Академический Документы
Профессиональный Документы
Культура Документы
Jenefer B. Villaruel
May 2018
ACKNOWLEDGEMENTS
First and foremost, I would like to thank God Almighty for giving me the
strength, knowledge, ability and opportunity to undertake this documentation work and to
persevere and complete it satisfactorily. Without his blessings, this achievement would
I would like to express my deep and sincere gratitude to Sir. Earl Cyril Rosaldo.
of my strength; my family. I am extremely grateful to them for their love, prayers, caring
and sacrifices for educating and preparing me for my future. Also I express my thanks to
I would also like to thank my friends who helped me a lot in finalizing this project
JENEFER B. VILLARUEL
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TABLE OF CONTENTS
Page
ACKNOWLEDGEMENT….……………………………………………………. iiii
LIST OF FIGURES…………………………………………………………………….
v
INTRODUCTION………………………………………………………………... 1
Arrival……………………………………………………………….………. __
Art Protis…………………….…………………………………….………. __
Spolarium………………………………………………………….………. __
Tepo Mat……………………………….………………………….………. __
Manunggul Jar………………….………………………………….………. __
Lufid ay Sinangadom…………..………………………………….………. __
Lantaka………………………………….………………………….………. __
iii
BINAN CITY MUSEUM ARTWORKS……………………………………………__
Calesa in Binan…………………………………………………….………. __
Binan’s Bahay-Na-Bato……………………………………………….……….__
Carino House……………………………...……………………….………. __
CONCLUSION…………………………………………………………………… __
__
Conclusion……………………………………………………………………...
__
REFERENCES (if you have any)……………………………………………………..
iv
LIST OF FIGURES
Figure Page
1 Arrival………………………………..……………………………………. __
4 Art Potris………………………...…………………………………………. __
5 Spolarium……………………………..……………………………………. __
6 __
Tepo Mat……………………………………………………………………….
7 Manunggul Jar……………………..………………………………………….__
8 Lufid ay Sinangadom………………………………………………………. __
9 Lantaka………………………………………………………………………. __
10 Banton Cloth……………………………….………………………………….__
11 __
Rizal Monument in Binan Decapitated by Lightning…………………………….
12 Calesa in Binan…………………...…………………………………………. __
14 Binan’s Bahay-Na-Bato……………………………………………………. __
15 Carino House…………….………………………………………………… __
v
1
Jenefer B. Villaruel
INTRODUCTION
National Museum of Fine Arts. The National Museum of Fine Arts (Filipino:
Pambansang Museo ng Sining), formely known as The National Art Gallery, is housed in
the old Legislative Building. The building was originally intended as a public library as
proposed in Daniel Burnham’s 1905 Plan for Manila. Designed by Ralph Harrington
Doanne, the American consulting architect of the Bureau of Public Works, and assistant
Antonio Toledo. Construction of the building began in 1918 and completed in 1921.
The façade of the building had classical features using stylized Corinthian
columns, ornamentation and Renaissance inspired sculptural forms. Upon the established
of the commonwealth government, it was decided that the building would also house the
Legislature and revisions were made by Juan Arellano, supervising architect of the
formerly known as the Museum of the Filipino People, is a component museum of the
Editorial and Media Production Services Division (EEMPSD) Maritime and Underwater
located in the Agrifina Circle, Rizal Park, Manila across the main National Museum
building which is the National Museum for Fine Arts. The building was the former
from the different people of the country. The cultural materials featured in the exhibit
include weapons, tools, musical instruments, clothing, and accessories among all others.
The archaeology division of the National Museum is located here where they display the
Binan City Museum.Blah blah blah blah blah blah blah blah blah blah blah blah
blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah
blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah
blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah
blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah
blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah
blah blah blah blah blah blah blah blah blah blah blah blah.
Blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah
blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah
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blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah
blah.
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Described by National Artist Arturo R. Luz as among “the best work he has ever
done”, these mixed media assemblages of acrylic on burlap used to hang in the east and
west concourses of the Manila International Airport (now terminal 1 of the Ninoy Aquino
5 inches x 5 inches
Layout: Simple
frame, black
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Figure 1. ARRIVAL (sentence caps, unless it is a noun or pronoun, ex. Mona Lisa
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Blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah
blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah
5 inches x 5 inches
Layout: Simple
frame, black
2 single spaces
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Undated
5 inches x 5 inches
Layout: Simple
frame, black
2 single spaces
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The Art Potris of Federico Aguilar Alcuaz. One of the well known masterworks
of the artist from the collection of the Government Service Insurance System (GSIS).The
National Museum takes pride in exhibiting the non-woven tapestries (Art Potris).
2 single spaces
5 inches x 5 inches
Layout: Simple
frame, black
2 single spaces
Figure 4. ART POTRIS (sentence caps, unless it is a noun or pronoun, ex. Mona Lisa)
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Blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah
blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah
5 inches x 5 inches
Layout: Simple
frame, black
2 single spaces
Figure 5. SPOLARIUM (sentence caps, unless it is a noun or pronoun, ex. Mona Lisa)
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This Mats are exclusively produced by women and traditionally used as sleeping
5 inches x 5 inches
Layout: Simple
frame, black
2 single spaces
Figure 6. TEPO (sentence caps, unless it is a noun or pronoun, ex. Mona Lisa)
3 single spaces
A late Nelolathic Secondary burial jar with painted, increased and impressed
designs. On the top of the lid are two figures representing souls sailing to the afterwarded
as death boot.
5 inches x 5 inches
Layout: Simple
frame, black
2 single spaces
Figure 7. MANUNGGUL JAR (sentence caps, unless it is a noun or pronoun, ex. Mona
Lisa)
3 single spaces
It is one of the ten types of rectangular wrap skirts made by bontok weavers worn
during official events or religious rituals. It is held by a works or belt that also doubles as
a gridle.
2 single spaces
5 inches x 5 inches
Layout: Simple
frame, black
2 single spaces
3 single spaces
It is a small swivel gun or cannon used as one of the weapons of Filipinos before
and during the Spanish Colonization of the Philippines. Although rarely emphasized as
part of the local weaponly in contrast to swords, shields, lantakas figured prominently in
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the history of the Philippines.
5 inches x 5 inches
Layout: Simple
frame, black
2 single spaces
Figure 9. LANTAKA (sentence caps, unless it is a noun or pronoun, ex. Mona Lisa)
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It is the oldest existing texible in the Philippines, and the earliest existing
specimen of warp tie-dyed textile Southeast Asia Rigion (Paterno 1995). This was found
in one of the wooden coffins inside a disturbed cave in island of Banton. This site, a cave
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complex, was already known as earlyas 1937.
5 inches x 5 inches
Layout: Simple
frame, black
2 single spaces
Figure 10. BANTON CLOTH (sentence caps, unless it is a noun or pronoun, ex. Mona
Lisa)
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A century old statue of National hero Dr. Jose Rizal in Laguna was decapitated by
Lightning.
5 inches x 5 inches
Layout: Simple
frame, black
2 single spaces
3 single spaces
transfotation introduced to the island in the 18th century by Spanish colonizers, and was
5 inches x 5 inches
Layout: Simple
frame, black
2 single spaces
Figure 12. CALESA IN BINAN (sentence caps, unless it is a noun or pronoun, ex.
Mona Lisa)
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Binan station or Binang station is a station on the south main line (“Southtrain”) of the
5 inches x 5 inches
Layout: Simple
frame, black
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The built heritage of Binan like most towns araound the Philippines, is a tangible
reminder of the city’s rich history and economic preeminence during the 19th and 20th
centuries.
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5 inches x 5 inches
Layout: Simple
frame, black
2 single spaces
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The Carino House was said to be along the classic style of Bahay-na-Bato.
5 inches x 5 inches
Layout: Simple
frame, black
2 single spaces
Figure 15. CARINO HOUSE (sentence caps, unless it is a noun or pronoun, ex. Mona
Lisa)
CONCLUSION
only so much we can take from the past and apply to the now and the future. Museums
hold the artifacts and actual facts of the past. The level of purity of these objects and
information is refreshing. Museums are educational. They teach us what people have
been like in the past, how societies may be different from what we know, and they teach
us about how things we know today have come to be. Museums are also a wonderful
asset for schools. They give the opportunity for students to get excited about learning.
The adventure of a field trip and the hands on nature of learning in a museum is inspiring
research.
REFERENCES
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Balaran, X., Hokan, C. (Year of publication). Title: Blah blah blah blah