2016 / PERSIAN / 112 MIN.
SYNOPSIS
a te from one of her own novels featurin the same title the film ta es
place in several rural suburban areas in the Karaj region and centres around
a wor in lass famil more s e ifi all the oun au hter ahar hrou h
the wan erin of the a reamin ahar rowin u in a we e erien e
ran in the late s an earl s the ountr in turmoil an the heart rea in
impact the ‘Sacred Defense’, as the war is referred to in Iran, has on her
famil
PÀxÁ¸ÁgÀ
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ªÁ¹¸ÀÄ ÛgÀĪÀ ¨Á® ºÁgÀ¼À ¨Á® êÀ£À ºÁUÀÆ ¸ÁªÀiÁ PÀ êÀ£ÀªÀ£ÀÄß
PÁ ºÀÄzÀÄ. ºÀUÀ®ÄUÀ£À¸ÀÄ PÁ ĪÀ ¥ÁgÀ êÀ£ÉÆÃvÁºÀ gÀĪÀ ºÁg ºÁgÀ¼À PÀ£À¸ÀÄ
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gÁ£ï£À vÀæ
PÉÆqÀĪÀ zÀ ±À UÀ¼ÀÄ AiÀÄÄzÀzÀ ªÁvÁªÀgÀ ¸À Ö¸ÀĪÀ ªÀÄÆ®PÀ vÀ ɪÀiÁgÀÄUÀ¼À PÀ£À¸ÀÄ
ºÉÃUÉ £ÀÄZÀÄÑ£ÀÆgÁ zÉ £ÀÄߪÀ zÀ£ÀÄß ºÉüÀÄvÀÛzÉ.
PÁ¯ï «Ä yÃ¥sï
DIRECTOR - DARYNE JOSHUA
SOUTH AFRICA / 2016 / AFRIKAANS / 125 MIN.
SYNOPSIS
When young Abraham gets arrested for a petty crime, he raises his status in
prison by captivating the hardened gangsters with his knack for telling stories.
He becomes the “prison cinema”, whilst his childhood friend becomes the
on u ine of a an oss On their release from ail fin s roman e with his
childhood sweetheart and starts a new path in life as a writer. But his friends
rope him into a murder for which they all face the hang-man’s noose. Set in Cape
Town, South Africa in the 1960s.
PÀxÁ¸ÁgÀ
zÀQët D¦üæPÁzÀ PÉÃ¥ïmË£ï£À°è 1960 gÀ°è £ÀqÉzÀ ¸ÀvÀåPÀvÉAiÀÄ£ÁßzsÀj¹zÀ avÀæ. ¸ÀtÚ
C¥ÀgÁzsÀPÁÌV AiÀÄĪÀPÀ C§æºÁA §AzsÀ£ÀPÉÆ̼ÀUÁV ¸ÉgɪÀÄ£É ¸ÉÃgÀÄvÁÛ£É. C°ègÀĪÀ
PÀ¼ÀîPÀ¥ÀnUÀ¼À£É߯Áè PÀvÉ ºÉüÀĪÀ ªÀÄÆ®PÀ ¥ÀgÀªÀ±À ªÀiÁrPÉƼÀÄîvÁÛ£É. vÀ£Àß ¨Á®å¸ÉßûvÀ
ºÉÃUÉ vÀAqÀzÀ £ÁAiÀÄPÀ£ÁzÀ J£ÀÄߪÀ gÉÆÃZÀPÀ PÁ®ºÀgÀt PÀvÉUÀ¼À£É߯Áè
¹¤ªÀiÁ±É AiÀÄ ºÉüÀĪÀ zÀÄ ªÀ¤UÉ PÀgÀUÀvÀ. ¸ÉgÀªÀÄ£É ÄAzÀ ©qÀÄUÀqÉAiÀÄ £ÀAvÀgÀ
DvÀ vÀ£Àß ¨Á®åzÀ UɼÀwAiÀÄ eÉÆvÉ ¸ÉÃj ºÉƸÀ ºÁ¢ vÀĽzÀÄ §gÀºÀUÁgÀ£ÁV
ºÉ¸ÀgÁzÀ. DzÀgÉ CªÀ£À ¸ÉßûvÀgÀÄ PÉÆ¯É ¥ÀæPÀgÀtªÉÇAzÀgÀ°è EªÀ£À£ÀÄß ¹®ÄQ¹zÀ
£ÀAvÀgÀ CªÀgɯÁè £ÉÃtÄUÀA¨sÀªÉÃgÀ¨ÉÃPÁzÀ ¸ÀAzÀ¨sÀð §gÀÄvÀÛzÉ.
on est ilm – la tar festival international u film anafri ain e annes
AWARDS nternational Premier – Palm rin s on est tor ann a ues outon
ura hmaan ams outh fri an ilm an elevision war s on est
Pro u tion esi n arren ra nternational n e en ent ilm war s
PÁåAqɯÉÃjAiÀÄ
DIRECTOR - JHONNY HENDRIX HINESTROZA
COLOMBIA / 2017 / SPANISH / 100 MIN.
SYNOPSIS
Right when the embargo is at its peak and the Soviet Union disintegrates. Life
of CANDELARIA and VÍCTOR continues at a slow pace. But the monotony is broken
when an elaria fin s a vi eo amera hi en in the irt sheets of the hotel
where she works. Not sure of what to do with it just yet, she brings it home as
the ou le learns to mani ulate it an later to use it to film themselves an in
kissing and making love. This spark of recovered love helps them forget that one
of them is sick. But one day the camera disappears.
PÀxÁ¸ÁgÀ
zÀÄ ¸ÉÆà AiÀÄvï PÀÆÌl ¥ÀvÀ£ÀªÁzÀ ºÁUÀÆ zsÀ jà AiÀÄ ¤µÉÃzsÀUUÀ¼ÀÄ
ÁjAiÀÄ zÀÝ ¢£ÀUÀ¼ÀÄ. PÉAqÀ ÉÃjAiÀÄ ºÁUÀÆ PÀÖgï ªÀgÀ êÀ£À ªÀÄAzÀUÀ AiÀÄ
¸ÁUÀÄ ÛgÀÄvÀÛzÉ. DzÀgÉ PÉAqÀ ÉÃjAiÀÄ vÁ£ÀÄ PÉ®¸À ªÀiÁqÀĪÀ ºÉÆÃl ï£À ZÁªÀ AiÀÄ
gÀºÀ¸À PÁ ªÉÄgÁ nÖgÀĪÀ zÀ£ÀÄß UÀªÀĤ¸ÀÄvÁÛ¼É. £ÀÄ ªÀiÁqÀ¨ÉÃPÉAzÀÄ vÉÆÃZÀzÉà DPÉ
D PÁ ªÀÄgÁªÀ£ÀÄß ªÀÄ£ÉUÉ vÀgÀÄvÁÛ¼É. zÀ£ÀÄß ¥ÀAiÉÆà ¸ÀĪÀ zÀ£ zÀ£ÀÄß jvÀ ªÀgÀÄ
vÀªÀÄ £À vÀ ªÀ£ÀÄß ¥ÉæêÀĪÀ£ÀÄß ZÀÄA £ÀªÀ£ÀÄß zÀgÀ zÁ ¸¸ÀÄvÁÛgÉ. zÀ£ÀÄß £ÉÆÃr
vÀªÀÄ PÀ¼ÉzÀÄ ºÉÆÃzÀ ¦æà AiÀÄ£ÀÄß ªÀÄgÀ½ ºÀÄqÀÄPÀĪÀ AiÀı ıÀ¹AiÀiÁUÀÄvÁÛgÉ.
ªÀj gÀ jUÉ gÀĪÀ Á Ä ÉAiÉÄà zÀjAzÁ ªÀÄgÉvÉà ºÉÆÃUÀÄv ºÉÆÃUÀÄvÀÛzÉ. AzÀÄ
¢£À PÁ ªÀÄgÁ PÀ¼ÉzÀÄ ºÉÆÃUÀÄvÀÛzÉ.
PÁåAr¦ü¥
è ïs
DIRECTOR - SHANAWAZ NELLIKUNNIL
INDIA / 2017 / ENGLISH | HINDI / 93 MIN.
SYNOPSIS
Set in present day Goa, CandyFlip is a story about what happens to a man named
o who owns a sha in Palolem after he ta es for the first time
PÀxÁ¸ÁgÀ
EA¢£À UÉÆêÁzÀ°è £ÀqÉAiÀÄÄwÛgÀĪÀÅzÉãÀÄ? gÁAiÀiï JA§ ªÀåQÛ ¥Á¯ÉªÀiï
©ÃZï §½ UÀÄr¸À°£À°è ªÁ¹¸ÀĪÀ ªÀåQÛ. CªÀ£ÀÄ ªÉÆlÖªÉÆzÀ® ¨Áj J¯ïJ¸ïr
(ªÀiÁzÀPÀ ªÀ¸ÀÄÛ) vÉUÉzÀÄPÉÆAqÁUÀ K£Á¬ÄvÀÄ JA§ PÀÄvÀƺÀ®zÀ PÀxÀ£ÀªÉÃ
PÁåAr¦è¥sï.
Sound/Music :
CREW Naren SHANAWAZ NELLIKUNNIL
Producer : Chandavarkar
Balasubraman- Shanawaz Nellikunnil is an upcoming indian
yam TC, Surendra CAST screenwriter and filmmaking practitioner.
K Hegde 'Candyflip' is his latest feature film.
Screenplay : Prashant
Shanawaz NK, Prakash,
Abhishek Prakash Raj,
Bomanna Kalki Koechlin,
DOP : Gulshan
Nagaraj Rathinam Devaiah,
Editor : Valeriya
Praveen Kumar B Polyanychko.
SYNOPSIS
In 1998, Nalchik, the North Caucasus, Russia, a 24-year-old, Ilana works in her
father’s garage to help him make ends meet. One evening, her extended family
and friends gather to celebrate the engagement of her younger brother David.
Later that night, the young couple is kidnapped, and a ransom demand delivered.
In this close-knit Jewish enclave, involving the police is out of the question. How
will the family raise the money to save David? Ilana and her parents, each in
their own way, will go as far as necessary, whatever the risks to themselves.
PÀxÁ¸ÁgÀ
CzÀÄ 1998 E¸À«. gÀµÁå zÉñÀzÀ GvÀÛgÀQÌgÀĪÀ PËPÁ¸À¸ï ºÀwÛgÀ«gÀĪÀ £Á°ÑPï JA§
¥ÀlÖt. 24 ªÀµÀðzÀ E¯Á£À vÀ£Àß vÀAzÉUÉ ¸ÀºÁAiÀÄ ªÀiÁqÀ®Ä vÀ£Àß UÁågÉeï£À°è PÉ®¸À
ªÀiÁqÀÄ ÛgÀÄvÁÛ¼É. zÉÆAzÀÄ ¢£À DPÉAiÀÄ vÀªÀÄ qÉ qï ¤ ÑvÁ Àð £ÉgÀªÉÃgÀÄvÀÛzÉ. zÉÃ
¢£À gÁwæ, £ÀªÀzÀA¥ÀwUÁ¼ÀUÀ¨ÉÃQzÀݪÀgÀ£ÀÄß C¥ÀºÀj¸À¯ÁUÀÄvÀÛzÉ. AiÀĺÀÆ¢UÀ¼ÀÄ £É¯É¹gÀĪÀ
D NtÂAiÀÄ°è ¥ÉưøÀgÀ£ÀÄß PÀgɸÀĪÀÅzÀÄ C¸ÁzsÀåzÀ ªÀiÁvÀÄ. C¥ÀºÀgÀtPÁgÀgÀ CtwAiÀÄAvÉ
©qÀÄUÀqÉUÁV ºÀtªÀ£ÀÄß vÀ®Ä¦¸À¯ÁUÀÄvÀÛzÉ. E¯Á£À ºÁUÀÆ PÀÄlÄA§zÀªÀgÀÄ qÉ«qï
ºÁUÀÆ DvÀ£ÉÆA¢UÉ ¤ ÑvÁ ÀðªÀiÁrPÉÆAqÀªÀ¼À£ÀÄß vÀªÀÄ zÉà DzÀ ªÀiÁUÀðUÀ¼À ªÀÄÆ®PÀ
ºÀtªÀ£ÀÄß ºÉÆA¢¸ÀĪÀ ªÀÄÆ®PÀ ©qÀÄUÀqÉUÁV ¥ÀæAiÀÄvÀß ªÀiÁqÀÄvÁÛgÉ.
Won Best Film - Cannes FF (FIPRESCI) , Haifa IFF, Lisbon & Estoril FF, Sochi Open
AWARDS Russian FF, Tarkovsky FF | Nominated Best Film - Un Certain Regard Award –
Cannes FF, Ghent IFF, Munich FF, San Sebastián IFF | Won Best Director – Russian
Guild of Film Critics (Best Debut), Sochi Open Russian FF - 2017.
PÀ¸Ör
À
DIRECTOR - XAVIER LEGRAND
FRANCE / 2017 / FRENCH / 94 MIN.
SYNOPSIS
Miriam and Antoine Besson have divorced, and Miriam is seeking sole custody
of their son, Julien to protect him from a father she claims is violent. Antoine
pleads his case, as a scorned dad and the appointed judge rules in favor of joint
usto hosta e to the es alatin on i t etween his arents ulien is ushe
to the e e to revent the worst from ha enin
PÀxÁ¸ÁgÀ
ªÀÄjAiÀiÁªÀiï ºÁUÀÆ DAl¤ ¨ÉøÀ£ï ZÉâvÀ zÀA¥À UÀ¼ÀÄ. DPÉ vÀ£À vÀ£Àß ªÀÄUÀÄ
Ä AiÀÄ£ï£À ¥ÉÆõÀ ÉAiÀÄ ºÉÆ É ºÉÆgÀ¨ÉÃPÉAzÀÄ ¤±ÀÑ Ä¸ÀÄvÁÛ¼É. ¨¨ÉøÀ£ï PÀÆæj
A ÄzÀÄ DPÉAiÀÄ ªÁzÀ. DAl¤ ¨ÉøÀ£ï vÀ£Àß ¥ÀgÀªÁ ªÁzÀ ªÀiÁqÀÄvÁ qÀÄvÁÛ£É. PÉÆ£ÉUÉ
£Á AiÀiÁ¢Ã±ÀgÀÄ ºÉÆ É gÀzÀÄÝ AzÀÄ Ã¥ÀÄð ¤ÃqÀÄvÁÛgÉ. ªÀÄjAiÀiÁªÀiï ºÁUÀÆ
DAl¤ ¨ÉøÀ£ï £ÀqÀÄªÉ ¸ÉgɹPÀÌ Ä AiÀÄ£ï £ÀߣÁUÀÄvÁÛ£É. ªÀÄÄAzÁUÀĪÀ zÀÄgÀAvÀ
vÀqÉAiÀÄĪÀ zÀÄ DvÀ£À ¸ÀªÁ ÁUÀÄvÀÛzÉ.
Won Best Film - Palm Springs IFF, Audience Award and TVE Otra Mirada Award - San
AWARDS Sebastián IFF, Venice FF, Special Mention – Zurich FF | Nominated Best Film - Toronto
IFF, CPH PIX, Haifa IFF, Archie Award and Jury Award – Philadelphia FF, Golden Lion
-Venice FF, Zagreb FF, Golden Eye - Zurich FF | Won Best Director – Venice FF - 2017.
zÁºÀ
DIRECTOR - ONUR SAYLAK
TURKEY / 2017 / TURKISH / 115 MIN.
SYNOPSIS
Gaza is a 14-year-old boy who lives on the Aegean coast of Turkey. Together
with his domineering father, he helps smuggle refugees to Europe, giving
them temporary shelter and scant food until they attempt their crossing.
Gaza dreams of escaping this life of crime, but can’t help being drawn into a
dark world of immorality, exploitation and human suffering. Can you avoid
becoming a monster when you’ve been raised by one?
PÀxÁ¸ÁgÀ
UÁeÁ lQðAiÀÄ ¸ÀªÀÄÄzÀæwÃgÀzÀ°ègÀĪÀ 14 ªÀµÀð ªÀAiÀĹì£À ¨Á®PÀ. CªÀ£À ¸ÉÆQÌ£À vÀAzÉ
¤gÁ ævÀgÀÄ ¸ÀªÀÄÄzÀæzÀ ªÀÄÆ®PÀ AiÀÄÆgÉÆæUÉ vÉgÀ¼À®Ä ªÀ£ÀÄ ¸Àº
¸ÀºÁAiÀÄ ªÀiÁqÀÄ ÛzÀÝ.
ªÀjUÉ vÁvÁÌ PÀ D±ÀæAiÀÄ ¤ÃqÀĪÀ zÀÄ DºÁgÀ zÀ ¸ÀĪÀ zÀÄ »ÃUÉ ªÀgÀÄ UÀÄj
ªÀÄÄlÄÖªÀªÀgÉUÉ ªÀ£ÀzÉà PÉ®¸À. zÉ® ¥ÀgÁzsÀ¢AzÀ zÀÆgÀ ºÉÆÃUÀ¨ÉÃPÉA ÄzÀÄ
UÁ Á£À AiÀÄPÉ. DzÀgÉ ªÀiÁ£À ÃAiÀÄvÉ £ÀgÀ¼ÀÄ ÛgÀĪÁUÀ É®Æ zÀÄgÁZÁgÀªÉÃ
ªÉÄgÉAiÀÄÄ ÛgÀĪÁUÀ ºÉÆÃUÀĪÀ zÁzÀgÀÆ UÉ
Won Best Film – Valladolid IFF (FIPRESCI) | Nominated Best Film - Valladolid IFF
AWARDS (Golden Spike ), Adana FF (Golden Ball), Karlovy Vary IFF (Crystal Globe), Malatya IFF
(Crystal Apricot) - 2017.
qÉà ¨ÉÃæ Pï
DIRECTOR - GENTIAN KOCI
ALBANIA / 2017 / ALBANIAN / 85 MIN.
SYNOPSIS
A slow-paced social drama on an individual’s desperate struggle for a better life:
due to her involvement in a case of assisted suicide, nurse Violeta loses her job.
Subsequently she moves in with an elderly woman who she cares for in return
for a meagre wage. Believing the time has come for a fresh start, Violeta resorts
to drastic measures.
PÀxÁ¸ÁgÀ
EzÀÄ ªÀÄ£ÀĵÀå£ÉƧâ GvÀÛªÀÄ §zÀÄQUÁV £ÀqɸÀĪÀ ºÉÆÃgÁlzÀ PÀxÁ ºÀAzÀgÀ.
ªÀAiÉÆÃ É Á £À¸ïð. DPÉ ªÀ ÛAiÉÆ ¤UÉ DvÀ ºÀvÉ UÉ ¥ÉæÃgÀ É ¤ÃrzÀ¼ÀÄ A
PÁgÀ PÉÌ PÉ®¸À PÀ¼ÉzÀÄPÉƼÀÄvÁÛ¼É. £ÀAvÀgÀ DPÉ PÉêÀ® ¥ÀÄrUÁ¹U
¥ÀÄrUÁ¹UÁ ªÀAiÀĸÁzÀ
ªÀÄ»¼ÉAiÉÆ ¼À£ÀÄß DgÉ PÉ ªÀiÁqÀÄvÁÛ¼É. PÉ® ¢£ÀUÀ¼À £ÀAvÀgÀ ¥ÀÄ£À ºÉƸÀ êÀ£À
DgÀA©¸ÀĪÀ À½UÉ A¢zÉAiÉÄAzÀÄ ¨sÁ ¹ PÉ®ªÉ AzÀÄ PÁAiÀÄðUÀ¼À£ÀÄ ÄðUÀ¼À£ÀÄß ¤ªÀð»¸À®Ä
ªÀÄÄAzÁUÀÄvÁÛ¼É.
Best Foreign Language Film Entry - Oscars 2018, Won Best Film - Cinedays Skopje FF
| Nominated Best Film - Cottbus Film Festival of Young East European Cinema 2017,
AWARDS Sarajevo FF, Stockholm FF(Audience Award), Warsaw IFF | Won Best Director –
Tirana IFF | Won Best Actor - Ornela Kapetani @ Sarajevo FF - 2017.
eÁåªÀiï
DIRECTOR - TONY GATLIF
GREECE / 2017 / GREEK / 97 MIN.
SYNOPSIS
Djam, a young Greek woman, is sent to Istanbul by her uncle Kakourgos, a former
sailor with a assion for e eti o to fin a rare art that will re air their oat
n stan ul she en ounters vril a nineteen ear ol ren h irl alone an
without an mone who ame to ur e as a voluntar wor er with refu ees
am enerous hee un re i ta le an free s irite ta es vril un er her
win on the wa to tilene ourne fille with en ounters musi sharin
an ho e
PÀxÁ¸ÁgÀ
Á ªÀiï æÃPï zÉñÀzÀ AiÀÄĪÀ . DPÉAiÀÄ ¸ÀA A¢AiÉÆ ªÀiÁ £Á PÀ. DvÀ¤UÉ
¸ÀA ÃvÀªÉAzÀgÉ D¸À Û. DvÀ DPÉAiÀÄ£ÀÄß ºÀqÀUÉÆAzÀgÀ j¥ÉÃjUÁ ¨Éà zÀÝ
¥ÀPÀgÀ ªÉ AzÀ£ÀÄß vÀgÀ®Ä ¸ÁÛA Ä ïUÉ PÀ¼ÀÄ»¸ÀÄvÁÛ£É. DPÉ ¸ÁÛA Ä ï£À
ªÀµÀðzÀ ¥sÉæAZï ªÀÄ»¼É æ ï A¨ÁPÉAiÀÄ£ÀÄß ¨sÉÃnAiÀiÁUÀÄvÁÛ¼É. æ ï ºÀ ÛgÀ
ºÀ ®. ¤gÁ ævÀjUÁ PÉ®¸À ªÀiÁqÀĪÀ ¸À®ÄªÁ DPÉ vÀ£Àß µÀÖzÀAvÉ l ðUÉ
A¢gÀÄvÁÛ¼É. Á ªÀiï ¸ÀAvÀ ZÁgÀzÀ ¸ÁzsÀ »¸À ÁUÀzÀ ªÀÄ»¼É. DPÉ
æ ï¼À£ÀÄß vÀ£ÉÆßA¢UÉ ªÉÄ n Éãï A ¥ÀæzÉñÀPÉÌ PÀgÉzÉÆAiÀÄÄ vÁÛ¼É. zÉÆAzÀÄ
¸ÁºÀ¸ÀªÀÄAiÀÄ ¸ÀA ÃvÀªÀÄAiÀÄ ¨sÀgÀªÀ¸ÉAiÀÄ ¥ÀAiÀÄ .
qÉʬÄAUï
DIRECTOR - FERNANDO FRANCO
SPAIN / 2017 / SPANISH / 104 MIN.
SYNOPSIS
Marta and Luis, are on holiday as new couple. One day, by the sea, he breaks
the news that he is suffering from the same illness that claimed the life of his
father. He explains his desire to live next few months of his life without doctors
or hospitals. Marta begs him to get medical treatment. The director has chosen
to fi his a e not on the in man ut on the woman who loves him who is
blasted by all kinds of discord, sudden changes of mood while the dreaded but
inevitable conclusion lingers on the threshold.
PÀxÁ¸ÁgÀ
¥ÀæªÁ¸ÀzÀ°ègÀĪÀ zÀA¥Àw ªÀiÁvÁð ªÀÄvÀÄÛ ®Æ¬Ä¸ï CªÀjUÉ ¥sÁæAPÉÆãÀ
¥ÀjZÀAiÀĪÁUÀÄvÀÛzÉ. ¸ÀªÀÄÄzÀæAiÀiÁ£ÀzÀ°ègÀĪÁUÀ, ¥sÁæAPÉÆà «µÀAiÀĪÉÇAzÀ£ÀÄß
§»gÀAUÀUÉƽ¸ÀÄvÁÛ£É. vÀ£Àß vÀAzÉAiÀÄ£ÀÄß §° vÉUÉzÀÄPÉÆAqÀ C£ÁgÉÆÃUÀåªÉà vÀ£Àßö£ÀÄß
PÁqÀÄwÛzÀÄÝ, ªÉÊzÀågÀ£ÀÄß PÁtzÉ, aQvÉì¬Ä®èzÉ vÁ£ÀÄ wAUÀ¼ÀÄUÀlÖ¼É
¥ÀjvÀ¦¸ÀÄ ÛgÀĪÀ zÁ DvÀ zÀA¥À UÉ ºÉüÀÄvÁÛ£É. DvÀ¤UÉ ªÉ zÀ ÃA ÃAiÀÄ vÉUÁ
ªÀiÁvÁð qÁqÀÄvÁÛ¼É. DzÀgÉ ¤zÉÃð±ÀPÀ£À zÀ Ö ¸ÁAiÀÄÄ ÛgÀĪÀ ªÀ ÛAiÀÄ£ÀÄß ©lÄÖ D
ªÀåQÛAiÀÄ£ÀÄß ¦æÃw¸ÀÄwÛgÀĪÀ ªÀÄ»¼ÉAiÀÄ ªÉÄðzÉ. EzÀÝQÌzÀÝAvÉ §zÀ¯ÁUÀĪÀ
ªÀÄ£ÉÆèsÁªÀUÀ¼ÀÄ ©Ã AiÀÄ PÀ UÀ¼ÀÄ DvÀAPÀ ®ªÀ jAUÀ ¸ÀÄvÀÛzÉ.
, ¤
DIRECTOR - JIJU ANTONY
INDIA / 2017 / MALAYALAM | MARATHI | HINDI |
ENGLISH / 81 MIN.
SYNOPSIS
Jail authorities take Prashant, a Mumbai taxi driver punished on brutal rape and
murder charges, to the gallows. An innocent boy next door became a devil.. Who
is to bear the brunt of the blame- game? A dysfunctional society?..Or could it be
the mindless churning out of gender stereotypes by a parochial world?
PÀxÁ¸ÁgÀ
ªÀÄÄA¨ÉÊ£À°è WÉÆÃgÀ CvÁåZÁgÀ ºÁUÀÆ PÉÆ¯É C¥ÀgÁzsÀzÀ »£É߯ÉAiÀÄ°è ªÀÄÄA¨ÉÊ£À
Á qÉæ ªÀgï ¥Àæ±ÁAvÀ£À£ÀÄß £Éà UÉÃj¸À ÁUÀÄvÀÛzÉ. ªÀiÁqÀzÀ vÀ¦UÁ DvÀ¤UÉ
²PÉëAiÀiÁ¬ÄvÉÃ? DvÀ£À DvÀäPÉÌ ¸ÀªÀiÁzsÁ£À«®è. EzÀPÁÌV AiÀiÁgÀ£ÀÄß zÀƶ¸ÀĪÀÅzÀÄ?
est e ut ire tor ll i hts ilm estival O ial ele tion um ai nternational
AWARDS ilm estival n ian Panorama hennai nternational ilm est O ial ele tion
for nternational om etition for e ut ire tor ll i hts ilm estival
n ia O ial sele tion a h ha n ie ilm est
AiÀÄÆxÀ£ÊÉ ¸Àgï
DIRECTOR - TEEMU NIKKI
FINLAND / 2017 / FINNISH / 80 MIN.
SYNOPSIS
Euthanizer is a violent summer noir tells the story of Veijo Haukka, a 50-year-old
mechanic who euthanises sick and old pets as a side job. Despite the grim work,
he has a soft spot for the animals. Trouble stirs when the owner of a dog, he was
supposed to end realises that the canine is still alive. The only innocent party in
the drama that ensues is the dog itself.
PÀxÁ¸ÁgÀ
ÉÆú PÀ 0ªÀµÀð ªÀAiÀĹ£À ªÉÄPÁ¤Pï. ªÀ£ÉÆ ¥Áæ ¥Éæà Ä. PÉ®¸ÀzÀ
vÀÛqÀzÀ £ÀqÀĪÉAiÀÄÆ ªÀ£ÀÄ ªÀAiÀĸÁzÀ ºÁUÀÆ ªÁ¹AiÀiÁUÀzÀ PÁ Ä É ÄAzÀ
£ÀgÀ¼ÀÄ ÛgÀĪÀ ¥Áæ UÀ½UÉ ¸ÀÄ ªÀÄgÀ ¤ÃqÀĪÀ PÉ®¸ÀªÀ£ÀÆß ªÀiÁqÀ
qÀÄ ÛzÀÝ. PÉÆ£ÉUÁ ¸À
¨ÉÃPÁ zÀÝ £Á ÄAiÉÆAzÀÄ £ÀÆß zÀÄPÀĽ¢gÀĪÀ zÀjAzÁ £Á ÄAiÀÄ ªÀ ªÀiÁ ÃPÀ£À
DPÉÆæñÀPÉÌ ªÉÄPÁ¤Pï vÀÄvÁÛUÀ¨ÉÃPÁUÀÄvÀÛzÉ. ÀµÀð ÉAiÀÄ ªÀÄ
ªÀÄÄUÀ ±Á£ÀzÀ
PÀvÉAiÉÄãÁUÀ¨ÉÃqÀ
L D£ï dÄ°AiÉÄmï
DIRECTOR - KIM NGUYEN
CANADA / 2017 / ENGLISH | ARABIC / 90 MIN.
SYNOPSIS
Based in Detroit, Gord works for a surveillance company that monitors using
robots, at a pipeline halfway around the world in Northern Africa. One night,
lonely and depressed following a brutal split with his girlfriend, Gord notices a
young woman, Ayusha, sitting alone in the dunes waiting to meet her lover.
Entranced by their devotion and his sudden access to a foreign land he begins
following them out of curiosity, boredom. Despite the distance, their mutual fear
and their imperfect interaction, he will do everything in his power to help her
escape her fate.
PÀxÁ¸ÁgÀ
qÉ ÁæAiÀiïÖ ªÀÄÆ®zÀ UÉÆÃqïð ¸ÀÄgÀPÁ ¥ÀPÀgÀ UÀ¼À PÀA¥É¤AiÀÄ £ PÀgÀ. D PÀA¥É¤
gÉÆèÉÆÃUÀ¼À ªÀÄÆ®PÀ GvÀÛgÀ CªÉÄjPÁ¢AzÀ CzsÀðzÀµÀÄÖ dUÀwÛUÉ ºÁPÀ®àlÖ ¥ÉÊ¥ÀÄUÀ¼À ¸ÀÄgÀPÀëvÉ
¤ªÀð»¸ÀÄ gÛ ÀÄvÀÛzÉ. UÉÆÃqïð ºÁUÀÆ DvÀ£À ¥ÉæÃAiÀĹAiÉÆA¢ £À ¸ÀA AzsÀzÀ ©gÀÄPÀÄ ªÀÄÆrzÉ.
DvÀ¤UÉ AnvÀ£À ºÁUÀÆ £ÀßvÉ. zÉÆAzÀÄ ¢£À vÀ£Àß ¦æAiÀÄPÀgÀ¤UÁ PÁzÀÄ PÀĽ gÀĪÀ
DAiÀÄĵÁ¼À£ÀÄß £ÉÆÃqÀÄvÁÛ£É. DAiÀÄĵÁ ºÁUÀÆ DPÉAiÀÄ ¦æAiÀÄPÀgÀ£À ¥ÀgÀ¸ÀgÀ ¦æà ºÁUÀÆ
UÁqsÀvÉAiÀÄ£ÀÄß £ÉÆÃqÀÄvÁÛ£É. UÉÆÃqïð ªÀj gÀ£ÀÄß »A¨Á ¸ÀÄvÁÛ£É. UÉÆÃqïð ºÁUÀÆ
DAiÀÄĵÁ ºÁUÀÆ DPÉAiÀÄ ¦æAiÀÄPÀgÀ£À £ÀqÀÄªÉ vÀÄA¨Á AvÀgÀ. ªÀgÀ £ÀqÀÄªÉ ¸ÀªÀÄ¥ÀðPÀ ¸ÀA¨sÁµÀ É.
DzÀgÀÆ DvÀ DAiÀÄĵÁ½UÉ DPÉAiÀÄ ºÀ É gÀºÀ¢AzÀ ºÉÃUÉ vÀ¦¹PÉƼÀ¨ÉÃPÉA ÄzÀ£ÀÄß ºÉüÀÄvÁÛ£É.
¥sÁ°AUï
DIRECTOR - MARINA STEPANSKA
UKRAINE / 2017 / UKRAINIAN | ENGLISH / 105 MIN.
SYNOPSIS
Anton and Katia meet each other at a night night party in Kiev. Both are trying
to fin their earin s in life an their en ounter han es ever thin his
s holo i al rama e utin arina te ans a offers u oth a fra ile
love stor an a stron statement on the urrent oun eneration as it
sear hes for its la e in ost revolutionar raine
PÀxÁ¸ÁgÀ
D£ÀÖ£ï ºÁUÀÆ PÀnAiÀiÁ CzÉÆAzÀÄ gÁwæ ¨sÉÃnAiÀiÁUÀÄvÁÛgÉ. CªÀj§âgÀÆ
¸ÀévÀAvÀæªÁVgÀ¨ÉÃPÉAzÀÄ §AiÀĸÀĪÀ ªÀåQÛUÀ¼ÀÄ. CªÀgÀ ¨sÉÃn ¥ÀgÀ¸ÀàgÀgÀ£ÀÄß
zÀ Á ĸÀÄvÀÛzÉ. zÀÄ ªÀÄjAiÀiÁ£Á ¸ÉÖ¥Á£Á ̼À ªÀÄ£ÉÆÃªÉ Á¤PÀ PÀ À£À.
GPÉæãï£À°è PÁæAwAiÀÄ £ÀAvÀgÀ AiÀÄĪÀeÉÆÃrUÀ¼ÀÄ ºÉÃUÉ vÀªÀÄä ¸ÁÜ£ÀPÁÌV
ºÉÆÃgÁqÀÄ ÛzÁÝgÉ. ªÀgÀ ¥ÉæêÀÄ ºÉÃUÉ qsÁ¼ÀªÁ zÉ A ÄzÀ£ÀÄß vÀæzÀ ¤zÉðñÀ
¸ÉÖ¥Á£Á ÌvÀ£Àß ¥Àæ¥Àæ ÀªÀÄ vÀæzÀ ºÉüÀÄvÁÛ¼É.
Nominated Best Film - Karlovy Vary IFF, Stockholm FF(Bronze Horse) | Nominated
AWARDS Best Cinematographer - Sebastian Thaler @ Camerimage - 2017.
SYNOPSIS
ivin a river a father an son ma e their livin fishin ever a he
little o a ontra ts a serious illness he treatment is ver e ensive ill
the father e a le to at h enou h fish to a for it
PÀxÁ¸ÁgÀ
¥ÀÄlÖ ºÀÄqÀÄUÀ PÁ vÀ£Àß vÀAzÉAiÉÆA¢UÉ ¨ÉlÖ¥ÀæzÉñÀzÀ°è ªÁ¹¸ÀÄwÛzÁÝ£É. DvÀ
«ªÀiÁ£ÀªÀ£ÀÄß MAzÀÄ ºÁgÀĪÀ ¥ÀQëAiÉÄAzÉà w½zÀÄPÉÆArzÁÝ£É. «ªÀiÁ£ÀzÀ UÀÆqÀ£ÀÄß
ªÀÄÄlÖ®Ä ¥ÀjZÀAiÀĪÉà EgÀzÀ Hj£À Cwà zÉÆqÀØ PÀlÖqÀªÀ£ÉßÃgÀĪÀ D¸É DvÀ£ÀzÀÄ.
EzÀÝQÌzÀÝAvÉ DvÀ ©üÃPÀgÀ SÁ¬Ä¯ÉUÉ vÀÄvÁÛUÀÄvÁÛ£É. vÀ£Àß vÀAzÉAiÉÆA¢UÉ aQvÉìUÁV
¥ÀlÖtªÉÇAzÀPÉÌ vÉgÀ¼ÀÄvÁÛ£É. DvÀ UÀÄtªÀÄÄR£ÁUÀĪÀ£ÉÃ?
Best Foreign Language Film Entry - Oscars 2018, Won Best Film - Canadian Diversity
AWARDS os n eles sian Pa ifi ominate est ilm oll woo ur Pri e
Won Best Cinematographer - Ly Thai Dung @ Barcelona Planet FF - 2017.
¥s¸
À ïÖ ¨Á£ïð
DIRECTOR - AIK KARAPETIAN
LATVIA / 2017 / LATVIAN / 93 MIN.
SYNOPSIS
A psychological thriller about a middle-aged intellectual who, in an attempt to
restore his reputation in his wife’s eyes, accidentally commits a murder. As time
passes, he begins to see a link between the deceased, his wife’s pregnancy and
the mysterious blackmailer who is forcing him to act against his will.
PÀxÁ¸ÁgÀ
ªÀÄ£ÉÆÃªÉ Á¤PÀ æ®gï. vÀ£Àß ¥À ßAiÀÄ ªÀÄÄAzÉ vÀ£Àß ¥Àæ µÉAiÀÄ A¨sÀ PÉÆ ÑPÉƼÀ®Ä
ºÉÆÃzÀ ªÀ ÛAiÉÆ DPÀ¹ PÀªÁ PÉÆ ÉAiÉÆAzÀ£ÀÄß ªÀiÁr©qÀÄvÁÛ£É.
PÉ®PÁ ÁzÀ£ÀAvÀgÀ ªÀ¤UÉ ¸ÀvÀÛªÀ¤UÀÆ vÀ£Àß ¥À ß UÀ©ð AiÀiÁ gÀĪÀ µÀAiÀÄPÀÆÌ
ªÀÄvÀÄÛ DvÀ£À µÀÖPÉÌ gÀÄzÀªÁ ªÀ ð¸À®Ä ¦Ãr¸ÀĪÀ ¨ÁPïªÉÄîgï £ÀqÀÄªÉ £ÉÆÃ
¸ÀA AzsÀ zÉ AzÀÄ ¤¸ÀvÉÆqÀUÀÄvÀÛzÉ.
Won Best Actor - Kaspars Znotins : Latvian National Film Award Lielais
AWARDS Kristaps | Won Best Composer - Andris Dzen?tis : Latvian National Film
Award Lielais Kristaps - 2017.
SYNOPSIS
Near the colonial town of Marseilles in the rugged Eastern Cape of South Africa,
a group of rebellious friends dubbed the Five Fingers use well-placed eggs and
slingshots to drive off the oppressive police force. But when the cops seize quick-
tempered Tau’s childhood love, Lerato, he goes from throwing eggs to shooting
ullets are of a ture or worse au ees returnin ears later to a town
an frien s transforme the violen e ause that a ith the roo e o s
now re la e a austi an au must marshal what remains of the in ers
to once again defend their home.
PÀxÁ¸ÁgÀ
DvÀ ¥sÉÊªï ¦üAUÀ¸ïð UÀÄA¦£À ¸ÀzÀ¸Àå. ¥ÉÆð¸ÀgÀ DPÀæªÀÄt¢AzÀ vÀ¦à¹PÉƼÀÄîvÁÛ£É.
C£ÉÃPÀ ¢£ÀUÀ¼À £ÀAvÀgÀ vÀ£Àß vÀªÀgÀÄ ªÀiÁ¸Éð®¸ïUÉ ªÀÄgÀ¼ÀÄvÁÛ£É. D HgÀÄ E£ÉÆߧâgÀ
PÉʪÀ±ÀªÁVzÉ. E£ÉÆßAzÀÄ ¨ÉzÀjPÉAiÀÄ£ÉßzÀÄj¸ÀÄwÛgÀÄvÀÛzÉ.
¥sÁZÀÄð£Ál
DIRECTOR - SERGIO CASTELLITTO
ITALY / 2017 / ITALIAN / 103 MIN.
SYNOPSIS
ortunata a oun mother with a faile marria e ehin her fi hts ail to
on uer her ream to o en her own salon ef in her estin in an attem t
to eman i ate herself an on uer her in e en en e an the ri ht to ha iness
he has thou ht of ever thin an is rea for an thin ut she ha not
onsi ere the varia le of love the one su versive for e a a le of swee in
asi e ever ertaint lso e ause erha s for the first time someone loo s
at her as the woman she is an trul loves her
PÀxÁ¸ÁgÀ
ªÉʪÁ»PÀ fêÀ£ÀzÀ°è «¥sÀ®ªÁVgÀĪÀ ªÀÄƪÀvÀÛgÀ D¸ÀÄ-¥Á¹£À vÁ¬ÄAiÀiÁzÀ (¹AUÀ¯ï
¥ÉÃgÉAmï) ¥sÁZÀÄð£Ál¼À PÀxÉ. vÀ£Àß PÀ£À¸À£ÀÄß ¸ÁPÁgÀUÉƽ¹PÉƼÀÄîªÀ ¸À®ÄªÁV
¤vÀ ªÀ PÀ£À¸ÀÄ PÁ ÄvÁÛ¼É. ºÉÃgï ¸À®Æ£ï vÉgÉAiÀĨÉÃPÉA ÄzÉà ªÀ¼À ºÀA ®. vÀ£Àß
zÀÄgÁzÀ µÀÖªÀ£ÀÄß ºÀ½AiÀÄÄvÁÛ vÀ£Àß ºÀPÀÄÌUÀ¼À£ÀÄß gÀ ¹PÉƼÀ®Ä PÀ¼ÉzÀÄPÉÆAqÀ
¸ÀAvÉÆõÀªÀ£ÀÄß ªÀÄgÀ½UÀ½¸À®Ä ªÀ¼ÀÄ ºÉÆÃgÁqÀÄvÁÛ¼É. ¦æà AiÀÄ£À Ä£ÀÄß gÀ¸ÀÄvÁÛ¼É.
ªÀ½UÉ zÀÄ ¹UÀĪÀ ¢®. PÉÆ£ÉUÀÆ ¤ ªÁ ¦æà ¸ÀĪÀªÀ£ÉÆ ªÀ½UÉ PÁ ÄvÁÛ£É.
Nominated Best Film - Cairo International Film Festival ( Golden Pyramid ), Italian
AWARDS National Syndicate of Film Journalists ( Silver Ribbon ) | Won Best Actress - Jasmine
Trinca : Cannes FF(Un Certain Regard), Italian National Syndicate of Film Journalists
(Silver Ribbon) - 2017.
UÉöæ Ê£ï
DIRECTOR - SEMIH KAPLANOGLU
TURKEY / 2017 / ENGLISH / 127 MIN.
SYNOPSIS
In the near future, an abrupt climate change has led to the extinction of life on
Earth. In this world with redrawn borders, migrants are massed in designated
areas waiting to integrate the city protected by magnetic shields.
PÀxÁ¸ÁgÀ
ªÀÄÄA¢£À ¢£ÀUÀ¼À ºÀªÁªÀiÁ£À gÀÄ¥ÉÃj¤AzÁ ¨sÀÆ ÄAiÀÄ ªÉÄà £À à UÀ¼À
ªÀ¸Á£À ¸À Äæ¸ÀÄ ÛzÉ. PÁAvÁPÀ ðvÀ vÀqɺÁ¼ÉUÀ½AzÀ gÀ ¸À Á gÀĪ
gÀĪÀ £ÀUÀgÀPÉÌ
UÀrAiÀÄ É Ä®zÉ ªÀ®¹UÀgÀÄ gÀPÀ ÉUÁ AzÀÄ ¸ÉÃgÀ®Ä vÀªÀ ¸ÀÄ ÛzÁÝgÉ. A¢£À
¢£ÀªÀiÁ£ÀzÀ êÀ£À ¸ÀA à ðvÉ ÄAzÀ vÀÄA©zÉ.
Won Best Film - Tokyo IFF (Tokyo Grand Prix ) | Nominated Best Film - Adana Film
AWARDS Festival, Sarajevo Film Festival, Malatya International Film Festival - 2017.
ºÁA¢AiÀiÁ
DIRECTOR - JON GARANO, AITOR ARREGI
SPAIN / 2017 / SPANISH | BASQUE / 114 MIN.
SYNOPSIS
Having fought in the First Carlist War, Martin returns to his family farm in Gipuzkoa
onl to fin that his oun er rother oa u n towers over him in hei ht
onvin e that ever one will want to a to see the tallest man on arth the
si lin s set out on a lon tri all over uro e urin whi h am ition mone
an fame will forever han e the famil s fate stor ase on true events
PÀxÁ¸ÁgÀ
ªÀiÁnð£ï ¥ÀæxÀªÀÄ PÁ°ð¸ïÖ AiÀÄÄzÀÞzÀ°è ¨sÁVAiÀiÁzÁvÀ. DvÀ vÀ£Àß PÀÄlÄA§zÀ
ÄägÀĪÀ ¥ÀÄgÉ ÆÌêÁPÉÌ gÀÄvÁÛ£É. vÀ£À AvÀ®Æ vÀÛgÀªÁ ¨É¼ÉzÀ vÀ£Àß vÀªÀÄ
gÉ Æ £ï £À ¨sÉÃnAiÀiÁUÀÄvÀÛzÉ. gÉ Æ £ï rà ¥Àæ¥ÀAZÀzÀ à vÀ vÀÛ gÀĪÀ ªÀÄ£ÀĵÀ .
à vÀÛgÀzÀ ªÀÄ£ÀĵÀ £À£ÀÄß £ÉÆÃqÀ®Ä £À ArvÀ zÀÄqÀÄ ¤ÃqÀÄvÁ
¤ÃqÀÄvÁÛgÉ AzÀÄ
¨sÁ ¸ÀĪÀ ªÀgÀÄ AiÀÄÄgÉÆÃ¥ïUÉ vÉgÀ¼ÀÄvÁÛgÉ. AiÀÄÄgÉÆÃ¥ï£À ªªÀjUÉ ¹UÀĪÀ ºÀ
±ÀAiÀÄð ºÁUÀÆ ¥Àæ µÉ PÀÄlÄA zÀ ¥Àj¹ AiÀÄ£Éßà zÀ Á Ĺ ©qÀÄv ©qÀÄvÀÛzÉ. zÀÄ £É
Àl£ÉAiÀiÁzsÁjvÀ vÀæ.
Won Best Film - Irizar Award and Special Prize of the Jury - San Sebastián IFF |
Nominated Best Film - Cinema Writers Circle Awards- Spain, Feroz Awards- ES, Goya
AWARDS Awards, José María Forqué Awards, Golden Seashell- San Sebastián IFF | Nominated Best
Director - Cinema Writers Circle Awards- Spain, Feroz Awards- ES, Goya Awards.- 2017
SYNOPSIS
he film es ri es the loo erio followin the ranian revolution in s
after Presi ent eni a r s removal from o e eni a r who entere into an
allian e with the Peo le s u ahe in or ani ation is in a all for an u risin
a ainst the rulin slami e u li an Part he loo ro ess that starte after
this all was a stor of a erio when there were om in hun re s of mur ers
an eaths thousan s of re orts
PÀxÁ¸ÁgÀ
EgÁ£ï£À°è £ÀqÉzÀ PÁæAwAiÀÄ ¸ÀªÀÄAiÀÄzÀ «ªÀgÀUÀ¼À£ÀÄß F avÀæ ©A©¸ÀÄvÀÛzÉ. CzsÀåPÀë
¨É¤¸ÁzÀgï£À£ÀÄß ¥ÀzÀ ÄAzÀ vÉÆÛUÉzÀªÉÄÃ É ¨É¤¸ÁzÀgï ¦Ã¥À ï ªÀÄÄ Á»¢£ï
¸ÀA¸ÉAiÉÆA¢UÉ ¥ÀAzÀ ªÀiÁrPÉƼÀÄvÁÛ£É. DqÀ½vÁgÀÆqsÀ ¸Á ÄPï j¥À©PÀ£ï
¥ÁnðAiÀÄ gÀÄzÀ zÀAUÉ ¼ÀĪÀAvÉ ªÀiÁqÀÄvÁÛ£É. D£ÀAvÀgÀªÉà gÁ¤£À zÀAUÉ
ªÁ ¥ÀPÀªÁUÀÄvÀÛzÉ. ¨ÁA ÄUÀ¼ÀÄ ¹rAiÀÄÄvÀÛªÉ. £ÀÆgÁgÀÄ PÉÆ ÉUÀ¼ÁU
ÉUÀ¼ÁUÀÄvÀÛªÉ. ¸Á gÁgÀÄ
£À ¸À ÛgÀĪÀ ªÀgÀ¢UÀ¼ÀÄ gÀ ÁgÀA©¸ÀÄvÀÛªÉ.
Won Best Film – Fajr FF ( Audience Award ) ( National Award ) ( Crystal Simorgh ) |
AWARDS Nominated Best Director - Fajr FF | Won Best Set and Costume Design - Behzad
Jafari Tadi : Fajr FF - 2017.
SYNOPSIS
artin arrives in a e i an villa e to re or a in an ient lan ua e e fin s
the last two speakers of the language, but they refuse to speak to each other
because of a 50 year grudge because they fell in love with the same woman.
Now widowed Martin and women’s granddaughter, Lluvia, work to convince the
men to reconcile. Martin realizes there is more to the story, and Lluvia reveals
the secret behind the men’s entanglement. As Isauro’s health declines, Evaristo
struggles to come to terms, and strange bird calls from the jungle, evoking the
mythical origin of their ancestors.
PÀxÁ¸ÁgÀ
ªÀiÁnð£ï, C½«£ÀAa£À°ègÀĪÀ ¥ÀÄgÁvÀ£À ¨sÁµÉAiÀÄ£ÀÄß zÁR°¸À®Ä ªÉÄQìPÉÆÃzÀ MAzÀÄ ºÀ½îUÉ
gÀÄvÁÛ£É. DvÀ¤UÉ D ¨sÁµÉ ªÀiÁvÀ£ÁqÀĪÀ gÀÄ ¹UÀÄvÁÛgÉ. DzÀgÉ ªÀgÀÄ ¥ÀgÀ¸ÀgÀ ªÀiÁvÀ£ÁqÀ®Ä
AiÀĸÀĪÀ ¢®. PÀ¼ÉzÀ 0 ªÀµÀð¢AzÀ®Æ ªÀgÀÆ ªÀiÁvÀ£Ár®. PÁgÀ ªÀj gÀÆ AzÉÃ
ºÀÄqÀÄ AiÀÄ£ÀÄß ¦æà ¹zÀÝgÀÄ. ®Æ AiÀiÁ D ªÀÄ»¼ÉAiÀÄ ªÉƪÀÄ UÀ¼ÀÄ. DPÉ ªÀj gÀÄ ¥ÀgÀ¸ÀgÀ
ªÀiÁvÀ£ÁqÀĪÀAvÉ ªÀÄ£ÀªÉ ¸ÀÄvÁÛ¼É. ªÀj gÀ PÀ ÉUÉ ¨ÉÃgÉAiÉÄà DAiÀiÁªÀĪÉà zÉ AzÀÄ
ªÀiÁnð£ïUÉ ¤ß¸ÀÄvÀÛzÉ. £ÀqÀÄªÉ ¸ gÉÆ£À DgÉÆÃUÀ à ¸ÀÄvÀÛzÉ. ªÁj¸ÉÆÖÃUÉ £É ¹
jAiÀÄ®Ä ºÉÆÃgÁqÀ¨ÉÃPÁUÀÄvÀÛzÉ. DUÀ zÀlÖ PÁr¤AzÀ vÀæ ¥À AiÉÆAzÀÄ ¸ÀzÀÄÝ ªÀiÁqÀÄvÀÛzÉ. D
¸À¢Ý£À ªÀgÉ®gÀ ¥ÀƪÀð gÀ ºÁUÀÆ ¥ gÁ PÀ ªÀ ÛUÀ¼À ªÀÄÆ®zÀ PPÀ É ÄzÉ.
Won Best Film – Florida FF (Audience Award) Guadalajara IFF (Press Award) Oslo/Fusion IFF,
AWARDS Minneapolis St. Paul IFF (Audience Award) Sundance FF( Audience Award) | Nominated
Best Film – Guadalajara (MEZCAL Award) Huelva Latin American FF, Sundance FF (Grand
Jury Prize) | Won Best Actor - Eligio Meléndez and José Manuel Poncelis @ Guadalajara IFF
SYNOPSIS
Fatima, a strong-minded woman, is the lead masseuse of a hammam in Algiers.
The day ahead promises to be hectic for all, and for Fatima in particular. Already,
while walking to her place of work, she is the distant witness of a terrorist attack.
At the hammam, Fatima should feel better, but the atmosphere proves electric
in her small en lose worl she has reat i ult in maintainin or er ll the
more as Meriem, a sixteen-year-old pregnant girl comes to take shelter at the
hammam. And as irate brother, Mohamed, is after her to cleanse his honor in
blood.
PÀxÁ¸ÁgÀ
¥sÁwªÀiÁ ZÀvÀÄgÀ ªÀÄ»¼É. DPÉ D¯ÉÓÃjAiÀiÁzÀ°è£À DgÉÆÃUÀå PÉÃAzÀæªÉÇAzÀgÀ°è£À vÀAqÀzÀ
£ÁAiÀÄQ. vÀ£Àß PÀZÉÃjUÉ ºÉÆÃUÀĪÁUÀ ¨sÀAiÉÆÃvÁàzÀPÀ zÁ½AiÉÆAzÀPÉÌ ¸ÁQëAiÀiÁUÀÄvÁÛ¼É.
DPÉ DgÉÆÃUÀå PÉÃAzÀæzÀ°è ¸ÀªÀiÁzsÁ£ÀªÁVgÀ¨ÉÃPÀÄ. DzÀgÉ, C°è ¥Àj¹Üw vÀ¢égÀÄzÀÞ.
¥Àj¹ÜwAiÀÄ£ÀÄß vÀºÀ§A¢UÉ vÀgÀ®Ä DPÉ ¥ÀgÀzÁqÀÄvÁÛ¼É. C°èUÉ 16 ªÀµÀðzÀ UÀ©üðtÂ
ªÀÄjAiÀiÁªÀiï D±ÀæAiÀÄ §AiÀŧgÀÄvÁÛ¼É. DPÉAiÀÄ CtÚ ªÉƺÀªÀÄzï DPÉAiÀÄ »AzÉ
©¢ÝzÁÝ£É. DPÉAiÀÄ£ÀÄß PÉÆAzÀÄ CªÀ¼À gÀPÀÛ¢AzÀ vÀ£Àß UËgÀªÀªÀ£ÀÄß PÁ¥ÁrPÉƼÀÄîªÀ UÀÄj
DvÀ£ÀzÀÄÝ.
E£ï ¹jAiÀÄ
DIRECTOR - PHILIPPE VAN LEEUW
LEBANON | SYRIA / 2017 / ARABIC / 85 MIN.
SYNOPSIS
A determined matriarch must protect her home from threatening outside forces
in Damascus, Syria, a city under constant siege. Hiam Abbass Oum Yazan is a
strong willed and resolute mother who witnesses a terrible act while in the
company of her housemaid. Oum’s husband is out getting help, and falling bombs
an ullets onfine the famil an a few nei h ors to the row e a artment
While barricaded, Oum must do what it takes to keep her loved ones safe, awaiting
help that may or may not arrive.
PÀxÁ¸ÁgÀ
ºÀAiÀiÁªÀÄ C¨Áâ¸ÉÆ AiÀÄgÀhĪÀiï UÀnÖVwÛ. DPÉ ¹jAiÀiÁ zÉñÀzÀ qÀªÀiÁ¸ÀÌ¸ï ¥ÀlÖtzÀ°è
vÀ£Àß PÀÄlÄA§zÉÆA¢UÉ ªÁ¸À«zÁݼÉ. D ¥ÀlÖt ¸ÀzÁ UÀ®¨sÉUÀæ¸ÀÜ. CzÉÆAzÀÄ ¢£À
zÁ½AiÀiÁUÀÄvÀÛzÉ. DPÉAiÀÄ UÀAqÀ OªÀiï ºÉÆgÀUÀqÉ ¸ÀºÁAiÀÄPÁÌV ºÉÆÃVzÁÝ£É. DUÀ
ªÉÄðAzÀ ªÉÄÃ¯É ¨ÁA¨ïUÀ¼À ¸ÀÄjªÀļÉ. D PÀÄlÄA§ gÀPÀëuÉUÁV C¥ÁmïðªÉÄAmï
AzÀgÀ ¤®ÄvÀÛzÉ. DPÉUÉ PÀÄlÄA zÀ ®gÀ£ÀÆß gÀ ¸ÀĪÀ ªÁ¨ÁÝj. DPÉAiÀÄ
UÀAqÀ¤AzÀ ¥Àj vÀjAzÀ ¸ÀºÁAiÀÄ ¹UÀ ºÀÄzÀÄ ¹UÀzÉAiÀÄÆ gÀ ºÀÄzÀ ºÀÄzÀÄ.
EªÁ£ï
DIRECTOR - JANEZ BURGER
SLOVENIA / 2017 / SLOVENIAN / 95 MIN.
SYNOPSIS
Mara gives birth to the illegitimate boy Ivan, whose father is a businessman. She
loves Rok obsessively. When Rok is accused of white-collar crime, his friends
abandon him. Mara feels the consequences as well. She gets beaten up by Rok’s
cronies and ends up in a safe house. Rok takes her and Ivan away, and she is
convinced her dreams have come true. However, Rok uses them only to get to
the money, which is kept safe. On the run from police, he forces Mara to make
the worst sa rifi e ima ina le – leave her a
PÀxÁ¸ÁgÀ
ªÀiÁgÁUÉ gÁPï eÉÆvÉ C£ÉÊwPÀ ¸ÀA§AzsÀ«zÉ. DvÀ GzÀå«Ä. DPÉ ªÀÄUÀÄ«UÉ d£Àä
¤ÃqÀÄvÁÛ¼É. ªÀÄUÀÄ UÉ ªÁ£ï AzÀÄ ºÉ¸ÀjqÀÄvÁÛgÉ. zÀÄ £É PÀ ¸¸ÀA AzsÀzÀ ¥sÀ®.
DPÉ gÁPï£À£ÀÄß ÃªÀªÁ ¦æà ¸ÀÄvÁÛ¼É. DvÀ ºÀ PÁ¹£À ºÀUÀgÀ ªÉ Az AzÀgÀ ¹®Ä
ºÁ PÉƼÀÄvÁÛ£É. DvÀ£À ¸ÉßûvÀgÀÄ DvÀ£À£ÀÄß zÀÆgÀ ªÀiÁqÀÄvÁÛgÉ. zÀgÀ ¥Àj ÁªÀÄ
ªÀiÁgÁUÀÆ vÀlÄÖvÀÛzÉ. DvÀ£À ¸ÉßûvÀgÀÄ DPÉAiÀÄ£ÀÄß ºÉÆqÉAiÀÄÄvÁ
ÄÄvÁÛgÉ. gÁPï ªÁ£ï
ºÁUÀÆ ªÀiÁgÁ¼À£ÀÄß PÀgÉzÀÄPÉÆAqÀÄ ¨ÉÃgÉqÉUÉ ºÉÆÃUÀÄvÁÛ£É. DPÉUÉ vÀ£Àß PÀ£À¸ÀÄ
£À£À¸ÁzÀAvÉ ¨sÁ¸ÀªÁUÀÄvÀÛzÉ. DzÀgÉ DvÀ£À AiÉÆà £É ¨ÉÃgÉAiÀiÁ zÉ. ¥ÉÆà ¸ÀjAzÀ
vÀ¦¹PÉÆAqÀÄ qÀÄ ÛgÀĪÁUÀ DvÀ DPÉUÉ ªÁ£ï£À£ÀÄß zÁjAiÀÄ AiÉÄà vÉÆgÉzÀÄ
qÀĪÀAvÉ ºÉüÀÄvÁÛ£É.
Won Best Film - Slovene FF | Won Best Director - Slovene FF | Best Screenplay -
AWARDS Janez Burger, Ales Car, Melina Pota Koljevic, Srdjan Koljevic - Slovene FF - 2017.
SYNOPSIS
This is the story of one woman’s rediscovery of her true self, in her 40s who is
torn between her duties. Rosa, the 37-year-old protagonist wants to be perfect
in all her duties: as a professional, mother, daughter, wife and lover, but it is
i ult to re on ile ever thin au hter of intelle tuals of the s an mother
of two re teen irls she fin s herself resse the two enerations er life
tilts when her mother reveals a secret that has thrown her daughter’s whole
existence into disarray, and her life at home with her oft-absent and potentially
cheating husband and daughters.
PÀxÁ¸ÁgÀ
gÉÆøÁ 37 ªÀµÀðzÀ ²¹Û£À ªÀÄ»¼É. J®èzÀgÀ®Æè CZÀÄÑPÀlÄÖ §AiÀĸÀĪÀ gÉÆøÁ, vÀ£Àß
PÉ®¸ÀªÀ£ÀÄß ±ÀæzÉÞ¬ÄAzÀ ªÀiÁqÀĪÀ ¥ÀæªÀÈwÛAiÀĪÀ¼ÀÄ. ªÀÈwÛAiÀÄ°è, vÁ¬ÄAiÀiÁV, ªÀÄUÀ¼ÁV,
¥ÀwßAiÀiÁV, ¦æAiÀÄvÀªÉÄAiÀiÁV J®èªÀÇ ²¸ÀÄÛ§zÀÞªÁVAiÉÄà £ÀqÉAiÀĨÉÃPÉ£ÀÄß
ĨÉÃPÉ£ÀÄߪÀªÀ¼ÀÄ. 70
ªÀµÀð ªÀAiÀĹì£À vÁ¬Ä ºÁUÀÆ JgÀqÀÄ ºÉtÄÚªÀÄPÀ̼À vÁ¬ÄAiÀiÁV JgÀqÀÄ vÀ¯É ªÀiÁgÀÄUÀ¼À
£ÀqÀÄªÉ C¥ÀàaÑAiÀiÁV©mÉÖ£ÉÆà J£ÀÄߪÀ vÀªÀPÀ CªÀ¼ÀzÀÄ. gÉÆøÁ¼À vÁ¬Ä, vÀ£Àß ªÀÄUÀ¼À
PÀvÉAiÀÄ£ÀÄß §AiÀÄ®Ä ªÀiÁrzÀ £ÀAvÀgÀ ªÀÄUÀ¼À ¨Á¼ÀÄ C¸ÀÛªÀå¸ÀÛªÁVgÀĪÀÅzÀÄ w½zÀÄ, vÀ£Àß
UÀAqÀ ºÁUÀÆ E§âgÀÄ ¥ÀÄwæAiÀÄjAzÀ vÁ£ÀÆ PÀÆqÁ ªÉÆøÀ ºÉÆÃVgÀĪÀÅzÀÄ CjªÁUÀÄvÀÛzÉ.
Won Best Film – Gramado FF, Paris Brazilian FF (Audience Award), Vitória Cine Vídeo
AWARDS | Nominated Best Film – Berlin IFF (Panorama Audience Award, Teddy), Valladolid
O ial ele tion avana on est ire tor rama o it ria ine
eo on est tress aria i eiro rama o
Q°èAUï føÀ¸ï
DIRECTOR - LAURA MORA ORTEGA
COLOMBIA / 2017 / SPANISH / 100 MIN.
SYNOPSIS
Paula is a carefree art student who balances her days between studying
photography and organizing against Colombia’s deeply corrupt legal system. But
when she witnesses her Father’s assassination in broad daylight, Paula is thrown
into a state of shock. Lost in a daze of sadness and rage, she catches a glimpse
of her father’s killer, brooding Jesús, in a nearby club, setting the young student
on a ath of reven e ntent on e a tin an form of usti e she an an fin s
herself immersed in Jesús’s aimless, poverty-stricken world and quickly discovers
that they might both be victims of the same broken system.
PÀxÁ¸ÁgÀ
¥Ë¯Á M§â «zÁåyð. vÀ£Àß ¥ÉÇÃmÉÆUÀæ¦ü ²PÀëtzÀ eÉÆvÉUÉ ¨sÀæµÀÖ ªÀåªÀ¸ÉÜAiÀÄ «gÀÄzÀÞ DPÉ
ºÉÆÃgÁl DgÀA©ü¸ÀÄvÁÛ¼É. CzÉÆAzÀÄ ¢£À DPÉAiÀÄ vÀAzÉAiÀÄ ºÀvÉåAiÀiÁV DPÉ
DWÁvÀPÉÆ̼ÀUÁUÀÄvÁÛ¼É. CzÉÆAzÀÄ ¢£À DPÉ vÀ£Àß vÀAzÉAiÀÄ ºÀAvÀPÀ føÀ¸ï£À£ÀÄß ¥À¨ï
MAzÀgÀ°è PÁtÄvÁÛ¼É. DPÉAiÀÄ°è ¸ÉÃr£À QZÀÄÑ GAmÁUÀÄvÀÛzÉ. føÀ¸ï£À£ÀÄß ²PÉëUÉ
M¼À¥Àr¸ÀĪÀ ºÁ¢AiÀÄ°è DvÀ£ÉƧâ UÉÆvÀÄÛ-UÀÄj¬Ä®èzÀ §qÀªÀ ºÁUÀÆ vÁ£ÀÄ ºÁUÀÆ
føÀ¸ï ªÀÄÄjzÀÄ ©zÀÝ ªÀåªÀ¸ÉÜAiÀÄ PÀÄrUÀ¼ÉAzÀÄ DPÉUÉ w½AiÀÄÄvÀÛzÉ.
Won Best Film - FIPRESCI at Cairo IFF | Nominated Best Film - Cairo IFF, Zurich FF |
AWARDS Won Best Director - Cine Latino Award Palm Springs IFF, Cairo IFF, Roger Ebert
Chicago IFF| Nominated Best Director-Chicago IFF, Huelva Latin American FF, Palm
Springs IFF.
SYNOPSIS
ire tor enthusiasti all shoots a o umentar film a out the ultivation an
harvest of saffron in north east ran e a ree to ire t to earn enou h mone
for u in a house in ehran owever ri es of the real estate usiness are
risin an he ets worrie nstea of fo usin on the ire tion of his film he
s en s time with his ro u er who is su ose to fin him the house of his
reams he on itions of shootin are not eas either e ause of the ire tor s
eman s he farmers arti ularl one ol man are relu tant
PÀxÁ¸ÁgÀ
±Á£À gÁ£ï£À PÉøÀj qÀzÀ ¨ÉøÁAiÀÄ ªÀÄvÀÄÛ PÉÆAiÀÄÄ PÀÄjvÀÄ ¤zÉÃð±ÀPÀ
vÁºÀ¢AzÀ ¸ÁPÀ vÀæ ¤ªÀiÁð ªÀiÁqÀÄvÁÛ£É. vɺÀgÁ£ï£À ¸ÀAvÀ ªÀÄ£ÉAiÉÆAzÀ£ÀÄß
PÀnÖPÉƼÀ¨ÉÃPÉA PÉ PÀ D¸É ÄAzÀ DvÀ ¹¤ªÀiÁ ¤zÉÃð±À£À ªÀiÁqÀ®Ä vÀÄPÀ£Á gÀÄvÁÛ£É.
DzÀgÉ jAiÀÄ ï ¸ÉÖÃ ï ªÀ ªÀºÁgÀzÀ êÀæ gÀÄUÀ AiÀiÁ ªÀÄ£ÉUÀ¼À ¨É É UÀUÀ£ÀPÉÌÃgÀÄvÀÛzÉ.
zÀÄ ªÀ£À zÀÄ ªÀ£ÀÄß ºÉ ѸÀÄvÀÛzÉ. ¹¤ªÀiÁ ¤zÉÃð±À£À ªÀiÁqÀĪÀ zÀ®Ä ¤ªÀiÁð¥ÀPÀgÉÆA¢UÉ
¸ÀºÁAiÀÄPÀ£Á gÀĪÀ zÀÄ ÉøÀÄ AzÀÄPÉÆAqÀÄ vÀ£Àß ªÀÄ£ÉAiÀÄ PÀ£À¸ÀÄ £À£À¸Á ¹PÉƼÀ®Ä
ªÀ£ÉÆA¢ gÀÄvÁÛ£É. ¤zÉÃð±ÀPÀ£À ¨ÉÃrPÉAiÀÄAvÉ æÃPÀgÀ £ÀqɸÀĪÀ zÀÄ ¸ÀĮĨsÀªÁ gÀ ®.
®zÉ ªÀ zÀgÉ vÀ PÀÆqÁ PÉgÀ½zÀÄÝ ¸ÀªÀÄ¸É AiÀÄ£ÀÄß ºÉ ѹvÀ
vÀÄÛ.
Won Best Film - Vesoul International Film Festival (Inalco Jury Award) - 2017.
AWARDS
°mïè ºÁ§ðgï
DIRECTOR - IVETA GROFOVA
SLOVAKIA / 2017 / SLOVAKIAN / 90 MIN.
SYNOPSIS
For Lucia, Jarka is nothing more than a best friend. Ten-year-old Jarka doesn’t
see it that way though. She would much rather have her mom try to be a mother
instead. Jarka dreams of having a real family and a house by the sea. Left on her
own, she stumbles upon twins infants abandoned at the train station and decides
to take them in. Her grandmother’s enchanted garden becomes a safe haven
where she can take on the role of a parent together with her neighbour Kristian,
who himself suffers from overprotective parents.
PÀxÁ¸ÁgÀ
vÁ¬ÄAiÀÄ KPÀvÁ£ÀvÉAiÀÄ PÀÈvÀPÀ §zÀÄPÀÄ ºÀvÀÄÛªÀµÀðzÀ ¨Á¯É dPÁðUÉ »r¸ÀĪÀÅ¢®è.
CªÀ½UÉ ¸ÀºÀd PÀÄlÄA§ ¨ÉÃPÀÄ. ¸ÀªÀÄÄzÀæzÀqÀzÀ°è ªÀÄ£É ªÀiÁr fë¸À¨ÉÃPÉA§ §AiÀÄPÉ.
ªÉÄ gÉ ®Ä ¤ ÁÝ zÀ ªÀ½ ªÀ½ ªÀÄUÀÄ £Á ÀªÁ gÀĪÀ zÀ£ÀÄß £ÉÆÃqÀÄvÁÛ¼É.
ªÀ£ÀÄß ªÀÄ£ÉUÉ ÛPÉÆAqÀÄ ºÉÆÃUÀĪÀ ªÀÄ£À¸ÁUÀÄvÀÛzÉ. vÀ£Àß AiÀÄ vÉÆÃlzÀ ªÀÄ£É
¸ÀÄgÀ vÀ ¸ÀUÀð £ÀÄߪÀ zÀÄ jªÁUÀÄvÀÛzÉ. ¥ÀPÀÌzÀ ªÀÄ£É ºÀ
ºÀÄqÀÄUÀ æ ÑAiÀÄ£ï ªÀ¼À
ÉÆvÉUÀÆqÀÄvÁÛ£É. gÀÆ ¥ÉÆõÀPÀgÀ ¥ÁvÀæªÀ»¸ÀÄvÁÛgÉ.
®ªï¯É¸ï
DIRECTOR - ANDREY ZVYAGINTSEV
RUSSIA / 2017 / RUSSIAN / 127 MIN.
SYNOPSIS
Zhenya and Boris are going through a vicious divorce marked by resentment,
frustration and recriminations. Already embarking on new lives, each with a new
partner, they are impatient to start again, to turn the page – even if it means
threatening to abandon their 12-year-old son Alyosha. Until, after witnessing
one of their fi hts l osha isa ears
PÀxÁ¸ÁgÀ
gÉhÄ£Áå ºÁUÀÆ ¨ÉÆÃj¸ï ºÉÆAzÁtÂPɬĮèzÉ «ZÉÒÃzÀ£À ¥ÀæQæAiÉÄAiÀÄ°èzÁÝgÉ.
CªÀj§âgÀÆ ¨ÉÃgÉƧ⠸ÀAUÁwAiÀÄ£ÀÄß ºÀÄqÀÄQPÉÆArzÁÝgÉ. ºÉƸÀ ¨Á¼À£ÀÄß DgÀA©ü¸À®Ä
vÀÄ¢UÁ® ªÉÄÃ É ¤A zÁÝgÉ. vÀªÀÄ ªÀµÀðzÀ ªÀÄUÀ ÉÆ ÃµÁ£À UÉUÉ DvÀ£À
¨sÀ µÀ zÀ UÉ ªÀjUÉ AvÉ Ä®. zÉÆAzÀÄ ¢£À ªÀj gÀ UÀ¼À¢AzÀ ¨ÉøÀvÀÛ
ÉÆ ÃµÁ AzÀ ªÀÄgÉAiÀiÁUÀÄvÁÛ£É.
Best Foreign Language Category - Nominated Film - Oscars – 2018, Won Best Film –
AWARDS Camerimage (Silver Frog), Cannes FF (Jury Prize), London FF, Munich IFF, Zagreb
IFF|Nominated Best Film - Golden Globes, BAFTA Awards, Camerimage (Golden Frog), Cannes
FF (Palme d’Or), European Film Awards, Nominated Best Director - European Film Awards-2017
SYNOPSIS
Nalu, 16, and her father, Ruben, 39, live in a small country town near the Brazilian
border in Uruguay. When he realizes that his little angel is growing up to be a
woman, an ambiguous closeness begins to develop between them. That intimacy
gives way to jealousy when Rosario, an Uruguayan woman, enters their lives.
PÀxÁ¸ÁgÀ
ºÀ¢£ÁgÀÄ ªÀµÀðzÀ £À®Ä ªÀÄvÀÄÛ 39 ªÀµÀðzÀ CªÀ¼À vÀAzÉ gÀÆ¨É£ï ¨Éæf¯ï
UÀrAiÀÄ°ègÀĪÀ GgÀÄUÉéAiÀÄ ¸ÀtÚ ¥ÀlÖtªÉÇAzÀgÀ°è ªÁ¹¸ÀÄwÛgÀÄvÁÛgÉ. ¥ÀÄwæ
ºÀ¢ºÀgÀAiÀÄ¢AzÀ ªÀÄ»¼ÉAiÀiÁV ¨É¼ÉAiÀÄÄwÛzÁÝ¼É J£ÀÄߪÀÅzÀgÀ CjªÁzÁUÀ CªÀj§âgÀ°è
ªÀÄvÀÛµÀÄÖ CwäÃAiÀÄvÉ ¨É¼ÉAiÀÄÄvÀÛzÉ. GgÀÄUÉéAiÀÄ ªÀÄ»¼É gÉƸÁjAiÉÆà gÀĨɣï PÀÄlÄA§
¥ÀæªÉñÀ ªÀiÁrzÁUÀ, vÀAzÉ ªÀÄUÀ¼À DwäÃAiÀÄvÉ ºÉÆmÉÖQaÑUÉ wgÀÄUÀÄvÀÛzÉ.
Nominated Best Film – Berlin IFF( Crystal Bear )| Won Best Director - Rio de Janeiro
AWARDS IFF| Won Best Cinematography - Rio de Janeiro IFF | Won Best Supporting Actress
- Verónica Perrotta - Rio de Janeiro IFF -2017.
£ÉUÁgï
DIRECTOR - RAMBOD JAVAN
IRAN / 2017 / PERSIAN / 110 MIN.
SYNOPSIS
Negar is from a rich family. Her father dies after bankruptcy. This is, of course,
what the detectives thinks. Negar doesn’t believe that her father died of heart
attack. So she embarks on a journey to uncover her father’s dark past.
PÀxÁ¸ÁgÀ
£ÉUÁgï ²æêÀÄAvÀ PÀÄlÄA§zÀ ªÀåQÛ. CªÀ£À vÀAzÉ ¢ªÁ½AiÀiÁzÀ CªÀªÀiÁ£ÀzÀ°è
¸ÁAiÀÄÄvÁÛgÉ. vÀ¤ Á¢PÁjUÀ¼ÀÄ AiÉÆà ¹zÀÄÝ »ÃUÉ. vÀ£Àß vÀAzÉ ºÀ zÀAiÀiÁ ÁvÀ¢AzÀ
¸ÀvÀÛgÀÄ A ÄzÀ£ÀÄß £ÉUÁgï £ÀA Ä Û®. »ÃUÁ DvÀ vÀ£Àß vÀAzÉAiÀÄ »A¢£À ®
PÀvÉUÀ¼À£ÀÄß ºÉÆgÀvÉUÉAiÀÄ®Ä ºÉÆgÀqÀÄvÁÛ£É.
Nominated Best Director – Fajr FF ( Crystal Simorgh ) | Won Best Music – Cristof
AWARDS Rezaei : Fajr FF ( Crystal Simorgh ) - 2017.
SYNOPSIS
The forensic pathologist Dr Nariman, a principled and virtuous man, has an
accident with a motorcyclist and his family, and injures his 8-year-old son. He
pays compensation to the man and offers to take the child to a clinic nearby.
he ne t mornin he fin s out that the same little o has een rou ht in for
an autopsy. Dr Nariman faces a dilemma now: is he responsible for the child’s
death due to the accident or he died of food poisoning according to other doctors’
diagnosis?
PÀxÁ¸ÁgÀ
qÁ.£ÁjªÀÄ£ï ¢ Á£ÀzÀ gÀPÀÛ ¥ÀjÃPÀPÀ. vÀÄA¨Á PÀlÄÖ¤nÖ£À ºÁUÀÆ ªÀi ® AiÀÄÄvÀ
ªÀ Û. zÉÆAzÀÄ ¢£À DvÀ£À ªÁºÀ£À D¥À ÁvÀ ÌÃqÁ ªÀµÀðzÀ ¨Á®PÀ êÀæªÁ
UÁAiÀÄUÉƼÀÄvÁÛ£É. qÁ.£ÁjªÀÄ£ï D ¨Á®PÀ£À£ÀÄß ¸À ÄÃ¥ÀzÀ D¸ÀvÉæUÉ ¸ÉÃj¸ÀÄvÁÛ£É. D
¨Á®PÀ£À ¥ÉÆõÀPÀjUÉ vÀ£Àß vÀ¦UÁ ¥ÀjºÁgÀ ºÀ ªÀ£ÀÄß ¤ÃqÀÄvÁÛ£É. ªÀÄgÀÄ¢£À zÉÃ
¨Á®PÀ£À ±ÀªÀ ¥ÀjÃPÉUÁ DvÀ£À ½AiÉÄà gÀÄvÀÛzÉ. DvÀ¤UÉ UÉÆAzÀ®. ¨Á®PÀ£À
¸Á UÉ £ÀÄ PÁgÀ ¥À ÁvÀªÉ à ªÉ zÀ gÀ ªÀgÀ¢AiÀÄ ¥ÀæPÁgÀ µÀAiÀÄÄPÀÛ
DºÁgÀªÉ Ã
Won Best Film - Bratislava IFF (FIPRESCI), Thessaloniki FF (FIPRESCI & Silver Alexander)
| Nominated Best Film - Fajr FF, Hamburg FF, Palm Springs IFF, Stockholm FF, Venice FF
AWARDS | Won Best Director - Chicago IFF, Fajr FF,Venice FF | Won Best Screenplay - Vahid
Jalilvand, Ali Zarnegar @ Stockholm FF - 2017.
SYNOPSIS
When slaughterhouse workers Endre and Mária discover they share the same
dreams - where they meet in a forest as deer and fall in love - they decide to
ma e their reams ome true ut it s i ult in real life
PÀxÁ¸ÁgÀ
JAqÉæ ºÁUÀÆ ªÀÄjAiÀiÁ PÀ¸Á¬ÄSÁ£ÉAiÀÄ°è PÉ®¸ÀUÁgÀgÀÄ. CzÉÆAzÀÄ ¢£À CªÀjUÉ
vÀ«Ää§âgÀ°è ¸ÀªÀiÁ£À D¸ÀQÛUÀ½gÀĪÀÅzÀÄ w½AiÀÄÄvÀÛzÉ. CªÀgÀÄ ¦æÃw¸ÀvÉÆqÀUÀÄvÁÛgÉ. DzÀgÉ
¤ êÀ£ÀzÀ ªÀgÀ PÀ£À¸ÀÄ £À£À¸ÁUÀ®Ä ¸ÀªÀÄAiÀÄ ÄÃj ºÉÆà zÉ.
Best Foreign Language Category - Shortlisted Film - Oscars – 2018, Won Best Film – Berlin
AWARDS IFF, Camerimage, Mumbai IFF, Sydney IFF. | Nominated Best Film – American Society of
Cinematographers, European Film Awards, Palm Springs, Philadelphia IFF, Vukovar IFF |
Best Director – Won - Berlin IFF, Nominated - European Film Awards - 2017.
SYNOPSIS
After an affair with a married man, actress Younghee decides to take some time
out and travels to the far-off, foreign city of Hamburg. There she meets some
old friends, they eat and drink together, their conversations get more and more
out of han an her in uen e to al ohol insults an an ers the others ivin
vent to minor and major realisations and truths. She asks herself if her lover will
follow her and whether he misses her as much as she does. She withdraws to a
eserte ea h t seems as if she an onl trul fin herself in nature
PÀxÁ¸ÁgÀ
«ªÁ»vÀ£ÉÆA¢UÉ ¸ÀA§AzsÀ ElÄÖPÉÆArzÀÝ £Àn AiÀÄAVÃ, ºÁåA§Uïð£À £ÀUÀgÀªÉÇAzÀPÉÌ
ºÉÆà PÉ®¢£ÀUÀ¼À£ÀÄß PÀ¼ÉAiÀÄ®Ä ¤zsÀðj¸ÀÄvÁÛ¼É. DPÉUÉ ºÀ¼ÉA
ºÀ¼ÉAiÀÄ ¸ÉßûvÀgÀ
¨sÉÃnAiÀiÁUÀÄvÀÛzÉ. ªÀgÉ Á ¨sÉÆà £ÀPÀÆlzÀ ¸ÉÃgÀÄvÁÛgÉ. ªÀiÁ UÉ ªÀiÁvÀÄ ¨É¼ÉzÀÄ
ªÀÄ £À ¥ÀgÀ¸ÀgÀ zÀƵÀ É PÉÆÃ¥À ¹lÄÖ ºÀjzÁqÀÄvÀÛzÉ. zÀgÀ ºÀ®ªÁgÀÄ ¸ÀvÀ UÀ¼ÀÄ
ºÉÆgÀ©Ã¼ÀÄvÀÛªÉ. vÀ£Àß ¦æAiÀÄPÀgÀ £À£ÀߣÀÄß »A¨Á ¸À ºÀÄzÉà ªÀ£ÀÄ £Á¤®zÉ
gÀ ÁgÀ£Éà ªÉÆzÀ ÁzÀ Á¸ÉUÀ¼ÀÄ ªÀ¼À£ÀÄß PÁqÀÄvÀÛ ¸ÀªÀÄÄzÀæ ÃgÀzÀ ±Á®
¥ÀæPÀ AiÀÄ vÀ£ÀߣÀÄß vÁ£ÀÄ PÀAqÀÄPÉƼÀ®Ä ¥ÀæAiÀÄ ß¸ÀÄvÁÛ¼É.
Won Best Film - Los Angeles FF (Jury Prize), Busan Film Critics Association, Jerusalem FF,
AWARDS Korean Association of Film Critics Awards | Nominated Best Film - Berlin IFF (Golden
Berlin Bear), Los Angeles FF (Best Fiction) | Nominated Best Director - Baek Sang Art
Awards | Won Best Actor - Min-hee Kim @ Berlin IFF, Gijón IFF - 2017.
¥ÉÆgÉÆgÉÆÃPÀ
DIRECTOR - CONSTANTIN POPESCU
ROMANIA / 2017 / ROMANIAN / 152 MIN.
SYNOPSIS
Cristina and Tudor Ionescu have founded a happy family with their two children.
Maria (5 and a half) and Ilie (7). He works for a phone company and she’s an
accountant. They’re in their thirties and live in a nice apartment in a Romanian
town. They live the life of an ordinary couple with young children. One Sunday
morning, when Tudor takes the kids to the park, Maria disappears. Their lives
abruptly change forever.
PÀxÁ¸ÁgÀ
Qæ¹ÖãÁ ªÀÄvÀÄÛ lÆqÀgï M£É¸ÀÄÌ E§âgÀÄ ªÀÄPÀ̼À£ÀÄß ºÉÆA¢gÀĪÀ ZÉÆPÀÌ PÀÄlÄA§.
ªÀiÁjAiÀiÁUÉ zÀƪÀgÉ ªÀµÀð. AiÀiÁUÉ ¼ÀÄ ªÀµÀð. lÆqÀgï ¥sÉÆãï PÀA¥À¤AiÀÄ
PÉ®¸À ªÀiÁqÀÄvÁÛ£É. CªÀ¼ÀÄ CPËAmÉAmï DVzÁݼÉ. ªÀÄƪÀvÀÛgÀ ºÀgÀAiÀÄzÀ F zÀA¥Àw
ªÀÄPÀ̼ÉÆA¢UÉ gÉƪÉÄäAiÀÄ£ï £ÀUÀgÀzÀ ¥Á ïðªÉÄA ï AzÀgÀ ªÁ¹¸ÀÄ ÛzÁÝgÉ.
MAzÀÄ ¨sÁ£ÀĪÁgÀ ¨É½UÉÎ lÆqÀgï E§âgÀÆ ªÀÄPÀ̼À£ÀÄß GzÁå£ÀªÀ£ÀPÉÌ PÀgÉzÉÆAiÀÄÄåvÁÛ£É.
EzÀÝQÌzÀÝAvÉ ªÀiÁjAiÀiÁ £Á¥ÀvÉÛAiÀiÁUÀÄvÁÛ¼É. CªÀgÀ PÀÄlÄA§zÀ fêÀ£À
KgÀÄ¥ÉÃgÁUÀÄvÀÛzÉ.
Nominated Best Film – Göteborg FF ( Dragon Award ), San Sebastián IFF ( Golden
AWARDS Seashell ), Zurich FF ( Golden Eye ) | Won Best Actor - Bogdan Dumitrache : San
Sebastián IFF ( Silver seashell ) - 2017.
gÉrAiÀÄ£ïì
DIRECTOR - NAOMI KAWASE
JAPAN / 2017 / JAPANESE / 101 MIN.
SYNOPSIS
isa o is a assionate writer of film versions for the visuall im aire ta
s reenin she meets a amori an ol er hoto ra her who is slowl losin his
e esi ht isa o soon is overs a amori s hoto ra hs who will stran el
rin her a to her ast o ether the will learn to see the ra iant worl that
was invisi le to her e es
PÀxÁ¸ÁgÀ
«Ä¸ÁPÉÆà CAzsÀgÀ PÀÄjvÀAvÉ ZÀ®£ÀavÀæPÀxÉ §gÉAiÀÄĪÀ ºÀªÁå¸ÀªÀżÁîPÉ.
¥ÀæzÀ±Àð£ÀªÉ AzÀgÀ DPÉ £ÀPÀªÉÆÃj A¨ÁvÀ£À£ÀÄß ¨sÉÃnAiÀiÁUÀÄvÁ UÀÄvÁÛ¼É. DvÀ ¤zsÁ£ÀªÁ
zÀ馅 PÀ¼ÉzÀÄPÉƼÀÄîwÛgÀĪÀ bÁAiÀiÁUÁæºÀPÀ. DPÉ DvÀ£À ºÀ¼ÉAiÀÄ bÁAiÀiÁ avÀæUÀ¼À£ÀÄß
£ÉÆÃqÀÄvÁÛ¼É. DvÀ DPÉAiÀÄ ºÀ¼ÉAiÀÄ £É£À¥À£ÀÄß ªÀÄgÀÄPÀ½¸ÀĪÀAvÉ ªÀiÁqÀÄvÁÛ£É. DvÀ£À
¸ÀºÁAiÀÄ¢AzÀ vÀ£ÀUÉ PÀArgÀzÀ dUÀvÀÛ£ÀÄß PÁtvÉÆqÀUÀÄvÁÛ¼É.
Nominated Best Film - Denver IFF, Valladolid IFF Nomina | Won Best Director -
AWARDS Cannes FF - 2017.
gÉÃrAiÉÆÃUÁæªiÀ ï
DIRECTOR - ROUZIE HASSANOVA
BULGARIA / 2017 / BULGARIAN / 85 MIN.
SYNOPSIS
For a young rock’n’roll fan, Bulgaria in 1971 was a distinctly un-swinging place
to e n o ressive ommunist overnment lame it firml on the oo ie an
for a oun hi at li e hmet life is re an ull o when his father wal s
almost m to the nearest town to u him a new ra io it s a trul
heartwarmin esture he film ortra s the i ult lives of uslims in ul aria
e in out a livin in the rou h wil ountr si e an also the famil s lo al Part
o ials are ressurin them to onvert to hristianit ome art of the film is
ire tor s own hil hoo in ul aria
PÀxÁ¸ÁgÀ
EzÀÄ 1971gÀ §¯É ÎÃjAiÀiÁzÀ PÀvÉ. gÁPï ¸ÀAVÃvÀ ¦æAiÀÄ AiÀÄĪÀPÀ CºÀªÀÄvïUÉ gÁPï ¸ÀAVÃvÀ
PÉüÀĪÀ vÀªÀPÀ. MAzÀÄ gÉÃrAiÉÆà EzÀÝgÉ J®èªÀ£ÀÆß PÉüÀ§ºÀÄzÀÄ JA§ vÀÄrvÀ. DzÀgÉ AiÀÄĪÀd£ÀgÀ
D±ÉÆÃvÀÛgÀUÀ¼À£ÀÄß ºÀ PÛ ÀÄÌ gÛ ÀĪÀ PÀªÀÄÄ ¤¸ïÖ ¸ÀPÁðgÀ AiÀiÁªÀzÉà ¸ ®¨sÀ UÀ¼À£ÀÄß PÀ ¹®.
ºÀªÀÄvï£À vÀAzÉ UÀÄqÀ ¥ÀæzÉñÀªÀ£Éß Á zÁn £ÀÆgÀPÀÆÌ ºÉZÀÄÑ . Ä zÀÆgÀªÀ£ÀÄß PÀæ Ĺ
gÉÃrAiÉÆÃªÉ AzÀ£ÀÄß PÉÆAqÀÄ vÀgÀÄvÁÛ£É. gÉÃrAiÉÆà ¸ÀA ÃvÀ ªÀÄvÀÄÛ ¢PÁgÀzÀ zÀ¥ÀðªÀ£ÀÄß
¥Àæ ©A©¸ÀĪÀ ¸ÀAPÉÃvÀªÁUÀÄvÀÛzÉ. ¸ÀA ÃvÀ AzÀÄ PÀqÉ DzÀgÉ ÉÃjAiÀiÁzÀ ªÀÄĹêÀÄgÀ
¸ÀAPÀµÀÖUÀ¼À£ÀÄß gÉÃrAiÉÆà ©vÀÛj¸ÀÄ gÛ ÀÄvÀÛzÉ. ¸À½ÃAiÀÄ DqÀ½vÁ¢PÁjUÀ¼ÀÄ D ¸À ºÀ½AiÀÄ
ªÀÄĹêÀÄgÀ£ÀÄß æ AÑ iÀÄ£ï ªÀÄvÀPÉÌ ªÀÄvÁAvÀgÀUÉƼÀ®Ä vÀÛqÀ ºÉÃgÀÄ zÛ É.
CONTACT: INTRAMOVIES
107 FABIO.TUCCI@INTRAMOVIES.COM
RAVENS
KORPARNA
gÉêɣïì
DIRECTOR - JENS ASSUR
SWEDEN / 2017 / SWEDISH / 107 MIN.
SYNOPSIS
ne a onstant farmer who lives in s rural we en fi hts tooth an nail
to save his farm from the owner s rofit riven as irations an the overall
tendency to modernize. As the farm was run by the same family for the last
century, passing from generation to generation, Agne is certain that his eldest
son will take over. When he gets to know his son’s real intentions, he will have
i ulties in is ernin the line etween stu ornness an ma ness
PÀxÁ¸ÁgÀ
DUÉß gÉ vÀ. DvÀ£À Ää£À ªÀiÁ ÃPÀ Á¨sÀPÉÆÃgÀ ªÀÄ£À¹£ÀªÀ. D ªÀiÁ ÃPÀ
DzsÀĤPÀ ¥ÀzÀ UÀ¼À£ÀÄß vÀ£Àß Ää£À vÀgÀ AiÀĸÀÄvÁÛ£É. zÀg
zÀgÀ gÀÄzÀ DUÉß
ºÉÆÃgÁqÀ¨ÉÃPÁUÀÄvÀÛzÉ. D Ää£À£ÀÄß zÉà PÀÄlÄA ±ÀvÀªÀiÁ£ÀUÀ½AzÀ ¼ÀĪÉÄ
ªÀiÁqÀÄvÁÛ A¢zÉ. D PÀÄlÄA zÀ »jAiÀÄ ªÀÄUÀ ¼ÀĪÉÄAiÀÄ£ÀÄß ªÀ»¹PÉƼÀ ºÀÄzÉAzÀÄ
DUÉß ½zÀÄPÉƼÀÄvÁÛ£É. DzÀgÉ »jAiÀÄ ªÀÄUÀ£À ¥ÉÃPÉUÀ¼Éà ¨ÉÃgÉ. DUÉß UÀnÖvÀ£À ºÁUÀÆ
ºÀÄZÀÄÑvÀ£ÀzÀ £ÀqÀÄ £À gÉà ÉAiÀÄ£ÀÄß ¤zsÀðj¸À¨Éà zÉ.
AWARDS Won Best Film – Tbilisi IFF | Won Best Director - Thessaloniki FF - 2017.
gÀjhÄÔAiÀÄ
DIRECTOR - NABIL AYOUCH
MOROCCO / 2017 / ARABIC / 120 MIN.
SYNOPSIS
Morocco, from the past to the present. Five people who are connected to each
other – Abdallah, Salima, Joe, Hakim, and Inès – without realizing it. Different
faces, different struggles, but one same breath. One city, Casablanca as a
fra ment of realit as the m th of a film entirel shot in oll woo stu ios
which reality has come back to claim.
PÀxÁ¸ÁgÀ
ªÉÆgÀPÉÆÌÃzÀ A¢¤AzÀ A¢£À vÀ£ÀPÀ ÄÝ Á ¸À ªÀiÁ ºÀ êÀÄ £Éøï
ªÀgÀÄ vÀªÀÄUÉà UÉÆ Û®zÀAvÉ jUÉÆ gÀÄ ¥ÀgÀ¸ÀgÀ ÉÆvÉAiÀiÁ zÁÝgÉ. ©£Àß
ªÀÄÄ . ©£Àß ºÉÆÃgÁl. DzÀgÉ AzÉà ¹gÀÄ. AzÉà £ÀUÀgÀ. PÀ¸À¨ÁAPÁ. zÀÄ
£É vÉAiÀÄ AzÀÄ ¨sÁUÀ.
Best Foreign Language Film Entry - Oscars 2018, Nominated for Platform Prize
AWARDS at Toronto International Film Festival - 2017.
jøÀgPæÉ ëÀ £ï
DIRECTOR - KRISTOF HOORNAERT
BELGIUM / 2017 / DUTCH / 110 MIN.
SYNOPSIS
An old man, who practically lives as a hermit, comes across a young man lying
naked out in the woods. Even though the young man refuses to speak, the old
man takes him into his home and a strange bond begins to form between the
two. But a visit from the police reveals that the young man has killed somebody.
Now the old man must make a decision of what to do with the murderer in his
midst. What will he do with the killer in his house?
PÀxÁ¸ÁgÀ
KPÁAvÀªÁV fë¸ÀÄwÛgÀĪÀ ªÀÈzÀÞ£ÉƧâ, vÀ£Àß ªÁ¸À¸ÀܼÀPÉÌ ¸À«ÄÃ¥À AiÀÄĪÀPÀ£ÉƧâ
¨ÉvÀÛ ÉAiÀiÁ ©¢ÝgÀĪÀ zÀ£ÀÄß UÀªÀĤ¸ÀÄvÁÛ£É. AiÀÄĪÀPÀ ªÀiÁvÀ£
vÀ£ÁqÀ®Ä ¤gÁPÀj¹zÀgÀÆ
ªÀ zÀ ªÀ£À£ÀÄß vÀ£Àß UÀÄr¸À UÉ PÀgÉzÀÄPÉÆAqÀÄ ºÉÆà ¥ÀZÀj¸ÀÄvÁÛ£É. gÀ®Æ
AzÀÄ jà AiÀÄ £ÀÄ AzsÀ ¨É¼ÉAiÀÄÄvÀÛzÉ. DzÀgÉ D ¸À¼ÀPÉÌ gÀĪÀ ¥ÉÆà ¸ÀgÀÄ
AiÀÄĪÀPÀ PÉÆ ÉAiÉÆAzÀ£ÀÄß ªÀiÁrgÀĪÀ ¸ÀAUÀ AiÀÄ£ÀÄß ½¸ÀÄvÁÛgÉ. ªÀÄ£ÉAiÉƼÀUÉ gÀĪÀ
PÉÆ ÉUÁgÀ£À UÉ AiÀiÁªÀ ¤®ÄªÀ vÁ¼À¨ÉÃPÀÄ £ÀÄߪÀ zÀAzÀ ªÀ zzÀ£À£ÀÄß PÁqÀÄvÀÛzÉ.
O ial ele tion – otter am ilm est ent ominate est ilm allinn
AWARDS la i hts ilm estival on est ire tor a ri oll woo
¸ÉÌÃj ªÀÄzÀgï
DIRECTOR - ANA URUSHADZE
GEORGIA / 2017 / GEORGIAN / 107 MIN.
SYNOPSIS
A 50-year-old housewife, Manana, struggles with a dilemma. She has to choose
between her family life and her love for writing which she has repressed for
ears hen she finall e i es to follow her assion she is rea to sa rifi e
everything for it, mentally and physically.
PÀxÁ¸ÁgÀ
ªÀÄ£Á£À 50 ªÀµÀðzÀ ªÀÄ»¼É. DPÉUÉ MAzÀÄ ¸ÀA¢UÀÞ. DPÉUÉ §gÀªÀtÂUÉ §UÉÎ C¥ÁgÀ
D¸ÀQÛ. DzÀgÉ, PËlÄA©PÀ ªÀåªÀºÁgÀzÀ°è ªÀÄļÀÄVzÀ DPÉUÉ §gÉAiÀÄ®Ä DV®è. FUÀ DPÉ
§gÀªÀtÂUÉ CxÀªÁ PÀÄlÄA§. EªÉgÀqÀgÀ°è MAzÀ£ÀÄß DAiÉÄÌ ªÀiÁrPÉƼÀî¨ÉÃQzÉ. DPÉ
PÉÆ£ÉUÉ §gÀªÀtÂUÉAiÀÄ£ÀÄß DAiÉÄÌ ªÀiÁrPÉƼÀÄîvÁÛ¼É. zÉÊ»PÀªÁV ºÁUÀÆ ªÀiÁ£À¹PÀªÁV
®ªÀ£ÀÆß gÀªÀ UÉUÁ vÁ UÀªÀiÁqÀ®Ä ¤zsÀðj¸ÀÄvÁÛ¼É.
Best Foreign Language Film Entry - Oscars 2018, Best First Feature & Youth Jury
AWARDS Award - Locarno Film Festival 2017, Heart of Sarajevo Award - Sarajevo Film Festival
on nternational om etition um ai ilm estival on sia Pa ifi
reen war ur ran Pri e sia Pa ifi reen war s
SYNOPSIS
Vele can’t afford to buy the expensive medications for his father, who has cancer.
Desperate, he steals marijuana from some criminals, makes a cake with it and
gives it to him, hoping it will reduce his pain. His father’s health miraculously
improves, but Vele is suddenly confronted by their neighbors, who demand the
recipe for the “remedial” cake, and by the criminals, who want their drugs back.
The greatest challenge, however, is to persuade his father that his life is worth
living for.
PÀxÁ¸ÁgÀ
ªÉÃ¯É vÀAzÉUÉ PÁå£Àìgï. PÁ¬Ä¯É ©zÀÝ vÀAzÉUÉ OµÀzsÀ Rjâ¸À®Æ DvÀ£À §½ ºÀt«®è.
DUÀ DvÀ UÁA Á PÀ¼ÀvÀ£À ªÀiÁr zÀ£ÀÄß PÉÃPï£À ºÁ vÀ£Àß vÀAzÉUÉ ¤ß¸ÀÄvÁÛ£É.
CzÀjAzÁzÀgÀÆ gÉÆÃUÀzÀ £ÉÆêÀ£ÀÄß vÀ£Àß vÀAzÉ ªÀÄgÉAiÀÄ° JA§ ºÀA§® ªÉïÉAiÀÄzÀÄÝ.
vÀæªÉAzÀgÉ ªÉà ÉAiÀÄ vÀAzÉ UÀÄ ªÀÄÄ £ÁUÀÄvÁÛ£É. zÀ£ÀÄß £ÉÆÃrzÀ £ÉgɺÉÆgÉAiÀĪÀgÀÄ
D jÃwAiÀÄ PÉÃPï ªÀiÁqÀĪÀ §UÉ ºÉÃUÉAzÀÄ DvÀ£À ¨É£Àß »AzÉ ©zÀÝgÉ, R¢ÃªÀÄgÀÄ vÀªÀÄä
UÁA ÁªÀ£ÀÄß ªÀÄgÀ½¸ÀĪÀAvÉ zÀÄA¨Á®Ä ©Ã¼ÀÄvÁÛgÉ. DzÀgÉ ªÉà ÉAiÀÄ ¤ ªÁzÀ
¸ÀªÀĸÉåAiÉÄAzÀgÉ §zÀÄPÀĪÀAvÉ vÀ£Àß vÀAzÉUÉ ªÀÄ£ÀªÉÇ°¸ÀĪÀÅzÀÄ.
Won Best Film - Thessaloniki FF ( Audience Award) | Nominated Best Film - Tallinn
AWARDS Black Nights FF(Special Jury Prize, Best First Feature) - 2017.
SYNOPSIS
ua a uil is ua or s o ulous it t is also the most a i te with lass
is arit u h is ife in the ro i s fo uses on a wealth oun man stru lin
to evi t families who have een s uattin on the lan he has inherite from
his father he a ointe lea er of the s uatters is willin to ne otiate ut an
this hi h tension on i t so em lemati of the it s frau ht e onomi
im alan es e resolve without loo she
PÀxÁ¸ÁgÀ
UÁéQ¯ï FPÁÖqÉÆÃgï£À GµÀÚªÀ®AiÀÄzÀ, ªÀUÀð C¸ÀªÀiÁ£ÀvɬÄAzÀ vÀÄA©gÀĪÀ £ÀUÀgÀ.
AvÀºÀ £ÀUÀgÀzÀ ¦vÁæ ðvÀªÁ AzÀ vÀ£Àß Ää£À ©ÃqÀÄ©nÖgÀĪ
ÀĪÀ 0
PÀÄlÄA§UÀ¼À£ÀÄß vÉgÀªÀÅUÉƽ¸À®Ä ²æêÀÄAvÀ AiÀÄĪÀPÀ£ÉƧ⠺ÉÆÃgÁl DgÀA©ü¹zÁÝ£É.
d«ÄãÀÄ CwPÀæ«Ä¹gÀĪÀªÀgÀ ¥ÀgÀªÁV £ÁAiÀÄPÀvÀé ªÀ»¹gÀĪÀªÀ£ÉƧ⠸ÀAzsÁ£ÀPÉÌ
¹zÀÞªÁVzÁÝ£É. DzÀgÉ F G¢éUÀß ¹Üw DyðPÀªÁV C¸ÀªÀiÁ£ÀvÉ vÀA¢gÀĪÀ £ÀUÀgÀzÀ°è
vÀȦÛPÀgÀªÁV, £ÁåAiÀÄAiÀÄÄvÀªÁV EvÀgÀjUÉ ªÀiÁzÀj J£ÀÄߪÀAvÉ AiÀiÁªÀÅzÉÃ
gÀPÀÛ¥ÁvÀ«®èzÉ ¥ÀjºÁgÀ PÁt§ºÀÄzÉÃ?
Won Best Director - San Diego Latino FF, Nominated Best Film - Ariel Awards
AWARDS Mexico, Chicago Latino FF, José María Forqué Awards, Miami FF - 2017.
SYNOPSIS
Tenzin Banjue, a young Tibetan monk living in a temple, takes a long way back
home for the first time to visit his rother who is in a ve etative state after fallin
off a liff es ite fin in himself enamore his rother s fian e he refuses
his mother s offer to sta an marr her who at the same time ets a marria e
ro osal from another man tru lin etween faith to his reli ion an truth
to his heart of love en in to ether with his rother an fian e sets off on a
soul searching journey of 5.000 kilometers.
PÀxÁ¸ÁgÀ
¢ÃWÀðPÁ®¢AzÀ zÉêÀ¸ÁÜ£ÀzÀ¯Éèà n¨ÉÃnAiÀÄ£ï ¸À£Áå¹ vÉ£ïf£ï §£ÀÄÓ,
ªÉÆzÀ®¨ÁjUÉ vÀ£Àß ªÀÄ£ÉUÉ »AwgÀÄVzÁÝ£É. ¥Àæ¥ÁvÀzÀ°è ©zÀÄÝ aAvÁd£ÀPÀ ¹ÜwAiÀÄ°èzÀÝ
vÀ£Àß ¸ÀºÉÆÃzÀgÀ£À£ÀÄß PÁ ®Ä A¢zÁÝ£É. ¸ÀºÉÆÃzÀgÀ£À ÉÆvÉ ªÀÄzÀ ªÀÄzÀÄªÉ ¤±ÀÑAiÀĪÁ zÀÝ
AiÀÄĪÀwAiÀÄ£ÀÄß ªÀÄzÀĪÉAiÀiÁUÀĪÀAvÉ CªÀ£À vÁ¬Ä ªÀiÁrzÀ ªÀÄ£À«AiÀÄ£ÀÄß
gÀ¸ÀÌj¸ÀÄvÁÛ£É. vÁ£ÀÄ £ÀA©zÀ ±Á¸À zsÀªÀÄð ºÁUÀÆ ¸ÀvÀ ªÀ£ÀÄß ©qÀ ÁUÀzÉ
ºÉÆAiÀiÁÝqÀÄvÀÛzÉ vÉ£ï £ï£À ªÀÄ£À. PÉÆ£ÉUÉ DvÀ vÀ£Àß ¸ÀºÉÆÃzÀgÀ ºÁUÀÆ ªÀ£ÉÆA¢UÉ
¤±ÀÑAiÀĪÁ gÀĪÀ AiÀÄĪÀ AiÀÄ£ÀÄß PÀgÉzÀÄPÉÆAqÀÄ AiÀiÁvÉæ DgÀA©
DgÀA©¸ÀÄvÁÛ£É. zÀÄ
zÀĸÁ gÀ ÉÆà ÄÃlgïUÀ¼À zÀÆgÀzÀ ¸ÀvÀ zÀ±Àð£ÀzÀ AiÀiÁvÉæ.
Nominated Best Film – Shanghai IFF | Won Best Script Writer - Qiang Wang :
AWARDS Shanghai IFF ( Asian New Talent Award ) - 2017.
¹éÃmï PÀAnæ
DIRECTOR - WARWICK THORNTON
AUSTRALIA / 2017 / ARRERNTE / 113 MIN.
SYNOPSIS
rama of emotional e th an im osin rea th this film is set in the
contemporary world of 1929. When aboriginal stockman Sam kills White station
owner, Harry March in self-defense, Sam and his wife Lizzie go on the run.
Sergeant Fletcher, is desperate to capture Sam and put him on trial for murder.
ut am an e ert ushman has little i ult outlastin them ventuall for
the health of his re nant wife am e i es to ive himself u e is ut on trial
in the ourtroom of u e a lor ut will usti e e serve
PÀxÁ¸ÁgÀ
D¸ÉÖçðAiÀiÁzÀ GvÀÛgÀ¨sÁUÀzÀ°è ¸ÀĪÀiÁgÀÄ 1929 gÀ ¸ÀĪÀiÁjUÉ £ÀqÉAiÀÄĪÀ PÀxÉ. ¸ÁåªÀiï
£À ªÀÄÆ®¤ªÁ¹. vÀ£Àß gÀPÀ ÉAiÀÄ ¸À®ÄªÁ DvÀ ºÁ j ªÀiÁZïð A ©½AiÀÄ
ªÀÄ£ÀĵÀ £À£ÀÄß PÉÆ®ÄvÁÛ£É. £ÀAvÀgÀ ¸Á ªÀiï ºÁUÀÆ DvÀ£À ºÉAqÀ AzÀ
¥ÀgÁjAiÀiÁUÀÄvÁÛgÉ. ¸ÉãÁ¢PÁj ¥sÉZÀgï ¸Á ªÀiï£À£ÀÄß »rzÀÄ zÀAr¸À¨ÉÃPÉAzÀÄ
AiÀĸÀÄvÁÛ£É. DzÀgÉ ¸Á ªÀiï ªÀjUÉ ¹UÀĪÀ ¢®. DzÀgÉ vÀ£Àß UUÀ©ð ºÉAqÀ UÁ
DvÀ ±ÀgÀ ÁUÀÄvÁÛ£É. DvÀ£À£ÀÄß PÀlPÀ ÉUÉ vÀgÀ ÁUÀÄvÀÛzÉ. Éîgï A¨ÁvÀ
£Á AiÀiÁ¢Ã±À. ¸Á ªÀiï¤UÉ £Á AiÀÄ ¹UÀ ºÀÄzÉÃ
on est ilm o tel ovies u ien e war elai e sia Pa ifi reen war s
AWARDS oronto e ial ur Pri e – eni e ominate est ilm ol en ro
amerima e ra on war te or n iewire riti s Poll on on Phila el hia
alla oli ol en ion– eni e
Æ
É Ã¤
DIRECTOR - ERNESTO ARDITO, VIRNA MOLINA
ARGENTINA / 2017 / SPANISH / 119 MIN.
SYNOPSIS
Ana is a happy teenager along with her best friend, Isa, they live through times
of love and rebellion. But when she meets Lito, everything changes. Pressure to
break up with him and fear of giving up her virginity put her in a world of doubts
that lead her to seek refuge in the mysterious Camilo. Her heart is trapped
between two passions, while the military dictatorship casts the shadows of death,
solitu e an terror over her worl ust ears ol na must fi ht to save her
life without giving up what she most loves.
PÀxÁ¸ÁgÀ
1970 gÀ ¸ÀªÀÄAiÀÄ. D£Á DUÀ ºÀ¢ºÀgÀAiÀÄzÀ ºÀÄqÀÄV. E¸À, D£Á¼À DwäÃAiÀÄ UɼÀw.
CªÀj§âgÀÆ GvÁìºÀ¢AzÀ J®èªÀ£ÀÆß JzÀÄj¸ÀÄvÁÛ PÁ®PÀ¼ÉAiÀÄÄwÛzÀÝgÀÄ. °mÉÆ£À£ÀÄß
¨sÉÃnAiÀiÁzÀ £ÀAvÀgÀ J®èªÀÇ §zÀ¯ÁV ©qÀÄvÀÛzÉ. CªÀ£ÉÆA¢UÉ ¸ÉßúÀ ©qÀĪÀAvÉ MvÀÛqÀ
ºÁUÀÆ vÀ£Àß PÀ£À vÀªÀ£ÀÄß ©lÄÖPÉÆqÀ ÁUÀzÀ ¸ÀAPÀlzÀ DPÉ ¤UÀÆqsÀ PÁ Ä ÉÆ£À gÀĪÀ
¤gÁ ævÀgÀ ©gÀzÀ D±ÀæAiÀÄ ¥ÀqÉAiÀÄÄvÁÛ¼É. DPÉ gÀqÀÄ µÀAiÀÄUÀ¼À A¢. ±ÀzÀ
Ä lj ¸ÀªÁð¢PÁgÀ ¸Á £À £ÉgÀ¼À£ÀÄß ºÀgÀrzÉ. ªÀµÀð ªÀAiÀĹ£À D£Á vÁ£ÀÄ £ÀA©zÀ
µÀAiÀĪÀ£ÀÄß ©lÄÖPÉÆqÀ ÁUÀzÉ ÃªÀ ½¹PÉƼÀ®Ä ºÉÆÃgÁqÀ ¨ÉÃPÁUÀ
¨ÉÃPÁUÀÄvÀÛzÉ.
Won Best Film – Gramado FF, Moscow IFF(Russian Film Critics Award), Durban
AWARDS O ial ele tion ominate est ilm – os ow ol en t eor e
on est est inemato ra h ernan o olina ur an
SYNOPSIS
ar o is fire from his tea hin osition in the wa e of false se ual harassment
alle ations ust as his wife un a is lai off when her om an ownsi es he
arents are no lon er a le to ear their ur en whi h is thus in reasin l
wei hin their hil ren own ith no safet net to hel them sta a oat how
an their on e ha mi le lass famil of four avoi loomin finan ial ruin
an ee their househol inta t
PÀxÁ¸ÁgÀ
ªÀiÁPÉÆÃð ºÁUÀÆ zÀÄAeÁ zÀA¥ÀwUÀ¼ÀÄ. ªÀiÁPÉÆÃð ²PÀëPÀ. zÀÄAeÁ SÁ¸ÀV
PÀA¥À¤AiÀÄ PÉ®¸À ªÀiÁqÀÄvÁÛ¼É. É A PÀ gÀÄPÀļÀzÀ D¥ÁzÀ£ÉAiÀÄ ªÉÄÃgÉUÉ ªÀiÁPÉÆÃð
PÉ®¸À PÀ¼ÉzÀÄPÉƼÀÄvÁÛ£É. PÀA¥À¤ ¹ A¢AiÀÄ£ÀÄß PÀrvÀ ªÀiÁrzÀÝjAzÀ zÀÄA Á PÉ®¸À
PÀ¼ÉzÀÄPÉƼÀÄvÁÛ¼É. ªÀjUÉ ªÀÄPÀ̼ÀÄ. ªÁ¨ÁÝj. ºÀ PÁ¹£À ªÀÄÄUÀ
ªÀÄÄUÀlÄÖ. zÉÆAzÀÄ ¸À®
£ÉªÀÄ ¢ ÄAzÀ zÀÄ zÀÝ D PÀÄlÄA ºÉƸÀ ¥Àj¹ AiÀÄ£ÀÄß ºÉÃUÉ ¤¨sÁ ĸÀ ºÀÄzÀÄ.
Won - Jury and Special Mention - Zagreb FF | Nominated Best Film - Cottbus FF of
Young East European Cinema, Montréal WFF, Slovene FF, Golden bicycle award
AWARDS -Zagreb FF | Best Actor - Irena Kovacevic @ Montréal WFF | Won best costume, best
sound, best cinematography, best music vesna - Slovene FF - 2017.
¢ PÉÃPï ªÉÄÃPÀgï
DIRECTOR - OFIR RAUL GRAIZER
ISRAEL / 2017 / HEBREW / 105 MIN.
SYNOPSIS
This tender drama about a closeted love affair unfolds through the eyes of Tomas,
a Berlin pastry chef who learns that Oren, his Israeli lover, has died in a car
accident in Jerusalem. Unmoored by his loss, Thomas travels to Israel to begin
the process of healing. Desiring to better know his now lost love. He inserts
himself into the life of Oren s wife an oun son his e ertl rafte film is a
moving portrait of grief and catharsis.
PÀxÁ¸ÁgÀ
§°ð£Àß°è PÉÃPï±Á¥ï £ÀqɸÀÄwÛgÀĪÀ xÁªÀĸï£À ¸À°AV ¸ÉßûvÀ eÉgÀƸÀ¯ÉÃA£À°è
£ÀqÉzÀ C¥ÀWÁvÀªÉÇAzÀgÀ°è ªÀÄÈvÀ¥ÀlÖ ¸ÀAUÀw w½zÀÄ xÁªÀĸï zÀÄBRvÀ¥ÀÛ£ÁUÀÄvÁÛ£É.
zÀÄBRvÁ¼À¯ÁUÀzÉ, E¸Éæïï£ÀvÀÛ zsÁ«¸ÀÄvÁÛ£É. CªÀ£ÉÆqÀ£É MqÀ£ÁrzÀ ¸ÀA¥ÀPÀðUÀ¼ÀÄ
ªÀ£À £É£À¦¤AzÀ ªÀÄgÉAiÀiÁUÀĪÀ ¢®. PÉÆ£ÉUÉ UɼÉAiÀÄ gÀ£ï£À ¥¥À ß £ÀqɸÀÄ ÛzÀÝ
¨ÉÃPÀjAiÀÄ PÉ®¸ÀPÉÌ ¸ÉÃgÀĪÀ ªÀÄÆ®PÀ UɼÉAiÀÄ£À ¥À ß ºÁUÀÄ PPÀÌ ¨Á®PÀ£À êÀ£ÀzÀ
¥ÀæªÉà ¸ÀÄvÁÛ£É. ¥À ßAiÀÄ UÉ UɼÉAiÀÄ ºÉýzÀÝ ® Àl£ÉUÀ¼À£À
Àl£ÉUÀ¼À£ÀÄß ¥ÀÄ£ÀgÁªÀ ð¸ÀĪÀ
ªÀÄÆ®PÀ ªÀgÀ £ÁUÀÄvÁÛ£É.
Won Best Film - Karlovy Vary IFF ( Jury Award) | Nominated Best Film – Adelaide FF,
AWARDS Hamburg FF, Jerusalem FF, London FF, San Sebastián FF | Won Best Director – Jerusalem
FF, Karlovy Vary IFF | Won Best Editor - Michal Oppenheim @ Jerusalem FF - 2017
zÀ rªÉÊ£ï Cqïðgï
DIRECTOR - PETRA BIONDINA VOLPE
SWITZERLAND / 2017 / SWISS / 96 MIN.
SYNOPSIS
Noras a demure housewife in a Alpine village, raising two young boys and her
father-in-law. She’d love to take a job outside the home, but her handsome hubby
won t hear of it t mie the men in her life she fin s fulfillment an
onfi en e in the atherin movement for women s suffra e an e ualit ora s
liberated comrades open her up to new worlds and new experiences, but
uestionin the norms in one s town or one s marria e will inevita l e met
with resistan e till ora fin s the oura e to stan u to out ate se ist
attitudes and ultimately convinces her fellow villagers.
PÀxÁ¸ÁgÀ
£ÉÆÃgÁ C¯ÉàöÊ£ïUÁæªÀÄzÀ°è ªÁ¹¸ÀĪÀ ¸ÀAPÉÆÃZÀ ¸Àé¨sÁªÀzÀ ºÉAUÀ¸ÀÄ. DPÉUÉ E§âgÀÄ ªÀÄPÀ̼ÀÄ
ºÁUÀÆ vÀ£Àß ªÀiÁªÀ£À£ÀÄß £ÉÆÃrPÉƼÀÄîªÀ dªÁ¨ÁÝj. DPÉUÉ PÉ®¸À ªÀiÁqÀĪÀ ºÀA§®.
DzÀgÉ DPÉAiÀÄ UÀAqÀ DPÉUÉ D ªÀPÁ±ÀªÀ£ÀÄß ¤Ãr®. DPÉAiÀÄ£ÀÄß DvÀ ¥Àæ AiÉÆAzÀPÀÆÌ
¤µÉâ¸ÀÄvÁÛ£É. ªÀÄ»¼ÉAiÀÄgÀ ºÀPÀÄÌ ºÁUÀÆ ¸ÀªÀiÁ£ÀvÉUÁ £ÀqÉAiÀÄĪÀ ºÉÆÃgÁl DPÉAiÀÄ
¸ÀAvÀ¸À vÀÄA ÄvÀÛzÉ. DPÉUÉ D ºÉÆÃgÁlzÀ ºÁUÀÆ ºÉƸÀ ¸ÁvÀAvÀæ £ÀĨsÀ ¸À®Ä
DºÁ£À ¤ÃqÀ ÁUÀÄvÀÛzÉ. DzÀgÉ ¸ÀA¥ÀæzÁAiÀÄPÀªÁ £ÀqÉzÀÄPÉÆAqÀÄ AzÀ PÉ® DZÀgÀ ÉUÀ¼ÀÄ
D ºÉÆÃgÁlªÀ£ÀÄß ºÀ ÛPÀÄ̪À ¥ÀæAiÀÄvÀß ªÀiÁqÀÄvÀÛªÉ. DzÀgÀÆ DPÉ vÀ£Àß ºÀ½AiÀÄ vÀgÉ
ªÀÄ»¼ÉAiÀÄgÀ ªÀÄ£ÀªÉ ¸ÀĪÀ ¸À¥sÀ®¼ÁUÀÄvÁÛ¼É.
Best Foreign Language Film Entry - Oscars 2018, Won Best Film - Traverse City FF
u ien e war ominate est film wiss ilm Pri e a re on est
AWARDS ire tor ri e a ilm estival ora hron Pri e on est tor arie
euen er er ost ee en war wiss ilm Pri e
zÀ ¥sÁU
æ ï
DIRECTOR - ELMIR JUKIC
BOSNIA AND HERZEGOVINA / 2017 / BOSNIAN / 78 MIN.
SYNOPSIS
e o ri o an former fi hter with P invites rother ra an frien va
to a ram nten in to use a va ant moo an rother am ler an al oholi
is ersua e to han e he unn ta es the ra or an ulls it at ra s ne
an for e of for e he romises to han e hen sta alone without m
onl frien an rother e o ta es the om
PÀxÁ¸ÁgÀ
ªÀiÁ£À¹PÀ T£ÀßvɬÄAzÀ §¼À®ÄwÛgÀĪÀ eÉPÉÆ, CªÀ£À ¸ÀºÉÆÃzÀgÀ ¨ÁæPï ºÁUÀÆ CªÀ£À
¸ÉßûvÀgÀ£ÀÄß zï ¢£À ªÀÄ£ÉUÉ DºÁ¤¸ÀÄvÁÛ£É. DzÀgÉ ¸ÀºÉÆÃzÀgÀ Æ ÄUÁgÀ
ªÀÄzÀ ªÀ ¸À¤AiÀiÁ gÀĪÀ ¸ÀAUÀ ½zÀÄ zÀ ÁUÀĪÀAvÉ ºÉüÀÄvÁÛ£É. vÀ£Àß PÁ Ä É
® ¹zÀAvÉ ¸ÀºÉÆÃzÀgÀ¤UÉ ZÁPÀÄ vÉÆÃj¹ ¨ÉzÀj¸ÀÄvÁÛ£É. vÀÛqÀPÉÌ ªÀÄ zÀ ¨ÁæPï
zÀ ÁUÀ®Ä ¥ÀÄvÁÛ£É. DzÀgÉ AzÀÄ ¢£À ÉPÉÆ ¨ÁA¨ï »rzÀÄ gÀÄvÁÛ£É.
zÀ E£ïì¯ïÖ
DIRECTOR - ZIAD DOUEIRI
LEBANON / 2017 / ARABIC / 112 MIN.
SYNOPSIS
It is a personal story of two men going head-to-head while the women around
them are left to pick up the pieces. In today’s Beirut, a civilian dispute blown out
of ro ortion fin s on a e anese hristian an asser a Palestinian refu ee
facing off in court. As the media circus surrounding the case threatens a social
e losion in ivi e e anon on an asser re onsi er their values an eliefs
as revelations of trauma complicate their understanding of one another.
PÀxÁ¸ÁgÀ
gÁ ÃAiÀÄ »£Éß ÉAiÀÄ æ ÑAiÀÄ£ï ªÉÄPÁ ¤Pï ºÁUÀÆ ªÀ®¹UÀ
¥Á ɸÉÛäAiÀÄ£ï ¹ ï A ¤AiÀÄgï £ÀqÀÄªÉ ¨É gÀÆvï £ÀUÀgÀzÀ ©Ã¢A ©Ã¢AiÀÄ
PÀÄ®PÀ PÁgÀ PÉÌ UÀ¼ÀªÁUÀÄvÀÛzÉ. zÀÄ gÁµÀÖ ªÀÄlÖzÀ ¸ÀĢݪÀÀiÁqÀÄvÀÛzÉ. D UÀ¼À
ºÀ¼ÉAiÀÄ PÀ» £É£À¥ÀÄ ¥À ªÀðUÀæºÀ ºÁUÀÆ UÁAiÀÄUÀ¼À£Àß gÀ ªÀ ÛvÀUÀ¼À®Æ
¥Àæ zsÀ ¤¸ÀÄvÀÛ Éà ¥ÀgÀ¸ÀgÀgÀÄ ªÉ AiÀÄ ÛPÀ £É ÉAiÀÄ Éà ¥ÀjºÁg
¥ÀjºÁgÀ PÀAqÀÄPÉƼÀÄvÁÛ
¸ÀºÀ¨Á¼ÉAiÉÆAzÉà zÁj A j UÉ gÀÄvÁÛgÉ.
Best Foreign Language Category - Nominated Film - Oscars – 2018, Won Best
Film- AFI Fest, | Nominated Best Film - FIPRESCI at Palm Springs IFF, Venice FF,
AWARDS Valladolid FF | Won Best Director - Palm Springs IFF | Nominated Best Director -
The Lebanese Movie Awards | Best Actor Kamel El Basha – Venice FF - 2017.
zÀ ¯Á¸ïÖ ¸ÀÆmï
DIRECTOR - PABLO SOLARZ
ARGENTINA / 2017 / SPANISH / 86 MIN.
SYNOPSIS
THE LAST SUIT follows Abraham, an 88-year old Argentinian Jewish tailor, as he
sets out on a ourne to fin the Polish frien who save his life urin the
holo aust more than e a es earlier rom r entina to Polan for e to
ross uro e alon the wa raham will meet various hara ters who will hel
him in his uest to fulfil the romise he ma e to his frien his is the stor of
a frien shi with no limits a vo a e of self is over roa movie with lanes
trains and cars.
PÀxÁ¸ÁgÀ
88 ªÀµÀð ªÀAiÀĹì£À dÆå mÉÊ®gï C§æºÁA, K¼ÀÄ zÀ±ÀPÀUÀ¼À »AzÉ vÁ£ÀÄ
¸ÀªÀð£Á±ÀªÁUÀÄwÛzÁÝUÀ vÀ£ÀߣÀÄß PÁ¥ÁrzÀ ¥ÉÆ°µï ¸ÉßûvÀ£À£ÀÄß ¨sÉÃnAiÀiÁUÀ®Ä
¤zsÀðj¸ÀÄvÁÛ£É. ÉÃðAn£Á¢AzÀ ¥ÉÆ ÉAqïUÉ ªÀ£À ¥ÀAiÀÄ DgÀA¨sÀªªÁUÀÄvÀÛzÉ.
AiÀÄÆgÉÆÃ¥À£ÀÄß zÁnAiÉÄà ºÉÆÃUÀ¨ÉÃPÁUÀÄvÀÛzÉ. ¸ÉßûvÀ£À£ÀÄß ¨sÉÃnAiÀiÁUÀ AiÀĸÀĪÀ
æºÁA£À D¸ÉAiÀÄ zÁjAiÀÄ £ÉÃPÀgÀÄ £ÉgÀªÁUÀÄvÁÛgÉ. AiÀiÁªÀ zÉÃ Ä Ä®zÀ
ªÀÄgÀ¸ÉßúÀzÀ PÀvÉ zÀÄ.
zÀ ªÀiÁågÉÃeï
DIRECTOR - BLERTA ZEQIRI
KOSOVO | ALBANIA / 2017 / ALBANIAN / 97 MIN.
SYNOPSIS
nita an e im s we in in onl in two wee s the are a in the final tou hes
to their i a es ite e e tin news of nita s arents e lare missin
sin e the osovar ar an with e im s ontrollin famil in turn the
ou le seem to mana e somehow with the re arations ut when e im s
se ret a e lover ol returns from a roa une e te l the situation e omes
om li ate es e iall when e im reali es that ol is still in love with him
nevita l the we in an uet e omes loa e with tension when the unusual
love trian le starts to unravel
PÀxÁ¸ÁgÀ
¤ Á ªÀÄvÀÄÛ ¨É ªÀiï ªÀgÀ ªÀÄzÀĪÉUÉ gÀqÉà ªÁgÀ zÉ. ¸ÀA¨sÀæªÀÄ ªÀÄ£É ªÀiÁrzÉ.
gÀ PÉƸÁªÀgï AiÀÄÄzÀzÀ PÀ gÉAiÀiÁ gÀĪÀ ¤ Á ªÀgÀ ¥ÉÆõÀPÀgÀÆ
DUÀ ĸÀ ºÀÄzÉA ¤jÃPÉ ®gÀzÀÄ. DzÀgÀÆ ® ªÀ ªÀ¸ÉAiÀÄ£ÀÄß ¨Éà ªÀiï£ÉÃ
£ÉÆÃrPÉƼÀÄ ÛzÁÝ£É. DzÀgÉ zÀÝ ÌzÀÝAvÉ ¸ÀªÀÄAiÀÄzÀ ¨É ªÀiï£À gÀºÀ¸À ¸À A
UɼÉAiÀÄ £ÉÆà ï zÉñÀ¢AzÀ DUÀ ĸÀÄvÁÛ£É. £ÉÆÃ ï £ÀÆß ¨É ªÀiÀ
D¸ÀPÀÛ£Á zÁÝ£É £ÀÄߪÀ µÀAiÀÄ UÉÆvÁÛUÀÄ ÛzÀÝAvÉAiÉÄà AiÀĪÀgÉUÉ ½AiÀiÁ zÀÝ
¸ÀA AzsÀUÀ¼À ¸ÀA ÀµÀð ¥ÀðqÀÄvÀÛzÉ.
Won Best Film - Tallinn Black Nights FF (FIPRESCI, Special Jury Prize) | Nominated
AWARDS Best Director - Tallinn Black Nights FF (Best First Feature) - 2017.
zÀ N¥À£ï qÉÆÃgï
DIRECTOR - MARINA SERESESKY
SPAIN / 2016 / SPANISH / 82 MIN.
SYNOPSIS
Rosa is an unhappy and sulky prostitute who inherited the profession from
Antonia, her mother, an avid fan of Sara Montiel who turns her daily life in a
hell. The lives of them three change the day that Masha, a Russian prostitute of
the same corridor, dies by overdose. When Rosa discovers Lyuba, she insists to
call the police to give them Lyuba, but Antonia rejects the idea. Carlos and Antonia
convince Rosa to care Lyuba for a few days meanwhile they looking for Yuri,Lyuba’s
older brother, hoping that he takes the child and move any problem faraway
from them.
PÀxÁ¸ÁgÀ
gÉÆøÁ ¸ÀzÁ zÀÄBTAiÀiÁVgÀĪÀ ºÁUÀÆ «µÀtÚvÉ vÀÄA©zÀ ªÉñÉå. ¸ÁgÁ ªÉÆAn¯ï¼À
©ªÀiÁ¤AiÀiÁ zÀÝ ªÀ¼À vÁ Ä A ÉÆäAiÀiÁ gÉÆøÁ¼À£ÀÄß £ÀgÀPÀPÉÌ zÀÆrzÁݼÉ.
AzÀÄ ¢£À gÀ AiÀiÁzÀ ªÉÃ±É ªÀiÁµÁ ¥ÀjÃvÀ PÀÄrzÀÄ ¸ÀvÀÄÛºÉÆÃUÀÄvÁÛ¼É. ¥ÉÆ Ã¸ÀjUÉ
µÀAiÀÄ ½¹ ªÀ¼À ªÀÄUÀÄ ®Æ ¼À£ÀÄß ªÀjUÉ ¦¸À¨ÉÃPÉA gÉÆøÁ¼À ÉÆÃZÀ£ÉAiÀÄ£ÀÄß
A ÉÆäAiÀiÁ ¥ÀĪÀ ¢®. gÉÆøÁ¼Éà PÉ®¢£À D ªÀÄUÀĪÀ£ÀÄß £ÉÆÃrPÉƼÀĪÀ zÀÄ ªÀÄvÀÄÛ
zÀ£ÀÄß ®Æ ¨Á£À ¸ÀºÉÆÃzÀgÀ¤UÉ ¦¸ÀĪÀ zÀÄ ªÀgÀ A vÀ. ªÀÄUÀĪÀ£ÀÄß ªÀgÀÄ
PÀgÉzÀÄPÉÆAqÀÄ ºÉÆÃUÀÄvÁÛgÉ £ÀÄߪÀ ¤jÃPÉAiÀÄ ªÀjzÁÝgÉ.
Won Best Film - Toulouse Cinespaña, Transilvania IFF (Audience Award), Alcalá de
Henares Short Film Festival |Nominated Best Film - Cinema Writers Circle Awards,
AWARDS Feroz Awards, Transilvania (Transilvania Trophy) | Won Best Actor - Carmen Machi
@ Spanish Actors Union - 2017.
zÀ ¸ÁåQæ¥ÊÉs ¸ï
DIRECTOR - JAIME OSORIO MARQUEZ
COLOMBIA / 2017 / SPANISH / 99 MIN.
SYNOPSIS
The world is about to end. Two biologists are sent to a nature reserve to investigate
the inexplicable death of every living creature in it. The park’s mysterious ranger
is ee l istur e the unsettlin visit Onl a a rifi e an save humanit
PÀxÁ¸ÁgÀ
«±ÀézÀ CAvÀå ¸À«Äæ¹zÉ. «ÄøÀ®Ä CgÀtåzÀ°ègÀĪÀ ¥ÀæwAiÉÆAzÀÄ fëAiÀÄÆ
¸ÁAiÀÄ Éà ¨ÉÃPÁzÀ ÉÆÃgÀ ¥Àj¹ A Á zÉ. zÀgÀ vÀ¤ ÉUÉ gÀÄ
êÀ Á¤UÀ¼À£ÀÄß PÀ¼ÀÄ»¸À ÁUÀÄvÀÛzÉ. DzÀgÉ gÀ zÀ gÉÃA gï ªÀgÀ
¨sÉÃn ÄAzÀ PÀ¹ ¹UÉÆArzÁÝ£É. ªÀiÁ£ÀªÀPÀÄ®ªÀ£ÀÄß ¸ÀAgÀ ¸À®Ä zÁ£ÀªÉ AzÉÃ
zÁj.
zÀ ¸ÉÌ÷éÃgï
DIRECTOR - RUBEN OSTLUND
SWEDEN / 2017 / SWEDISH | ENGLISH / 147 MIN.
SYNOPSIS
Christian is the respected curator of a contemporary art museum, a divorced
but devoted father of two who drives an electric car and supports good causes.
His next show is “The Square”, an installation which invites passersby to altruism,
reminding them of their role as responsible fellow human beings. But Christian’s
foolish response to the theft of his phone drags him into shameful situations.
Meanwhile, the museum’s PR agency has created an unexpected campaign for
“The Square”. The response is overblown and sends Christian, as well as the
museum, into an existential crisis.
PÀxÁ¸ÁgÀ
æ ÑAiÀÄ£ï U gÀªÁ¤vÀ ¥ÀæZÀ vÀ PÀ Á ªÀ¸ÀÄÛ ¸ÀAUÀæºÁ®AiÀÄzÀ £À PÀÆ gÉÃlgï. DvÀ
ªÁºÀ ZÉâvÀ. DvÀ zÀÄ vï ZÁ vÀ UÁr r¸ÀÄvÁÛ£É ºÁUÀÆ ¼ÉAiÀÄ PÉ®¸ÀUÀ½UÉ
ºÉ¸ÀgÀĪÁ¹AiÀiÁ zÁÝ£É. DvÀ£À ªÀÄÄA¢£À ¥ÀæzÀ±Àð£À ¢ ¸ÉÌ Ãgï ¸ÀªÀiÁ zÀ £À £ÀgÀ
ªÁ¨ÁÝj £É£À¦¸ÀĪÀ vÀæ. DvÀ£À ªÉÆ¨É ï PÀ¼ÀªÁUÀÄvÀÛzÉ. D PÀ¼ÀvÀ£ÀPÉÌ DvÀ ¤ÃqÀĪÀ
ªÀÄÆ ð ¥Àæ æAiÉÄ ÄAzÁ DvÀ£Éà ¸ÀªÀÄ¸É AiÀÄ ¹®Ä ºÁ PÉƼÀÄvÁÛ£É. ªÀ¸ÀÄÛ
¸ÀAUÀæºÁ®AiÀÄzÀ ¥ÀæZÁgÀ ¨sÁUÀzÀ ¹ A¢ D ¥ÀæzÀ±Àð£ÀzÀ UÉ ©AiÀiÁ£À PÉ UÉÆArzÁÝgÉ.
D ©AiÀiÁ£ÀPÉÌ ¹UÀĪÀ zÀÄvÀ ¥Àæ æAiÉÄ ªÀ£À£ÀÄß ºÉƸÀ ¸ÀªÀÄ¸É UÉ ¹®Ä ¸ÀÄvÀÛzÉ.
Best Foreign Language Category - Nominated Film - Oscars – 2018, Won Best Film
AWARDS – Austin Fantastic Fest, Boston Society of Film Critics Awards, Cannes FF, European
Film Awards | Nominated Best Film – Golden Globes, Adelaide FF, British
Independent Film Awards, Palm Springs IFF, San Sebastián IFF - 2017.
zÀ xÀqïð ªÀÄqÀðgï
DIRECTOR - HIROKAZU KORE-EDA
JAPAN / 2017 / JAPANESE / 124 MIN.
SYNOPSIS
A top lawyer Shigemori, is asked to join in the defense of Misumi, who has already
spent 30 years in prison for a previous double murder. Misumi is now back in
jail, having willingly admitted that he robbed, killed and burned the body of his
former employer. It seems to be an open-and-shut case. But once Shigemori
starts digging, interviewing his client and the victim’s family, the evidence is no
longer obvious and the cynical attorney, who is much more interested in winning
the case than unveiling the truth, begins to doubt that Misumi is indeed the guilty
party.
PÀxÁ¸ÁgÀ
E§âgÀ£ÀÄß PÉƯɪÀiÁr¹zÀ ¥ÀæPÀgÀtzÀ°è 30 ªÀµÀðUÀ¼À PÁ® eÉʮĪÁ¸À C£ÀĨsÀ«¹zÀÝ Cw
zÉÆqÀØ ªÀQî ²ÃUɪÉÆj, ¸ÉgɪÀģɬÄAzÀ ©qÀÄUÀqÉAiÀiÁV ºÉÆgÀ§A¢zÁÝ£É. «Ä¸ÀÄì«ÄAiÀÄ
gÀPÀ Á ¥ÀqÉUÉ ¸ÉÃgÀĪÀAvÉ ªÀ¤UÉ PÀgÉ gÀÄvÀÛzÉ. vÀ£Àß ªÀiÁ PÉ®¸ÀUÁgÀ£À£ÀÄß zÉÆÃ
PÉÆ ÉªÀiÁr zÉúÀªÀ£ÀÄß ¸ÀÄlÄÖºÁ zÀÝ£ÀÄß ÃUɪÉÆj ¦PÉÆArzÁÝ£É. zÀÄ ªÀÄÄ ÑºÉÆÃzÀ
¥ÀæPÀgÀ . DzÀgÉ ÃUɪÉÆj zÀ£ÀÄß PÉzÀPÀÄvÁÛ ºÉÆÃzÀAvÉ ¨ÉÃgÉ ¨ÉÃgÉ ¸ÀAUÀ UÀ¼ÀÄ
ºÉÆgÀ gÀÄvÀÛªÉ. ¥ÀæPÀgÀ zÀ UÉzÀÝgÀÆ ¸ÀvÀ ªÀ£ÀÄß ºÉüÀ ÁUÀzÀA À ¥Àj¹ gÀÄvÀÛzÉ.
ĸÀÄ ÄAiÉÄà ¥ÀgÁ¢ A ÄzÀÄ DvÀ¤UÉ UÉÆvÁÛUÀÄvÀÛzÉ.
ominate est ilm est a tor sia Pa ifi reen war s eni e ol en
AWARDS Lion - 2017.
zÀ ªÀÇAqï
DIRECTOR - JOHN TRENGOVE
SOUTH AFRICA / 2017 / AFRIKAANS | XHOSA / 88 MIN.
SYNOPSIS
hat ha ens when an ient eliefs an mo ern life ome into on i t ohn
Trengove’s suspenseful drama explores this dynamic when a ‘soft’ city boy is
forced by his father to undergo the traditional rites of passage.
PÀxÁ¸ÁgÀ
¥Áæ ãÀ £ÀA©PÉUÀ¼ÀÄ ºÁUÀÆ DzsÀĤPÀ êÀ£ÀzÀ £ÀqÀÄªÉ ¸ÀA ÀµÀðªÉÃ¥Àð ÁÖUÀ
£ÁUÀ ºÀÄzÀÄ zÀÄ Áæ AUÉÆêÀ£À ¥ÀvÉÛÃzÁj PÀ É. vÀAzÉ vÀ£Àß ªÀÄÄUÀªÀÄUÀ£À£ÀÄß
¸ÀA¥ÀæzÁAiÀÄUÀ¼À£ÀÄß ¥Á ¸ÀĪÀAvÉ vÁÛ Ä¸ÀĪÀ PÀ Á ºÀAzÀgÀ ºÉÆA¢zÉ.
Best Foreign Language Category - Shortlisted Film - Oscars – 2018, Won Best Film
– Berlin IFF, Carthage IFF, Cinema Jove – Valencia IFF, Durban IFF, Nominated Best
Film – Philadelphia IFF, Sundance IFF, Sydney IFF Special Mention MOOV Intl Film
Festival Belgium 2017 Best Film award Sarasota Film Festival 2017 Audience Award
ne ilm estival est film war orino ilm estival est
AWARDS tor a hane our est ovies war alen ia inema ove ilm estival ain
ran Pri e ai ei ntl ilm estival ran ur Pri e in the nternational
Competition Section Mumbai Film Festival 2017 Audience Award for Best Film
ueer Porto ilm estival est eature ilm nternational ueer i rant ilm
Festival, Amsterdam 2017 Film Festival,Best Film and Best Actor at Cinema Jove,Best
Director and Best Actor at Durban International Film Festival- 2017.
xɯÁä
DIRECTOR - JOACHIM TRIER
NORWAY / 2017 / NORWEGIAN / 116 MIN.
SYNOPSIS
Thelma leaves her pious household to embark on her freshman year at college
in Oslo. While studying in the library, she experiences a violent seizure and Anja
comes to her aid. A friendship soon blooms between the two young women, and
Thelma experiences an emotional and sexual awakening that both thrills and
terrifies her s she stru les with her reli ious u rin in an the nee to
discover her true self, her seizures intensify, revealing supernatural abilities, as
well as disturbing secrets about her family and bringing her to a fateful realization
just as Anja goes mysteriously missing.
PÀxÁ¸ÁgÀ
xɯÁä ¸ÀA¥ÀæzÁAiÀĸÀÜ zsÁ«ÄðPÀ PÀÄlÄA§zÀ°è ºÀÄnÖzÁݼÉ. DPÉ ¥ËæqsÀ ²PÀëtPÁÌV M¸ÉÆèà ¥ÀlÖtPÉÌ
vÉgÀ¼ÀÄvÁÛ¼É. CzÉÆAzÀÄ ¢£À UÀæAxÁ®AiÀÄzÀ°è NzÀÄwÛgÀĪÀ ªÉÃ¼É DPÉUÉ ªÀÄÆbÉð gÉÆÃUÀ
PÁt¹PÉƼÀÄîvÀÛzÉ. C°èAiÉÄà EzÀÝ CAeÁ DPÉAiÀÄ ¸ÀºÁAiÀÄPÉÌ §gÀÄvÁÛ¼É. ¢£À PÀ¼ÉzÀAvÉ
CªÀj§âgÀ®Æè UÁqsÀªÁzÀ ¸ÉßúÀ ¨É¼ÉAiÀÄÄvÀÛzÉ. CAeÁ xɯÁä¼À°è ¯ÉÊAVPÀ ¥ÀæeÉÕ GAlÄ
ªÀiÁqÀÄvÁÛ¼É. ¯ÉÊAVPÀ ¥ÀæeÉÕ GAmÁzÁUÀ xɯÁä½UÉ CZÀÑj ºÁUÀÆ ºÉzÀjPÉ JgÀqÀÆ KPÀPÁ®PÉÌ
GAmÁUÀÄvÀÛªÉ. vÀ£Àß zsÁ«ÄðPÀ PÀÄlÄA§zÀ »£Éß¯É ºÁUÀÆ ¯ÉÊAVPÀ ¥ÀæeÉÕAiÀÄ vÁPÀ¯ÁlzÀ°è DPÉ
vÀ£ÀߣÀÄß vÁ£ÀÄ PÀAqÀÄPÉƼÀîvÉÆqÀVzÁUÀ ªÀÄÆbÉð gÉÆÃUÀ G®âtUÉƼÀÄîwÛzÀÝAvÉAiÉÄà DPÉAiÀÄ°è
CwªÀiÁ£ÀĵÀ ±ÀQÛ §gÀÄvÀÛzÉ. CzÉà ¸ÀªÀÄAiÀÄPÉÌ CAeÁ «avÀæ jÃwAiÀÄ°è ªÀÄgÉAiÀiÁUÀÄvÁÛ¼É.
Best Foreign Language Film Entry - Oscars 2018, Won Best Film - Adelaide FF, Houston
AWARDS Film Critics Society Awards, Mar del Plata, San Diego Film Critics Society Awards, Utah
Film Critics Association Awards | Nominated Best Film Chicago FF, Denver IFF |Won
Best Director - Norwegian IFF | Best Actor - Eili Harboe @ Mar del Plata FF - 2017.
lÄ Lj£ïì
DIRECTOR - FABIO MEIRA
BRAZIL / 2017 / PORTUGUESE / 89 MIN.
SYNOPSIS
Irene discovers that there is another 13-year-old Irene living in the same town.
uriousl she o serves the onfi ent heerful irl who lives alone with her
mother his other rene seems free oon the two irls a arentl so ifferent
from ea h other are s en in ever a to ether meetin u with o s in the
inema or oin to the la e hen the start tal in a out their fathers the
notice that they have more in common than they had thought. An exquisite
mosai that weaves a won erfull eli ate we of i entit uestions true
frien shi an the first ste s towar s a ulthoo
PÀxÁ¸ÁgÀ
LgÉãï JA§ ¨Á®Q CzÉà ¥ÀlÖtzÀ°è CzÉà ºÉ¸Àj£À 13 ªÀµÀðzÀ ¨Á®Q ªÁ¹¸ÀÄwÛzÁݼÉ
JA§ «µÀAiÀĪÀ£ÀÄß w½zÀÄPÉƼÀÄîvÁÛ¼É. vÀ£Àß vÁ¬ÄAiÉÆqÀ£É ¸ÀAvÀ¸À¢AzÀ ªÁ¸ÀªÁVgÀĪÀ
D ¨Á® AiÀÄ£ÀÄß UÀªÀĤ¸ÀÄvÁÛ¼É. D gÀÆ ¨Á® AiÀÄgÀ »£Éß ÉAiÀÄ ¸ÁªÀÄ vÉ Ä®.
¢£ÀUÀ¼ÉzÀAvÉ, CªÀgÀ°è ¸ÉßúÀªÀÅAmÁV CªÀgÀÄ vÀªÀÄä vÀªÀÄä vÀAzÉAiÀÄgÀ §UÉÎ
ªÀiÁvÀ£ÁrPÉÆAqÁUÀ ªÀgÀ vÁªÀ ½zÀÄPÉÆArgÀĪÀ zÀ ÌAvÀ ºÉ Ñ£À ¸ÁªÀÄ vÉ ÄgÀĪÀ zÀÄ
UÀªÀÄ£ÀPÉÌ §gÀÄvÀÛzÉ. F avÀæzÀ°è C¹ÛvÀézÀ ¥Àæ±ÉßUÀ¼ÀÄ, £ÉÊd ¸ÉßúÀ ºÁUÀÆ AiÀi˪À£ÁªÀ¸ÉÜ
ºÀzÀªÁV «Ä½vÀUÉÆArªÉ.
Won Best Film - Gramado FF, Icaro-Festival de Cine y Video en Centroamerica, Milan FF (Aprile
AWARDS Award), Valladolid IFF (Audience Award) | Nominated Best Film – Berlin IFF, | Won Best
Director – Milan FF (Aprile Award), Guadalajara IFF ( Best First Film) | Nominated Best Director
– Seattle IFF | Best Cinematography - Daniela Cajías @ Guadalajara IFF | Won Best Supporting
Actor - Marco Ricca @ Gramado FF | Won Best Screenplay - Fabio Meira @ Gramado FF - 2017
«ÃrAiÉÆà ¥Á®ðgï
DIRECTOR - PRASAD NAMJOSHI
INDIA / 2017 / MARATHI / 131 MIN.
SYNOPSIS
i ram is a film ma er an is in sear h of a su e t e travels to one of his
hil hoo frien s town to whom he has not met for last twent ears urin
his ourne he remem ers his hil hoo memories whi h revolves aroun a
vi eo arlour ase in his hometown e rew u with the arlour an ha a
lastin memor of o an sorrow with the arlour owner an his au hter is
memories of su ess an failure love an insult
PÀxÁ¸ÁgÀ
PÀæA ZÀ®£À vÀæ ¤ªÀiÁð¥ÀPÀ. PÀ Á ªÀ¸ÀÄÛ UÁ ºÀÄqÀÄPÁl £Àqɸ£ÀqɸÀÄ ÛzÁÝ£É. ¥ÀvÀÄÛ
ªÀµÀðUÀ½AzÀ ¨sÉÃnAiÀiÁUÀzÀ ¨Á® zÀ UɼÉAiÀÄ£À£ÀÄß ¨sÉÃnAiÀiÁUÀ®Ä ºÀ½UÉ ¥ÀAiÀÄ
¨É¼É¸ÀÄvÁÛ£É. zÀÝ ÃrAiÉÆà ¥Á®ðgï ¸ÀÄvÀÛ ªÀ£À ¨Á® zÀ £É£À¥À £É£À¥ÀÄUÀ¼ÀÄ ºÀgÀqÀÄvÀÛªÉ.
¸ÀAvÉÆõÀ zÀÄ ªÀiÁ ÃPÀ£À ªÀÄUÀ¼À ÉÆvÉ £À ªÀÄzsÀÄgÀ PÀ UÀ¼ UÀ¼ÀÄ AiÀıÀ¸ÀÄ ¸ÉÆîÄ
®ªÀ êÀ£ÀzÀ ¥À £ÀgïzÀ±Àð£À ªÀiÁr¸ÀÄvÀÛªÉ.
SYNOPSIS
his film is set in a small villa e of orth ast n ia hunu ears ol has a
ream of startin her own ro an er vi rant s irit ima ination an self
assuran e stan out in a worl where irls are e e te to e timi an
su missive ith her an of o s an su ort of her wi ow mother hunu will
finall la on a real uitar
PÀxÁ¸ÁgÀ
F±Á£Àå ¨sÁgÀvÀzÀ ¸ÀtÚ ºÀ½îAiÉÆAzÀgÀ°è £ÀqÉAiÀÄĪÀ PÀxÉ. ºÀvÀÄÛ ªÀµÀð ªÀAiÀĹì£À ¨Á®PÀ
zsÀ£ÀÄ«UÉ vÀ£ÀßzÉà DzÀ gÁPï¨ÁåAqï vÀAqÀ PÀlÄÖªÀ PÀ£À¸ÀÄ. CªÀ£À°è vÀÄA©zÀÝ ¸ÀÆàwð,
PÀ®à£Á±ÀQÛ, DvÀ䫱Áé¸À J®èªÀÇ AiÀÄĪÀd£ÁAUÀzÀ D±ÁQgÀtªÁVzÀݪÀÅ. vÀ£Àß
vÀAqÀzÉÆA¢UÉ, ºÁUÀÆ vÀ£Àß vÁ¬ÄAiÀÄ ¨ÉA§®zÉÆA¢UÉ zsÀ£ÀÄ PÉÆ£ÉUÀÆ VmÁgï
£ÀÄr¸ÀĪÀ°è AiÀıÀ¸ÀÄì PÁtÄvÁÛ£É.
ªÁfí¨ï
DIRECTOR - ANNEMARIE JACIR
PALESTINE / 2017 / ARABIC / 96 MIN.
SYNOPSIS
Palestinian ar hite t ha i is a home in a areth to fulfill his wa i his
ut in the re arations for his oun er sister s u omin we in a i is
a harmin an intimate roa movie starrin real life father an son ohamma
an aleh a ri unn nei h ors an famil mem ers lust e irlfrien s
favorite un les an ousins an a few too man u s of offee roun out this
stor of ommunit Palestinian i entit an the tra in s an eo le that
onne t us with home
PÀxÁ¸ÁgÀ
±Á¢ ¤ªÁ¹ ¥Á ɸÉÖäAiÀÄ£ï £Á ¸ÀPÁgÀ. DvÀ £À gÉvï£À gÀĪÀ vÀ£Àß ªÀÄ£ÉUÉ
vÀ£Àß vÀA AiÀÄ ªÀÄzÀĪÉAiÀÄ ¥Àæ æAiÉÄ ¥ÀÆgÉ ¸À®Ä gÀÄvÁÛ£É. ¤ êÀ£ÀzÀ vÀAzÉ-
ªÀÄUÀ£Á gÀĪÀ ªÉƺÀªÀÄzï ºÁUÀÆ ¸À ɺï æ ªÀgÀ £Àl£ÉAiÀÄ vÀæ D¥ÀÛªÁ
vÀ
ªÀÄÆr A¢zÉ. vÀæªÁzÀ £ÉgɺÉÆgÉAiÀĪÀgÀÄ ºÁUÀÆ ªÀÄ£ÉAiÀĪÀgÀÄ ªÀiÁ
¥ÉæÃAiÀĹAiÀÄgÀÄ µÀÖ ¥ÀqÀĪÀ ¸ÀA A¢UÀ¼ÀÄ. ¥Á ɸÉÖäAiÀÄ£ï ¹ÛvÀ ºÁUÀÆ zÀÄPÀ£ÀÄß
£ÀªÉÆ A¢UÉ vÀæ ÉÆÃr¸ÀÄvÀÛzÉ.
Best Foreign Language Film Entry - Oscars 2018, Won Best Film - Locarno IFF, Special Prize,
Best Film, London FF, Best Film - Honourable Mention, Mar del Plata FF, ACCA Jury Prize, Best
Film, | Nominated Best Film - Locarno IFF, (Golden Leopard), London FF, Best Film | Won Best
AWARDS Director - Locarno IFF, Don Quixote Award, Junior Jury Award, ACCA Jury Prize | Nominated
Best Director - CPH PIX, Politiken’s Audience Award | Won Best Actor - Mohammad Bakri @
Mar del Plata FF, Dubai International Film Festival & Muhr Award. - 2017.
ªÀÅqï¥ÉP¸
À ïð
DIRECTOR - JOSE MARIA CABRAL
DOMINICAN REPUBLIC / 2016 / SPANISH / 107 MIN.
SYNOPSIS
Julián steps off a bus, and becomes fresh meat walking inside the Najayo Prison
in the Dominican Republic. He locates his cellblock underneath the moist corner
where the Woodpeckers perch, prisoners who romance ladies incarcerated at
the women’s prison 150 meters across the way spend their days in affectionate
onversation with their lovers hen uli n en ounters anell a or eous s itfire
of a woman he fin s love in the last la e he ima ine ow he must fin a wa
through cement, barbed wire, dozens of guards, and murderous exes to win
Yanelly’s love, all the while keeping it secret.
PÀxÁ¸ÁgÀ
Ä AiÀÄ£ï £ÁAiÉÆà qÉÆ Ä¤PÀ£ï j¥À©Pï£À gÀĪÀ PÁgÁUÀ ºÀzÀvÀÛ ºÉÆÃUÀÄvÁÛ£É.
AzÀÄ ªÀÄgÀ. D ªÀÄgÀzÀ £À ºÀļÀÄUÀ¼À£ÀÄß £Àß®Ä ºÁvÉÆgÉAiÀĪÀ ªÀ qï¥ÉPÀ¸ïð ¥À UÀ¼ÀÄ.
zÀgÀ ¥ÀPÀÌzÀ ªÀÄ»¼Á PÁgÁUÀ ºÀ. D ªÀÄgÀ PÁgÁUÀ ºÀzÀ £À UÀAqÀÄ-ºÉ Ä ¥ÀgÁ¢UÀ¼ÀÄ
¨sÉÃnAiÀiÁ ¥Éæà ÄUÀ¼ÁUÀĪÀ vÁ ªÁ ªÀiÁ¥ÀðnÖzÉ. Ä AiÀÄ£ï DPÀ¸Á vï D
AiÉÄÃ£É AiÀÄ£ÀÄß ¨sÉÃnAiÀiÁUÀÄvÁÛ£É. DPÉAiÀÄ DvÀ¤UÉ ¥ÉæêÀĪÀ A ÁUÀÄvÀÛzÉ. £À ©
¥ÀºÀgÉ ºÁUÀÆ PÀlÖqÀUÀ¼À£ÀÄß ¨sÉâ¹ AiÀiÁjUÀÆ ½AiÀÄzÀAvÉ DvÀ DPÉAiÀÄ£ÀÄß ¨sÉÃnAiÀiÁUÀĪÀ
¸ÀªÁ®Ä DvÀ¤UÉ A ÁUÀÄvÀÛzÉ.
Best Foreign Language Film Entry - Oscars 2018, Won Best Film - Festival internacional
AWARDS de cine de Santander, Colombia | Nominated Best Film - Guadalajara IFF, Miami FF,
Valladolid IFF | Won Best Director - Guadalajara IFF (FEISAL Award), Guadalajara IFF
(Special Jury Award) | Nominated best director - Guadalajara IFF (Ibero-America
Competition), Seattle IFF | Won best actor - Jean Jean @ Guadalajara IFF - 2017
AiÀįÉÆÃè »Ãmï
DIRECTOR - FIKRET REYHAN
TURKEY / 2017 / TURKISH / 85 MIN.
SYNOPSIS
n a fiel surroun e an s uee e in reasin in ustriali ation an immi rant
famil ee in finan ial e t stru les to survive throu h tra itional farmin
heir son rahim etermine to fin his own wa reams of a ifferent future
for himself rahim is surroun e not onl his famil s feu al ir umstan es
ut also the mer iless s stem of the re ion owever he fin s that it is not so
eas to turn a ream into realit is a tions will have man une e te
onse uen es for oth himself an for his famil
PÀxÁ¸ÁgÀ
zÀÄ ¸Á®zÀ ºÉÆgɺÉÆvÀÄÛ AzÀ gÉ vÁ¦ PÀÄlÄA . ¨ÉÃgÉ j¤AzÀ ªÀ®¸É AzÀÄ
£ÀUÀgÀzÀ AzÀÄ ºÉÆ®zÀ £É É ¤A zÉ. D ºÉÆ®zÀ ¸ÀÄvÀÛªÀÄÄvÀÛ®Æ PÉ UÁjPÁ ÀlPÀUÀ¼ÀÄ
A¢ªÉ. D PÀÄlÄA zÀÄÝ ¸ÁA¥ÀæzÁ ÄPÀ PÀ ¥ÀzÀ . D PÀÄlÄA zÀ ¸ÀzÀ¸À ¨Áæ»A
¨ÉÃgÉÆAzÀÄ PÀ¸ÀÄ £ÀÄß ªÀiÁqÀĪÀ D ÉÆÃZÀ£ÉAiÀÄ zÁÝ£É. vÀ£Àß PÀÄlÄA zÀ ¥ÀzÀ ºÁUÀÆ
D ¥ÀæzÉñÀzÀ ªÀiÁ£À ÃAiÀÄ ªÀ ªÀ¸ÉAiÀÄ £ÀqÀÄªÉ DvÀ £À®Ä ºÉÆÃUÀÄvÁÛ£É. DvÀ£À ªÀÄÄA¢£À
£ÀqÉ DvÀ¤UÉ ºÁUÀÆ DvÀ£À PÀÄlÄA zÀ ªÉÄÃ É £ÉÃPÀ ¥Àj ÁªÀÄUÀ¼À£ÀÄßAlÄ ªÀiÁqÀÄvÀÛzÉ.
on est ilm ol en uli ational om etition est film stan ul ilver t
AWARDS eor e os ow ominate est ilm r stal ri ot war for est film
alat a ol en t eor e os ow on est ire tor alat a
est tor rtu rul ta sun stan ul est itor mer n varan
i ret e han stan ul alat a
AiÉĪÁ
DIRECTOR - ANAHID ABAD
ARMENIA / 2017 / ARMENIAN / 94 MIN.
SYNOPSIS
woman sus e te of mur er ees to an rmenian villa e with her oun
au hter eva has hosen to return to the la e she rie wor e as a o tor
urin the a orno ara a h war she won t e re o ni e ith mines still
ottin the hillsi es the on i t remains art of the fa ri of this so iet an
eo le still remem er ra eva of the frontline hos ital thou h the on t
imme iatel onne t her to the stran er in their mi st s she inte rates into
the rh thm of villa e life eva s memories of the war ome oo in a an
a ast tie ire tl to her urrent re i ament
PÀxÁ¸ÁgÀ
PÉÆ É ¥ÀgÁzsÀ¢AzÀ vÀ¦¹PÉƼÀ®Ä AiÉĪÁ vÀ£Àß ªÀÄUÀ¼ÉÆA¢UÉ DgÉ Ã¤AiÀÄ£ï
UÁæªÀÄªÉ AzÀPÉÌ ¥À ÁAiÀÄ£À ªÀiÁqÀÄvÁÛ¼É. £ÁUÀgÉÆ£ÉÆ- gÁ Pï AiÀÄÄzÀ¥ÀæzÉñÀzÀ PÉ®PÁ®
ªÉ zÀ ¼Á ¸ÉêɸÀ ¹zÀÝ ºÀ½AiÀÄ£ÀÄß ªÀ¼ÀÄ DAiÉÄÌ ªÀiÁrPÉƼÀÄvÁÛ¼É. DzÀgÉ ªÀ¼À£ÀÄß
AiÀiÁgÀÆ UÀÄgÀÄ ¸ÀĪÀ ¢®. £À UÀÄqÀUÀ¼À UÀ PÉ®¸À £À êÀ£ÀªÀ£ÀÄß zÉõÀzÀ
ªÁvÁªÀgÀ PÉÌ ªÀÄÄAzÀĪÀgɸÀÄ ÛgÀÄvÀÛzÉ. £À D¸ÀvÉæAiÀÄ zÀÝ AiÀÄĪÀ AiÉĪÁ ®gÀ
ªÀÄ£ÀzÀ gÀÄvÁÛ¼É DzÀgÉ AzÀÄ A¢gÀĪÀ DUÀAvÀÄPÀ¼À£ÀÄß AiÀiÁgÀÆ UÀÄgÀÄ ¸ÀĪÀ ¢®. £À
£À êÀ£ÀzÀ AzÁzÀ AiÉĪÁ½UÉ AiÀÄÄzÀPÁ®zÀ £É£À¥ÀÄUÀ¼ÀÄ PÁqÀÄvÀÛªÉ.
O ial ele tion ontr al orl ill alle sia Pa ifi reen war s
AWARDS Palm rin s P O ial u mission Os ar
ANAHID ABAD
CREW CAST
Anahid Abad was Born in an Armenian
Producer : Narina
family in 1969 in Tehran, She holds a BA in
Taghi Grigorian,
Aligholizadeh Shant Film Directing. During her career she has served as
Screenplay : Hovhanisian, First Assistant Director and Planner to many
Anahid Abad Sergay movie projects in the professional Iranian
DOP : Tovmasian, cinema. She has cooperated with prominent
Hassan Karimi Vrejh Kasoni, directors such as Alireza Davood Nejad,
Editor : Marjan Abolfazl Jalili, Rasoul Sadrameli, Ahmad
Siavash Kordjan Avadisyan Reza Darvish, Varuzh Karim-Masihi, Bahram
Sound/Music : Beizaie, and so on. Since 2006, she has
Vahan Artsruni been a member of the Central Board of
Assistant Directors & Program Planners
Institute of Iran Cinema. In 2010 she
became the Head of the institute.
136
CONTACT: FARABI CINEMA FOUNDATION
FCF1@DPI.NET.IR
YOU GO TO MY HEAD
AiÀÄÆ UÉÆà lÄ ªÉÄÊ ºÉqï
DIRECTOR - DIMITRI DE CLERCQ
FRANCE / 2017 / FRENCH / 116 MIN.
SYNOPSIS
In the Sahara, a mysterious car accident leaves a young woman lost and alone.
a e an ar hite t fin s her un ons ious rives her to the nearest o tor to
discover that she is suffering from amnesia. Intoxicated by the woman’s beauty
claims to be her husband. He names her Kitty and takes her to his remote desert
home to recuperate and invents an elaborate life they can share. Little by little,
Kitty begins to fall in love with him. But when past begin to surface, Jake
increasingly lives in fear of losing the love of his life.
PÀxÁ¸ÁgÀ
¸ÀºÁgÁ ¥ÀæzÉñÀzÀ°è PÁgÀÄ C¥ÀWÁvÀQÌÃqÁV D AiÀĪÀw MAnAiÀiÁUÀÄvÁÛ¼É. eÁåPï D
ªÀÄ»¼ÉAiÀÄ£ÀÄß £ÉÆÃr DPÉAiÀÄ£ÀÄß D¸ÀàvÉæUÉ ¸ÁV¸ÀÄvÁÛ¼É. C°è DPÉUÉ CªÉÄßùAiÀiÁ (ªÀÄgÉ«£À
SÁ¬Ä¯É) gÉÆÃUÀ«gÀĪÀÅzÀÄ ¥ÀvÉÛAiÀiÁUÀÄvÀÛzÉ. DPÉAiÀÄ ¸ËAzÀAiÀÄðPÉÌ ªÀiÁgÀĺÉÆÃzÀ ªÉÊzÀå
vÁ£ÀÄ DPÉAiÀÄ UÀAqÀ JAzÀÄ ºÉý DPÉAiÀÄ£ÀÄß vÀ£Àß ªÀÄ£ÉUÉ PÀgÉzÀÄPÉÆAqÀÄ ºÉÆÃUÀÄvÁÛ£É.
DPÉUÉ QnÖ JAzÀÄ ºÉ¸ÀjqÀÄvÁÛ£É. DPÉ DvÀ£À£ÀÄß ªÉÆû¸ÀvÉÆqÀUÀÄvÁÛ¼É. DzÀgÉ, DPÉUÉ vÀ£Àß
»£Éß¯É UÉÆvÁÛzÀAvÉ DPÉAiÀÄ£ÀÄß PÀ¼ÉzÀÄPÉƼÀÄîªÀ ¨sÀAiÀÄ DvÀ£À£ÀÄß DªÀj¸ÀÄvÀÛzÉ.
Won Best Film - Bronze Precolumbian Circle- Bogota FF, Orlando FF,Valley FF,
AWARDS WorldFest Houston | Nominated Best Film - Golden Precolumbian Circle, Silver
Precolumbian Circle,- Bogota FF, FIPRESCI Prize, Golden Pyramid - Cairo IFF,
Nominated Silver Pyramid- Cairo IFF, Ravenna Nightmare | Nominated Best
Director -Cairo IFF, Orlando FF, WorldFest Houston | Best Actor - Svetozar Cvetkovic
@ WorldFest Houston - 2017.
gÀhiÁUÉÆÃæ ¸ï
DIRECTOR - SAHIM OMAR KALIFA
BELGIUM / 2017 / KURDISH | DUTCH / 95 MIN.
SYNOPSIS
Zagros is a young shepherd, living with his pregnant wife Havin, and nine-year-
old daughter. One day, Zagros’ father accuses Havin that the child she is expecting
isn t a ros s are for her life avin ees with their au hter a ros ismisses
the a usations an oins them onvin e of a ri ht future an of his wife s
inno en e a ros father ontinues to lant to i see s of ou t that e ome
in reasin l har for a ros to sha e he stor evelo s into a om ellin rama
of one man s stru le etween his lo alt to tra itional famil values an the
em ra in of a mo ern lifest le
PÀxÁ¸ÁgÀ
gÀhiÁUÉÆæ M§â PÀÄgÀħ. vÀ£Àß UÀ©üðt ¥Àwß ºÁ«£ï ºÁUÀÆ MA§vÀÄÛªÀµÀðzÀ ªÀÄUÀ¼ÉÆA¢UÉ
fë¸ÀÄwÛgÀÄvÁÛ£É. MAzÀÄ ¢£À gÀhiÁUÉÆæãÀ vÀAzÉ, ¸ÉƸÉAiÀÄ ºÉÆmÉÖAiÀÄ°ègÀĪÀ ªÀÄUÀÄ
gÀhiÁUÉÆæãÀzÀ®è JAzÀÄ D¥Á¢¸ÀÄvÁÛ£É. fêÀ¨sÀAiÀÄ¢AzÁV ºÁ«£ï ªÀÄUÀ¼ÉÆA¢UÉ ªÀÄ£É
vÉÆgÉAiÀÄÄvÁÛ¼É. vÀAzÉAiÀÄ D¥ÁzÀ£ÉAiÀÄ£ÀÄß M¥ÀàzÀ gÀhiÁUÉÆæà vÀ£Àß ¥ÀwßAiÀÄ eÉÆvÉ
ºÉÆÃUÀÄvÁÛ£É. DzÀgÀÆ gÀhiÁUÉÆæãÀ vÀAzÉ «µÀ©Ãd ©vÀÄÛªÀÅzÀ£ÀÄß ©qÀĪÀÅ¢®è. ¸ÁA¥ÀæzÁ¬ÄPÀ
PÀÄlÄA zÀ ªÀi ® UÀ¼À£ÀÄß PÁ¥ÁqÀ¨ÉÃPÉA ªÀ Û ºÁUÀÆ DzsÀĤPÀ êÀ£À±É AiÀÄ
£ÀqÀÄ £À ºÉÆÃgÁlªÉà £À D±ÀAiÀĪÁ zÉ.
UÀÄqï¨ÉÊ, UÁæöåAqï¥Á
DIRECTOR - YUKIHIRO MORIGAKI
JAPAN / 2017 / JAPANESE / 110MIN.
SYNOPSIS
In the heat of summer, Yoshiko gets a phone call telling her that her grandfather
has died while she is having sex with her boyfriend. And so begins the funeral
of her grandfather complete with slovenly uncle, angry aunt, shut-in cousin and
grandma with dementia. Yoshiko marvels that nobody cries, and she witnesses
bad family behavior like she has never seen before. She starts thinking about
the lofty concepts of life and death, and becomes more determined than ever
to visit the Ganges River in India where people believe they can free their souls
for eternity.
PÀxÁ¸ÁgÀ
AiÉÆòPÉÆà vÀ£Àß ¸ÉßûvÀ£À eÉÆvÉ ¯ÉÊAVPÀ QæAiÉÄAiÀÄ°è vÉÆqÀVzÁÝUÀ DPÉAiÀÄ CdÓ ¸ÀvÀÛ
¸ÀÄ¢Ý zÀÆgÀªÁt ªÀÄÄSÁAvÀgÀ §gÀÄvÀÛzÉ. DPÉ ±ÀªÀ ¸ÀA¸ÁÌgÀPÉÌ §gÀÄvÁÛ¼É. C°è ¸ÀvÀÛ
¤UÁ AiÀiÁgÀÆ ¼ÀĪÀ ¢®. zÀ£ÀÄß £ÉÆÃr ¨ÉøÀgÀUÉƼÀĪÀ DPÉ ºÀÄlÄÖ-¸Á £À
UÉ A ¸ÀÄvÁÛ¼É. UÀAUÁ £À¢ ¥Á¥ÀªÀ£ÀÄß vÉƼÉzÀÄ DvÀ UÀ½UÉ ªÀÄÄ Û ¤ÃqÀÄvÀÛzÉ A
¨sÁgÀ ÃAiÀÄgÀ £ÀA ÄUÉAiÀÄ£ÀßgÀ¹ DPÉ ¨sÁgÀvÀzÀ £À UÀAUÁ £À¢UÉ ¨¨sÉÃn PÉÆqÀĪÀ AvÀ£É
ªÀiÁqÀÄvÁÛ¼É.
AWARDS Won Best Film - 21st Tallinn Black Nights Film Festival - NETPAC Award - 2017.
SYNOPSIS
In the deserted hills of an Indonesian island, Marlina, a young widow, is attacked,
raped and robbed for her cattle. To defend herself, she kills several men of the
gang. Seeking justice, she goes on a journey for empowerment and redemption.
But the road is long, especially when the ghost of her headless victim begins to
haunt her.
PÀxÁ¸ÁgÀ
DPÉAiÀÄ ºÉ¸ÀgÀÄ ªÀÄ ð£Á. AzÀÄ ºÀ¸ÀÄ UÉÆøÀÌgÀ DPÉAiÀÄ£ÀÄß ¤ ð£ð£À
ªÀÄgÀ¼ÀÄUÁqÉÆAzÀgÀ°è zÀÄgÀļÀgÀ UÀÄA¥ÉÆAzÀÄ CqÀØUÀnÖ, zÉÆÃa, CvÁåZÁgÀ
J¸ÀUÀÄvÁÛgÉ. vÀ£Àß gÀPÀëuÉUÁV ºÉÆÃgÁqÀĪÀ DPÉ D vÀAqÀzÀ PÉ®ªÀgÀ£ÀÄß PÉÆAzÀÄ
ºÁPÀÄvÁÛ¼É. £ÁåAiÀÄPÁÌV ºÁUÀÆ ¸À§°ÃPÀgÀtPÁÌV DPÉ ¥Àt vÉÆqÀÄvÁÛ¼É.
DzÀgÉ, D zÁj §®Ä zÀÆgÀ. vÀ¯ÉAiÉÄà E®èzÀ DPÉAiÀÄ ±ÉÆõÀPÀ£À ¥ÉæÃvÀ DPÉAiÀÄ£ÀÄß
PÁqÀvÉÆqÀUÀÄvÀÛzÉ.
Best Film - NETPAC Award - Five Flavours FF, Jogja-NETPAC Asian FF | Nominated Best
AWARDS Film - AFI Fest, Cannes FF(Queer Palm), Five Flavours FF, Golden Horse FF, Göteborg FF |
on est ire tor o o e ominate est ire tor sia Pa ifi reen
war s on est tor arsha imoth it es – atalonian
¤ É É
DIRECTOR - KSENYA ZUEVA
RUSSIA / 2017 / RUSSIAN / 91 MIN.
SYNOPSIS
The story of a Russian family living on the outskirts of Moscow. They are mired
in family quarrels, live in discomfort, drowning in oppressive atmosphere, spit
their negative emotions on each other, forgetting about love, forgetting who
they are to each other, forgetting about compassion and God. A tragedy will
cause them to wake up, change and experience catharsis, but it will be too late.
PÀxÁ¸ÁgÀ
ªÀiÁ¸ÉÆÌÃzÀ ºÉÆgÀªÀ®AiÀÄzÀ°è fë¸ÀÄwÛgÀĪÀ gÀ¶AiÀÄ£ï PÀÄlÄA§ªÉÇAzÀgÀ PÀvÉ. ¸ÀzÁ
PÀÄlÄA PÀ®ºÀzÀ ¤gÀvÀgÁ gÀĪÀ zÀA¥À ¸ÀzÁ vÀÛqÀzÀ ªÁvÁªÀgÀ zÀ gÀĪÀ ªÀgÀÄ
¥ÀgÀ¸ÀgÀ vÉUÀ½PÉAiÀÄ gÀÄvÁÛgÉ. ¨sÁªÀ£ÉUÀ½®. ¦æà Į. zÉêÀgÀ ªÉÄÃ É ¨sÀ Û Ä®.
AzÀÄ ¢£À £ÀqÉzÀ zÀÄgÀAvÀªÉ AzÀÄ ªÀgÀÄ ZÉÑvÀÄÛPÉƼÀĪÀAvÉ ªÀ
ªÀiÁqÀÄvÀÛzÉ. DzÀgÉ D
ªÉüÉUÉ PÁ® ÄÃjgÀÄvÀÛzÉ.
on est ilm Pa ifi eri ian P Otsi i eti O ial ele tion
AWARDS o hi ilm war s ussian Premiere a halo allinn la i hts ol en
ni orn war s airo tal er on est ire tor – mur es on est
a tress la oves hens mur est
£ÀÆål£ï
DIRECTOR - AMIT V MASURKAR
INDIA / 2017 / HINDI | GONDI / 106 MIN.
SYNOPSIS
Newton is a stickler for principles he’s given the job of volunteer election worker
in the village where he’s to make sure that the election is carried out properly
turns out to be a democratic stress-centre, where he must keep devious military
personnel and bureaucrats in check – even as the voters, the very people the
whole thing is about. The Adivasi are wise to keep their distance from this staged
spectacle of democracy and put up resistance with a cunning game of hide-and-
seek. When a foreign election monitor arrives, the tide turns in his favour – but
only temporarily.
PÀxÁ¸ÁgÀ
£ÀÆål£ï M§â vÀvÁézsÁj £ËPÀgÀ. DvÀ£À£ÀÄß ºÀ½îAiÉÆAzÀgÀ°è ZÀÄ£ÁªÀuÁ PÉ®¸ÀPÉÌ
£Éà ĸÀ ÁUÀÄvÀÛzÉ. DvÀ¤UÉ ZÀÄ£ÁªÀ Á ¥Àæ æAiÉÄAiÀÄ£ÀÄß ¸ÀA¥ÀÆ ðªðªÁ ªÀÄÄ ¸À¨ÉÃPÉ£ÀÄߪÀ
DzÉñÀ. DvÀ Ä lj ¢PÁj ºÁUÀÆ ¢PÁgÀ±Á»UÀ¼À£ÀÄß ¤AiÀÄAvÀæ zÀ qÀĪÀ
¤ªÁgÀ vÉ. zÀÄ ¥Àæ Á¥Àæ¨sÀÄvÀ ªÀ ªÀ¸É ZÀÄ£ÁªÀ Á ¥Àæ æAiÉÄAiÀÄ AlĪÀiÁqÀ ºÀÄzÁzÀ
vÀÛqÀ. D¢ªÁ¹UÀ¼ÀÄ DvÀ£ÉÆA¢UÉ PÀ ÁªÀÄÄZÁÑ ÉAiÀiÁr ªÀÄvÀzÁ£À¢Az
ªÀÄvÀzÁ£À¢AzÀ zÀÆgÀ ½AiÀÄ®Ä
AiÀÄ ß¸ÀÄvÁÛgÉ. UÉ zÉà ZÀÄ£ÁªÀ Á ¸À ÄÃPÁvÀAqÀªÉ AzÀÄ ªÀgÀ¢ ªÀiÁqÀ®Ä
gÀÄvÀÛzÉ. DUÀ ¥Àj¹ DvÀ£À ¥ÀgÀªÁ ªÁ®ÄvÀÛzÉ. DzÀgÉ zÀÄ PÉê PÉêÀ® PÀ PÀ ªÀiÁvÀæ.
Best Foreign Language Film Entry - Oscars 2018, Won Best Film - Berlin IFF, Hong
AWARDS kong IFF | Nominated Best Film - Jerusalem FF, Buenos Aires IF, Edinburgh IFF,
Hong Kong IFF, Tribeca Ff | Best Director - Istanbul IFF | Best Actor - Won
a ummar ao sia Pa ifi reen war s
SYNOPSIS
Gabil returns home to the humble family farmstead, surrounded by an orchard
of venerable pomegranate trees; since his sudden departure twelve years ago
he was never once in contact. However, the deep emotional scars he left behind
cannot be erased from one day to the next.
PÀxÁ¸ÁgÀ
UÁ © ï vÀ£Àß ªÀÄ£ÀUÉ gÀÄvÁÛ£É. zÀÄ zÁ½A¨É ºÀ ¤AzÀ DªÀ vÀªÁz
vÀªÁzÀ vÉÆÃlzÀ
ªÀÄ£É. DvÀ ªÀµÀðUÀ¼À »AzÉ zÀÝ ÌzÀÝAvÉ ªÀÄ£É ©lÄÖ ºÉÆÃzÁvÀ. DzÀgÉ DvÀ
ªÀÄ£É ©lÄÖ ºÉÆÃzÀ Àl£É ºÁUÀÆ zÀÄ ½¸ÀzÉ ½¹zÀ UÁAiÀÄ ¨ÉÃUÀ
ªÀiÁAiÀÄĪÀAvÀzÀÝ® .
est orei n an ua e ilm ntr Os ars on est ilm sia Pa ifi reen
AWARDS Awards, Eurasian IFF | Nominated Best Film - Cairo IFF, Grand pix -Eurasian IFF,
Karlovy Vary IFF - 2017.
à ¤Ã
DIRECTOR - KAMILA ANDINI
INDONESIA / 2017 / BALINESE | INDONESIAN / 86 MIN.
SYNOPSIS
A 10-year-old girl retreats to a fantastical, evocative dream-space to deal with
the tragic impending loss of her twin brother.
PÀxÁ¸ÁgÀ
ºÀvÀÄÛªÀµÀðzÀ ¨Á® AiÀÄ ¸ÀÄ¥ÀÛ¹ ¸ÀÄ¥ÀÛ ÁUÀ vÀ ¹ PÀ£À¸ÀÄUÀ¼
PÀ£À¸ÀÄUÀ¼ÀÄ ¨Á ä¸ï
PÀ¯ÉAiÉÆA¢UÉ ¨ÉgÉvÀÄ CwªÀiÁ£ÀĵÀ ±ÀQÛAiÀÄ ¥ÀæzÀ±Àð£ÀPÉÌ JqÉAiÀiÁUÀÄvÀÛzÉ. vÀ£Àß CªÀ½
¸ÀºÉÆÃzÀgÀgÀ zÀÄgÀAvÀzÉÆA¢UÉ avÀæ «µÁzÀzÀ bÁAiÉÄAiÀÄ£ÀÄß G½¸ÀÄvÀÛzÉ.
SYNOPSIS
Reza having distanced himself from the urban quagmire, leads a simple life along
with his wife and son, somewhere in a remote village in Northern Iran. He spends
his a s wor in in his ol fish farm ear a rivate om an has ta en
control of nearly every aspect of the regional life. Its shareholders, accumulating
wealth, power have been pushing local farmers and owners to dilapidate their
elon in s farms an estates to enefit the om an s in uential networ an
its monopoly. With that pressure many villagers have themselves become local
rings of the larger network of corruption.
PÀxÁ¸ÁgÀ
gÉÃeÁ £ÀUÀgÀ fêÀ£ÀPÉÌ «zÁAiÀÄ ºÉý PÀÄlÄA§zÉÆA¢UÉ GvÀÛgÀ EgÁ£ï£À°è£À
ºÀ½îAiÉÆAzÀgÀ°è £É¯É¹zÁÝ£É. DvÀ vÀ£Àß ºÉÆ®ªÉÇAzÀgÀ°è PÉ®¸À ªÀiÁqÀÄvÁÛ£É. C°èUÉ
C£ÉÃPÀ PÁSÁð£ÉUÀ¼ÀÄ §gÀÄvÀÛªÉ. CªÀÅUÀ¼À ªÀiÁ°ÃPÀjUÉ ºÀt«zÉ. CªÀjUÉ d«ÄãÀÄ
¨ÉÃPÀÄ. C°è£À PÉ® gÉÊvÀgÀÄ CªÀgÉÆA¢UÉ ¸ÉÃj, ¨sÀæµÀÖ C¢üPÁjUÀ¼À eÉÆvÉ PÉÊeÉÆÃr¹
vÀªÀÄä aPÀÌ aPÀÌ D¸ÉUÀ¼À£ÀÄß £ÉgÀªÉÃj¹PÉƼÀÄîvÁÛgÉ. PÉÆ£ÉAiÀÄ°è CzÀjAzÀ PÉêÀ® D
PÁSÁð£ÉUÀ¼À ªÀiÁ°ÃPÀjUÀµÉÖà ¯Á¨sÀªÁUÀÄvÀÛzÉ.
Won Best Film - Golden Apricot Yerevan IFF, (FIPRESCI) | Nominated Best Film
AWARDS elai e sia Pa ifi reen war s hi a o hent on est
ire tor annes n ertain e ar erusalem ominate est
ire tor am ur
CONTACT:
147 FESTIVALS@MATCHFACTORY.DE
ARRHYTHMIA
DjyäAiÀÄ
DIRECTOR - BORIS KHLEBNIKOV
RUSSIA / 2017 / RUSSIAN / 116 MIN.
SYNOPSIS
Oleg is a young and gifted paramedic. His wife Katya works at the hospital
emergency department. She loves Oleg, but is fed up with him caring more about
patients than her. She tells him she wants a divorce. The new head of Oleg’s EMA
substation is a cold-hearted manager who’s got new strict rules to implement.
The crisis at work coincides with the personal life crisis. Caught between
emergency calls, alcohol-fueled off-shifts, and search for a meaning in life, Oleg
an at a have to fin the in in for e that ee s them to ether
PÀxÁ¸ÁgÀ
ÉUï AiÀÄĪÀ vÁ» ±ÀıÀÆæ±ÀPÀ. DvÀ£À ºÉAqÀ PÁ Á D¸ÀvÉæAiÀÄ vÀÄvÀÄð¤UÁ
WÀlPÀzÀ°è ¸ÉêÉAiÀÄ°ègÀÄvÁÛ¼É. DPÉUÉ DvÀ£À §UÉÎ CwêÀ ¦æÃw. DzÀgÉ DvÀ vÀ£ÀVAvÀ
gÉÆÃVUÀ¼À §UÉÎAiÉÄà CwAiÀiÁzÀ PÁ¼Àf ªÀ»¸ÀĪÀÅzÀÄ DPÉUÉ C¸ÀªÀiÁzsÁ£À. ¨ÉøÀvÀÛ DPÉ
ZÉÑÃzÀ£À ¤ÃqÀĪÀAvÉ ÉUïUÉ PÉüÀÄvÁÛ¼É. ÉUï PÉ®¸À ªÀiÁqÀĪÀ D¸ÀvÉæAiÀÄ ªÀ ªÀ¸Á¥ÀPÀ
PÀ ºÀ zÀ Ä. DvÀ¤UÉ ºÉƸÀ PÀlÖ¼ÉUÀ¼À£ÀÄß ¸ÀªÀÄ¥ÀðPÀªÁ ÁjUÉƽ¸ÀĪÀ ªÉÄÃzÀÄ.
ªÀ Û zÀÄPÀÄ ªÉ AiÀÄ ÛPÀ zÀÄPÀÄ PÀÄrvÀ gÁ æ ¥Á½AiÀÄ PÉ®¸À vÀÄvÀÄðPÀgÉUÀ½UÉ
¸ÀA¢¸À¨ÉÃPÁzÀ ¤ªÁgÀ vÉ. ªÉ® ¸ÀAPÀµÀÖUÀ½UÉ ¹®Ä zÀ ªÀj gÀÆ vÀªÀÄ ªÉ ªÁ»PÀ
zÀÄPÀ£ÀÆß ºÁUÀÆ ¥ÀgÀ¸ÀgÀgÀ ¦æà AiÀÄ£ÀÄß ½¹PÉƼÀĪÀ ±À ÛUÁ ºÀÄqÀÄPÀ¨ÉÃPÁUÀÄvÀÛzÉ.
on est ilm – sia Pa ifi reen war s aifa ameson ine est – is ol
a halin ussian uil of ilm riti s ominate est ilm – hi a o
AWARDS ol en a le war s arlov ar es r s uro ean on est ire tor
ussian uil of ilm riti s
¥s°
É ¹vÉ
DIRECTOR - ALAIN GOMIS
SENEGAL / 2017 / FRENCH | LINGALA / 123 MIN.
SYNOPSIS
A singer living in the Congo city of Kinshasa, Félicité looks the world in the eye
every time she sets foot on a bar stage. When her son is involved in a motorbike
a i ent her efiant stan e as a sin le woman is on the line
PÀxÁ¸ÁgÀ
¥sÉ°¹vÉ PÁAUÉÆà £ÀUÀgÀ Q£Áê¸ÁzÀ°è ªÁ¸ÀªÁVgÀĪÀ UÁAiÀÄQ. DPÉ ¥Àæw¸À®
¨Ágï£À ºÁqÀĪÁUÀ É® ¥Àæ¥ÀAZÀªÀ£ÀÄß vÀ£Àß PÀ ¤AzÀ Éà £ÉÆÃqÀ
£ÉÆÃqÀÄvÁÛ¼É. DPÉAiÀÄ
ªÀÄUÀ ªÉÆà Ágï ¨É Pï ¥À ÁvÀ ÌÃqÁUÀÄvÁÛ£É. UÀ ªÀ¼ÀÄ ¸ÀºÁAiÀÄPÀ PÁA
ªÀÄ»¼É. ¸ÀAªÉÃzÀ£Á gÀ»vÀ ¨sÀæµÀÖ ¸ÁªÀiÁ PÀ ªÀ ªÀ¸ÉAiÀÄ vÁ£ÀÄ An ªÀÄ»¼É
A ÄzÀÄ DPÉUÉ qÀ©qÀzÉ PÁqÀÄvÀÛzÉ.
Best Foreign Language Category - Shortlisted Film - Oscars – 2018, Won Best Film
AWARDS – Grand Jury Prize at Berlin IFF, Best Jury Prize Chicago IFF, Ouagadougou
Panafrican F&TF, FEPRESCI at Palm Springs IFF | Nominated Best Film – Berlin,
Black Reel Awards, Chicago IFF, Sydney IFF -2017.
N©è«AiÀÄ£ï ªÀ¸ð
À ¸ï
DIRECTOR - ALIREZA KHATAMI
CHILE / 2017 / SPANISH / 92 MIN.
SYNOPSIS
Within the walls of a sprawling cemetery where time stands still, an undertaker
in his seventies lives a quiet existence. With an incredibly detailed memory and
a body that bears scars, counting down his last days at the graveyard. His daily
routine goes by uninterrupted until the outside world sends in news of a
mysterious happening: a pod of whales beached on the nearby coast while violent
lashes eru t in the it leaves ehin the uni entifie o of a oun woman
at morgue. Determined to offer the woman a proper burial, he sets off on a
Kafkaesque journey of redemption.
PÀxÁ¸ÁgÀ
¥Á¼ÀÄ©zÀÝ ¸Àä±Á£ÀzÀ°è J¥ÀàvÀÛgÀ D¸ÀÄ¥Á¹£À ªÀåQÛAiÉƧâ AiÀiÁgÀÆ PÉüÀĪÀªÀj®èzÉ
§zÀÄQzÁÝ£É. DzÀgÉ, C¥ÁgÀ £É£À¦£À ±ÀQÛ EgÀĪÀ ªÀåQÛ vÀ£Àß PÉƣɢ£ÀUÀ¼À£ÀÄß Jt¸ÀÄvÁÛ
¸À ±Á£ÀzÀ zÁÝ£É. AiÀiÁªÀ zÁzÀgÀÆ AzÀÄ ¤UÀÆqsÀ ZÀlĪÀnPÉUÀ¼À ¸¸ÀÄ¢Ý ºÉÆgÀ UÀ Û¤AzÀ
AzÀzÀÝ£ÀÄß ºÉÆgÀvÀÄ¥Àr¹zÀgÉ DvÀ£À ¢£ÀUÀ¼ÀÄ qÀvÀqÉ Ä®zÉ ¸ÁUÀÄvÀÛzÉ. £ÀUÀgÀzÀ UÀ®¨sÉ
¨sÀÄ ÉüÀÄ zÛ ÀÝAvÉAiÉÄà ¸ÀªÀÄÄzÀæ ÃgÀzÀ ¸ÀvÀÛ ÄAUÀ®UÀ¼À gÁ PÁ ÄvÀÛzÉ. zÀgÉÆA¢UÉÃ
vÉà AzÀ AiÀÄĪÀ AiÉÆ ¼À £Á À±ÀªÀªÀ UÀ ±ÀªÁUÁgÀzÀ zÉ. D ªªÀÄ»¼ÉUÉ ¸ÀÆPÀÛ
AvÀ æAiÉÄ £ÀqɸÀĪÀ ªÀÄÆ®PÀ DvÀ ªÉÆÃZÀ£ÉAiÀÄ ºÁ¢UÉ rUÀ®Ä ººÁPÀÄvÁÛ£É.
SYNOPSIS
Mrs J decides to complete all her tasks and to kill herself with the gun on the
anniversary of her husband’s death in a week’s time.She hires a stonemason to
place her picture on the tombstone, next to her husband’s, she goes to church
for confession and returns a borrowed chair to her neighbor makes peace with
her re nant au hter na he nee s ust one thin a ertifi ate a out her
employment for 20 years In a country that is going through social transition, this
will be highly complicated. Because living in transition is complicated. To die is
even more complicated.
PÀxÁ¸ÁgÀ
²æêÀÄw eÉ ¨ÁQ¬ÄzÀÝ J¯Áè PÉ®¸ÀUÀ¼À£ÀÄß ªÀÄV¹ vÀ£Àß UÀAqÀ£À ¥ÀÄtåwyAiÀÄ ¢£À
vÀ£ÀUÉ vÁ£É UÀÄArQÌPÉÆAqÀÄ DvÀäºÀvÉå ªÀiÁrPÉƼÀÄîªÀ AiÉÆÃZÀ£É ªÀiÁqÀÄvÁÛ¼É. ZÀZïðUÉ
vÉgÀ½ vÀ£Àß J¯Áè vÀ¥ÀÄàUÀ¼À£ÀÄß ºÉýPÉƼÀÄîvÁÛ¼É. vÀ£Àß UÀ©üðt ªÀÄUÀ¼ÁzÀ D£ï eÉÆvÉ
¸ÀAzsÁ£À ªÀiÁrPÉƼÀÄîvÁÛ¼É. DPÉUÉ vÀ£Àß PÀZÉÃj¬ÄAzÀ vÁ£ÀÄ 20 ªÀµÀð ¸À°è¹zÀ
¸ÉêÉUÁV ¸ÉêÁ ¥ÀæªÀiÁt ¥ÀvÀæ ¥ÀqÉAiÀÄĪÀÅzÉÆAzÉà ¨ÁQ. ¸ÁªÀiÁfPÀªÁV §zÀ¯ÁªÀuÉ
¥ÀªÀðzÀ°è£À DPÉAiÀÄ zÉñÀzÀ°è CzÀÄ vÀÄA¨Á PÀµÀÖzÁAiÀÄPÀ ªÀiÁvÀÄ. PÁgÀt §zÀ¯ÁªÀuÉ
¥ÀªÀðzÀ°è£À §zÀÄPÀÄ zÀĸÀÛgÀ. ¸ÁªÀiÁfPÀ §zÀ¯ÁªÀuÉ ¥ÀªÀðzÀ°è£À ¸ÁªÀÅ E£ÀÆß zÀĸÀÛgÀ.
Best Foreign Language Film Entry - Oscars 2018, Won Best Film - FEST IFF (Belgrade
AWARDS i tor ilutin oli war ofia P ominate est ilm
u ovar on est ire tor ominate est ire tor P P
u ien e war on est a tor ir ana aranovi
zÀ £ÀyAUï ¥sÁåPÀÖj
DIRECTOR - PEDRO PINHO
PORTUGAL / 2017 / PORTUGUESE / 177 MIN.
SYNOPSIS
When management begins to sell off some of the equipment at a factory that
makes elevator parts, the workers become nervous about their job security.
heir fears are soli ifie when the are offere lum sum a ments rather than
proper severance pay. As they weigh their options, including a strike and a
ton ue in hee su estion at an arme res onse the wor ers are for e to
continue showing up at work even though they lack the machinery to carry out
their uties he tr to fi ure out wa s to om at the monoton t one oint
the even rea into a son an an e routine
PÀxÁ¸ÁgÀ
ªÉlgï vÁ¢¸ÀĪÀ PÀA¥À¤AiÀÄ DqÀ½vÀ ªÀÄAqÀ½ PÉ® ©r ¨sÁUÀUÀ¼À£À UÀUÀ¼À£ÀÄß ªÀiÁgÀ®Ä
¤zsÀðj¸ÀÄvÀÛzÉ. zÀjAzÀ PÉ®¸ÀUÁgÀgÀÄ PÉ®¸À PÀ¼ÉzÀÄPÉƼÀĪÀ DvÀAPÀPÉÌ ¼ÀUÁUÀÄvÁÛgÉ.
DqÀ½vÀ ªÀÄAqÀ½ AzÉà ¸À® ªÀjUÉ ºÀ ¤ÃqÀ®Ä ªÀÄÄAzÁUÀÄvÀÛzÉ. zÀjAzÀ
PÉ®¸ÀUÁgÀjUÉ PÉ®¸À PÀ¼ÉzÀÄPÉƼÀĪÀ DvÀAPÀ ªÀÄ rUÉƼÀÄvÀÛzÉ. ªÀgÀÄ ¥Àæ ¨sÀl£É ÀªÁ
ºÉýPÉAiÉÆAzÀ£ÀÄß DqÀ½vÀ ªÀÄAqÀ½UÉ PÉÆqÀĪÀ ¤ ðAiÀÄ ªÀiÁqÀÄvÁÛgÉ. AiÀÄAvÀæUÀ¼À ¸ÀA É
PÀrªÉÄ ÄzÀÝgÀÆ ºÉ Ñ£À PÉ®¸ÀUÁgÀgÀÄ PÉ®¸ÀPÉÌ gÀÄvÁÛgÉ. AiÀiÁA æÃPÀ vÀ PÉ®¸ÀzÀ ªÉ j
PÉÆ£ÉUÉƽ¸À®Ä ºÁqÀĪÀ zÀ£ÀÄß ºÁUÀÆ £À vÀ ªÀiÁqÀĪÀ zÀ£ÀÄß ªÀgÀ
ªÀgÀÄ DgÀA©¸ÀÄvÁÛgÉ.
Won Best Film - Barcelona Independent FF, Cannes FF (FIPRESCI), CinEuphoria Awards, Duhok
AWARDS IFF (Special Jury Award), Seville European FF, Torino FF (Special Jury Award),| Nominated best
Film – Duhok IFF, Jameson CineFest – Miskolc IFF, Fenix Film Awards, Toronto IFF | Won Best
Director – Torino FF ( Gandhi’s Glasses Award), Duhok IFF (Jury Award), Munich FF - 2017.
SYNOPSIS
After Sophie and Jessica had witnessed a brutal crime when they were kids,
Jessica promised her younger sister Sophie: “I will always protect you!” growing
older, this promise became an obsession.
PÀxÁ¸ÁgÀ
¸ÉÆæüAiÀiÁ ªÀÄvÀÄÛ eɹìPÁ ªÀÄPÀ̼ÁVzÁÝUÀ WÉÆÃgÀ PÉƯÉUÉ ¸ÁQëAiÀiÁUÀÄvÁÛgÉ. eɹìPÁ
vÀ£Àß jAiÀÄ vÀA ¸ÉÆæAiÀiÁUÉ £Á£ÀÄ ¤£ÀߣÀÄß gÀ ¸ÀÄvÉÛÃ£É AzÀÄ ¨sÀgÀªÀ¸É
PÉÆqÀÄvÁÛ¼É. ªÀgÀÄ ¨É¼ÉzÀAvÉ Á zÉÆAzÀÄ ¨sÁæA AiÀiÁUÀÄvÀÛzÉ.
É ¤
SYNOPSIS
When 92 year old, German Eduard Leander’s wife dies, his daughter decides to
put him in a home. Stubbornly refusing, he instead embarks on a journey to
raine with the ho e of fin in vetlana a woman with whom he fell in love
while fi htin alon si e the ossa s a ainst the e rm urin orl ar
es ite the fa t that the ar an ramati e erien es of his ast have
affe te his famil uar has never tal e a out them omewhat unwillin l
his ran au hter ele oins him on a ourne that turns out to e more
dramatic than anyone could expect.
PÀxÁ¸ÁgÀ
dªÀÄð£ï£À 92 ªÀµÀð ªÀAiÀĹì£À JqÀéqïð °AiÀiÁAqÀgï£À ¥Àwß ¸ÀvÀÄÛ ºÉÆÃUÀÄvÁÛ¼É. DUÀ
qÀqïð£À ªÉƪÀÄ UÀ¼ÀÄ DvÀ£À£ÀÄß ªÀ zÁ±ÀæªÀÄzÀ ¸ÉÃj¸À®Ä ¤zsÀðj¸ÀÄvÁÛ¼É. zÀ£ÀÄß
¤gÁPÀj¸ÀĪÀ qÀqïð PÉæãïUÉ ºÉÆÃUÀ®Ä ¤zsÀðj¸ÀÄvÁÛ£É. gÀqÀ£Éà ªÀĺÁAiÀÄÄzÀzÀ
ºÉÆÃgÁl ªÀiÁqÀĪÁUÀ vÁ£ÀÄ ¦æÃwAiÀÄ°è ©¢ÝzÀÝ ¸ÉémÁè£À JA§ ªÀÄ»¼É ¹UÀ§ºÀÄzÉãÉÆÃ
£ÀÄߪÀ zÀÄ ªÀ£À D¸É. PÀÄlÄA zÀ £ÉªÀÄ ¢ PÁ¥ÁqÀĪÀ ¸À®ÄªÁ vÀ£Àß ¥ÉæêÀĪÀ£ÀÄß DvÀ
ºÉýgÀĪÀ ¢®. DzÀgÀÆ ªÉƪÀÄ UÀ¼ÀÄ ªÀ£À ¥ÀAiÀÄ zÀ AzÀÄUÀÆqÀÄvÁÛ¼É. DzÀgÉ
£ÀqÉAiÀÄĪÀÅzÀÄ AiÀiÁgÀÆ H»¸À¯ÁUÀzÀ £ÁlQÃAiÀÄ ¥Àæ¸ÀAUÀ.
CREW Editor :
NICK BAKER-MONTEYS
Dagmar Lichius
Producer : Sound/Music :
Sigi Kamml, Christoph Berg Nick Baker-Monteys, born 1964 in Berlin, is a film
Christian Alvart, director, screenwriter and script consultant. His debut
Timm CAST film "The Man Who Jumped Over Cars" came to
Oberwelland the cinema in 2011 and won the screenplay
Juergen
Screenplay : award at the Max Ophüls Saarbrücken Film
Prochnow,
Nick Festival and was awarded Best Picture at the
Petra
Baker-Monteys, International Film Festival Aubagne.
Schmidt-
Alexandra Baker-Monteys is a guest lecturer at the
Schaller,
Umminger German Film and Television Academy
Tambet Tusik,
DOP : Berlin and is a member of the Federal
Suzanne Von
Eeva Fleig Association of Directors. Nick
Borsody
Baker-Monteys also works as a
commercial film director.
155 CONTACT: GLOBAL SCREEN GMBH
CLAUDIA.RUDOLPH@GLOBALSCREEN.DE
THE YOUNG KARL MAX
LE JEUNE KARL MARX
¢ AiÀÄAUï PÁ¯ïðªÀiÁPïìð
SYNOPSIS
At the age of 26, Karl Marx embarks with his wife Jenny on the road to exile. In
Paris in 1844 they meet young Friedrich Engels, son of a factory owner, who’s
studied the sordid beginnings of the English proletariat, brings Karl Marx the
missing piece to the puzzle that composes his new vision of the world. Together,
between censorship and police raids, riots and political upheavals, they will
preside over the birth of the labor movement. This will grow into the most
complete theoretical and political transformation of the world since the
Renaissance.
PÀxÁ¸ÁgÀ
PÁ¯ïðªÀiÁPïìð vÀ£Àß 26 £Éà ªÀAiÀĹì£À°è UÀr¥ÁgÁV ºÉÆÃUÀĪÀ ¸ÀAzÀ¨sÀðzÀ°è vÀ£Àß
ºÉAqÀ ¤ßAiÀÄ£ÀÄß ¨sÉÃnAiÀiÁUÀÄvÁÛ£É. 44gÀ ªÀgÀÄ PÁ Áð£É ªÀiÁ ÃPÀ£À
ªÀÄUÀ£ÁzÀ ºÀgÉAiÀÄzÀ ¥sÉærðPï A É ï£À£ÀÄß ¨sÉÃnAiÀiÁUÀÄvÁÛgÉ. A É ï
AUÉAqï£À gÀĪÀ PÁ ÄðPÀgÀ êÀ£ÀzÀ UÉ D¼ÀªÁ zsÀ AiÀÄ£À ªÀ ªÀiÁrzÁvÀ. DvÀ
ªÀiÁPïð£À vÀÛgÀ gÀzÀ PÉ® ¥Àæ±ÉßUÀ½UÉ vÀÛgÀ PÀAqÀÄPÉƼÀĪÀAvÉ ªÀiÁqÀÄvÁÛ£É.
zÀjAzÀ ªÀiÁPïð UÀ Û£À UÉ ºÉƸÀ zÀ ÖPÉÆãÀ ¨É¼É¹PÉƼÀ®Ä £ÉgÀªÁUÀÄvÀÛzÉ.
ªÀiÁPïð ºÁUÀÆ A É ï vÀªÀÄ ªÉÄÃ É ºÉÃgÀ®lÖ ¤µÉÃzsÀ vÀªÀÄ ªÉÄÃ É £ÀqÉAiÀÄĪÀ
¥ÉÆà ¸ï zÁ½ UÀ®¨sÉ ºÁUÀÆ gÁ ÃAiÀÄ ¹vÀ AvÀgÀUÀ¼À £ÀqÀÄªÉ PÁ ÄðPÀ ZÀ¼ÀĪÀ½UÉ
£À ¤qÀÄvÁÛgÉ. ªÀgÀ ZÀ¼ÀĪÀ½ ªÀÄzsÀ AiÀÄÄUÀzÀ ¥ÀÄ£ÀgÀÄvÁ£À PPÁ® ÀlÖzÀ £ÀAvÀgÀzÀ
¸ÀªÀÄUÀæªÁzÀ ¸É zÁA PÀ ºÁUÀÆ gÁ ÃAiÀÄ zÀ ÁªÀ ÉAiÀiÁ ¨É¼ÉAiÀÄÄvÀÛzÉ.
ªÉ¸ïÖ£ïð
SYNOPSIS
A group of German workers sets off to a construction site in the border region
between Bulgaria and Greece. This foreign land and its breath-taking landscape
awaken the men’s sense of adventure, but they are also confronted with their
own prejudice and mistrust due to the language barrier and cultural differences.
The stage is quickly set for a showdown when the men begin to compete for
recognition and favour from the local villagers.
PÀxÁ¸ÁgÀ
§¯ÉÎÃjAiÀÄ ºÁUÀÆ VæÃ¸ï £ÀqÀĪɬÄgÀĪÀ PÀlÖqÀ PÁªÀÄUÁj £ÀqÉAiÀÄÄwÛgÀĪÀ ¸ÀܼÀPÉÌ
ªÀÄð¤ zÉñÀzÀ vÀAqÀªÉ AzÀÄ ¨sÉÃn ¤ÃqÀÄvÀÛzÉ. D zÀÄvÀ zÉñÀ ££ÉÆÃrzÁUÀ £À
D£ÉÃPÀ ¸À¼ÀUÀ¼À£ÀÄß £ÉÆÃqÀ¨ÉÃPÀÄ ºÉƸÀ ¸ÁºÀ¸À ªÀiÁqÀ¨ÉÃPÉAzÀÄ ªÀÄ£À¸ÀÄ ªÀiÁqÀÄvÁÛgÉ.
DzÀgÉ ¨sÁµÉ ºÁUÀÆ ¸ÁA¸ÀÌ PÀ ©£ÀßvÉ ÄAzÁ A ÁUÀ ºÀÄzÁzÀ ¥À£ ¥À£ÀA©PÉAiÀÄ
UÉ ªÀgÀÄ A vÀgÁUÀÄvÁÛgÉ. DzÀgÉ £À £ÀgÀ £ÀA©PÉ UÀ½¸À PÁÌ ºÁUÀÆ
ªÀjAzÀ ¥ÀPÁgÀ ¥ÀqÉAiÀÄ PÁÌ ªÀgÀ £ÀqÀÄªÉ ¸ÀzsÉð ¥Àð ÁÖUÀ ¥¥Àj¹ AiÀÄ
zÀ ÁªÀ ÉAiÀiÁUÀÄvÀÛzÉ.
Won Best Film - Art FF, Golden Apricot Yerevan IFF, Jameson CineFest – Miskolc IFF,
AWARDS Jerusalem FF, Motovun FF (FIPRESCI), Seville European FF, T-Mobile New Horizons
IFF (FIPRESCI) | Nominated Best Film - Cannes FF, Fünf Seen FF, Golden Apricot
Yerevan IFF, Göteborg FF, Jerusalem FF, Lisbon & Estoril FF, Mar del Plata FF, Tromsø
IFF | Won Best Director - Art FF, Mar del Plata FF - 2017
qÉÊgÉPëÀ £ïì
SYNOPSIS
This is a road movie through the dystopia that is present day Bulgaria, a country
that remains optimistic. At a meeting with his banker, a small business owner,
who drives a cab to make ends meet, discovers the bribe he will have to pay to
get a loan has doubled. At his wit’s end, he shoots the banker and then himself.
The incident sparks national debate on talk radio about how despair has taken
over civil society. Meanwhile, six taxi drivers and their passengers move through
the ni ht ea h in ho e of fin in a ri hter wa forwar
PÀxÁ¸ÁgÀ
‘qÉÊgÉPÀë£ïì’ EA¢£À §¯ÉÎÃjAiÀÄ zÉñÀzÀ gÀ¸ÉÛAiÀÄ ªÉÄÃ¯É £ÀqÉAiÀÄĪÀ PÀxÉAiÀiÁzsÁjvÀ avÀæ. DvÀ
M§â ¸ÁªÀiÁ£Àå PÁgÀÄ ZÁ®PÀ. CzÉÆAzÀÄ ¢£À ¨ÁåAPï£À ªÀÄÄRå¸ÀÜgÀ£ÀÄß ¸Á®PÁÌV
¨sÉÃnAiÀiÁUÀÄvÁÛ£É. ¸Á® ¥ÀqÉAiÀÄ®Ä DvÀ ¨Á APï£À ªÀÄÄ ¸À¤UÉ ¤ÃqÀ¨ÉÃPÁzÀ ®AZÀzÀ
ªÉÆvÀÛ ¢UÀÄ UÉÆArgÀĪÀ zÀ£ÀÄß ½AiÀÄÄvÁÛ£É. zÀÝ zÌ ÀÝAvÉ ¨Á APï£À ªÀÄÄ ¸À¤UÉ UÀÄAqÀÄ
ºÉÆqÉzÀÄ vÁ£ÀÆ UÀÄAqÀÄ ºÉÆqÉzÀÄPÉƼÀÄîvÁÛ£É. D WÀl£É gÉÃrAiÉÆÃzÀ°è ZÀZÉðAiÀiÁV zÉñÀ
JµÀÖgÀ ªÀÄnÖUÉ PÀĹ¢zÉ JA§ gÁµÀÖªç Áå¦ ZÀZÉðUÉ PÁgÀtªÁUÀÄvÀÛzÉ. DUÀ DgÀÄ mÁåQì ZÁ®PÀgÀÄ
ºÁUÀÆ DgÀÄ ¥ÀæAiÀiÁtÂPÀgÀÄ, zÉñÀzÀ°è£À ºÀzÀUÉlÖ DyðPÀ ¹Üw w½zÀÄ PÀÆqÁ, £ÉªÀÄä¢AiÀÄ
ºÁ¢ ¹UÀ ºÀÄzÉA ¤jÃPÉ ªÀÄvÀÄÛ ¨sÀgÀªÀ¸ÉAiÀÄ D gÁ æ ¥ÀæAiÀiÁ ªÀiÁqÀÄ gÛ ÀÄvÁÛgÉ.
Nominated Best Film - Cannes FF, Haifa IFF, Sarajevo FF | Won Best Screenplay
AWARDS - Stephan Komandarev, Simeon Ventsislavov @ Gijón IFF - 2017.
SYNOPSIS
he Os ar winnin o umentar filmma er le i ne emonstrates how
the infrin es human ri hts in the name of emo ra an has overrule
rin i les of international law o ate urin the ar on error over
risoners have een ille in militar risons su h as a ram f hani-
stan u hrai ra or uantanamo a u a a i to the ar i e ta es
an in e th loo at one of these ases
Documentary Films
THE CYCLIST
GERMANY / 2008 / GERMAN / 28 MIN.
GERMANY
SYNOPSIS
159
COUNTRY FOCUS
THAILAND
Like any other nation of the world, cinema came to Thailand way back
to the earl a s of filmma in when ran ois enri avan lar e
re or e in hulalon orn s visit to ern wit erlan he film
was then brought to Bangkok, where it was exhibited.
hile the s has een es ri e as the ol en e of the hai film
industry with the years after World War II seeing a resurgence of sorts,
however, with competition from Hollywood saw Thai industry hit its
nadir in the 1980s and 1990s.
However, thereafter, the Thailand saw its own “New Wave” cinemas, with
directors as Nonzee Nimibutr, Pen-Ek Ratanaruang and Apichatpong
eerasetha ul an a tion hero on aa ein ele rate at film festivals
acfross the world.
With new wave directors achieving commercial and artistic success, a
new ro of filmma ers has sin e rown u outsi e the tra itional an
often restri tive hai stu io s stem to reate e erimental short films
and features.
The indie movement began with Apichatpong Weerasethakul’s 2002
feature Blissfully Yours which won the Un Certain Regard Prize at Cannes
Film Festival. Other indie directors include Aditya Assarat (Wonderful
Town), Anocha Suwichakornpong (Mundane History), Pimpaka Towira
(One Night Husband), Thunska Pansittivorakul (Voodoo Girls), Sivaroj
Kongsakul (Eternity), Wichanon Somumjarn (In April the Following Year,
There Was a Fire) and Nawapol Thamrongrattanarit (36).
Over the ears hailan films has arve their own s e ial ni he oth in
the Asian/Asean cinema marquee besides garnering recognition in the
global scene as well. BIFFES, as part of its Country Focus Section features
Cinema of Thailand.
he om lement of five hailan films om rises of a two horror thrillers
two romanti ome ies an an e erimental olle tion of five shorts
five ifferent ire tors hese five films ive viewers a full avor of the
Thailand cinema of today with new young debutant directors who are
etching their names on the movie marquee making the right noises on
the international festival circuits as well.
COUNTDOWN
PËAmïqË£ï
SYNOPSIS
3 Thai teens in New York City, Jack is a rich kid from Thailand, Pam a materialistic
girl who would do anything to impress others, Bee, Jack’s girlfriend, who has yet
to reveal to anyone why she came to NYC. They are roommates and want to have
a New Year Eve party to remember, so Jack calls Jesus, a drug dealer, to drop off
some stuff to their apartment so they can celebrate the end of the year in style.
They actually don’t know Jesus and his background. However, his visit that night
will change their lives forever.
PÀxÁ¸ÁgÀ
xÁAiÀiï£À ºÀ¢ºÀgÀAiÀÄzÀ ªÀÄƪÀgÀÄ £ÀÆåAiÀiÁPïð £ÀUÀgÀPÉÌ §gÀÄvÁÛgÉ. eÁPï xÁAiÀiï¯ÉAqï£À
²æêÀÄAvÀ£ÉƧâ£À ¥ÀÄvÀæ. ¥ÁªÀiï, AiÀiÁgÀ£ÁßzÀgÀÆ M°¹PÉƼÀÄîªÀ bÁw EgÀĪÀ ®ªÀ®«PÉAiÀÄ
ºÀÄqÀÄV. ©Ã, eÁPï£À UɼÀw. EªÀgÉ®è £ÀÆåAiÀiÁPïðUÉ KPÉ §A¢zÁÝgÉ J£ÀÄߪÀÅzÀ£ÀÄß
AiÀiÁgÀÆ ºÉüÀÄwÛ®è. CªÀgÉ®è MAzÉà gÀÆ«Ä£À°è vÀAVzÁÝgÉ ºÁUÀÆ J®ègÀÆ ¸ÉÃj ºÉƸÀ
ªÀµÁðZÀgÀuÉ ªÀiÁqÀ®Ä GvÀÄìPÀgÁVzÁÝgÉ. CzÀPÁÌV eÁPï qÀæUï rîgï eÉøÀÄUÉ PÀgɪÀiÁr,
vÀ£Àß C¥ÁmïðªÉÄAnUÉ CzÀ£ÀÆß MzÀV¸ÀĪÀAvÉ PÉÆÃgÀÄvÁÛ£É. eÉøÀÄ AiÀiÁgÀÄ, CªÀ£À
»£Éß¯É K£ÀÄ JA§ÄzÀÄ ªÀÄƪÀjUÀÆ w½¢®è. CªÀ£À ¨sÉÃn CA¢£À gÁwæAiÀÄ£ÀÄß JA¢UÀÆ
ªÀÄgÉAiÀÄzÀAvÉ ªÀiÁrvÀÄ.
Nominated Best Film - Puchon IFF, Thailand National Film Association Awards, Udine
AWARDS Far East FF | Nominated Best Director - Thailand National Film Association Awards |
Won Best Actor - David Asavanond, Best Screenplay -Nattawut Poonpiriya , Best Editing
- Panayu Kunvanlee @Thailand National Film Association Awards.
CREW Kunvanlee
NATTAWUT POONPIRIYA
Sound/Music :
Producer : Hualampong
Jira Maligool, Riddim Nattawut "Baz" Poonpiriya born 24 March 1981 is a
Vanridee Thai director, graduated Master of Fine Arts in stage
Pongsittisak, CAST directing from Srinakharinwirot University. He
Suvimon worked mainly on television commercials for
Techasupinun Pachara three years before moving to New York to
Screenplay : Chirathivat,
study graphic design at Pratt Institute. After
Nattawut Jarinporn
Joonkiat,
returning to Thailand in 2011, he worked as
Poonpiriya
Pattarasaya a music video director before directing his
DOP :
Niramon Ross Kreuasuwansri, first feature film, the horror thriller
Editor : David Countdown. He is best known for the
Panayu Asavanond thriller films Countdown and Bad Genius.
ºÁmïð CmÁåPï
SYNOPSIS
A top graphics designer is given assignment one after the other from companies
that need their ad campaigns retouched and models imperfections brushed
awa e ushes himself not slee in for five strai ht a s livin on a otent
rew of e ull an the first an r re s ots a ear on the a of his ne
and slowly spread to the rest of his body. Forced to visit a doctor but embarrassed
to discover an attractive young medical student who needs to examine his penis.
he onl meet for a few minutes ea h month ut it s enou h to motivate him
and expectations for romance to bloom.
PÀxÁ¸ÁgÀ
DvÀ Á»ÃgÁvÀÄ PÀA¥À¤AiÀÄ UÁæ¦Pï r¸É £Àgï. ºÀUÀ gÀļÀÄ PÉ®¸À ªÀiÁr DvÀ ¼À zÀÝ.
PÀÄrvÀzÀ ¨sÁ ¸ÀªÀ vÀÄÛ. AzÀÄ ¢£À ªÀ£À PÀÄ ÛUÉAiÀÄ PÉA¥ÀÄUÀļÉAiÉÆAzÀÄ PÁ ¹PÉÆArvÀÄ.
PÀæªÉÄà ªÀ£À zÉúÀªÉ Á ºÀgÀrPÉÆArvÀÄ. ªÉ zÀ gÀ ½ ºÉÆÃUÀĪÀ zÀÄ ¤ªÁAiÀÄðªÁ ÄvÀÄ.
D¸ÀvÉæAiÀÄ DPÀµÀðPÀ jAiÀÄ ªÉ zÉ ªÀ¤UÉ PÉ®¸ÀzÀ vÀÛqÀ PÀrªÉÄ ªÀiÁrPÉƼÀĪÀ ® ¸À®ºÉ
¤ÃrzÀ¼ÀÄ. Á Ä ÉUÉ ªÀ£À ¨ÉÃgÉÆAzÀÄ ¸ÀºÀªÁ¸ÀªÀ PÁgÀ ªÁ gÀ ºÀÄzÀÄ £ÀÄߪÀ zÀÄ
ªÀ¼À £ÀĪÀiÁ£À. zÀ£ÀÄß ¥ÀvÉÛºÀZÀÑ®Ä ªÀ£À ¼ÁAUÀ ¥Àjà ¸À®Ä ªÀÄÄAzÁzÀ¼ÀÄ ¸ÀAPÉÆÃZÀzÀ
ªÀÄÄzÉÝAiÀiÁzÀ £ÁAiÀÄPÀ zÀjAzÀ ºÉÃUÉ ¥ÁgÁzÀ ªÀ£ÀÄ D ªÉ zÉ AAiÀÄ ºÉÃUÉ £ÀÄgÀPÀÛ£ÁzÀ.
Won Best Film - Osaka Asian FF, Thailand National Film Association Awards | Won
AWARDS Best Director, Best Actor - Sunny Suwanmethanont , Best Editing - Chonlasit
Upanigkit , Best Screen Play - Nawapol Thamrongrattanarit @ Thailand National
Film Association Awards.
CREW NAWAPOL
Producer : Sound/Music :
THAMRONGRATTANARIT
Damrong- Vichaya Vatanasapt Nawapol Thamrongrattanarit is a Thai writer,
chaitham, Jira screenwriter and film director. His notable work are
Maligool CAST "Mary Is Happy, Mary Is Happy" and "Heart
Screenplay :
Nawapol Sunny Attack" which has won several awards in the
Thamrongrat- Suwanmeth- Suphannahong National Film Awards
tanarit anont, Davika
DOP : Hoorne,
Niramon Ross Violette
Editor : Wautier,
Chonlasit Torpong
Upanigkit Chantabubpha
®zÁÝ ¯ÁåAqï
SYNOPSIS
hee a stru lin ear ol mar etin o er moves from an o to a alan
an u s ale housin evelo ment with lar e eautiful homes rin in alon his
wife Parn his re ellious au hter an an livel oun son at hee is ertain that
the move is the est o tion to answer all of his finan ial ro lems hile a alan
a ears to e a relativel or inar uiet nei h orhoo hee an his famil reali e
that somethin is wron with the environs when the en ounter a series of terrif in
aranormal events that rives the famil to the e e of insanit
PÀxÁ¸ÁgÀ
EzÉÆAzÀÄ ºÁgÀgï avÀæ. 40 ªÀµÀð ªÀAiÀĹì£À ªÀiÁPÉðnAUï C¢üPÁj yÃ, ºÀtPÁ¹£À
vÉÆAzÀgÉ ÄAzÁ ¨Á APÁPï¤AzÀ ®qÁ Á AqïUÉ ªÀÄ£É zÀ ¸ÀÄvÁÛ£É. PÀrªÉÄ ¨ÁrUÉ
zÉÆqÀ ºÁUÀÆ ¸ÀÄAzÀgÀªÀÄ£É ÃAiÀÄ ¥À ß ¥ÀgÀ£ï zsÉ AiÀÄðªÀAvÉ ªÀÄUÀ¼ÀÄ £Á£ï ºÁUÀÄ
¦æà ¥ÁvÀæ ¥ÀÄvÀæ £Á ï ®jUÀÆ µÀÖªÁUÀÄvÀÛzÉ. zÉÆAzÀÄ ¸ÁzsÁgÀ £ÀUÀgÀ
£ÉgɺÉÆgÉAiÀĪÀgÀÆ ®gÀÆ ¼ÉAiÀĪÀgÉà D zÀÝgÀÄ. DzÀgÉ ¢£ÀUÀ¼ÉzÀAvÉ D ªÀÄ£ÉAiÀÄ £ÉÆÃ
¨sÀÆvÀZÉõÉÖ £ÀqÉAiÀÄÄ ÛzÉ £ÀÄߪÀ zÀÄ Ã ªÀÄ£ÉAiÀÄ ®jUÀÆ ¤¸ÀvÉÆqÀUÀÄvÀÛzÉ. D ªÀÄ£ÉAiÀÄ
¨Á® AiÉÆ ¼À ±ÀªÀ gɦæ gÉÃlgï£À ¥ÀvÉÛAiÀiÁ ÄvÀAvÉ. zÀÄ ªÀÄ£ÉAiÀĪÀgÀ£Éß Á
PÁqÀ ÁgÀA©¹vÀAvÉ. gÁ æAiÀiÁ ÄvÉAzÀgÉ ®jUÀÆ ¢ ®Ä. ¨sÀAiÀiÁ£ÀP £ÀPÀ £ÀĨsÀªÀ.
Won Best Film - Thailand National Film Association Awards | Won Best Actor -
AWARDS Piyathida Woramusik, Best Makeup - Pichet Wongjansom , Best Editing - Thammarat
Sumethsupachok, Best Screenplay @ Thailand National Film Association Awards.
CREW Sumethsupachok
SOPHON SAKDAPHISIT
Sound/Music :
Producer : Hualampong Riddim,
Jira Maligool, Vichaya Vatanasapt Sophon Sakdaphisit is a 36 year old Thai filmmaker
Vanridee CAST and screenwriter born on 2 March 1982 well known
Pongsittisak for his movies Laddaland (2011),Coming Soon
Screenplay : Saharat (2008), The Swimmers (2014)
Sopana Sangkapreecha,
Chaowwiwatkul, Piyathida
Sophon Woramusik,
Sakdaphisit Sutatta
DOP : Udomsilp,
Kittiwat Saemarat Athipich
Editor : Chutiwatka-
Thammarat jornchai
CONTACT: ROYAL THAI COUNSULATE, CHENNAI
163 LAVANC34@YAHOO.CO.IN
ONE DAY
M£ï qÉÃ
SYNOPSIS
Denchai who doesn’t get along with his co-workers well, falls in love with Noui
one of his co-worker who was different from others, apparently, she is already
married. Then one day, they all went on a trip to Japan and at the end of the trip,
Noui decided to commit suicide due to recently discovered that her boss will not
get a divorce with his wife but failed and resulted in her losing her short term
memory for a day. Denchai then decides to put this opportunity to good use by
telling Noui that they are in love.
PÀxÁ¸ÁgÀ
¸Á¥sïÖªÉÃgï PÀA¥À¤AiÀÄ qÉA ¤¥ÀÄ PÉ®¸ÀUÁgÀ. ®gÀÆ ªÀ¤AzÀ PÉ®¸À PÀ AiÀÄĪÀªÀgÉÃ.
DzÀgÉ DvÀ AiÀiÁgÉÆA¢UÀÆ ºÉZÀÄÑ ¨ÉgÉAiÀÄÄ ÛgÀ ®. D PÀA¥À¤AiÀÄ PÉ®¸À ªÀiÁqÀĪÀ
®j AvÀ ©£ÀߪÁ AiÉÄà gÀĪÀ £ÀÆ ÄAiÀÄ ªÉÄÃ É ªÀ¤UÉ ¦æà ºÀÄlÄÖvÀÛzÉ. DzÀgÉ
DPÉUÉ DUÀ Éà ªÀÄzÀĪÉAiÀiÁ gÀÄvÀÛzÉ. PÀA¥À¤AiÀÄÄ ® PÉ®¸ÀUÁgÀjUÉ ¥Á£ï ¥ÀæªÁ¸À
¥Àðr¸ÀÄvÀÛzÉ. PÀA¥À¤AiÀÄ ¨Á¸ï ÉÆvÉ £À ªÀÄ£À ¸ÁÛ¥À¢AzÀ £ÀÆ Ä DvÀ ºÀvÉ UÉ
AiÀÄ ß¸ÀÄvÁÛ¼É. ¥ÉnÖ¤AzÁ DPÉ AzÀÄ ¢£ÀzÀ ªÀÄnÖUÉ ¸À PÀ¼ÉzÀÄPÉƼÀÄvÁÛ¼É. ªÀ¼À
DgÉ PÉ ªÀiÁqÀĪÀ qÉA zÉà ªÀPÁ±ÀªÀ£ÀÄß ¼À¹PÉÆAqÀÄ vÁ£ÀÄ ¦æà ¸ÀÄ ÛgÀĪÀ
µÀAiÀĪÀ£ÀÄß ªÀ½UÉ ½¸À®Ä ªÀPÁ±ÀªÀ£ÀÄß ¼À¹PÉƼÀÄvÁÛ£É.
Nominated Best Film - Thailand National Film Association Awards | Won Best Actor
AWARDS - Chantavit Dhanasevi & Nittha Jirayungyurn @ Thailand National Film Association
Awards.
¥sÇÉ Ã©AiÀiÁ 2
DIRECTOR - BANJONG PISANTHANAKUN, VISUTE
POOLVORALAKS, PAWEEN PURIKITPANYA, SONGYOS
THAILAND SUGMAKANAN, PARKPOOM WONGPOOM
THAILAND / 2009 / THAI / 125 MIN.
SYNOPSIS
Pho ia is om ose of five short movie se ments ire te five of the est
ire tors of hai horror films teena er who ommitte a rime oes to a sa re
la e for me itation an hi in that rin s him fri ht an uilt a out what he
i oun man ets haunte in an hos ital an ol man in oma who s not
too far from him wo men alon with two hit hhi ers in a tru ot into a i
trou le after o enin the a se on han ar ealer reali es what the revious
ar owners assen ers ha terri l een into n ill har wor in a tress whose
role is a host is re orte ea after she was rou ht to the hos ital
PÀxÁ¸ÁgÀ
zÀÄ ºÁgÀgï PÀvÉ. ºÁgÀgï vÀæUÀ¼À£ÀÄß ¤zÉÃð ¸ÀĪÀ ªÀgÀÄ ±ÉæõÀ ÁAiÀiï ¤zÉÃð±ÀPÀjAzÀ
zÀÄ PÀ É gÀĪÀ ¥sÉÆéAiÀiÁ ¸ÀgÀ AiÀÄ gÀqÀ£Éà vÀæ zÀÄ. ¥ÀgÁzsÀ ¸À gÀĪÀ
¨Á®PÀ£ÉÆ ±ÁA gÀ¹ AiÉÆÃUÀPÉÃAzÀæPÉÌ ºÉÆÃUÀĪÀ zÀÄ AzÀÄ zsÁ AiÀÄ. D¸ÀvÉæAiÀÄ gÀĪÀ
AiÀÄĪÀPÀ£ÉÆ £À£ÀÄß PÉÆêÀiÁzÀ gÀĪÀ ªÀ zÀ£ÉÆ ¸ÀvÁ ĸÀĪÀ zÀÄ ªÀÄvÉÆÛAzÀÄ PÀvÉ. gÀÄ
ªÀÄzsÀ ªÀAiÀĸÀÌgÀÄ ºÁUÀÆ gÀÄ ¨Á®PÀgÀÄ vÁªÀ ¥ÀAiÀÄ ¸ÀÄ ÛzÀÝ læPï£À »A¨Á ®Ä
vÉgÉzÁUÀ vÉÆAzÀgÉUÉ ¹®Ä PÉƼÀÄvÁÛgÉ. zɪÀzÀ ¥ÁvÀæ ªÀiÁqÀĪÀ ¸À¸À £ÀnAiÀÄ£ÀÄß D¸ÀvÉæUÉ
PÀgÉvÀgÀĪÁUÀ Éà DPÉ PÉÆ£ÉAiÀÄĹgɼɢgÀÄvÁÛ¼É. »ÃUÉ zÀÆ PÀvÉUÀ¼ÀÄ vÀæzÀ ºÁgÀgï
¸ÀgÀÆ¥ÀªÀ£ÀÄß ºÉüÀÄvÀÛªÉ.
Nominated best Actor, Makeup, Visual effects, sound @ Thailand National Film
AWARDS Association Awards.
CREW Editor :
Paween Purikitpanya,
Producer : Boonsak Watanavisit
Vanridee Sound/Music : BANJONG PISANTHANAKUN, VISUTE
Pongsittisak, Pran Therdsak Chanpan, POOLVORALAKS, PAWEEN PURIKITPANYA,
Tadaveerawat, Chatchai
SONGYOS SUGMAKANAN, PARKPOOM WONGPOOM
Suvimon CAST
Techasupinun,
Screenplay : Jirayu
Nitis La-Ongmanee,
Napichayasutin, Ray Macdonald,
DOP : Chumphorn
Naruphol Thepphithak,
Chokanapitak, Apasiri
Niramon Ross Nitibhon
ºÉª£
É ï D£ï Cxïð
CANADA
DIRECTOR - DEEPA MEHTA
CANADA / 2008 / PUNJABI | ENGLISH / 106 MIN.
SYNOPSIS
Chand is a middle-class girl, who enters into an arranged marriage with Rocky,
an Indian émigré, living in Canada. Following a lavish ceremony, we follow Chand
as she begins her new life abroad. But the dream soon turns sour as Rocky and
his mother conspire to make Chand’s life hell, through violence and abuse. But
when a friend gives Chand a magical tree root, claiming it will make Rocky fall
in love with her, it exerts a strange and powerful magic which leads Chand into
a mysterious parallel existence of marital bliss…
PÀxÁ¸ÁgÀ
ZÁAzï ªÀÄzsÀ ªÀÄ ªÀUÀðzÀ AiÀÄĪÀ . »jAiÀÄgÀÄ ¤zsÀðj¹zÀ ¨sÁgÀ ÃAiÀÄ ªÀÄÆ®zÀ
PÉ£ÀqÁzÀ £É ɹgÀĪÀ gÁ AiÀÄ ÉÆvÉ ªÀ¼ÀÄ ªÀÄzÀĪÉAiÀiÁUÀÄvÁÛ¼É. zÀÆÝjAiÀiÁ
ªÀÄzÀĪÉAiÀiÁUÀÄvÀÛzÉ. ZÁAzï zÉñÀzÀ PÉ »rzÀªÀ£ÉÆA¢UÉ £ÀªÀ êÀ£À
DgÀA©¸ÀÄvÁÛ¼É. DzÀgÉ ZÁAzï DAvÀjPÀ P lÄA©PÀ PÀ®ºÀzÀ £À®Ä £ÉªÀÄ ¢AiÀÄ
zÀÄPÀÄ zÀÆgÀªÁUÀÄvÀÛzÉ.
Nominated Best Film - Directors Guild of Canada, Vancouver Film Critics Circle,
AWARDS Dubai IFF | Won Best Actor - Preity Zinta @ Chicago IFF | Won Best Screenplay -
Dubai IFF
¹èæAUï eÉÊAmï
CANADA
DIRECTOR - ANDREW CIVIDINO
CANADA / 2015 / ENGLISH / 89 MIN.
SYNOPSIS
Teenager Adam is spending his summer vacation with his parents on rugged
Lake Superior. His dull routine is shattered when he befriends Riley and Nate,
smart aleck cousins who pass their ample free time with debauchery and reckless
cliff jumping. The revelation of a hurtful secret triggers Adam to set in motion a
series of irreversible events that test the bonds of friendship and change the
boys forever.
PÀxÁ¸ÁgÀ
¸ÁºÀ¸ÀzÀ°è M§âjVAvÀ M§âgÀÄ «ÄV¯ÁVgÀĪÀ ªÀÄƪÀgÀÄ ºÀ¢ºÀgÀAiÀÄzÀ ºÀÄqÀÄUÀgÀÄ
vÀªÀÄä ¸ÁºÀ¸ÀPÁAiÀÄðUÀ¼À KPÀvÁ£ÀvɬÄAzÀ vÀ¦à¹PÉƼÀî®Ä GvÀÛgÀ MAmÁjAiÉÆÃzÀ
£À¢wÃgÀzÀ gɸÁmïð MAzÀgÀ°è vÀAUÀÄvÁÛgÉ. ªÀÄƪÀgÀ fêÀ£ÀzÀ®Æè ºÀÄqÀÄVAiÉƧâ¼ÀÄ
¥ÀæªÉò¹zÁUÀ, CªÀgÀ ¸ÉßúÀzÀ ¸ÀvÀé ¥ÀjÃPÉëAiÀiÁUÀÄvÀÛzÉ.
Won Best Film – Ghent IFF, Mumbai FF, Munich FF, Reykjavik IFF (FIPRESCI), Toronto
AWARDS IFF | Nominated Best Film – Cannes FF, Ghent IFF, Athens IFF, Palm Springs IFF,
Toronto Film Critics Association Awards | Won Best Director – Munich FF, Vancouver
Film Critics Circle.
SYNOPSIS
he film is an interview of late author s ri twriter an ational war winnin
filmma er a en u hosh e s ea s a out his asso iation with his film uru
imal o in the interview with the latter s son o imal o n his outh the
writer was move e on wor s on wat hin a en ali film that was la e in
one of the lo al theatre in a shahi whi h han e his life hrou hout this
o umentar what erha s stri es the viewers the most is the la i unassumin
harm of a man so immensel talente a man who seeme more een on
tal in a out the eo le he ha wor e with than a out himself
PÀxÁ¸ÁgÀ
§AUÁ½ ¸Á»w, ºÁUÀÆ avÀæPÀvÉUÁgÀ, gÁµÀÖç¥Àæ±À¹Û ¥ÀÄgÀ¸ÀÌøvÀ £À¨ÉÃAzÀÄ WÉÆõï CªÀgÀ
§UÉÎ CªÀgÀ ¥ÀÄwæ gÀvÉÆßÃvÀÛªÀÄ ¸ÉãïUÀÄ¥ÀÛ CªÀgÀÄ vÀAiÀiÁj¹gÀĪÀ F ¸ÁPÀëöåavÀæ
AUÁ½ ¹¤ªÀiÁzÀ ºÀ®ªÁgÀÄ PÀÄvÀƺÀ®PÀgÀ µÀAiÀÄUÀ¼À£ÀÄß ºÉÆA¢zÉ. ¸ÀÄ ÁvÀ
A¢¤ zÉêÀzÁ¸ï ©ªÀiÁ£ï ùæPÀ¸ÀªÀiï ªÉÆzÀ ÁzÀ PÁ¹Pï vÀæUÀ¼À DvÀ ªÉÃ
DzÀ vÀæPÀvÉAiÀÄ£ÀÄß gÀ ¹zÀªÀgÀÄ £À¨ÉÃAzÀÄ ÉÆõï. ªÀgÀÄ ©ªÀÄ ïgÁAiÀiï
ªÀgÉÆA¢ £À £ÀĨsÀªÀUÀ¼À£ÀÄß ºÀA PÉÆArgÀĪÀ zÀÄ UÁæ Äà ¥ÀæzÉñÀzÀ ÉA ïUÀ¼À
¥ÀæzÀ±Àð£À PÁ ĪÀ ZÀ®£À vÀæUÀ¼À£ÀÄß £ÉÆÃqÀÄvÀÛ Éà ¨É¼ÉzÀzÀÄÝ ¹¤ªÀiÁzÀ UÀÄAUÀÄ »rzÀÄ
vÀægÀAUÀPÉÌ AzÀzÀÄÝ ªÉÆzÀ ÁzÀ £À¨ÉÃAzÀÄ ªÀgÀ £À gÁzÀ êÀ£Á£ÀĨsÀªÀ
PÀ À£ÀUÀ¼À£Éß® ¸ÁPÀ vÀæzÀ PÁ ºÀÄzÀÄ.
SYNOPSIS
he stor of n ia s first ra ti in la o tor so ial re el an me i al ioneer
who ave the wa for a fi ht a ainst en er is rimination
PÀxÁ¸ÁgÀ
¨sÁgÀvÀzÀ ªÉÆzÀ® ªÀÄ»¼Á ªÉÊzÉå. °AUÀ vÁgÀvÀªÀÄåzÀ «gÀÄzÀÞ ºÉÆÃgÁlPÉÌ ¸ÀÆàwð
vÀÄA©zÀ ¸ÁªÀiÁfPÀ PÁAiÀÄðPÀvÉð ºÁUÀÆ ªÉÊzÀåQÃAiÀÄ ¯ÉÆÃPÀzÀ «¸ÀäAiÀÄ.
J¯ï EAPÁ
DIRECTOR - IGNACIO CASTILLO COTTIN
VENEZUELA / 2016 / SPANISH / 128 MIN.
SYNOPSIS
Valero, aka “El Inca,” rose from humble Andean roots to being an international
celebrity by defeating one rival after another—he set a world record by winning
his first fi hts with a first roun no out ut as alero s rofessional life
loome his ersonal life e an to sta er is tra i love stor with inse urities
lea in to marital infi elities an erilous a i tion as e ts of alero s life that
still s ar ontrovers he onl fi ht he lost was the one a ainst himself
PÀxÁ¸ÁgÀ
ªÉ¯ÉgÉÆà C°AiÀiÁ¸ï “J¯ï EAPÁ” DArAiÀÄ£ï ªÀÄÆ®zÀ ¸ÁzsÁgÀt ªÀåQÛ. DvÀ vÀ£Àß
J®è JzÀÄgÁ½UÀ¼À£ÀÄß ¸ÀvÀvÀªÁV ¸ÉÆð¸ÀĪÀ ªÀÄÆ®PÀ CAvÀgÀgÁ¶ÖçÃAiÀÄ SÁåw
UÀ½¸ÀÄvÁÛ£É. DvÀ vÀ£Àß ªÉÆzÀ® 18 ºÉÆÃgÁlUÀ¼À°è ªÉÆzÀ® ¸ÀÄwÛ£À¯Éèà d¬Ä¸ÀĪÀ
ªÀÄÆ®PÀ «±ÀézÁR¯É §gÉAiÀÄÄvÁÛ£É. vÀ£Àß ªÀÈwÛ §zÀÄPÀÄ GvÀÄÛAUÀPÉÌÃgÀÄwÛzÀÝAvÉAiÉÄÃ,
ªÉ¯ÉgÉÆãÀ ªÉÊAiÀÄQÛPÀ §zÀÄPÀÄ ¥ÁvÁ¼ÀPÉÌ PÀĹAiÀÄvÉÆqÀUÀÄvÀÛzÉ. C¨sÀzÀævÉ ºÁUÀÆ zÀÄgÀAvÀ
¥ÉæêÀÄPÀvɬÄAzÁV «±Áé¸ÀWÁvÀÄPÀvÀ£ÀzÀ°è PÉÆ£ÉUÉƼÀÄîªÀ ªÉʪÁ»PÀ fêÀ£À;
C¥ÁAiÀÄPÁj ªÀå¸À£À. EªÀÅUÀ¼ÀÄ ªÉ¯ÉgÉÆãÀ §zÀÄQ£À ¨sÁUÀªÁV «ªÁzÀPÉÌ £ÁA¢
ºÁqÀÄvÀÛªÉ. ºÉÆÃgÁlzÀ°è ¥ÀæwAiÉƧâgÀ£ÀÆß ¸ÉÆð¹zÀ ªÉ¯ÉgÉÆà CAwªÀĪÁV vÀ£Àß
fêÀ£ÀzÀ°è vÀ£ÉÆßA¢V£À ºÉÆÃgÁlzÀ°è vÁ£Éà ¸ÉÆÃvÀĺÉÆÃUÀÄvÁÛ£É.
Best Foreign Language Film Entry - Oscars 2018, Won Best Film - Festival del Cine Venezolano
AWARDS | Nominated Best Film - International Film Festival of India, Miami FF, Morelia IFF, São Paulo
IFF |Won Best Director - Festival del Cine Venezolano | Best Actor - Alexander Leterni @
Festival del Cine Venezolano | Best Editor, Makeup, Music @ Festival del Cine Venezolano
¤ÃPÉÆ, 1988
DIRECTOR - SUSANNA NICCHIARELLI
ITALY | BELGIUM / 2017 / ENGLISH | GERMAN / 94 MIN.
SYNOPSIS
This bio-pic addresses the self-destructive side of the German singer, actress
and model Christa Paffgen. She was professionally called as ‘Nico’ by the whole
world after her collaboration and sudden popularity with Andy Warhol and The
Velvet Underground. Yet unexpectedly, her life takes a twirls as she starts
struggling with her drug addiction, but also to be taken seriously as songwriter
and artist. Also, her reunion with her teenage son Ari.
PÀxÁ¸ÁgÀ
¤ÃPÉÆà A A vÀ£ÁªÀÄ¢AzÀ Éà ¥Àæ Á vÀ¼Á gÀĪÀ æ¸ÁÛ ¥À¥sÀ É£ï ªÀÄð¤AiÀÄ ¥Àæ¹zÀ
gÁPï ¹AUÀgï. ¸ÀA ÃvÀUÁ ð ÃvÀgÀZÀ£ÉUÁ ð ªÀiÁqÉ ï £Àn. £ÀÆ AiÀiÁPïð£À
¤zÉÃð±ÀPÀ DAr ªÁgÉÆà ï vÀAqÀzÀ ÉÆvÉ PÉ®¸À ªÀiÁrzÀ £ÀAvÀgÀ ªÀ¼À Á ªÀÄvÀÛµÀÄÖ
ºÉ ÑvÀÄ. ªÉÆzÀ® D®A ªÉ É ï AqÀgïU æAqï ªÀ¼À£ÀÄß ªÀÄvÀÛµÀÄÖ £À¦æAiÀÄUÉƽ¹vÀÄ.
ɪÀiÁj zÀÄPÀÄ £ÀĨsÀ ¹zÀ ¤PÉÆ gÀªÀvÀÛgÀ zÀ±ÀPÀzÀ l ªÀÄÆ®PÀ ªÀiÁ AZɸÀÖgï
UÉ ¥ÀæAiÀiÁ ¨É¼É¸ÀÄvÁÛ¼É. zÉÆAzÀÄ gÉÆÃZÀPÀ ¥ÀAiÀÄ . ®zÉ ªÀiÁzÀPÀªÀ ¸À£ÀPÉÌ vÀÄvÁÛ gÀĪÀ
DPÉ ÃvÀ gÀZÀ£É ºÁUÀÆ ªÀiÁqÉ AUï £ÀÄß UÀA©ÃgÀªÁ ¥ÀjUÀ ¹gÀÄvÁÛ¼É. vÀ£ÀUÁ
ºÁUÀÆ PÉ PÀ ¥ÀÄvÀæ£À ¨sÀ µÀ PÁÌ ¥ÀjvÀ¦¹zÀgÀÆ DPÉAiÀÄ P lÄA©PÀ êÀ£ÀzÀ ¸ÀAvÀ¸À
ªÀÄvÀÄÛ £ÉªÀÄ ¢ ªÀÄjà PÉAiÀiÁ AiÉÄà ½ ÄvÀÄ.
Won Best Film - Venice FF, Les Arcs European FF (Grand Jury prize) | Nominated
AWARDS Best Film – Göteborg FF | Nominated Best script - Les Arcs European FF
jqËl§¯ï
DIRECTOR - MICHEL HAZANAVICIUS
FRANCE / 2017 / FRENCH | ITALIAN / 107 MIN.
SYNOPSIS
ean u o ar the lea in filmma er of his eneration in Paris is shootin
a hinoise with the woman he loves nne ia ems ears his unior he
are ha attra tive in love an the marr ut the film s re e tion unleashes
a rofoun self e amination in ean u he events of a will am lif this
ro ess an the risis that sha es the filmma er will transform him rofoun l
from a star ineaste to a aoist artist entirel outsi e the s stem as misun erstoo
as he is in om rehensi le
PÀxÁ¸ÁgÀ
CzÀÄ 1967. ¥Áåj¸ï £ÀUÀgÀ. fÃ£ï ®ÆåPï UÉÆqÁqïð D PÁ®zÀ ¥Àæ¹zÀÞ ZÀ®£ÀavÀæ
¤ªÀiÁð¥ÀPÀ. D£ï ªÀAiÀÄgÉ ÄªÀiï DvÀ¤ AvÀ 0 ªÀµÀð PÀ̪À¼ÀÄ. gÀÆ ¥ÉæêÀÄ¥Á±ÀzÀ
¹®Ä ªÀÄzÀĪÉAiÀiÁUÀÄvÁÛgÉ. gÀ ¥Á j¸ï £ÀUÀgÀzÀ ZÀ®£À vÀæzÀ æÃPÀgÀ zÀ
ªÀj gÀÆ vÉÆqÀ PÉƼÀÄvÁÛgÉ. vÀæ ©qÀÄUÀqÉAiÀiÁ ¥ÉæÃPÀPÀjAzÀ ¹UÀĪÀ ©¥ÁæAiÀÄUÀ¼ÀÄ
DvÀ£À£ÀÄß ¸À ªÀıÉðUÉ vÉÆqÀUÀĪÀAvÉ ªÀiÁqÀÄvÀÛªÉ. gÀ ¸À ªÀıÉð êÀæªÁ
ªÀ£ÉƼÀUÉ DAvÀjPÀ ºÉÆÃgÁl DgÀA¨sÀªÁUÀÄvÀÛzÉ. DAvÀjPÀ ¸ÀA ÀµÀð PÉÆ£ÉUÉ Ã£ï
®Æ Pï UÉÆqÁqïð ªÀiÁªÉ êÁ¢ PÀ Á zÀ£Á zÀ ÁUÀĪÀAvÉ ªÀiÁqÀÄvÀÛzÉ.
ÀðªÁUÀzÀ ªÀ ªÀ¸ÉAiÀÄAvÉ UÉÆqÁqïð PÀÆqÀ ¤UÀÆqsÀªÁ ½zÀÄ©qÀÄvÁÛ£É.
½zÀÄ©qÀÄv
Nominated Best Film - Cannes FF, Munich FF | Nominated Best Director - Lumiere
AWARDS Awards, France | Nominated Best Actor Louis Garrel @ Lumiere Awards, France.
¸ÀÆ
É Ã¯ÉÆÃ, ¸Á°lÆåqï
DIRECTOR - YOSEP ANGGI NOEN
INDONESIA / 2016 / INDONESIAN / 97 MIN.
SYNOPSIS
The authoritarian Suharto regime has been in power for three decades. Poet
Wiji Thukul is a fearless critic of the government and his lines are chanted by
crowds at demonstrations. When in July 1996 riots break out in Jakarta, Wiji and
other a tivists are hel res onsi le e ees to Pontiana on orneo han es
his i entit several times ut the se aration from his famil is a heav ur en
As a dissident he has to remain visible to be heard. The biopic hauntingly
describes the loneliness of exile and portrays the famous Indonesian writer’s
last weeks, who has been missing since 1998.
PÀxÁ¸ÁgÀ
dPÁvÁðzÀ°è DqÀ½vÀzÀ PÀ¦ªÀÄÄ¶× ªÀÄÆgÀÄ zÀ±ÀPÀUÀ¼À PÁ® ¸ÀĺÁvÉÆÃð »rvÀzÀ°èvÀÄÛ.
¸ÀPÁðgÀzÀ PÀlÄ nÃPÁPÁgÀ£ÁVzÀÝ PÀ« «fvÀÄPÁ¯ï §gÉzÀ §AqÁAiÀÄ PÀ«vÉUÀ¼À ¸Á®ÄUÀ¼À£ÀÄß
¥Àæw¨sÀl£ÁPÁgÀgÀÄ ¥Àæw¨sÀl£É ¸ÀªÀÄAiÀÄzÀ°è WÉÆõÀuÉUÀ¼À ªÀÄÆ®PÀ PÀÆUÀÄwÛzÀÝgÀÄ. dPÁvÁðzÀ°è
1996 gÀ°è UÀ®¨sÉUÀ¼ÀÄ ¨sÀÄV¯ÉzÀݪÀÅ. EzÀPÉÌ «f ¸ÉÃjzÀAvÉ ºÀ®ªÁgÀÄ ¥Àæw¨sÀl£ÁPÁgÀgÀÄ
ºÉÆuÉAiÀiÁVzÀÝgÀÄ. ¸ÀPÁðgÀ §A¢ü¸ÀĪÀ ªÀÄÄ£ÀߪÉà «f ¨ÉÆgÀ£ÉÆÃUÉ ¥À¯ÁAiÀÄ£À ªÀiÁrzÀ.
ºÀ®ªÁgÀÄ ¨Áj vÀ£Àß ºÉ¸ÀgÀÄ §zÀ°¹PÉÆAqÀ. DzÀgÉ PÀÄlÄA§¢AzÀ zÀÆgÀªÁVgÀĪÀÅzÉÃ
ªÀ¤UÉ AiÀiÁvÀ£ÉAiÀÄ µÀAiÀĪÁ vÀÄÛ. DvÀ PÀ É zÉñÀ¢AzÀ ºÉÆgÀºÁPÀ®lÖªÀ£À
PÁAvÀvÉAiÀÄ£ÀÄß æ¸ÀÄvÀÛzÉ ºÁUÀÆ jAzÀ PÀ gÉAiÀiÁ gÀĪÀ AqÉÆãÉà AiÀiÁzÀ
¥ÀæSÁåvÀ ¸Á»wAiÉƧâ£À PÉÆ£ÉUÀ½UÉAiÀÄ fêÀ£ÀªÀ£ÀÄß ºÉüÀÄvÀÛzÉ.
Won Best Film - Jogja-NETPAC Asian FF | Nominated Best Film – Hamburg FF,
AWARDS o arno Pa ifi eri ian inema
SYNOPSIS
One evening in February 2009, I stop at a gas station at the exit of Ajaccio, Corsica.
he en ine of m ar is rownin ere am i in throu h ma a ines an
ma a ines from the orner oo store n arti le in a histori al review at hes
m e e ntitle ia aria e astifao it tells the stor of a woman name ia
aria who ha sheltere urin the war a ewish fu itive ia aria is a tuall
m reat ran mother an this stor is that of her se ret unveile in this arti le
his arti le that e omes the startin oint of this film this film as a uest
loo in throu h its se ret a m thi al an estor that have never nown
PÀxÁ¸ÁgÀ
¥sÉ æªÀj 00 gÀ ¸ÀA ÉAiÀÄ ¸ÀªÀÄAiÀÄ. PÁ¹ðPÁ Á AiÉÆà UÀr ¤UÀðªÀÄ£À zÁgÀzÀ
½AiÀÄ UÁ ¸ï ¸ÉÖõÀ£ï£À £Á£ÀÄ PÁgÀÄ ¤ ¹zÉÝ. ªÀÄÆ ÉAiÀÄ zÀÝ ¥ÀĸÀÛPÀzÀ AUÀrAiÀÄ
£Á£ÀÄ ªÀiÁ UÀ £ïUÀ¼À£ÀÄß gÀÄ ºÁPÀÄ ÛzÉÝ. »¸ÁÖjPÀ ï ªÀiÁ UÀ ãï£À Éà £ÀªÉ AzÀÄ
£À£ÀߣÀÄß ¸É¼É ÄvÀÄ. Éà £À AiÀÄÄzÀ ¸ÀªÀÄAiÀÄzÀ zÉñÀ¨sÀæµÀÖgÁ zÀÝ AiÉĺÀÆzÀ gÀ
vÀæ ªÁ vÀÄÛ. ®zÉ D PÀvÉAiÀÄ ¥Àæ¸ÁÛ¥ÀªÁUÀĪÀ AiÀiÁ ªÀiÁjAiÀiÁ ªÁ¸ÀÛªÀªÁ £À£Àß
ªÀÄÄvÀÛ AiÉÄà D zÀݼÀÄ. Éà £ÀzÀ AiÀiÁ¼À êÀ£ÀzÀ gÀºÀ¸À ªÀ£ÀÄß ºÉüÀ Á vÀÄÛ.
gÀºÀ¸À UÀ¼À£ÀÄß jAiÀÄÄ ÛzÀÝAvÉAiÉÄà £À£ÀUÉ zÀĪÀgÉUÉ ½AiÀÄ¢zÀÝ PÀÄlÄA zÀ
¥ÀÄgÁ PÀ À£ÀªÉà £À£Àß ªÀÄÄAzÉ A¢vÀÄ.
CREW Giorgetti
ISABELLE BALDUCCHI
Producer : Born in Paris, she spent her childhood and teenage
Isabelle Balducchi years living between the Caribbean and Guyana. Upon
Screenplay : CAST returning to Paris, she spent her time as a journalist,
Isabelle Balducchi Staying within the field of production, she ventured
DOP : Antoine towards writing and directing, attending the
Thierry Hervieux, Balducchi, Geneva School of Art and Design. With Isa
Isabelle Maryse Productions, she writes, directs and produces
Balducchi, Bruno Balducchi, many documentary films and short fiction films,
Vilde Myriam including ‘Réflexions and Comme d’habitude’,
Editor : Mahmani, was nominated for the ‘Leopards of Tomorrow’
Sylvie Laurier Shalom award at the 1997 Locarno IFF. Living in
Sound/Music : Nahmani, Corsica, she continues writing, directing and
Godefroy Jannie Parsi producing both documentaries and fiction
films. Her films screened and broadcasted
176 both in France and abroad.
CONTACT: BALDUCCHI
ISABELLE.BALDUCCHI@GMAIL.COM
WRITER
ASHOKAMITRAN
gÉÊlgï C±ÉÆÃPï«ÄvÀæ£ï
DIRECTOR - PRASANNA RAMASWAMY
INDIA / 2017 / TAMIL / 52 MIN.
SYNOPSIS
he film rin s one of the well nown writers r sho amitran in onversation
e s ea s mainl of the hiloso h an life that ui es his writin s his interview
mainl is inter retations li e rea in is ussions re e tions an ima in the
onte t of two of his seminal wor s arain ha i hal al is his ahit a a emi
war winnin writin whi h e lains the etails of n ian tur ulent histor
his is filme in the writer s tin wor room in is ussion at a frien s house he
film wor s towar s evo in an e erimental intro u tion to the worl of
sho amitran s writin s
PÀxÁ¸ÁgÀ
¥ÀæSÁåvÀ ¯ÉÃRPÀ C±ÉÆÃPÀ«ÄvÀæ£ï CªÀgÀ DvÀäPÀvÉ. F DvÀäPÀvÉAiÀÄ°è §ºÀĪÀÄÄRåªÁV
CªÀgÀÄ vÀvÀéeÁÕ£ÀzÀ §UÉÎ ªÀiÁvÀ£ÁrzÁÝgÉ. KPÉAzÀgÉ CzÀÄ CªÀgÀ §gÀºÀUÀ½UÉ zÁj
vÉÆÃj¹zÉ. ªÀgÀ gÀqÀÄ vÀÌ µÀÖ PÀ UÀ¼À UÉ ZÀZÉð zÀgÀ ¤ªÁAiÀÄðvÉAiÉÄÃ
¸ÀAzÀ±Àð£ÀzÀ zÀÝPÀÆÌ ºÀgÀrzÉ. PÀgÉ AzÀ ¤¼À ïUÀ¼ï £ÀÄߪÀ ªÀgÀ PÀ UÉ PÉÃAzÀæ
¸Á»vÀ PÁqÉ Ä ¥ÀÄgÀ¸ÁÌgÀ ¸ÀA¢zÉ. ¨sÁgÀvÀzÀ ¥ÀæPÀÄ ZÀjvÉæAiÀÄ£ÀÄß ºÉüÀĪÀ PÀ
EzÀÄ. C±ÉÆÃPÀ«ÄvÀæ£ï CªÀgÀ §gÀºÀUÀ¼À §UÉÎ D¼ÀªÁzÀ ZÀZÉð E°è£À ªÀÄÄRå CA±À.
eÁªÀÄ
DIRECTOR - LUCRECIA MARTEL
ARGENTINA | BRAZIL / 2017 / SPANISH / 115 MIN.
SYNOPSIS
ama an o er of the anish rown orn in outh meri a waits for a letter
from the in rantin him a transfer from the town in whi h he is sta natin
to a etter la e is situation is eli ate e must ensure that nothin
oversha ows his transfer e is for e to a e t su missivel ever tas entruste
to him su essive overnors who ome an o as he sta s ehin he ears
o an the letter from the in never arrives hen ama reali es ever thin
is lost he oins a art of sol iers that o after a an erous an it
PÀxÁ¸ÁgÀ
ÁªÀÄ zÀ ªÉÄjPÀzÀªÀ£ÁzÀgÀÆ ¸Á ¤µï£À ¢PÁj. £ÀÆß ¼ÉAiÀÄ jUÉ
ºÉÆÃUÀ¨ÉÃPÉA ºÀA ®. ªÀUÁðªÀ ÉUÁ ð ¤ÃrzÁÝ£É. zÉÆgÉ ÄAzÀ ªÀUÁðªÀ É
¥ÀvÀæ gÀĪÀ zÀ£Éßà PÁAiÀÄÄ ÛzÁÝ£É. £À UÀªÀ£ÀðgïUÀ½AzÀ gÀĪgÀĪÀ D ÉAiÀÄ£ÀÄß ªÀ£ÀÄ
®ªÀAvÀªÁ £ÉgÀªÉÃj¸À Éà ¨ÉÃPÁUÀÄvÀÛzÉ. ªÀµÀðUÀ¼ÀÄ gÀĽzÀgÀÆ zzÉÆgÉ ÄAzÀ
ªÀUÁðªÀ É DzÉñÀ gÀĪÀ zÉà ®. vÁ£ÀÄ ®ªÀ£ÀÆß PÀ¼ÉzÀÄPÉÆAqÉ £ÀÄߪÀ zÀÄ
ÁªÀiïUÉ PÉÆ£ÉUÉ ªÀÄ£ÀªÀjPÉAiÀiÁUÀÄvÀÛzÉ. DvÀ ¸É ¤PÀgÀ ¥ÀPÀ ¸ÉÃjPÉƼÀ®Ä
¤zsÀðj¸ÀÄvÁÛ£É.
Best Foreign Language Film Entry - Oscars 2018, Winner: FIPRESCI Award, Best
AWARDS Direction, Best Art Direction at Havana Film Festival 2017, Won Special Jury Award
at Seville European Film Festival 2017
qÉvï ¸Ànð¦üPm
É ï
DIRECTOR - RAJADITYA BANERJEE
INDIA / 2017 / KURMALI / 74 MIN.
SYNOPSIS
A water server in a small railway station in Eastern India doesn’t return home
one evening. His wife comes to term with inhumane reality while looking for him
far away from her picturesque village surrounded by mountains and forests.
While she and her friends arrive at the rail station they hear some one has been
run over a train here is he ill she su ee in fin in him s eath
ertifi ate merel a o ument e have lo ali e te hnolo when will we e
a lo ali e humanit
PÀxÁ¸ÁgÀ
¥ÀƪÀð ¨sÁgÀvÀzÀ ¸À gÉ É ¤ ÁÝ zÀ ¤ÃgÀÄ ¥ÀÆgÉ ¸ÀĪÀ ªÀ Û gÁ æ ªÀÄ£ÉUÉ
»A gÀÄUÀĪÀ ¢®. UÀÄqÀ ºÁUÀÆ gÀ ¢AzÁªÀ vÀªÁzÀ ¥ÀæzÉñÀzÀ ¸ÉêÉ
ªÀiÁqÀĪÀªÀgÀ£ÀÄß ªÀiÁ£À ÃAiÀĪÁ £ÉÆÃrPÉƼÀÄ ÛgÀĪÀ zÀgÀ UÉ ªÀ£À ¥À ßUÉ
DPÉÆæñÀ. DPÉ gÉ É ¤ ÁÝ PÉÌ AzÁUÀ ªÀ ÛAiÉÆ gÉ UÉ ¹ Ì ¸À ÛgÀĪÀ ¸ÀAUÀ
½AiÀÄÄvÀÛzÉ. zÀÄ ªÀ¼À ¥À AiÉÄà ªÀ£À£ÀÄß ºÀÄqÀÄPÀĪÀ DPÉ
AiÀıÀ¹AiÀiÁUÀÄvÁÛ¼ÉAiÉÄà qÉvï ¸Ànð¦PÉ ï AzÁPÀ DvÀ ¸À ÛgÀÀĪÀ zÀÄ Á æAiÉÄÃ
dÆgÀhiïí
DIRECTOR - MIRANSHA NAIK
INDIA / 2017 / KONKANI / 93 MIN.
SYNOPSIS
Boribmol, a village in Goa with a large immigrant population, is ruled by an
abusive, thuggish bully, Juze, known as the ‘Slum Landlord’. His appetite for violent
intimidation keeps his immigrant workforce submissive, even when his roving eye extends
to their women. Santosh, a 16 year old boy, is not intimidated. His determination to
continue with his classes remains constant in spite of regular beatings from Juze. As
events build to breaking point, Santosh’s passive resistance evolves into the determination
to onfront u e an finall a hieve free om from fear
PÀxÁ¸ÁgÀ
UÉÆêÁzÀ°ègÀĪÀ ¨ÉÆÃjAªÉƯï C¥ÁgÀ ¥ÀæªÀiÁtzÀ ªÀ®¹UÀjAzÀ vÀÄA©gÀĪÀ ºÀ½î. dÆåeï
J£ÀÄߪÀ ¸ÀèªÀiïzÁzÁ M§â E°è UÀÆAqÁVj ªÀiÁqÀÄvÁÛ, J®ègÀ£ÀÄß ¨ÉzÀj¸ÀÄvÁÛ, J®ègÀ£ÀÆß
vÀ£Àß »rvÀzÀ°èlÄÖPÉÆArzÀÝ. CªÀgÀ£ÀÄß PÀÆ°AiÀiÁ¼ÁV §¼À¹PÉƼÀÄîwÛzÀÝ DvÀ£À »A¸ÁvÀäPÀ
£ÀqÀªÀ½PɬÄAzÁV J®ègÀÆ vÀ¯É¨ÁV K£ÀÆ ªÀiÁvÀ£ÁqÀzÉ PÉ®¸À ªÀiÁqÀÄwÛzÀÝgÀÄ. F
PÀlÄPÀ£À zÀ馅 ªÀÄ»¼ÉAiÉƧâ¼À ªÉÄÃ¯É ©zÁÝUÀ, 16 ªÀµÀð ªÀAiÀĹì£À ¨Á®PÀ CzÀ£ÀÄß CAdzÉ
zÀÄj¸ÀÄvÁÛ£É. Æ ï ¤vÀ zÀAr¸ÀÄ ÛzÀÝgÀÆ DvÀ ªÀ®¹UÀgÀ UÀÄA¦£À Éà gÀ AiÀĸÀÄvÁÛ£É.
J®ègÀ£ÀÆß MUÀÆÎr¹, D PÀlÄPÀ£À «gÀÄzÀÞ ¥Àæw¨sÀl£É DgÀA©ü¸ÀÄvÁÛ£É. PÉÆ£ÉUÀÆ gËr
Æ ï£À£ÀÄß ¸ÉÆà ¹ ¸ÁvÀAvÀæ zÀ ¤lÄÖ¹gÀÄ ©qÀÄvÁÛgÉ.
ªÀÄÆUÀ
DIRECTOR - HARISH RAJ
INDIA / 2017 / KODAVA / 97 MIN.
SYNOPSIS
“MOOGA” narrates the story of a young man who is an orphan with speech and
hearin isa ilities his sel ess effort in erformin his uties as a servant to a
family who exploit his innocence, blame and punish him for no fault of his and
is forced to marry the daughter of the house to uphold the honour of the family
only at the end to realise who he actually is…
PÀxÁ¸ÁgÀ
QªÀÅqÀÄ ºÁUÀÆ ªÀÄÆPÀ¸ÀªÀĸÉå¬ÄgÀĪÀ C£ÁxÀ AiÀÄĪÀPÀ£ÉƧâ£À PÀvÉAiÀÄ£ÀÄß “ªÀÄÆUÀ”
ºÉüÀÄvÀÛzÉ. PÀÄlÄA§ªÉÇAzÀgÀ°è ¸ÁéxÀðgÀ»vÀ ¸ÉÃªÉ ¸À°è¸ÀÄwÛgÀĪÀ ªÀÄÆUÀ£À
ªÀÄÄUÀvÉAiÀÄ£ÀÄß D PÀÄlÄA zÀªÀgÀÄ ±ÉÆà ¸ÀÄvÁÛgÉ. ®zÉ ªÀ£À£ÀÄß ¤PÀ µÀÖªÁ
£ÉÆÃqÀÄvÁÛ CªÀ£À£ÀÄß zÀƶ¹, vÀ¥Éàà E®è¢zÀÝgÀÆ CªÀ£À£ÀÄß zÀAr¸ÀÄvÁÛgÉ. C®èzÉ,
PÉÆ£ÉUÉ D PÀÄlÄA zÀ ªÀÄAiÀiÁðzÉAiÀÄ£ÀÄß PÁ¥ÁqÀĪÀ zÀ Ö ÄAzÀ zÉà PÀÄlÄA zÀ
AiÀÄĪÀ AiÀÄ£ÀÄß DvÀ ®ªÀAvÀªÁ ªÀÄzÀÄªÉ ªÀiÁrPÉƼÀ¨ÉÃPÁUÀÄvÀÛzÉ. PÉÆ£ÉUÉ D
PÀÄlÄA§PÉÌ CªÀ£ÀÄ AiÀiÁgÀÄ J£ÀÄߪÀ gÀºÀ¸Àå UÉÆvÁÛUÀÄvÀÛzÉ.
¥Àv£
ÛÀ ÁeÉ
DIRECTOR - VIJAYKUMAR SHEENAPPA SHETTY
INDIA / 2017 / TULU / 145 MIN.
SYNOPSIS
he film eautifull ortra s the life of a a sha ana artist t hi hli hts the
ifferent fa ets of life with the female rota onist havin a tra itional a roa h
towar s life while her hus an havin an in lination towar s mo ern life he
wi ow remarria e as e t is also aestheti all tou he u on
PÀxÁ¸ÁgÀ
AiÀÄPÀëUÁ£À PÀ¯Á«zÉAiÉƧâ¼À fêÀ£ÀªÀ£ÀÄß F avÀæ ¥ÀjuÁªÀÄPÁjAiÀiÁV awæ¹zÉ. F
£ÁAiÀÄQAiÀÄ fêÀ£ÀzÀ ««zsÀ ªÀÄUÀÄήÄUÀ¼À£ÀÄß ºÉüÀĪÀ F avÀæ ºÉüÀÄvÀÛ¯ÉÃ
d£À¸ÀªÀÄÄzÁAiÀÄzÀ fêÀ£À¦æÃwAiÀÄ£ÀÆß ºÉüÀÄvÀÛzÉ. CªÀjVgÀĪÀ ¸ÁA¥ÀæzÁ¬ÄPÀ
£ÀA©PÉUÀ¼À£ÀÄß ©A©¸ÀÄvÀÛzÉ. PÀ¯Á«zÉUÉ ¸ÀܽÃAiÀÄ ¸ÀA¸ÀÌöÈwAiÀÄ §UÉÎ M®«zÀÝgÉ, ¥ÀwUÉ
DzsÀĤPÀ êÀ£ÀzÀ UÉ ® gÀĪÀ zÀÄ ªÀ PÀÛªÁUÀÄvÀÛzÉ. ºÁUÉAiÉÄà zsÀªÁ ªÁºÀzÀ
§UÉÎAiÀÄÆ E°è aAvÀ£É EzÉ.
gÀ¯ÁAUï gÉÆÃqï
DIRECTOR - KARMA TAKAPA
INDIA / 2017 / NEPALESE / 104 MIN.
SYNOPSIS
In a small hill town, a series of coincidences related to a mysterious robbery
brings four people together. As these seemingly mundane events become
in reasin l ramati the four ersons fin themselves at a rossroa where
they face impending consequences.
PÀxÁ¸ÁgÀ
CzÉÆAzÀÄ ¸ÀtÚ, UÀÄqÀØUÀ½AzÁªÀÈvÀªÁzÀ ¥ÁæPÀÈwPÀ ¸ËAzÀAiÀÄð vÀÄA©gÀĪÀ ¥ÀlÖt.
£ÀqÉAiÀÄĪÀ PÁPÀvÁ½ÃAiÀÄ ¤UÀÆqsÀ ¸ÀgÀ PÀ¼ÀvÀ£ÀUÀ¼ÀÄ £Á®ÄÌ ªÀÄA¢AiÀÄ£ÀÄß
AzÀÄUÀÆr¸ÀÄvÀÛzÉ. PÀ Àl£ÉUÀ¼ÀÄ ¢£Éâ£Éà £Ál ÃAiÀÄ gÀĪÀ UÀ¼À£ÀÄß
vÉUÉzÀÄPÉƼÀÄvÀÛzÉ. ªÀÄÄAzÉ zÀÄj¸À¨ÉÃPÁzÀ ¥Àj ÁªÀÄUÀ¼À£ÀÄß jvÀÄ £Á®ÄÌ
ªÀÄA¢ AiÀÄĪÀPÀgÀÄ UÉÆAzÀ®UÉƼÀÄvÁÛgÉ.
SYNOPSIS
Set in a beautiful Himalayan valley, it’s a journey of a neglected and abandoned
mute boy, who loses his mother at birth and is furiously neglected by his father.
When his father goes behind bars, the boy stares at a lonely and deserted life
ahead. His relationship with an elderly Buddhist monk helps him to detach from
his voiceless suffering and to explore the bond that each creation shares with
nature ith nowhere to o he oins a u hist monaster even as he fi hts an
inner battle of unrequited love.
PÀxÁ¸ÁgÀ
»ªÀiÁ®AiÀÄzÀ ¸ÀÄAzÀgÀ PÀtªÉUÀ¼À°è wgÀ¸ÀÌøvÀ ªÀÄÆPÀ¨Á®PÀ£À ¥ÀAiÀÄt E°èzÉ. ºÀÄlÄÖvÀÛ¯ÉÃ
vÁ ÄAiÀÄ£ÀÄß PÀ¼ÉzÀÄPÉÆAqÀ vÀAzÉ ÄAzÀ ¤®ðPÀ PÉÌ ¼ÀUÁzÀ ¨Á®PÀ vÀ.
AiÀiÁªÀÅzÉÆà C¥ÀgÁzsÀzÀ°è CªÀ£À vÀAzÉ eÉÊ°UÉ ºÉÆÃUÀÄvÁÛ£É. ªÀÄÆPÀ ¨Á®PÀ
PÁA AiÀiÁUÀÄvÁÛ£É. ¨ zÀ ¸À£Á ¹AiÉÆ £À ÉÆvÉ £À ªÀ£À ¸ÀA¥ÀPÀð ªÀ£À
PÁAvÀvÉAiÀÄ£ÀÄß ºÉÆÃUÀ Ár¸ÀÄvÀÛzÉ. ªÀ£À zÀ¤ Ä®zÀ ¨sÁªÀ£ÉUÀ¼ÀÄ ¥ÀæPÀ AiÀÄ
AzÁ ªÀiÁvÀ£ÁqÀ ÁgÀA©¸ÀÄvÀÛªÉ. UÀvÀ AvÀgÀ ®zÉ DvÀ ÄzÀ£À £ÀÄAiÀiÁ Ä
AiÀiÁUÀÄvÁÛ£É. ¦æà AiÀÄ ºÀA ® ªÀÄvÀÛªÀ£À DAvÀjPÀ ÀµÀð É ªÀÄÄAzÀĪÀgÉzÉà zÉ.
AWARDS Best Director - Indian Cinema Competition , Kolkata International Film Festival 2017
CARGO 200
PÁUÉÆð 200
GRUZ 200
RUSSIA / 2007 / RUSSIAN / 96 MIN.
SYNOPSIS
It is 1984, and power-abusing police Captain Zhuro lives in a modest Leninisk home with his
alcoholic mother. Existing in stark contrast to the corrupt urban policeman, grain alcohol
slinger Alexei lives in a remote country shack with his wife Tonya. One night, on his way to
visit his mother, local academic Artem’s car breaks down near Alexei and Tonya’s cabin.
Later, Alexei and Artem engage in a lively debate about communism, atheism, and religion.
But Captain Zhurov, who has been lurking in the shadows all along, wants communist
Chief’s daughter, Angelika all to himself, and he’s willing to take drastic measures in order
to get her back to his place and work out his sexual frustrations.
PÀxÁ¸ÁgÀ
AiÀÄÄJ¸ï J¸ï Dgï 1984. ¸ÉÆëAiÀÄvï CzsÁåAiÀÄzÀ CAvÀå. ¸ÀtÚ £ÀUÀgÀªÉÇAzÀgÀ
PÀ¨ïUÉ ºÉÆà zÀÝ PÀªÀÄÄ ¤¸ïÖ ¥ÀPÀzÀ Á ¸À Ä AiÀÄ PÁAiÀÄðzÀ ðAiÀÄ ¥ÀÄ æ
£Á¥ÀvÉÛAiÀiÁUÀÄvÁÛ¼É. AiÀiÁªÀ zÉà ¸ÀĽ ®. ±ÀA vÀgÁgÀÄ £ÀÄߪÀ zÀÄ UÉÆvÁÛUÀÄ Û®.
zÉà gÁ æ £ÀUÀgÀzÀ ºÉÆgÀªÀ®AiÀÄzÀ ªÀÄ£ÉAiÉÆAzÀgÀ D ªÀÄ£ÉAiÀÄ ªÀiÁ ÃPÀ£À ÉÆÃgÀ
PÉÆ ÉAiÀiÁ gÀÄvÀÛzÉ. gÀqÀÆ Àl£ÉUÀ¼À vÀ¤ ÉUÁ ¥ÉÆ Ã¸ï ¢PÁj ÄgÉÆêï
gÀÄvÁÛ£É.
187
BROTHER
§æzÀgï
BRAT
RUSSIA / 1997 / RUSSIAN / 95 MIN.
SYNOPSIS
Danila goes to his older brother to start a new life in Petersburg. His brother is
a gangster. He puts Danila into this criminal world asking him to kill someone.
That is when his new life starts. He meets new people and a girl too. He
becomes a big fan of the rock band “Nautilus Pompillius”. Now he is a killer,
and killing is easier than living for him. Realizing this makes him understand
he is going the wrong way.
PÀxÁ¸ÁgÀ
qÁ¤ Á ¦ ï Uïð£À gÀĪÀ vÀ£Àß »jAiÀÄ ¸ÀºÉÆÃzÀgÀ£À ½ ºÉƸÀ êÀ£À DgÀA©¸ÀĪÀ
¸À®ÄªÁ vÉgÀ¼ÀÄvÁÛ£É. ªÀ£À ¸ÀºÉÆÃzÀgÀ g rUÀ¼À UÀÄA¦£À zÁzÁ ºÁUÀÆ PÉÆ ÉUÁgÀ.
DvÀ qÁ¤ Á£À£ÀÄß ¥ÀgÁzsÀ ÉÆÃPÀPÉÌ ¥ÀjZÀ ĸÀÄvÁÛ£À®zÉ PÉ®ªÀgÀ£ÀÄß PÉÆ®®Ä
¤AiÉÆà ¸ÀÄvÁÛ£É. qÁ¤ Á£À ºÉƸÀ êÀ£À DgÀA¨sÀªÁUÀÄvÀÛzÉ. ªÀ£ÀÄ ¨ÉÃgÉ
¨ÉÃgÉ £ÀgÀ£ÀÄß ¸ÀA¢¸ÀÄvÁÛ£É. gÁPï ¸ÀA ÃvÀ ¥Éæà ÄAiÉÆ ¼À ¥ÀjZÀAiÀĪÁUÀÄvÀÛzÉ. DvÀ
UÀ PÉÆ ÉUÁgÀ. PÉÆ É £ÀÄߪÀ zÀÄ UÀ ¸À øÀÄ. PÀæªÉÄà ªÁ vÁ£ÀÄ vÀ¥ÀÄzÁjAiÀÄ
ºÉÆÃUÀÄ ÛgÀĪÀ zÀÄ ªÀ¤UÉ ªÀÄ£ÀªÀjPÉAiÀiÁUÀÄvÀÛzÉ.
MORPHINE
ªÀiÁ¦üð£ï
MORFIY
RUSSIA / 2008 / RUSSIAN / 112 MIN.
SYNOPSIS
Late in the fall of 1917, twenty-three year old Dr. Polyakov arrives at the
hos ital in the rovin ial town of One a while fi htin for the life of a
atient r Pol a ov s own life is ut in an er e is save with an in e tion of
the powerful narcotic morphia. But, Polyakov doesn’t believe that as a sensible
man es e iall a o tor li e him an fall vi tim to a ri lin a i tion
PÀxÁ¸ÁgÀ
1917 gÀ ¸ÀªÀÄAiÀÄ. E¥ÀàvÀÆÛöägÀÄ ªÀµÀð ªÀAiÀĹì£À qÁ.¥ÉÆ°PÉÆÃªï £ÀUÀgÀzÀ D¸ÀàvÉæAiÀÄ°è
ªÉÊzÀå£ÁV §gÀÄvÁÛ£É. MªÉÄä gÉÆÃVAiÉƧâ£À ¥Áæt G½¸ÀĪÀ ¸ÀªÀÄAiÀÄzÀ°è CªÀ£À
fêÀ£ÀªÉà C¥ÁAiÀÄPÉÌ ¹®ÄPÀÄvÀÛzÉ. ªÀiÁzÀPÀ zÀæªÀåzÀ EAdPÀë£ï ºÁQPÉƼÀÄîªÀ ªÀÄÆ®PÀ
DvÀ ¥ÁgÁUÀÄvÁÛ£É. DzÀgÉ DvÀ ¸ÀÆPÀëöäªÉÊzÀå. EAvÀºÀ ªÀå¸À£ÀPÉÌ vÁ£ÀÄ vÀÄvÁÛUÀĪÀÅzÀÄ
ºÉÃUÉ ¸ÁzsÀå J£ÀÄߪÀ feÁÕ¸ÉAiÀÄ°è DvÀ aAvÁPÁæAvÀ£ÁUÀÄvÁÛ£É.
188
OF FREAKS
AND MEN
D¥sï ¦üæÃPïì CAqï ªÉÄ£ï
PRO URODOV I LYUDEY
RUSSIA / 1998 / RUSSIAN / 93MIN.
SYNOPSIS
St. Petersburg, at the beginning of the 20th century. The handsome and secretive Johann
specializes in the fabrication of erotic photographs depicting the skin show of women.
Johann, his assistants and his photographic creations gradually penetrate the peaceful
househol s of two u er lass ussian families he film is a hauntin melo rama of hi en
passions and sadomasochistic urges, a bizarre tale in which manipulation and revenge rule
amidst the charm, innocence and perversion of days gone by.
PÀxÁ¸ÁgÀ
20 £Éà ±ÀvÀªÀiÁ£ÀzÀ DgÀA¨sÀzÀ ¢£ÀUÀ¼À ¦Ãlgïì§Uïð. eÉÆúÁ£ï C°è ¥sÉÆÃmÉÆÃUÁæ¥sÀgï.
ªÀÄ»¼ÉAiÀÄgÀ ¨ÉvÀÛ É vÀæUÀ¼À£ÀÄß vÀAiÀiÁj¹ ªÀiÁgÀĪÀ PÀA¥À¤AiÀÄ DvÀ ¤µÁvÀ ÁAiÀiÁUÁæºÀPÀ.
PÁªÀĦ¥Á¸ÉAiÀÄ vÀæUÀ¼À ªÀgÀ PÉ®¸À µÉÆÖà £ÀgÀ £ÉªÀÄ ¢AiÀÄ£ÀÄß PÉr¹vÀÄÛ. gÀµÁ zÀ
ªÀÄzsÀ ªÀĪÀUÀðzÀ gÀqÀÄ PÀÄlÄA UÀ¼ÀAvÀÆ zÀjAzÀ PÀÄlÄA ±ÁA PÀ¼ÉzÀÄPÉÆArzÀݪÀ .
ªÀiÁ£À¹PÀPÉñÀ PÁªÀĦ¥Á¸ÉAiÀÄ UÀvÀÄÛ PÀ AiÀÄ ÃªÀ£ÀªÀ£ÀÄß æ¸À Á zÉ.
WAR
ªÁgï
VOYNA
RUSSIA / 2002 / RUSSIAN / 120 MIN.
SYNOPSIS
During the bloody war in Chechnya, a British couple and two Russian soldiers
are taken hostage by Chechen rebels. Two of the hostages are then released to
bring the money for the British woman who is forced to wait for the ransom.
PÀxÁ¸ÁgÀ
ZÉZÉ£Áå AiÀÄÄzÀÞzÀ ¸ÀªÀÄAiÀÄzÀ°è ©ænµï zÀA¥Àw ºÁUÀÆ E§âgÀÄ gÀ¶AiÀÄ£ï
¸É ¤PÀgÀ£ÀÄß ZÉZÉ£Á AqÀÄPÉÆÃgÀgÀÄ vÉÛAiÀiÁ¼Á j¹PÉƼÀÄvÁÛgÉ. ¨sÁjà ºÀ vÀgÀĪÀ
PÀgÁj£ÉÆA¢UÉ gÀÄ ¸É ¤PÀgÀ£ÀÄß ©qÀÄUÀqÉ ªÀiÁqÀÄvÁÛgÉ. ºÀ gÀĪÀªÀgÉUÉ ©ænµï
ªÀÄ»¼É vÀÛqÀzÀ Éà PÁAiÀĨÉÃPÁUÀÄvÀÛzÉ.
189
N LAKSHMINARAYAN
in Kannada cinema, N Lakshminarayan, was born in Srirangapatna.
Lakshminarayan, who did his cinematography course in Bengaluru, and
apprenticed under his uncle B R Krishnamurthy and R Nagendra Rao, is
ABHACHURINA
POST OFFICE
C§ZÀÆj£À ¥ÉÇøÁÖ¦üøÀÄ
INDIA / 1973 / KANNADA / 114 MIN.
SYNOPSIS
Bobanna works on a coffee plantation and doubles up as the village postman. He becomes
involved with the lives of the illiterate villagers who ask him to write or read out their
letters. Although he scrupulously respects people’s privacy, his evil mother-in-law leaks the
contents of an anonymous letter and causes a scandal. The village turns against Bobanna,
who has to leave.
Px
À Á¸ÁgÀ
PÁ¦üvÉÆÃlzÀ°è PÉ®¸À ªÀiÁqÀĪÀ ¨ÉƧtÚ, ªÀįɣÁr£À PÀÄUÁæªÀĪÉÇAzÀgÀ°è£À
C¼ÉîzÉAiÀĪÀ£ÁzÀgÀÆ ¤µÁªÀAvÀ ¥ÉÆøïÖ ªÀiÁå£ï. C£ÀPÀëgÀ¸ÀÜgÉà EgÀĪÀ PÀÄUÁæªÀÄzÀ°è
d£ÀjUÉ ¥ÀvÀæ §gÉzÀÄPÉÆqÀĪÀÅzÀÄ, CªÀjUÉ §AzÀ ¥ÀvÀæUÀ¼À£ÀÄß NzÀĪÀÅzÀgÀ ªÀÄÆ®PÀ d£ÀjUÉ
ºÀwÛgÀªÁVzÀÝ. d£ÀjUÉ §AzÀ ¥ÀvÀæªÀ£ÀÄß N¢ ºÉüÀÄwÛzÀÝgÀÆ CzÀgÀ UË¥ÀåvÉAiÀÄ£ÀÄß J®Æè
©lÄÖPÉÆqÀÄwÛgÀ°®è. µÀÖgÀªÀÄnÖUÉ CªÀ£À ¥ÁæªÀiÁtÂPÀvÉ EvÀÄÛ. DzÀgÉ CªÀ£À CvÉÛAiÀÄ
zÀĵÀÖ Ä¢ ÄAzÁ µÀAiÀÄªÉ AzÀÄ J®è PÀqÉ ºÀgÀr, «ªÁzÀ ¸ÀȶÖAiÀiÁUÀÄvÀÛzÉ. d£À
¨ÉƧtÚ£À gÀÄzÀ wgÀÄV ©Ã¼ÀÄvÁÛgÉ. ¨ÉƧtÚ D ºÀ½îAiÀÄ£Éßà vÉÆgÉzÀÄ ºÉÆÃUÀĪÀ
¤zsÁðgÀPÉÌ gÀÄvÁÛ£É.
190
BETTADA HOOVU
¨ÉlÖzÀ ºÀƪÀÅ
INDIA / 1985 / KANNADA / 107 MIN.
SYNOPSIS
Ramu born to a poor family works in a guesthouse where foreigner who came on a trip
stayed. Ramu wants to study to support his family but the situation of family is not in favor.
Ramu has one ambition of his life is to purchase Sri Ramayana Darshanam written by
uvem u e starts savin mone sellin wil owers to a otanist ut the situations
bring him to make a decision whether to buy a book or buy a blanket to protect his family
members from chilling winter cold. What follows is a tale of shattered dreams.
PÀxÁ¸ÁgÀ
zÉà ¥ÀæªÁ¹UÀgÀÄ AzÀÄ vÀAUÀĪÀ UÀ ºÀzÀ PÉ®¸À ªÀiÁqÀĪÀ PÀqÀÄ qÀvÀ£ÀzÀ PÀÄlÄA zÀ ¤¹zÀ ¥ÀÄlÖ ¨Á®PÀ
gÁªÀÄÄ, ªÀĺÀvÁéPÁAQë. ZÉ£ÁßV N¢ PÀÄlÄA§ªÀ£ÀÄß ¥ÉÆgÉAiÀÄĪÀ CzÀªÀÄå D¸É DvÀ£ÀzÀÄ. DzÀgÉ PÀÄlÄA§zÀ ¥Àj¹Üw
CzÀPÉÌ ¥ÀÆgÀPÀªÁVgÀ°®è. vÁ£ÀÄ ¸ÀA¥Á¢¹zÀ ºÀtzÀ°è PÀĪÉA¥ÀÄ «gÀavÀ “²æà gÁªÀiÁAiÀÄt zÀ±Àð£ÀA” ªÀĺÁPÁªÀåªÀ£ÀÄß
PÉƼÀ¨ÉÃPÀÄ £ÀÄߪÀ zÀÄ ªÀ£À ªÀĺÀzÁ¸É. zÀPÁÌ DvÀ zÉà UÀ ºÀzÀ gÀĪÀ zÉà vÀæPÁgÀ¼ÉÆ ½UÉ ¢£ÀªÀ
¥ÀƪÀðªÁzÀ ¨ÉlÖzÀºÀÆªÉ AzÀ£ÀÄß D ðqï vÀAzÀÄ PÉÆlÄÖ ¢£ÀPÉÆÌAzÀÄ gÀÆ¥Á Ä ¸ÀA¥Á¢¹ zÀ£ÀÄß ªÀÄ ¤UÉ
PÉÆlÄÖ zÀgÀ ºÀvÀÄÛ ¥É ¸É vÉUÉzÀÄPÉÆAqÀÄ PÀÆrqÀ ÁgÀA©¸ÀÄvÁÛ£É. DzÀgÉ ¥ÀĸÀÛPÀ PÉƼÀĪÀ ¸ÀªÀÄAiÀÄzÀ DvÀ£À
ªÀÄ£ÉAiÀÄ ¹ ªÀ£À£ÀÄß UÉÆAzÀ®PÉÌ vÀ¼ÀÄvÀÛzÉ. ZÀ½ ÄAzÀ £ÀqÀÄUÀÄ ÛgÀĪÀ PÀÄlÄA ¸ÀzÀ¸À jUÁ PÀA ½AiÉÆAzÀ£ÀÄß
PÉƼÀĪÀ zÉÆà ¥ÀĸÀÛPÀ PÉƼÀĪÀ zÉÆà PÉÆ£ÉUÀÆ ¥ÀĸÀÛPÀzÀ zzÀ®Ä ¥ÀÄlÖ¨Á®PÀ gÁªÀÄÄ PÀA ½ PÉƼÀ¨ÉÃPÁUÀÄvÀÛzÉ.
MUKTHI
ªÀÄÄQÛ
INDIA / 1971 / KANNADA / 124 MIN.
SYNOPSIS
he film is stor of two oun ou le at the it s resti ious universit
he e ease father of the o has amasse hu e wealth in a uestiona le
manner On the ontrar the mother of the irl is a rostitute ill the still
survive this roman e
PÀxÁ¸ÁgÀ
F avÀæªÀÅ ¥Àæw¶×vÀ «±Àé«zÁå®AiÀÄzÀ°ègÀĪÀ E§âgÀÄ AiÀÄĪÀ ¥ÉæëÄUÀ¼À PÀvÉAiÀiÁVzÉ.
ºÀÄqÀÄUÀ£À ªÀÄÈvÀ vÀAzÉ ¥Àæ±ÁߺÀð jÃwAiÀÄ°è zÉÆqÀØ ¸ÀA¥ÀvÀÄÛ ¸ÀAUÀ滹gÀÄvÁÛ£É. EzÀPÉÌ
ªÀåwjPÀÛªÁV ºÀÄqÀÄVAiÀÄ vÁ¬Ä ªÉñÉå. CªÀgÀÄ E£ÀÆß F ¥ÉæêÀĪÀ£ÀÄß
ªÀÄÄAzÀĪÀgɸÀÄvÁÛgÉAiÉÄÃ.?
191
UYYALE
GAiÀiÁå¯É
INDIA / 1969 / KANNADA / 129 MIN.
SYNOPSIS
Marital melodrama about a professor who, engaged in his researches, neglects
his domestic life. His indifference alienates his wife especially when their
daughter dies. The wife becomes attracted to the professor’s friend Krishna
who eventually goes away to preserve the marriage of his friend.
PÀxÁ¸ÁgÀ
ªÉʪÁ»PÀ ¨sÁªÁwgÉÃPÀ PÀxÀ£ÀzÀ F avÀæzÀ°è M§â ¥ÁæzsÁå¥ÀPÀ£ÀÄ vÀ£Àß ¸ÀA±ÉÆÃzsÀ£ÉAiÀįÉèÃ
ªÀÄļÀÄ ºÉÆà ªÉ AiÀÄ ÛPÀ êÀ£ÀªÀ£ÀÄß ¤®ð ¸ÀÄvÁÛ£É. ªÀ£À ªÀvÀð£ÉAiÀÄ
ÉÆvÉUÉ ªÀÄUÀ¼À£ÀÄß PÀ¼ÉzÀÄPÉÆAqÀ ªÀ£À ºÉAqÀ ÃgÁ AnAiÀiÁUÀÄvÁÛ¼É.
¸ÀAzÀ¨sÀðzÀ UÀAqÀ£À ¸ÉßûvÀ PÀ µÀ£À ¥ÀjZÀAiÀĪÁ ªÀ£ÉÆA¢UÉ DPÀ ðvÀ¼ÁUÀÄvÁÛ¼É.
DzÀgÉ PÀ µÀ vÀ£Àß ¸ÉßûvÀ£À ªÉ ªÁ»PÀ êÀ£ÀPÉÌ vÉÆAzÀgÉAiÀiÁUÀ¨ÁgÀzÉAzÀÄ ªÀjAzÀ
zÀÆgÀªÁUÀÄvÁÛ£É.
192
SUMITRA BHAVE AND SUNIL SUKTANKAR
Sumitra Bhave and Sunil Sukthankar, are Marathi cinema’s director duo. The two
have to ether ma e feature films an have won innumera le national an
international awards for their socially relevant works. Bhave, after graduation from
Fergusson College, Pune, received her masters in Political Science & Sociology from
Pune niversit esi es a i loma in ural elfare from ata nstitute of o ial
ien es um ai
Sunil Sukthankar, after his graduation in Commerce from Brihan Maharashtra
olle e of ommer e Pune oine ilm an elevision nstitute of n ia Pune to
ursue a ourse in film ire tion fter om letin his film ire tion ourse he oine
have he two e an their olla oration from with their e ut film o hi wo
isters a stor a out two sisters an their mother au ht in ri i an su erstitious
social structure.
ASTU - SO BE IT
C¸ÀÄÛ: ¸ÉÆ © Emï
IINDIA / 2013 / MARATHI / 123 MIN.
SYNOPSIS
Dr. Chakrapani Shastri retired Sanskrit professor and a former director of Oriental Research
Institute, Pune is diagnosed with the advanced stages of Alzheimer’s disease. He goes
missing while travelling with his daughter. During that time, he gets fascinated and follows
an elephant through the lanes of the city and goes to stay with the family which owns
elephant. Mahout’s wife Channamma takes care of Shastri along with her new-born and
offers him a new famil Poli e tra es the ele hant s wherea outs an fin s hastri ut
accuses mahout for kidnapping Shastri, will mahout’s innocence save him?
PÀxÁ¸ÁgÀ
qÁ. ZÀPÀæ¥Á ±Á¹Ûà ¤ªÀ vÀÛ ¸ÀA¸ÀÌ vÀ ¥ÁæzÁ ¥ÀPÀ ºÁUÀÆ ¥ÀÄ ÉAiÀÄ jAiÀÄAl ï
j¸ÀZïð £ï¹ÖlÆ ï£À ¤zÉÃð±ÀPÀ. DvÀ êÀæªÁzÀ É ªÀĸïð gÉÆÃUÀ¢AzÀ
¼À®Ä ÛgÀÄvÁÛ£É. zÉÆAzÀÄ ¢£À vÀ£Àß ªÀÄUÀ¼ÉÆA¢UÉ ¥ÀæªÁ¸ÀzÀ zÀ ¸ÀªÀÄAiÀÄzÀ
vÀ¦¹PÉÆAqÀÄ ©qÀÄvÁÛ£É. DvÀ D£ÉAiÀÄ£ÀÄß £ÉÆÃr ªÀ UÀ½AzÀ DPÀ ðvÀ£Á
ªÀ UÀ¼À »AzÉ ºÉÆÃUÀÄvÁÛ£É. D£É ¸ÁPÀĪÀ PÀÄlÄA ªÀ£ÀÄß ¸ÉÃjPÉƼÀÄvÁÛ£É. ªÀiÁªÀ vÀ£À
ºÉAqÀ ±Á¹ÛAiÀÄ£ÀÄß ¸À®ºÀÄvÁÛ¼É. PÉÆ£ÉUÉÆAzÀÄ ¢£À ¥ÉÆ Ã¸ÀgÀÄ ±Á¹Ûà ªÀgÀ£ÀÄß
ºÀÄqÀÄPÀÄvÀÛ ªÀiÁªÀ vÀ£À ªÀÄ£ÉUÉ gÀÄvÁÛgÉ. ªÀiÁªÀ vÀ ±Á¹ÛAiÀĪÀgÀ£ÀÄß ¥ÀºÀj¹zÁÝ£ÉAzÀÄ
D¥Á¢¸ÀÄvÁÛgÉ. ªÀiÁªÀ vÀ£À ªÀÄÄUÀvÉ ªÀ£À£ÀÄß PÁ¥ÁqÀ ®zÉÃ
193
BADHA
¨ÁzsÁ
INDIA / 2006 / MARATHI / 92 MIN.
SYNOPSIS
The only son of the family disappears, while the grandmother needs a boy in the
family to attain salvation after death. Youngest daughter-in-law of the family is afraid
to share her fear and pain that she faces from her husband, who refused to consum-
mate the marriage. This leads to a foul play against her as she is accused of witch-
craft. She is innocent wife of a Dalit soldier serving at the country border. After the
death of her father in law, she was made to live alone, without a child and accused
of casting spells on the children with the power of black magic.
PÀxÁ¸ÁgÀ
D PÀÄlÄA§zÀ°è CªÀ£ÉƧâ£É UÀAqÀÄ ªÀÄUÀÄ. DvÀ CzÉÆAzÀÄ ¢£À EzÀÝQzÀÝAvÉAiÉÄà £Á¥ÀvÉÛAiÀiÁUÀÄvÁÛ£É. D PÀÄlÄA§zÀ°è
MAzÀÄ »jfêÀ. D »jfêÀ ¸Á«£À £ÀAvÀgÀ ªÀÄÄQÛ¥ÀqÉAiÀĨÉÃPÁzÀgÉ UÀAqÀÄ ¸ÀAvÁ£À ¨ÉÃPÀÄ. D ªÀÄ£ÉAiÀÄ°è PÉÆ£ÉAiÀÄ
¸ÉƸÉ. DPÉAiÀÄ UÀAqÀ ªÀÄzÀĪÉAiÀÄ £ÀAvÀgÀzÀ PÁgÀ UÀ¼À£ÀÄß ¥ÀÆgÉ ¸À®Ä ¤gÁPÀj¸ÀÄvÁÛ£É. D ¸ÉƸÉUÉ zÀ£ÀÄß ºÉüÀ®Ä
¨sÀAiÀÄ ºÁUÀÆ £ÉÆêÀ . DvÀ DPÉAiÀÄ£ÀÄß zÀÆgÀ lÖ ¸ÀAUÀ UÉÆvÁÛzÀ £ÀAvÀgÀ ®gÀÆ DPÉAiÀÄ£Éßà zÀÆ ¸ÀÄvÁÛgÉ.
DPÉ ªÀiÁlUÁ AzÀÄ DgÉÆæ¸ÀÄvÁÛgÉ. DzÀgÉ DPÉ ¤gÀ¥ÀgÁ¢. DPÉAiÀÄ UÀAqÀ ¸É ¤PÀ. DvÀ zÀ vÀ. DPÉAiÀÄ ªÀiÁªÀ
ÃjPÉÆAqÀ £ÀAvÀgÀ DPÉ AnAiÀiÁ ªÁ¹¸À¨ÉÃPÁUÀÄvÀÛzÉ. DPÉUÉ ªÀÄPÀ̼ÁUÀĪÀ ¢®. ªÀÄPÀ̼À ªÉÄÃ É ªÀiÁl ªÀiÁqÀĪÁPÉ
A D¥ÁzÀ£É ºÉÆvÉÛà êÀ£À ¸Á ¸À¨ÉÃPÁUÀÄvÀÛzÉ.
DEVRAI
zÉêÀgÁ¬Ä
INDIA / 2004 / MARATHI / 108 MIN.
SYNOPSIS
As a child, Shesh Desai grew up with this mother, sister Seena, and cousin
Kalyani. His mother forces her to leave the village. This upsets Shesh who then
fails to graduate from college. He gradually becomes a loner and eccentric
after his mother’s death and sister’s marriage. He creates an imaginary world
centered on his devotion to “devrai”, a sacred grove, near his village. He also
develops a paranoid concern that the villagers intend to destroy devrai. He
becomes attracted to Parvati, the wife of a family servant, and fantasizes her
as a goddess (inhabitant of the grove).
PÀxÁ¸ÁgÀ
¨Á®PÀ ±ÉõÀzÉøÁ¬Ä vÀ£Àß vÁ¬Ä, ¸ÀºÉÆÃzÀj ¹Ã£Á ºÁUÀÆ ¸ÀA§A¢ü PÀ¯Áåt eÉÆvÉ ¨É¼ÉzÀ.
CªÀ£À£ÀÄß ºÀ½î¬ÄAzÀ ºÉÆgÀUÉ PÀ¼ÀÄ»¸À¨ÉÃPÉA§ vÁ¬ÄAiÀÄ ºÀA§® FqÉÃgÀ°®è. vÁ¬ÄAiÀÄ
¤zsÀ£Á£ÀAvÀgÀ ºÁUÀÆ ¸ÀºÉÆÃzÀjAiÀÄ ªÀÄzÀĪÉAiÀÄ £ÀAvÀgÀ ±ÉõÀ PÁA AiÀiÁzÀ. vÁ£ÉÃ
PÀ®à£Á¯ÉÆÃPÀªÉÇAzÀ£ÀÄß ¸ÀȶֹPÉÆAqÀÄ ºÀ½îAiÀÄ §½ ‘zÉêÀgÁ¬Ä’ J£ÀÄߪÀ ¥À«vÀæ vÉÆÃ¥ÉÆAzÀ£ÀÄß
¸À Ö¹zÀ. vÉÆÃ¥ÀÄ ¨ÉÃqÀ AzÀ ºÀ½UÀgÀÄ zÀ£ÀÄß zÀA¸À ªÀiÁqÀĪÀ ¸ÀAUÀ ªÀ¤UÉ ½¢vÀÄÛ.
¸ÀªÀÄAiÀÄzÀ É DvÀ ªÀÄ£É ¸ÉêÀPÀ£À ºÉAqÀ AiÀiÁzÀ ¥ÁªÀð AiÀÄ ªÉÆûvÀ£Á ªÀ¼Éà zÉêÀvÉ
AzÀÄ ªÀ¼À£ÀÄß DgÁ¢¸ÀvÉÆqÀ zÀ.
194
EK CUP CHYA
KPï PÀ¥ï ZÁAiÀiï
INDIA / 2009 / MARATHI / 120 MIN.
SYNOPSIS
A bus conductor who lives with his mother, wife Rukmini, two daughters and two
sons receives a huge electricity of Bill of Rs.73,000, leaving them trapped and humil-
iated by the system. During his visits to the electricity board he learns that he must
a a ri e to fi his ro lem e was intro u e to a so ial a tivist who is reatin
awareness a out the t an he files an a li ation nitiall he is ri i ule
ut when he files an a eal with the nformation ommissioner thin s e ome a
little more serious.
PÀxÁ¸ÁgÀ
DvÀ ¸ï PÀAqÀPÀÖgï. vÀ£Àß ºÉAqÀ gÀÄ vÀ£Àß vÁ Ä ºÁUÀÆ £Á®ÄÌ £À ªÀÄPÀ̼ÉÆA¢UÉ ªÁ¹¸ÀÄ ÛgÀÄvÁÛ£É. DvÀ¤UÉ
MAzÀÄ ¢£À 73,000 gÀÆ¥Á¬ÄUÀ¼À «zÀÄåvï ©¯ï §gÀÄvÀÛzÉ. UÁ§jUÉÆAqÀ DvÀ «ZÁj¸À®Ä «zÀÄåvï ªÀÄAqÀ½
PÀ ÉÃjUÉ vÉgÀ¼ÀÄvÁÛ£É. ¸ÀªÀÄ¸É UɺÀj¸À®Ä DvÀ¤UÉ ®AZÀ ¤ÃqÀĪÀAvÉ PÉüÀ ÁUÀÄvÀÛzÉ. DvÀ ªÀiÁ» ºÀPÀÄÌ
PÁAiÀÄðPÀvÀð£À ¸ÀA¥ÀPÀðPÉÌ AzÀÄ vÀ£Àß ¸ÀªÀÄ¸É AiÀÄ£ÀÄß ½AiÀÄ®Ä AzÀÄ ð ¸À ¸ÀÄvÁÛ£É. ªÉÆzÀ UÉ DvÀ ªÀ ªÀ¸ÉAiÀÄ
ªÀÄÆzÀ PÉUÉ ¼ÀUÁUÀÄvÁÛ£É. UÉ ªÀiÁ» ºÀPÀÄÌ DAiÀÄÄPÀÛjUÉ ¥¥ÀvÀæ gÉzÀ £ÀAvÀgÀ ¥Àj¹ UÀA©ÃgÀªÁUÀÄvÀÛzÉ.
VASTUPURUSH
ªÁ¸ÀÄÛ¥ÀÄgÀĵï
INDIA / 2002 / MARATHI / 154 MIN.
SYNOPSIS
Bhaskar Deshpande has been awarded with the coveted Ramon Magsaysay Award
for his dedicated works in preventive medicine in the slums of Mumbai. Bhaskar
decides to visit his hometown village after forty years and as he walks through the
ruins of his old ancestral house, the events unfold in his memory.
PÀxÁ¸ÁgÀ
¨sÁ¸ÀÌgï zÉñÀ¥ÁAqÉUÉ ªÀÄÄA¨ÉÊ£À PÉƼÀZÉ ¥ÀæzÉñÀzÀ°è ªÉÊzÀåQÃAiÀÄ PÉëÃvÀæzÀ°è ªÀiÁrzÀ ¸ÁzsÀ£ÉUÁV gɪÉÆÃ£ï ªÀiÁåUÉì¸É
¥Àæ±À¹Û ¸ÀA¢zÉ. ¸ÀĪÀiÁgÀÄ 40 ªÀµÀðUÀ¼À £ÀAvÀgÀ ¨sÁ¸ÀÌgï vÀ£Àß ºÀÄlÆÖjUÉ ¨sÉÃn ¤ÃqÀ®Ä ¤zsÀðj¸ÀÄvÁÛ£É. DvÀ vÁ£ÀÄ
ºÀÄnÖzÀ ºÁUÀÆ vÀ£Àß »jPÀjzÀÝ ªÀÄ£É-D¹Û £ÉÆÃrzÁUÀ £É£À¦£À ¸ÀÄg
¸ÀÄgÀĽ ©ZÀÄÑvÀÛzÉ.
195
REVISITING
CLASSICS
SAMSKARA REVISITED
50TH YEAR OF THE MAKING OF
SAMSKARA
¸ÀA¸ÁÌgÀ
DIRECTOR - PATTABHIRAMA REDDY TIKKAVARAPU
INDIA / 1970 / KANNADA / 113 MIN.
NOTE
Five decades ago, the summer of 1970, 13 May, to be precise, turned out to be one of the
momentous day in the annals of Kannada Cinema history. On that day, akin to the time and
day Satyajit Ray’s Pather Panchali, gave a new meaning and idiom to Indian cinema, and
the worl too noti e similarl a film that lit u s reens in the tate han e the ire tion
and course of Kannada cinema.
hat film was ams ara itual t turne to e a rite of assa e for those that followe in
later years providing a whole new syntax and dimension to the appreciation and under-
standing of the history of Kannada cinema.
Samskara, based on a story by eminent litterateur and Jnapith award winner, U R Anan-
thamurth t was rou ht on to s reen an enter risin an foresi htful filmma er an
producer Pattabhi Ramareddy, turned out to be the pathbreaker.
Emboldened by the boldness of social themes that these literatures tackled exposing the
so ial hierar hies with s e ifi fo us on women s issues en er i entit e ualit an so ial
justice, saw Pattabhi Ramareddy taking that decisive path with Samskara.
ollowin in its wa e were irish arna who in i entall was one of the lea a tors of
ams ara an s ri te the film an aranth with ra a s amshavri sha oon
ou ha several similar new wave films su h as han ara a s aa i a i avaru
aranth s homana u i P an esh s Pallavi an irish arna s aa u rovi in the
impetus and engine of engagement to the new genre.
s eminent film ire tor an one of the van uar s of the movement irish asarvalli uts
it anna a films of av a movement were a ele ration of inema that sou ht to e iffer-
ent from the otherwise lorifie o ular in i amil an elu u inemas
These were part of Kannada literature - poetry, prose, drama and not an offshoot of any
arallel inema movement from tal ran e erman or even en al anna a films were
more realistic and socially relevant and even today, have fresh, austere image as they were
not in uen e from an other form of inema notes asarvalli
197
The Madras Players, an amateur theatre group, whose members included Girish Karnad,
Socialist Party’s Snehalata Reddy, who played the female lead, and her husband Pattabhi
ama e who ire te an ro u e the film was instrumental in the ma in of am-
s ara he film a or in to eminent ala alam auteur oor o ala rishnan was one of
the ten finest films alon si e at a it a an others that left their mar on n ian inema
in the last 50 years of 20th entur
ams ara whi h went on to win a lut h of awar s in lu in ational ilm war for the
est eature ilm also won international a laim an re o nition winnin the ron e eo -
ar at the o arno nternational ilm festival in hat the film saw a ool of talents
oth from the est an those traine in the est ome to ether to ma e the master ie e
f ire tor Patta hi ama e was traine in olum ia an har l familiar with anna a
writer a tor irish arna was an O for e u ate writer while the ameraman was us-
tralian om owan an the e itor n lishman tevan artaw while nanthamurth
was Professor of n lish literature then an musi ire tor a iv aranath too Professor in
n lish s hoole the le en ar aro maestro li ar han with artiste asu ev
was art ire tor
hat ams ara s release saw stiff o osition was onl to e e e te es e iall from the
tra itional a hwa ommunit esi es of ourse the ensors ut the then nion nfor-
mation roa astin inister u ral an Prime inister n ira an hi ensure the
film woul fa e no hit h in its release an su e t a laim to fame an et hin for itself a
name in the annals of anna a an n ian inema
t s otli hts on Pranesha har a a evout rahmin who havin om lete his e i e u-
ation at aranasi has returne to uravasa ura an onsi ere as lea er of the rahmin
ommunit of his villa e an surroun in ones is main oal is to attain li eration mo -
sha an he is willin to o to an len th to a hieve it o remain fo use on his oal an as
an a t of self sa rifi e he marries an invali woman an hen e remains eli ate
ara ana a thou h rahmin irth oes not la the set rules of rahminism an
is iven to eatin meat an ee in om an of rostitute han ri hen ara ana a an
his frien s snare the sa re fish in the tem le tan oo an onsume them rahmins in
the villa es rise u a ainst him he a roa h Pranesha har a to throw him out of the
villa e On e ara ana a visits himo a an returns to uravasa ura with hi h fever an
ies leavin the rahmins in a i uant situation e ause
according to Brahmin principles, a person who dies should be cremated as early as possi-
le one wants to remate the o the feel that rematin ara ana a s o
the will e ome ollute as he was a ainst the rahmin rin i les urin his life urther
a non rahmin too annot remate the o of a rahmin Pranesha har a tas e with
fin in a solution hea s to the tem le to ra an on wa a home en ounters han ri
an fin s himself at ni ht l in on han ri s la han ri rushes home fin s that ara an-
a a s o has starte to rot ets it remate in se re an leaves urvasa ura Prane-
sha har a una le to reveal his immoral a t leaves the villa e ut the uilt never leaves him
inall e i in to own u to his a t he returns to the villa e an the stor en s there t s
left to the ima ination of the viewer on whether Pranesha har a owns u or not
198
HOMAGE
PARVATHAMMA
RAJKUMAR
¥ÁªÀðvÀªÀÄä gÁeïPÀĪÀiÁgï
CHIGURIDA KANASU | aUÀÄjzÀ PÀ£¸
À ÄÀ
INDIA / 2003 / KANNADA / 154 MIN.
he famil film house whi h e an with its first film Trimurthi featurin her
a tor hus an r a umar in the lea role an went on to e ome a su ess
has iven anna a inema several so iall relevant su essful films ma orit of
them featurin r a umar in the lea su h as Haalu Jenu, Kaviratna Kalidasa,
amana illu ha ta Prahla a han ar uru a ura eevana haitra et
200
R N SUDARSHAN
Dgï. J£ï ¸ÀÄzÀ±Àð£ï
VIJAYANAGARADA VEERAPUTRA | «dAiÀÄ£ÀUg
À z
À À «ÃgÀ¥ÄÀ vÀæ
INDIA / 1961 / KANNADA / 172 MIN.
Rattehalli Nagendra Sudarshan was a versatile Indian actor and producer, who
has a te in more than films in anna a amil in i elu u an
ala alam films urin a areer s annin more than three e a es
usi lovers still remem er him for his son s su h as oovon u ali an u,
which he sung in Shubhamangala ire te Puttanna ana al an
ra e u ra e u ri a a son from his own film a uva oovu
201
KASHINATH
PÁ²Ã£Áxï
AVALE NANNA HENDTHI | CªÀ¼ÃÉ £À£ßÀ ºÉArÛ
INDIA / 1988 / KANNADA / 136 MIN.
e too to films enrollin himself with the filmma in trou e Aseema” along
with ontem orar filmma er a tor an lon time a uaintan e uresh
e li ar is films have re eive wi e a re iation an re o nition ut also
paved the way for many others to mimicking the genre and is considered to
be the pioneer in Kannada cinema. Among his repertoire of works include
ari hita nu hava naami a nantana vantara a a antara en athi
Endare Heegirabeku, Meese Hotta Gandasige Demandappu Demandu, Aha
Nanna Tangi Maduve, Super Aliya and Appachchi.
202
KOODUVALLI
CHANDRASHEKAR
PÉ. ZÀAzÀæ±ÉÃRgï
EDAKALLA GUDDADA MELE | JqÀP®
À Äè UÀÄqÀØzÀ ªÉÄïÉ
INDIA / 1973 / KANNADA / 160 MIN.
e also ire te the film Poorvapara whi h was the first anna a
film to e s reene at oronto ilm estival han rashe ar s ma or rea
ame when he ot to wor with a e filmma er Puttanna ana al in Edakallu
Guddadamele is nota le films are amsa eethe am athi e avaal ose
han a ow ha a han ar uru Parivarthane a a anna a a esu e and
Vamsha Vriksha, to name a few.
203
KRISHNARKUMARI
PÀȵÀÚ PÀĪÀiÁj
BHAKTA KANAKADASA | ¨sPÀ ÛÀ PÀ£PÀ z
À Á¸À
INDIA / 1960 / KANNADA / 130 MIN.
Krishna Kumari, who ruled the roost for over two decades from 1960 to 1980,
was a contemporary of Savitri, and shared screen space with erstwhile legends
such as N T Rama Rao, Akkineni Nageswara Rao, Dr Rajkumar, Sivaji Ganesan,
Kanta Rao, Jaggayya and Krishnam Raju. Beginning her career with a small role
in Pathala Bhairavi, she went on to take the coveted heroine’s role in
Navvithe Navaratnalu, and thereon featured as leading actress in several
Tamil movies, notably Thirumbi Paar, Manithan, Azhagi, Pudhuyugam,
Viduthalai and Thuli Visham.
Krishna Kumari, who was propelled to superstardom, following her foray into
elu u films a te in movies su h as Bharya Bhartalu, Vagdanam,
Kulagothralu , Gudi Gantalu whi h are lassifie as elu u inema lassi s
She has also won – President’s award for her best acting.
204
B V RADHA
©.«. gÁzsÀ
205
SHASHI KAPOOR
±À² PÀ¥ÀÆgï
NEW DELHI TIMES | £ÀÆåqÉ°è mÉʪÀiïì
INDIA / 1986 / HINDI / 123 MIN.
Balbir Prithviraj Kapoor, aka Shashi Kapoor, was one of the renowned and
harmin artist of n ian inema a eare in more than films lar el
in i films su h as eewar ama aram a hi a hie at am hivam
un aram an man more esi es n lish lan ua e films nota l ro u e
er hant vor team
hashi a oor who was a film ire tor in his own ri ht elon to the
illustrious a oor film nast of oll woo inema orn in al utta now
ol ata urin ritish a he was thir an oun est of Prithvira a oor s
sons oun er to a a oor an hammi a oor
hashi a oor who was honore with Pa ma hushan for his ontri utions
to rt inema was also onferre the ovete a asahe Phal e war
the to honor of n ian film in ustr ma in him thir mem er of his famil
after Prithvira a oor an a a oor hashi a oor whose moorin s e an
in la s ire te an ro u e his father Prithvira a oor un er the
Prithvi heatres anner fora e into films as a hil in late s un er the
name of hashira is est nown erforman es as a hil artist were in Aag,
Awaara, Sangram, and Dana Paani
206
ACADEMIC
DISCOURSES
HUMAN
RIGHTS
AND
SOCIAL
JUSTICE
SEEKING JUSTICE
FILMS FROM SOUTH ASIA
O
ho e ou will en o wat hin these films as mu h as i
inall woul li e to than has ar an ino a a for as in me to
ut this sele tion to ether t has een a rivile e to e asso iate with
the Bangalore International Film Festival.
Reena Mohan
urator
209
RESISTANCE
This is as much a tribute to those behind the
camera as to the struggles and triumphs of
their subjects. There are some experimental
films in this se tion onstitutin an im ortant
space for artistic and political expression, and
allowin filmma ers to e lore form or the
personal, more deeply.
SYNOPSIS
A woman beggar has a daughter
who is losing her vision and needs
to undergo surgery. The mother
leaves no stone unturned in
getting her daughter’s eyes
treated. But in the traditional
society of Afghanistan, people
expect her to be a sex worker, as
she does not have a male guardian.
SCREAMING SILENCE
FATIMA HUSSAINI / AFGHANISTAN
/ 2016 / 1:40 MIN.
SYNOPSIS
Every morning, a woman cleans a
man’s dirty shoes... Until one day, she
decides to protest.
QANDEEL
TAZEEN BARI AND SAAD KHAN/
PAKISTAN / 2017 / 24: 49 MIN.
SYNOPSIS
Qandeel Baloch was a young
fearless woman who collided with
Pakistan’s mainstream media,
exposed the religious right and
challenged middle class morality.
From her life before stardom in a
rural village to her early days in
entertainment as a model and
actor, Qandeel became a social
media icon by making provocative
we vi eos he film anal ses her
life through the lens of class and
power politics and connects it to
women’s ongoing struggle for self-
expression in Pakistan.
210
RESISTANCE
LAANAT
ANAM ABBAS /PAKISTAN / 2016 /
01:57 MIN.
SYNOPSIS
his film is a urse
I AM BONNIE
FARHA KHATUN, SATARUPA SANTRA
AND SOURABH KANTI DUTTA/ INDIA /
2015 / 45 MIN.
SYNOPSIS
A born intersex, raised by poor,
illiterate and confused parents as a
irl onnie was one of the finest
strikers of the Indian women’s
football team. A sex reassignment
surgery results in him being thrown
out from both his home and the sport
he is assionate a out is fi ht to
establish his identity and the struggle
for a i nifie e isten e are met a
sarcastic society yet to learn to take
other genders seriously.
HOMAGE TO
GAURI LANKESH
211
BORDERS
Like many people in this region, who move in
waves of migration both within and
outside their countries, for economic reasons
or because of prolonged wars between
governments and revolutionary armies, the
meaning of BORDERS acquires particular
resonan e in these films from an la esh
e al an ri an a he tra i omi element in two of these films
is si nifi ant sin e humour as a tool is often une lore in films with
a political message.
WHERE’S MY ROUTE
SUDATH ABEYSIRIWARDANA /
SRI LANKA / 2017 / 13:00
SYNOPSIS
An 18 year old boy is practicing
to disguise himself as a
journalist in an attempt to travel
to Australia illegally by boat. His
mother pleads with some
fishermen to revent her son
from going away.
he fishermen ome to the oun man s house an threaten him he
urn an estro his o uments oun man s ream is shattere he
film e lores the issues relate to rowin u in ost war ri an a t
eals with how the state law an or er as well as eo le – as in ivi uals
an as ommunities – an ontrol an in uen e as irations of the outh
SPLIT ENDS
RAJAN KATHET / NEPAL / 2016 /
26 MIN.
SYNOPSIS
An ordinary barbershop in
Lisbon is transformed into a
refuge for Nepali migrants
where experiences are shared
and advice is sought and given.
THE CONTAINER
ABU SHAHED EMON/
BANGLADESH / 2012 / 15 MIN.
SYNOPSIS
An immigrant worker decorates his
home–a container–with the found
trash of other people’s lives. After he’s
evicted from his illegal abode he
secretly returns, but it’s no longer his
shelter he film is a resonant loo at
the life of an immigrant worker in
Korea through the eyes of a
an la eshi filmma er
212
SAVING DOLMA
KESANG TSETEN/ NEPAL / 2010 SYNOPSIS
/ 64 MIN. he film follows the threa of
olma senten e to eath for
illin a ili ino omesti o
wor er in uwait an the
res onses this evo es in a women s
a vo a rou so iet an
o ial om as well as the u heaval
an fra tures of the famil he
film resents a rare lim se of the
women mi rant s situation in a
ulf tate
LIVELIHOOD
This section features the stories of margin-
alized workers for whom daily existence is a
struggle no matter where they come from—
Bangladesh, Bhutan, India or Nepal—raising
questions about industrial safety, patriarchy,
land rights and the role of governments. In
the same se tion two oi nant films feature
those who are left behind as village after vil-
lage lies abandoned.
POUNOPUNIK
KHANDAKER SUMON /
BANGLADESH / 2016 / 17:17 MIN.
SYNOPSIS
Pounopunik is a Bengali word
meaning “recurrent”. The story
revolves around the struggle of
a female sex worker to educate
her au hter he fi hts har to
establish the identity of a
mother over that of a sex
worker.
TAZREEN
YASMINE KABIR / BANGLADESH /
2014 / 17:35 MIN.
SYNOPSIS
he film o uments the aftermath of a
arment fa tor fire that o urre on th
ovem er at a reen ashions in
ha a an la esh t was one of the
ea liest in ustrial fires to have o urre
in the histor of the arments in ustr in
an la esh an was estimate to have
ille at least wor ers in ust hours
he film fo uses on the rief trauma an
hel lessness suffere the survivors an
of those who lost their love ones
213
LIVELIHOOD
HOME ALONE
LODAY CHOPHEL / BHUTAN / 2014
/ 09:04 MIN.
SYNOPSIS
A 95-year old man living alone in
his irth la e re e ts on a
diminishing community and his
life as a whole he film hi hli hts
the bitter truth and effects of rural-
urban migration and
modernization.
SYNOPSIS
Atimaley and Devi’s village is haunted
by memories. When a dear friend
leaves the village without saying
“goodbye”, the old couple faces a
dilemma—to keep living with the
memories or to leave the village for
good?
214
VIOLENCE
n this se tion filmma ers from Pa istan an
Sri Lanka urge for introspection, introducing a
ifferent wa of seein the on i t an s a -
es of everyday life in their countries.
DEMONS IN PARADISE
JUDE RATNAM / SRI LANKA/ 2017/
90 MIN.
SYNOPSIS
Demons in Paradise - is the result of
ten ears of wor or the first time a
amil o umentar filmma er livin
in ri an a is seein the violen e of
ivil ar from the insi e he ire tor
unveils the re resse memories of his
om atriots o enin the oor to a
new era an ma in ea e ossi le
a ain ll the while ealin with
finan ial har shi an familial
ressure
HOPE
FATHIMA SHANAZ/ SRI LANKA /
2017 / 06:55 MIN.
SYNOPSIS
Child marriages have been an unnoticed
reality in some sections of the Muslim
ommunit in ri an a his film tells
the story of Fathima, a 16-year old
school girl, who is set to marry a man
older than her. Not only her right to
education is denied but her consent to
marriage too. Until she accidentally
meets her future husband, she has not
even seen him. She is caught up
between her hopes and the reality of
her destiny.
215
SLAVERY
This section documents the stories of
tra e hil ren in f hanistan an la esh
and India—poignant reminders that children
are often victims of the fate sealed upon
them by families and society. There is also
the portrait of an astonishingly courageous
woman from Pakistan, who freed herself
and many others from bonded slavery and
fought in the 2013 general elections against a
powerful landlord.
WATER
SAYED JALAL ROHANI
AFGHANISTAN / 2014 /
14 MIN.
SYNOPSIS
This is the story of Marzia, an
8-year-old girl, who is a victim
of human tra in er
parents have sold her to a man
who leads a begging group in
a ul nstea of ein in a
family and receiving an
education, she spends her
time on the streets collecting
trash
ROSHI
YASMINE KABIR / BANGLADESH /
2017 / 9:30 MIN.
SYNOPSIS
Continuing a tradition that
goes back centuries, children
are employed as rope-
makers in old-town Dhaka,
making rope from jute
fi ers he twist tie not an
weave from early
mornin till ni htfall
SYNOPSIS
Veero Kohli, a former bonded
labourer, has made it her life’s
mission to help free other
eo le in slaver his film was
shot during the general
ele tions in when she
contested from Hyderabad,
Sind.
216
HOMAGE
SYNOPSIS
Sivakasi is a small town in Southern
Tamilnadu. It is from here and the
surrounding villages that
70% of the requirements of the
match box industry and 90% of the
firewor s in ustr are ro u e
The owners of these factories
rou l refer to their town as ini
a an a self em lo e town his
town also rints millions of arish
alen ars an ele tion osters
which are used all over India.
HOMAGE TO
CHALAM BENNURAKAR
217
GAURI LANKESH
Gauri Lankesh was one of
Karnataka’s most prominent and
fearless journalists. She was shot
dead outside her house in
Bengaluru on the night of 5th
September, 2017. Gauri
represented dissent and freedom
of speech and spoke out fearlessly
against communal forces in the c
ountr he film is mu h more than
a personal tribute. It follows her
political journey, envisaging what
she stood for and her struggle for
communal harmony until her last
breath. Her life story has become
the histor of arnata a s fi ht
against right-wing communal
forces.
CHALAM BENNURAKAR
Chalam Bennurakar directed Sakshi
in a first of its in initiative
show ase o umentaries from all
over the worl an to reate a
latform for n e en ent
o umentar ilmma ers in n ia
is o umentar ll out
amila ma e him the voi e of the
trans en er ommunit is other
films in lu e Kunde Habba a uni ue
festival of the tri al eo le in o a u
aavu eravaru on the erava
ommunit an a o umentar on
the earth ua e isaster that stru
atur aharashtra in e also
o ro u e an wor e on ishaar
lues on the fa irs of al utta with
mita h ha ra orth
218
V K MURTHY
MEMORIAL LECTURE
THOMAS MICHAEL
COWAN
Thomas Michael Cowan, the
Australian Cinematographer is an
accomplished artist of the visual
medium. The septuagenarian
has essayed several note-worthy
o umentaries an feature films
during the course of his long and
illustrious career. He is equally at
home in a wide range of motion
picture formats.
Be it 16mm or 35mm or the IMAX frame, the tool has never deterred
him. He has never allowed it (the tool) to overwhelm the artist in him.
His foray into the world of images has not only taken him across the
continents but also has landed several prestigious awards in his lap. In
his own wor s the uest for the oment of ruth has een his mission
in life he resen e of homas owan at iffes this ear is si nifi ant
in itself, for, the year 2018 marks the 50 th anniversary of SAMSKARA.
As the cinematographer of the path-breaking kannada movie, Thomas
owan was instrumental in im uin the film with a ri h avor of eo
Realism. Eventually, SAMSKARA became the harbinger of the New Wave
Cinema in the region and sowed the seeds of a new Cinema-culture.
Currently in its tenth edition, Biffes is deeply indebted to Thomas Crown
for delivering the V K Murthy memorial lecture.
219
WORKSHOPS, SEMINARS AND MASTERCLASSES
tu on the films ma e at a it a
Mr. Swapan Mullick, Film critic, Kolkata
03 coordinated by Satyajit Ray Film Society,
Bengaluru
Fragmented Distribution
11 Vivek Lath, Sanjay Wadhwa, Vivek Bhutyani,
B S Srinivas (Moderator from Puple Arrow Films)
Screenwriting Workshop
Ms. Claire Dobbin, International Script Mentor and
13 Chairman, Melbourne IFF, Australia. (Includes - Ananaya
Kasaravalli, Ere Gowda, Aadarsh Eshwarappa and Pruthvi)
Convenor - P Sheshadri, Renowned Filmmaker
220
SPECIAL THANKS TO
SRINIVASA SANTHANAM
(CURATOR AND ADVISOR)
ARUNA VASUDEV
ASHLEY RATNAVIBHUSHANA
BARBARA LOREY
CLAUS HEIMS
E THANGARAJ
REENA MOHAN
G.S. BHASKAR
VINOD RAJA
MAUREEN GONSALVES
M K RAGHAVENDRA
PREMENDRA MAZUMDER
VIMALA KALAGAR
U.RADHAKRISHNAN
CONNY CAMENZIND
SARVAMANGALA
LAVANYA
JANICA RAO
GRATEFUL
ACKNOWLEDGEMENTS
MINISTRY OF INFORMATION
AND BROADCASTING
GOVERNMENT OF INIDA
GOETHE INSTITUT/MAX
MUELLER BHAVAN,BENGALURU
FIPRESCI-INDIA
INTERNATIONAL FEDERATION
OF FILM CRITICS (FIPRESCI)
NETWORK FOR
THE PROMOTION OF
ASIAN CINEMA (NETPAC)
FRENCH EMBASSY IN
INDIA, NEW DELHI
SHRI H.C.MAHADEVAPPA
MINISTER FOR PUBLIC WORK, MYSURU DISTRICT INCHARGE MINISTER
GOVT OF KARNATAKA
SHRI Dr. P S HARSHA, IPS
COMMISSIONER, DEPARTMENT OF INFORMATION AND PUBLIC RELATIONS,
GOVT OF KARNATAKA
SHRI Sa Ra GOVINDU
PRESIDENT, KARNATAKA FILM CHAMBER OF COMMERCE
N.VIDYASHANKAR
ARTISTIC DIRECTOR, 10TH BIFFES
SMT JAIMALA
MEMBER KARNATAKA LEGISLATIVE COUNCIL, FILM ACTOR
SHRI P SHESHADRI
RENOWNED FILMMAKER
SHRI H B DINESH
REGISTRAR, KARNATAKA CHALANACHITRA ACADEMY, BENGALURU
CORE COMMITTEE
SHRI MANIVANNAN, IAS / PANKAJ KUMAR PANDEY, IAS
PRINCIPAL SECRETARY , DEPARTMENT OF INFORMATION AND PUBLIC RELATIONS,
GOVT.OF KARNATAKA
GOVT OF KARNATAKA
SHRI N.VIDYASHANKAR
ARTISTIC DIRECTOR, 10TH BIFFES
SHRI PRAKASH
JOINT DIRECTOR (FILMS)
SHRI H.B.DINESH
REGISTRAR, KARNATAKA CHALANACHITRA ACADEMY, BENGALURU
NATIONAL COMMITTEE FOR SELECTION
OF INTERNATIONAL CINEMA
SHRI GIRISH KASARAVALLI
EMINENT FILMMAKER
PREMENDRA MAZUMDER
FILM CRITIC, KOLKATA
SHRI KRISHNAPRASAD
SENIOR JOURNALIST, OUTLOOK MAGAZINE, MYSURU
N.VIDYASHANKAR
ARTISTIC DIRECTOR, 10TH BIFFES
KARNATAKA CHALANACHITRA
ACADEMY MEMBERS
S V RAJENDRA SINGH BABU, CHAIRMAN
SMT. BHARATHI VISHNUVARDHAN, EMINENT FILM ARTIST
ROCKLINE VENKATESH, FILM PRODUCER, ACTOR
B M HANEEF, WRITER & JOURNALIST
N R NANJUNDEGOWDA, FILM DIRECTOR
BHEERAPPA, FILM PRODUCER
DR. B K RAVI, PROFESSOR & WRITER
PRESIDENT, KARNATAKA FILM CHAMBER OF COMMERCE
PRESIDENT, KANNADA FILM PRODUCERS ASSOCIATION
PRESIDENT, KARNATAKA FILM DIRECTORS ASSOCIATION
PRESIDENT, KARNATAKA FILM LABOURERS, ARTISTS, TECHNICIANS UNION
PRESIDENT, KARNATAKA FILM ARTISTS ASSOCIATION
PRESIDENT, KARNATAKA TELEVISION ASSOCIATION
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