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PHOTO DOCUMENTATION OF MUSEUM TRIPS: NATIONAL MUSEUM OF

FINE ARTS, NATIONAL MUSEUM OF ANTHROPOLOGY AND BINAN CTY


MUSEUM

A Paper Presented to the


Department of Arts and Sciences
Cavite State University – Carmona
Carmona, Cavite

In partial fulfilment of the requirements


for the degree of Marketing Management

Jenefer B. Villaruel

May 2018
ACKNOWLEDGEMENTS

3 single spaces All caps / Bold

First and foremost, I would like to thank God Almighty for giving me the

strength, knowledge, ability and opportunity to undertake this documentation work and to

persevere and complete it satisfactorily. Without his blessings, this achievement would

not have been possible.

I would like to express my deep and sincere gratitude to Sir. Earl Cyril Rosaldo.

for giving me the opportunity to do photo documentation and providing invaluable

guidance throughout this documentation.

My acknowledgement would be incomplete without thanking the biggest source

of my strength; my family. I am extremely grateful to them for their love, prayers, caring

and sacrifices for educating and preparing me for my future. Also I express my thanks to

my sisters and brother for their support and valuable prayers.

I would also like to thank my friends who helped me a lot in finalizing this project

within the limited time frame.

JENEFER B. VILLARUEL

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TABLE OF CONTENTS

Page

ACKNOWLEDGEMENT….……………………………………………………. iiii

TABLE OF CONTENTS…………………………………………………………. iii

LIST OF FIGURES…………………………………………………………………….
v

INTRODUCTION………………………………………………………………... 1

National Museum of Fine Arts……………………………………………. __

National Museum of Anthropology…………………………………………….


__

Binan City Museum………………………………………………………… __

NATIONAL MUSEUM OF FINE ARTS ARTWORKS……………………… __

Arrival……………………………………………………………….………. __

Painted Window of Christ the King………………………………….………. __

Model of Commonwealth Triumphal Arch………………………….………. __

Art Protis…………………….…………………………………….………. __

Spolarium………………………………………………………….………. __

NATIONAL MUSEUM OF ANTHROPOLOGY ARTWORKS…………………__

Tepo Mat……………………………….………………………….………. __

Manunggul Jar………………….………………………………….………. __

Lufid ay Sinangadom…………..………………………………….………. __

Lantaka………………………………….………………………….………. __

Banton Cloth …………………..………………………………….……….

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BINAN CITY MUSEUM ARTWORKS……………………………………………__

Rizal Monument in Binan Decapitated by Lightning…………...….………. __

Calesa in Binan…………………………………………………….………. __

Philippine National Railway in Binan…………….……………….………. __

Binan’s Bahay-Na-Bato……………………………………………….……….__

Carino House……………………………...……………………….………. __

CONCLUSION…………………………………………………………………… __

__
Conclusion……………………………………………………………………...

__
REFERENCES (if you have any)……………………………………………………..

iv
LIST OF FIGURES

Figure Page

1 Arrival………………………………..……………………………………. __

2 Painted Window of Christ the King………………………………………. __

3 Model for the commonwealth triumphal Arch……………………………. __

4 Art Potris………………………...…………………………………………. __

5 Spolarium……………………………..……………………………………. __

6 __
Tepo Mat……………………………………………………………………….

7 Manunggul Jar……………………..………………………………………….__

8 Lufid ay Sinangadom………………………………………………………. __

9 Lantaka………………………………………………………………………. __

10 Banton Cloth……………………………….………………………………….__

11 __
Rizal Monument in Binan Decapitated by Lightning…………………………….

12 Calesa in Binan…………………...…………………………………………. __

13 Philippine National Railway in Binan……………………….……………. __

14 Binan’s Bahay-Na-Bato……………………………………………………. __

15 Carino House…………….………………………………………………… __

v
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PHOTO DOCUMENTATION OF MUSEUM TRIPS: NATIONAL MUSEUM OF


FINE ARTS, NATIONAL MUSEUM OF ANTHROPOLOGY AND BINAN CITY
MUSEUM

Jenefer B. Villaruel

An undergraduate photo documentation submitted to the Faculty of Department of Arts


and Sciences of Cavite State University – Carmona Campus, Carmona, Cavite, in partial
fulfilment of the degree of Marketing Management. Prepared under the supervision of
Earl Cyril G. Rosaldo.

INTRODUCTION

National Museum of Fine Arts. The National Museum of Fine Arts (Filipino:

Pambansang Museo ng Sining), formely known as The National Art Gallery, is housed in

the old Legislative Building. The building was originally intended as a public library as

proposed in Daniel Burnham’s 1905 Plan for Manila. Designed by Ralph Harrington

Doanne, the American consulting architect of the Bureau of Public Works, and assistant

Antonio Toledo. Construction of the building began in 1918 and completed in 1921.

The façade of the building had classical features using stylized Corinthian

columns, ornamentation and Renaissance inspired sculptural forms. Upon the established

of the commonwealth government, it was decided that the building would also house the

Legislature and revisions were made by Juan Arellano, supervising architect of the

Bureau of Public Works.


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National Museum of Anthropology. The National Museum of Anthropology,

formerly known as the Museum of the Filipino People, is a component museum of the

Philippines that houses the Archaeology Division, Ethnology Division, Exhibition,

Editorial and Media Production Services Division (EEMPSD) Maritime and Underwater

Cultural Heritage Division (MUCHD), and Museum Services Division (MSD). It is

located in the Agrifina Circle, Rizal Park, Manila across the main National Museum

building which is the National Museum for Fine Arts. The building was the former

headquarters of the Department of Finance.

The National Museum of Anthropology houses various ethnographic artifacts

from the different people of the country. The cultural materials featured in the exhibit

include weapons, tools, musical instruments, clothing, and accessories among all others.

The archaeology division of the National Museum is located here where they display the

various unearthed materials from different time periods.

Binan City Museum.Blah blah blah blah blah blah blah blah blah blah blah blah

blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah

blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah

blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah

blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah

blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah

blah blah blah blah blah blah blah blah blah blah blah blah.

Blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah

blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah
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blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah

blah.

NATIONAL MUSEUM OF FINE ATRS ARTWORKS

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Described by National Artist Arturo R. Luz as among “the best work he has ever

done”, these mixed media assemblages of acrylic on burlap used to hang in the east and

west concourses of the Manila International Airport (now terminal 1 of the Ninoy Aquino

Ninoy Aquino International Airport), which opened in 1981.

5 inches x 5 inches
Layout: Simple
frame, black

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Figure 1. ARRIVAL (sentence caps, unless it is a noun or pronoun, ex. Mona Lisa

Bold Not Bold


The picture and the caption
(Figure 1. Name of the artwork)
should be centered
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NATIONAL MUSEUM OF FINE ARTS ARTWORKS

3 single spaces

Blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah

blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah

blah blah blah blah blah blah blah blah blah.


2 single spaces

5 inches x 5 inches
Layout: Simple
frame, black

2 single spaces

Figure 2. PAINTED WINDOW OF CHRIST KING (sentence caps, unless it is a noun


or pronoun, ex. Mona Lisa)

Bold Not Bold


The picture and the caption
(Figure 1. Name of the artwork)
should be centered
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NATIONAL MUSEUM OF FINE ARTS ARTWORKS

3 single spaces

Guillermo E. Tolentino (1890-1976), National Artist for Sculpture (1973)

Undated

Bonded marble and polychrome resin


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5 inches x 5 inches
Layout: Simple
frame, black

2 single spaces

Figure 3. MODEL FOR THE COMMONWEALTH TRIUMPHAL ARCH (sentence


caps, unless it is a noun or pronoun, ex. Mona Lisa)

Bold Not Bold


The picture and the caption
(Figure 1. Name of the artwork)
should be centered
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NATIONAL MUSEUM OF FINE ARTS ARTWORKS

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The Art Potris of Federico Aguilar Alcuaz. One of the well known masterworks

of the artist from the collection of the Government Service Insurance System (GSIS).The

National Museum takes pride in exhibiting the non-woven tapestries (Art Potris).
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5 inches x 5 inches
Layout: Simple
frame, black

2 single spaces

Figure 4. ART POTRIS (sentence caps, unless it is a noun or pronoun, ex. Mona Lisa)

Bold Not Bold


The picture and the caption
(Figure 1. Name of the artwork)
should be centered
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NATIONAL MUSEUM OF FINE ARTS ARTWORKS

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Blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah

blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah

blah blah blah blah blah blah blah blah blah.


2 single spaces

5 inches x 5 inches
Layout: Simple
frame, black

2 single spaces

Figure 5. SPOLARIUM (sentence caps, unless it is a noun or pronoun, ex. Mona Lisa)

Bold Not Bold


The picture and the caption
(Figure 1. Name of the artwork)
should be centered
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NATIONAL MUSEUM OF ANTHROPOLOGY ARTWORKS

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This Mats are exclusively produced by women and traditionally used as sleeping

mats. These are now used as prayer mats of gifts to newlyweds.

5 inches x 5 inches
Layout: Simple
frame, black

2 single spaces

Figure 6. TEPO (sentence caps, unless it is a noun or pronoun, ex. Mona Lisa)

Bold Not Bold


The picture and the caption
(Figure 1. Name of the artwork)
should be centered
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NATIONAL MUSEUM OF ANTHROPOLOGY ARTWORKS

3 single spaces

A late Nelolathic Secondary burial jar with painted, increased and impressed

designs. On the top of the lid are two figures representing souls sailing to the afterwarded

as death boot.

5 inches x 5 inches
Layout: Simple
frame, black

2 single spaces

Figure 7. MANUNGGUL JAR (sentence caps, unless it is a noun or pronoun, ex. Mona
Lisa)

Bold Not Bold


The picture and the caption
(Figure 1. Name of the artwork)
should be centered
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NATIONAL MUSEUM OF ANTHROPOLOGY ARTWORKS

3 single spaces

It is one of the ten types of rectangular wrap skirts made by bontok weavers worn

during official events or religious rituals. It is held by a works or belt that also doubles as

a gridle.
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5 inches x 5 inches
Layout: Simple
frame, black

2 single spaces

Figure 8. LUFID AY SINANGADOM (sentence caps, unless it is a noun or pronoun,


ex. Mona Lisa)

Bold Not Bold


The picture and the caption
(Figure 1. Name of the artwork)
should be centered
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NATIONAL MUSEUM OF ANTHROPOLOGY ARTWORKS

3 single spaces

It is a small swivel gun or cannon used as one of the weapons of Filipinos before

and during the Spanish Colonization of the Philippines. Although rarely emphasized as

part of the local weaponly in contrast to swords, shields, lantakas figured prominently in
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the history of the Philippines.

5 inches x 5 inches
Layout: Simple
frame, black

2 single spaces

Figure 9. LANTAKA (sentence caps, unless it is a noun or pronoun, ex. Mona Lisa)

Bold Not Bold


The picture and the caption
(Figure 1. Name of the artwork)
should be centered
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NATIONAL MUSEUM OF ANTHROPOLOGY ARTWORKS

3 single spaces

It is the oldest existing texible in the Philippines, and the earliest existing

specimen of warp tie-dyed textile Southeast Asia Rigion (Paterno 1995). This was found

in one of the wooden coffins inside a disturbed cave in island of Banton. This site, a cave
2 single spaces
complex, was already known as earlyas 1937.

5 inches x 5 inches
Layout: Simple
frame, black

2 single spaces

Figure 10. BANTON CLOTH (sentence caps, unless it is a noun or pronoun, ex. Mona
Lisa)

Bold Not Bold


The picture and the caption
(Figure 1. Name of the artwork)
should be centered
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BINAN CITY MUSEUM ARTWORKS

3 single spaces

A century old statue of National hero Dr. Jose Rizal in Laguna was decapitated by

Lightning.

5 inches x 5 inches
Layout: Simple
frame, black

2 single spaces

Figure 11. RIZAL MONUMENT IN BINAN DECAPITATED BY LIGHTNING


(sentence caps, unless it is a noun or pronoun, ex. Mona Lisa)

Bold Not Bold


The picture and the caption
(Figure 1. Name of the artwork)
should be centered
14

BINAN CITY MUSEUM ARTWORKS

3 single spaces

A kalesa is a horse drawn calash in the Philippines. It was one mode of

transfotation introduced to the island in the 18th century by Spanish colonizers, and was

initially reserved for only nobles and high-ranking civil officials.


2 single spaces

5 inches x 5 inches
Layout: Simple
frame, black

2 single spaces

Figure 12. CALESA IN BINAN (sentence caps, unless it is a noun or pronoun, ex.
Mona Lisa)

Bold Not Bold


The picture and the caption
(Figure 1. Name of the artwork)
should be centered
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BINAN CITY MUSEUM ARTWORKS

3 single spaces

Binan station or Binang station is a station on the south main line (“Southtrain”) of the

Philippines National Railway.

5 inches x 5 inches
Layout: Simple
frame, black

2 single spaces

Figure 13. PHILIPPINE NATIONAL RAILWAY IN BINAN (sentence caps, unless it is


a noun or pronoun, ex. Mona Lisa)

Bold Not Bold


The picture and the caption
(Figure 1. Name of the artwork)
should be centered
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BINAN CITY MUSEUM ARTWORKS

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The built heritage of Binan like most towns araound the Philippines, is a tangible

reminder of the city’s rich history and economic preeminence during the 19th and 20th

centuries.
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5 inches x 5 inches
Layout: Simple
frame, black

2 single spaces

Figure 14. BINAN’S BAHAY-NA-BATO (sentence caps, unless it is a noun or


pronoun, ex. Mona Lisa)

Bold Not Bold


The picture and the caption
(Figure 1. Name of the artwork)
should be centered
17

BINAN CITY MUSEUM ARTWORKS

3 single spaces

The Carino House was said to be along the classic style of Bahay-na-Bato.

5 inches x 5 inches
Layout: Simple
frame, black

2 single spaces

Figure 15. CARINO HOUSE (sentence caps, unless it is a noun or pronoun, ex. Mona
Lisa)

Bold Not Bold


The picture and the caption
(Figure 1. Name of the artwork)
should be centered
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CONCLUSION

The importance of visiting different museums especially at my age it is because There is

only so much we can take from the past and apply to the now and the future. Museums

hold the artifacts and actual facts of the past. The level of purity of these objects and

information is refreshing. Museums are educational. They teach us what people have

been like in the past, how societies may be different from what we know, and they teach

us about how things we know today have come to be. Museums are also a wonderful

asset for schools. They give the opportunity for students to get excited about learning.

The adventure of a field trip and the hands on nature of learning in a museum is inspiring

to children and an effect that could not be replicated without museums.

Honestly, when Im visiting different museums it makes me feel good. Because

museums exhibits inspire interested in an area of study and as a visitors it have an

interesting histories to inspire and educate us.

In conclusion, museums play an important factor in education, economy and

research.
REFERENCES

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Acosta, A., Benitez, R. (Year of publication). Title. Retrieved from: website

Balaran, X., Hokan, C. (Year of publication). Title: Blah blah blah blah

blah blah. Retrieved Alphabetize


from: website the references
Indent the second line *the first author/name of the article
National Museum of the Philippines. (Year
will be of publication). Title. Retrieved from:
the basis*
website Remove the underline of the website
and change its color to black.

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