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Teacher: Emma Karpinski
Unit Title: “Layers- Explorations in Art-Making”
Lesson Title: “Beginning to Layer”
Grade Level: Preschool
Number of Students: 15
Lesson #: 1 of 8 projected lessons.
BIG IDEA (UNIT):
The big idea guiding the curriculum unit is Layers.
BIG IDEA (LESSON):
In this lesson within the Layers unit, students will explore the classroom, materials, and layering
process by B eginning to Layer.
ART / ARTIST(S) OF RELEVANCE:
● Eric Carle:
“Eric Carle is a n American designer, illustrator, and writer of children's books. He is most
noted for T he Very Hungry Caterpillar, a picture book that has been translated into more than 62
languages and sold more than 46 million copies, which is equivalent to 1.7 copies sold every minute
since it was published. Since it was published in 1969 he has illustrated more than 70 books, most of
which he also wrote, and more than 145 million copies of his books have been sold around the
world...Eric Carle's art is distinctive and instantly recognizable. His artwork is created in collage
technique, using hand-painted papers, which he cuts and layers to form bright and colourful images.
Many of his books have an added dimension—die-cut pages, twinkling lights as in T he Very Lonely
Firefly, even the lifelike sound of a cricket’s song as in T
he Very Quiet Cricket (Wikipedia).”
“Art-Art, as Carle likes to call his personal works, ‘is kind of funny,’ [Carle] says. ‘I didn’t
want it to be all that important. I just did it for myself. I did it for entertainment.’ According to Carle,
his Art-Art came around relatively late in his career, and unintentionally. When working on cutouts
and paintings for his books, Carle would save the scraps of tissue paper he had worked with but hadn’t
used. When he had collected enough scraps, he realized they could be used to create pieces like
“Horizon,” which is on display at TAM now. ‘I like the accident in things,’ he says. (South Sound
Magazine).”
Books Checked out of Paterno Library (some to be read together, most to be located as Quiet Space
options)-
Draw Me a Star b
y Eric Carle
Papa, Please Get The Moon For Me by Eric Carle (possibly the one read at Circle Time)
Visual resources for this artist include the above books, as well as colored printed photos of Carle’s
work to be shown at circle, as well as the film T
he Very Hungry Caterpillar and Other Stories directed
by Andrew Goff (1993), which will be played on the projector during time at stations.
● Bar Rucci’s Student Work:
“I share my home in Connecticut with my husband, three children, and shedding labradoodle.
I teach art in my living room. I was a graphic designer for fifteen years before becoming an art
teacher...I believe that everyone is born creative, and that somewhere along the way, we lose our ability
to think creatively when we enter formal schooling. What children really need during these formative
years is space and time to explore their original ideas. They need to take creative risks daily so that they
grow up feeling comfortable with mistakes, finding multiple solutions to a problem, and never losing
touch with the creative child inside of them. I believe that a few simple art materials, a table, and a
parent or teacher who is willing to let go of expectations, is all that a child needs to flourish into a
lifelong creative thinker (Art Bar Blog).”
I’d like to create colored photocopies of the images of art that Bar Rucci’s students have created and
show them to students at circle. I believe that this work demonstrates how different materials can be
layered over one another to show the experimenting that occured and have all different outcomes that
each are enticing to look at.
VI. ENDING THE LESSON
Closure of Lesson:
To end the lesson, I will choose 3 students who are raising their hands to share something about what they
created during the class in order to let them feel heard in the class by the adults and their peers, and also to let the
rest of the class know what was going on around them that they might not have been able to see. I hope that this
will inspire the students in the class and help the students who share feel proud of their work.
Transition to Next Lesson:
In order to get students prepared for the following week, I will reference the addition of the Photography
Station that occured mid-way through the lesson, and let them know that there will be more opportunities for
all of them to explore taking photos next week, while including a visual example of how that might look.
Key:
Spaces in Red are Available the Entire Class
Spaces in Green are Only Available during Second Half
Spaces in Black are all other environmental elements
Classroom Space Function Location
Sketchbook Station Tables (covered with paper) Near the cubbies where
and chairs with materials for sketchbooks are kept
students to bring their
sketchbook to work on (soft limit of 6-10 students
depending on table/chair
amount)
Collage Station Tables (covered with paper) Near the center of the room-
and chairs with exciting new larger than usual to
collage materials, paper, accommodate more students as
scissors, and supplies to stick this is one of the main material
the collage elements down focuses for the lesson
where students can also learn
how to safely use what is (soft limit of 10-12 students)
located here in the weeks to
come
Building Station An area with a table low to the Somewhere where it is safe for
ground- or just a flat platform students to be working close to
on the ground- with loose parts or on the floor
(natural and otherwise) for
students to build with and (soft limit of 5 students
explore temporary layers depending on size of space)
Light Station Area with a light table and an Preferably away from most of
over-head projector that points the windows but still visible in
at a shadow screen, all close the classroom
together that promote layers of
light interacting, with a GoPro (soft limit of 5 students
filming the movements done depending on size of space)
and filters added by students
Photography Station This station added partially Only needed for part of the
through the lesson allows lesson’s time, this space requires
students to be introduced to the teacher, the Fuji Instax
adding photos as layers to their Camera, and film, and does not
art need much space. It can be
located near the Circle Time
Carpet to ensure students at
other stations are not distracted
(limit of 4 students for this
particular lesson’s activity)
Sign In/Sign Out Table Space for parents to say At the entrance of the
goodbye & sign in child while classroom
the child receives their name
tag, and where they can return
to sign out their child when
class ends. Cubbies will be
included for students to place
their
belongings/coats/backpacks
and keep their sketchbook
Circle Time Space/Carpet Main meeting space for the In open area by the chalkboard
class for the beginning & end of
lessons as well as any mid-lesson
demonstrations or
announcements
Quiet Space Where a student who feels A tucked away, but still visible,
overwhelmed, sad, upset, or corner of the room where there
just uncomfortable can go to are not many distractions
take a break and look through
books or listen to music to calm
down
Sinks Necessary for clean-up at the At the far end of the classroom
end of the lesson
LESSON PLAN FORMAT
Teacher: Emma Karpinski
Unit Title: “Layers- Explorations in Art-Making”
Lesson Title: “Layering with Images”
Grade Level: Preschool
Number of Students: 15
Lesson #: 2 of 8 projected lessons.
BIG IDEA (UNIT):
The big idea guiding the curriculum unit is Layers.
BIG IDEA (LESSON):
In this lesson within the Layers unit, students will take their explorations of layering from last week
even further, by taking what is now familiar and pairing it with what can happen when L ayering
with Images.
ART / ARTIST(S) OF RELEVANCE:
● Gerhard Richter
Gerhard Richter, born in 1932, is a, “German visual artist. Richter has produced abstract as
well as photorealistic paintings, and also photographs and glass pieces. ... Nearly all of Richter's work
demonstrates both illusionistic space that seems natural and the physical activity and material of
painting—as mutual interferences. For Richter, reality is the combination of new attempts to
understand—to r epresent; in his case, to p aint—the world surrounding us,” (Wikipedia).
A quote by Richter: "Perhaps because I'm sorry for the photograph, because it has such a
miserable existence even though it is such a perfect picture, I would like to make it valid, make it visible
– just m
ake it (even if what I make is worse than the photograph). And this making is something that I
can't grasp, or figure out and plan. That is why I keep on and on painting from photographs, because I
can't make it out, because the only thing to do with photographs is paint from them. Because it
attracts me to be so much at the mercy of a thing, to be so far from mastering it."
“25.3.86”
“10.8.89 [Betty]”
“12.2.98”
“19.2.98”
“17. Nov. 99”
“MV. 111”
“9.2.89”
[This artist will also be used for inspiration next class, where painting over images will be
fully introduced once the students have had a chance to take their own photographs during
today’s lesson. For this lesson, students will be using paint pens as a transitioning material.]
● Jesse Treece
“Jesse Treece is a collage artist living in Seattle, Wa. whose work screams of the simple, yet ever
complex, interpretations of both the mundane and whimsical facets of life. He’s somehow managed to
mix both the regular and absurd, beautiful and disturbing and put them into images that you find you
could get lost in for hours,” (Society6).
PREREQUISITES:
● Students must be prepared to sit quietly for 10-15 minutes of time and listen to the teacher- If
students show signs that they are not, small activities that involve movement and letting out
energy will be facilitated to break up the necessary times spent listening to guidelines for the
lesson & classroom rules.
● Students must be able to keep safe space between other students to prevent injuries- If students
show signs that they are not, rules about making sure there is enough space between students
to then spread their arms wide without touching another individual will be enforced, and
location can be adjusted in necessary to accommodate for this.
● Students must be able to hold a drawing utensil comfortably in order to mark-make- If
students show signs that they are not, the allotted time for drawing on sketchbook covers at
the beginning of class will include a brief demo on how to adjust grip to successfully
mark-make.
● Students must be able to let an adult know when they need to use the restroom- If students
show signs that they are not, the teacher can take a moment a few times over the course of the
lesson to ask for all students’ attention to then remind them to take a bathroom break if
needed, most likely going to the restroom with other adult(s) in the room.
● Students must be able to clean up their workspace & themselves when instructed at end of
class- If students show signs that they are not, the teacher and any other adults in the room can
give prompts to students during clean up that show them what clean up time will look like in
the future and ensure that no mess is left behind that could cause injuries (i.e. slipping on spilt
water/wet paint) or disrupt what comes next in the lesson.
● Students must be able to properly hold and use glue sticks & paste in the space, based off of
demonstrations done during the first week- If students show signs that they are not, a refresher
demonstration will be done at the station the student is currently a part of.
● Students must be able to properly and safely handle children’s scissors, based off of
demonstrations done during the first week- If students show signs that they are not, a refresher
demonstration will be done at the station the student is currently a part of.
● Students must be able to safely navigate between the stations within the classroom, based off
of the tour done during the first week- If students show signs that they are not, a refresher
demonstration will be done at the station the student is currently a part of.
● During class, students will be shown how to properly & safely use tape dispenser via a brief
demonstration at the collage station tables, in small groups, with students who will be directly
interacting with the tape at the given time.
● During class, students will be shown how to safely & effectively use the two cameras available
to them at the Photography Station via a demonstration and frequent reminders.
SAFETY HAZARDS:
● Scissors are dangerous if they are not used the way the teacher shows you. Use them to cut
paper ONLY away from your body. When you are not cutting with them, carry them so your
hand hides the end that cuts.
● Glue sticks should not be twisted all the way up, and we should not touch the end with the
glue, or put glue on anything but the item we want to stick on our artwork.
● There is a lot happening in our art room, so we must remember to never run, and always watch
where we are walking so we do not trip or bump into anyone or anything.
● Art materials are for art making only and should never be used on anyone’s face, body, clothes,
or belongings.
INTERDISCIPLINARY CONNECTIONS:
Science: I would like to facilitate an approach to the art-making process that is similar to that of a
scientist experimenting in a lab. Students will be reminded to question what they think might happen
before they combine materials, and wonder what makes them react the way they do, forming
hypotheses in doing so. Specifically, at the light table & projector station, light is being seen as an art
material to use in layering, which encourages students to think of how it changes all other layers it
combines with. Students will be introduced to the concept of photography in this lesson, as well,
which incorporates the use of lighting and digital viewing, as well as how that may interact with the
light table & projector station.
I also will include natural materials that have layers that act as real-life examples, such as
flowers, wood, and rocks, which can prompt children to explore the concept of how layers form
further and take a closer look at what layers may be invisible to the eye at first.
Language Arts: Students will be asked questions about what they are making in order to learn more
about their interests and help them practice articulating what it is they are trying to create. This will be
recorded in my sketchbook during the class to be included in documentation later, including the
exhibition at the end of the eight weeks.
I-A. UNIT OVERVIEW (RATIONALE)
In examining my own artistic practice, I am able to identify the process of layering as a
prevailing concept. This class will create opportunities for children to interact with new & traditional
art materials and experiment with what they can create when combined. In art-making, layering
materials on top of one another, over time, transforms the artwork with each addition, or subtraction,
that the individual artist chooses to make. Each class will give children the agency to decide which
materials they use, what they create with them, and the ways that they do so. I strongly believe in art
that supports each child’s artistic visions, and hope to create a space that encourages each child to make
art that looks different from everyone else’s and sparks their imagination while using layering as a tool
to get there.
I-B. LESSON OVERVIEW (RATIONALE)
This lesson will expand upon what was started the first week of the unit, grasping onto the use
of images in relation to layering. What layers can be added within an image? How can images be used
as layers of something else? In what different ways can we incorporate photos into our work- our own
photos or strangers’ photos? This lesson will ask students to think of images of people, places, and
things in new ways, and try to see how they can add them to their own art to add to or change what is
happening in it already. The discussions of what images can be or turn into will be valuable for lessons
later on and projects down the road that ask for layering of multiple art mediums and imagery. The
Photography Station will be the most involved with the concept of images within layering, allowing
students to take photos with layers incorporated, as they began to the previous week, then use photos
as layers in their work at other stations, such as the C
ollage Station and the S ketchbook Station. The
Collage Station in particular will have both pre-cut images from magazines that children can use, as
well as a few magazines children can look through and cut from themselves, if they feel comfortable. I
will include images of Treece’s work with photo collages here as inspiration for those who may forget
what is shown at the circle carpet at the start of class. The L
ight Station will have some images pre-cut
in addition to the tissue paper and colored cellophane to add as layers with the translucent pieces, and
the B uilding Station will continue to have images on display as inspiration for layering.
II. LEARNER OUTCOMES
Throughout this lesson, students will learn...
● How to use different types of cameras (1 Fuji Instax Instant Camera & 1 Canon Powershot
Digital Camera)
● How layers can be added within a photograph
● How layers can be added over photographs
● How photographs can be a layer added to artwork in different ways
● How to work with technology to create what they originally imagine before taking the
photograph (this can differ between working with the instant camera or the digital camera)
● That they can make art about whatever is exciting or important to them right n ow!
III-A. NATIONAL ART STANDARDS
VA:Cr1.1.PKa - Engage in self-directed play with materials.
VA:Cr1.2.PKa - Engage in self-directed creative making.
VA:Cr2.1.PKa - Use a variety of artmaking tools.
VA:Cr2.2.PKa - Share materials with others.
VA:Cr3.1.PKa - Share and talk about personal artwork.
VA:Cn10.1.PKa - Explore the world using descriptive and expressive words and art-making.
VA:Cn11.1.PKa - Recognize that people make art.
III-B. PENNSYLVANIA DEPARTMENT OF EDUCATION STANDARDS
9.1.V PK.A - Know and use basic elements of visual arts.
9.1.V PK.B - Combine a variety of materials to create a work of art.
9.1.V PK.J - Use a variety of technologies for producing works of art.
IV. MATERIALS NEEDED FOR LESSON
● 1 Sketchbook per student (Sketchbook Station)
● Crayons (Sketchbook Station)
● Colored Pencils (Sketchbook Station)
● Chalk Pastels (Sketchbook Station)
● Jars/Cups for Materials (Sketchbook Station & Collage Station)
● Paint Pens (Collage Station)
● Trays for Loose Materials (Collage Station)
● Gluesticks (Collage Station)
● Double-Sided Tape (Collage Station)
● Washi Tape (Collage Station)
● Children’s Scissors (Collage Station)
● Scrap Paper (Collage Station)
● Crepe Paper (Collage Station)
● Magazines to be cut (Collage Station)
● Magazine Clippings (Collage Station & L ight Station)
● Tissue Paper (Light Station)
● Cellophane (Light Station)
● Over-Head Projector (Light Station)
● Shadow Screen (Light Station)
● Light Table (Light Station)
● GoPro & Tripod/Clamp (Light Station)
● Baskets for Materials (Light Station & B uilding Station)
● Wooden Loose Parts (Building Station)
● Blocks (Building Station)
● Rocks (Building Station)
● Natural Materials (Building Station)
● Magnifying Glasses (Building Station)
● Fuji Instax Camera (Photo Station)
● Fuji Instax Film (Photo Station)
● Canon Powershot (Photo Station)
● Carpet (Quiet Space)
● Pillows (Quiet Space)
● Teddy Bear (Quiet Space)
● 6 Eric Carle Books (Quiet Space)
● Circle Carpet (Circle Time Space)
● Printed Artist Reference Images wrapped to be sturdy plastic (Circle Time Space)
● Projector & Adapter to play film from laptop (Circle Time Space)
● Laptop with songs & videos ready (Circle Time Space)
● Revised Rules Sign (Circle Time Space)
● Name Tags for students & adults (Sign In/Sign Out Table)
● Parent Sign In/Sign Out Sheet (Sign In/Sign Out Table)
● Camera for adult documentation (Sign In/Sign Out Table)
● Signs with the name of each station & the number of maximum students for each space
● Beaded Necklaces for the max. Number of students at each station without chairs
V. TEACHER ACTIONS / EXPECTED LEARNER ACTIONS
Time Teacher Actions Expected Learner Actions
Key:
Spaces in Red are Available the Entire Class
Spaces in Green are Only Available during Second Half
Classroom Space Function Location
Sketchbook Station Tables (covered with paper) Near the cubbies where
and chairs with materials for sketchbooks are kept
students to bring their
sketchbook to work on (limit of 4 students per table)
Collage Station Tables (covered with paper) Near the center of the room-
and chairs with exciting new larger than usual to
collage materials, paper, accommodate more students as
scissors, and supplies to stick this is one of the main material
the collage elements down focuses for the lesson
where students can also learn
how to safely use what is (limit of 4 students per table)
located here in the weeks to
come
Building Station An area with a table low to the Somewhere where it is safe for
ground- or just a flat platform students to be working close to
on the ground- with loose parts or on the floor
(natural and otherwise) for
students to build with and (limit of 4 students)
explore temporary layers
Light Station Area with a light table and an Preferably away from most of
over-head projector that points the windows but still visible in
at a shadow screen, all close the classroom
together that promote layers of
light interacting, with a GoPro (limit of 4 students)
filming the movements done
and filters added by students
Photography Station This space will be watched by This space is located on the
the teacher and act as home Circle Time Carpet to ensure
base for the 2 cameras children students at other stations are
will be sharing. Children will not distracted, and in order to
come here to take turns taking serve as a home base where the
photos with the instant camera teacher can still see the
or digital camera, and choose ongoings of the rest of the
from fabric and paper filters to room
lay over the lenses.
(limit of 2 students at a time)
Sign In/Sign Out Table Space for parents to say At the entrance of the
goodbye & sign in child while classroom
the child receives their name
tag, and where they can return
to sign out their child when
class ends. Cubbies will be
included for students to place
their
belongings/coats/backpacks
and keep their sketchbook
Circle Time Space/Carpet Main meeting space for the In open area by the chalkboard
class for the beginning & end of
lessons as well as any mid-lesson
demonstrations or
announcements
Quiet Space Where a student who feels A tucked away, but still visible,
overwhelmed, sad, upset, or corner of the room where there
just uncomfortable can go to are not many distractions
take a break and look through
books or listen to music to calm
down
Sinks Necessary for clean-up at the At the far end of the classroom
end of the lesson
LESSON PLAN FORMAT
Teacher: Emma Karpinski
Unit Title: “Layers- Explorations in Art-Making”
Lesson Title: “Layering Together”
Grade Level: Preschool
Number of Students: 15
Lesson #: 3 of 8 projected lessons.
BIG IDEA (UNIT):
The big idea guiding the curriculum unit is Layers.
BIG IDEA (LESSON):
After we’ve gotten our feet wet with the concept of layering and how it extends to different mediums
and facets of life, students will be able to create art with layering by working together to add layers to
work that can be displayed as part of a whole. L ayering togetherwill ask each student to create in a
way that helps make up a bigger picture, and will be an important piece to the overall work.
ART / ARTIST(S) OF RELEVANCE:
● Ali Brown
Ali Brown is a photographer and blogger, writing, “I specialize in l ifestyle photography
meaning, I don’t pose you, I capture who you are. We’ll work together to achieve the look you want,”
(Ali Brown Studios). She has studied art, interior design, graphic design, and photography.
The image below will be shown as an example of painting over photos to add to the image,
however Ali Brown created this image by combining a photo she took of her daughter and a scanned
image of her daughter’s own artwork. She created the final image in Photoshop, but I feel that this is a
wonderful example of how students can paint of photos physically, too.
● Natalie Waggenspack
Natalie is a mother who created the blog s mArt Class to share ideas for art projects and
activities to do with children. This was another piece created in Photoshop to combine a photo she
took of her daughter & her daughter’s work, but it still shows the effect that we will try to create in
class.
● Lucy Elayne
Lucy is a photographer from Iowa and creator of the blog Lucy Elayne Photography. She says
that photography, “is the tool [she] use[s] to capture those most special moments in life… and they are
so fleeting,” (Lucy Elayne Photography).
Her work is a third that was done using Photoshop to combine her photo of her child and her
child’s artwork, and it was shown as a sneak preview in class as a closure activity last week.
● Nagi Sakai
“Born in Tokyo and raised in Cairo, Nagi Sakai's eclectic background lent him the
opportunity to experience art in several cultures at a young age. His expertise and appreciation for
creative expression and visual arts led him to the Dutch Institute of Art to study painting at the age 7 ...
Gathering inspiration from the diversity of the arts, and fueled by his passion to express strength in
beauty and sophisticated realism, Nagi Sakai's profession has rapidly become his career,”
(Models.com).
All of these artist images will be displayed at the Painting Station for students to view when painting
over the grayscale images students had taken last week.
PREREQUISITES:
● Students must be prepared to sit quietly for 10-15 minutes of time and listen to the teacher- If
students show signs that they are not, small activities that involve movement and letting out
energy will be facilitated to break up the necessary times spent listening to guidelines for the
lesson & classroom rules.
● Students must be able to keep safe space between other students to prevent injuries- If students
show signs that they are not, rules about making sure there is enough space between students
to then spread their arms wide without touching another individual will be enforced, and
location can be adjusted in necessary to accommodate for this.
● Students must be able to hold a drawing utensil comfortably in order to mark-make- If
students show signs that they are not, the allotted time for drawing on sketchbook covers at
the beginning of class will include a brief demo on how to adjust grip to successfully
mark-make.
● Students must be able to let an adult know when they need to use the restroom- If students
show signs that they are not, the teacher can take a moment a few times over the course of the
lesson to ask for all students’ attention to then remind them to take a bathroom break if
needed, most likely going to the restroom with other adult(s) in the room.
● Students must be able to clean up their workspace & themselves when instructed at end of
class- If students show signs that they are not, the teacher and any other adults in the room can
give prompts to students during clean up that show them what clean up time will look like in
the future and ensure that no mess is left behind that could cause injuries (i.e. slipping on spilt
water/wet paint) or disrupt what comes next in the lesson.
● Students must be able to properly hold and use glue sticks & paste in the space, based off of
demonstrations done during the first week- If students show signs that they are not, a refresher
demonstration will be done at the station the student is currently a part of.
● Students must be able to properly and safely handle children’s scissors, based off of
demonstrations done during the first week- If students show signs that they are not, a refresher
demonstration will be done at the station the student is currently a part of.
● Students must be able to safely navigate between the stations within the classroom, based off
of the tour done during the first week- If students show signs that they are not, a refresher
demonstration will be done at the station the student is currently a part of.
● Students must be able to safely & effectively use the two cameras available to them at the
Photography Station after viewing a demonstration and receiving frequent reminders during
the previous class.
SAFETY HAZARDS:
● Scissors are dangerous if they are not used the way the teacher shows you. Use them to cut
paper ONLY away from your body. When you are not cutting with them, carry them so your
hand hides the end that cuts.
● Glue sticks should not be twisted all the way up, and we should not touch the end with the
glue, or put glue on anything but the item we want to stick on our artwork.
● There is a lot happening in our art room, so we must remember to never run, and always watch
where we are walking so we do not trip or bump into anyone or anything.
● Art materials are for art making only and should never be used on anyone’s face, body, clothes,
or belongings.
INTERDISCIPLINARY CONNECTIONS:
Reading: Students will be read “ A Color of His Own” by Leo Lionni, which references making
friends and being with another person, which coincides with the lesson L ayering Together. This will
not only require them to pay attention to the words being read, but to think about how the story can
relate to the classroom and how everyone in the class interacts.
Science: I would like to facilitate an approach to the art-making process that is similar to that of a
scientist experimenting in a lab. Students will be reminded to question what they think might happen
before they combine materials, and wonder what makes them react the way they do, forming
hypotheses in doing so.
Language Arts: Students will be asked questions about what they are making in order to learn more
about their interests and help them practice articulating what it is they are trying to create. This will be
recorded in my sketchbook during the class to be included in documentation later, including the
exhibition at the end of the eight weeks.
I-A. UNIT OVERVIEW (RATIONALE)
In examining my own artistic practice, I am able to identify the process of layering as a
prevailing concept. This class will create opportunities for children to interact with new & traditional
art materials and experiment with what they can create when combined. In art-making, layering
materials on top of one another, over time, transforms the artwork with each addition, or subtraction,
that the individual artist chooses to make. Each class will give children the agency to decide which
materials they use, what they create with them, and the ways that they do so. I strongly believe in art
that supports each child’s artistic visions, and hope to create a space that encourages each child to make
art that looks different from everyone else’s and sparks their imagination while using layering as a tool
to get there.
I-B. LESSON OVERVIEW (RATIONALE)
This lesson will bring new materials and activities at the stations that have become familiar to
students. There will be opportunities at each station for the children to add their own layer to work
that the entire class is collaborating on, and be able to claim partial ownership of larger works. What
has been explored in the past lessons (the concept of layering, the process of working at stations, and
how to create and work with images in layering) will be important for how students move on in this
lesson. The B uilding Station w ill transform to allow for different & unusual materials children can
start to create new layers with while collaborating. The S ketchbook Station w ill offer new materials
and ideas for what to create with them. The Papier-mâché Station will provide students with a space
to add on colors and textures to a group project that will be available over the course of several classes,
and will physically show signs of growth as students work on it more and more. The B eading Station
is another new space for students to create things that will become a collective project to showcase how
their individual layers interact. The P ainting Station will revisit what photos were taken last week,
allowing students to work together to paint color back into the grayscale images peers had captured.
The P hotography Station w ill be added in mid-way through the lesson to give more students a
chance to take photos that can become layers within other work. The L ight Station w ill have new
materials to expand students’ way of working within the space and allow for more collaboration.
II. LEARNER OUTCOMES
Throughout this lesson, students will learn...
● How they can work together with classmates to make art
● Ways to experiment within stations to try new things with new materials
● How to revisit work made by themselves and others to add new things
● That what they make can be a single layer that many people build on to make art together
● That layering can happen over time and with many people, and take a while to be finished
III-A. NATIONAL ART STANDARDS
VA:Cr1.1.PKa - Engage in self-directed play with materials.
VA:Cr1.2.PKa - Engage in self-directed creative making.
VA:Cr2.1.PKa - Use a variety of artmaking tools.
VA:Cr2.2.PKa - Share materials with others.
VA:Cr3.1.PKa - Share and talk about personal artwork.
VA:Cn10.1.PKa - Explore the world using descriptive and expressive words and art-making.
VA:Cn11.1.PKa - Recognize that people make art.
III-B. PENNSYLVANIA DEPARTMENT OF EDUCATION STANDARDS
9.1.V PK.A - Know and use basic elements of visual arts.
9.1.V PK.B - Combine a variety of materials to create a work of art.
9.1.V PK.E - Use imagination and creativity to express self through visual arts.
9.1.V PK.J - Use a variety of technologies for producing works of art.
IV. MATERIALS NEEDED FOR LESSON
● 1 Sketchbook per student (Sketchbook Station)
● Oil Pastels (Sketchbook Station)
● Charcoal Pieces (Sketchbook Station)
● Jars/Cups for Materials (Sketchbook Station)
● 4 Mirrors, 1 at each Sketchbook table (Sketchbook Station)
● Varied Beads (Beading Station)
● Dull, possibly plastic, Wire (Beading Station)
● Elastic/Thin Thread (Beading Station)
● Tape to hold down work (Beading Station)
● Balloon as base of project (Papier-mâché Station)
● Newspaper Strips ( P
apier-mâché Station)
● Crepe Paper (Papier-mâché Station)
● Papier-mâché Paste ( P
apier-mâché Station)
● Containers for Paste ( P apier-mâché Station)
● Light Table (Light Station)
● GoPro & Tripod/Clamp (Light Station)
● Magnatiles (Light Station)
● Baskets for Materials (Light Station & B
uilding Station)
● Clothespins (Building Station)
● Small Plastic Figurines (Building Station)
● Jars for water (Painting Station)
● Variety of paint brushes (Painting Station)
● Printed Grayscale Photos Mounted on Sturdy Backing (Painting Station)
● 3 Watercolor Palettes (Painting Station)
● Printed Artist Reference Images wrapped to be sturdy plastic (Painting Station)
● Fuji Instax Camera (Photo Station)
● Fuji Instax Film (Photo Station)
● Carpet (Quiet Space)
● Pillows (Quiet Space)
● Teddy Bear (Quiet Space)
● 6 Eric Carle Books (Quiet Space)
● Circle Carpet (Circle Time Space)
● Projector & Adapter to play film from laptop (Circle Time Space)
● Laptop with songs & videos ready (Circle Time Space)
● Revised Rules Sign (Circle Time Space)
● Post-It Notes on a Tray (Circle Time Space)
● Markers in Cups (Circle Time Space)
● Name Tags for students & adults (Sign In/Sign Out Table)
● Parent Sign In/Sign Out Sheet (Sign In/Sign Out Table)
● Camera for adult documentation (Sign In/Sign Out Table)
● Signs with the name of each station & the number of maximum students for each space
● Color Card/Swatches for each station/the max. number of students for each
V. TEACHER ACTIONS / EXPECTED LEARNER ACTIONS
Time Teacher Actions Expected Learner Actions
VI. ENDING THE LESSON
Closure of Lesson:
The lesson will close on students being able to share what they worked on during the lesson and have peers listen
to their creative endeavors. This process will continue to motivate the sharers and inspire the listeners, nurturing
the sense of community in the classroom.
Transition to Next Lesson:
Having all students collectively add their first post-it note to what will become the Drawing Wall will tie into
the next week’s new station and the continuing theme of layering over time and more opportunities for
collaboration and layering.
Sketchbook Station Tables (covered with paper) Near the cubbies where
and chairs with materials for sketchbooks are kept
students to bring their
sketchbook to work on (limit of 4 students per table)
Painting Station This will house the printed This will be to the side of the
grayscale images that students carpet, where there is room for
took last week with the digital a table to be flipped on its side,
camera. There will be an adult and with enough room for at
table flipped on its side to least one round child’s table for
create a half-wall where the materials
images will be taped, with
paper underneath to prevent
permanent mess. Tables will be
on the side where watercolor
trays, brushes, and water will be
for students at this station to
use (limit of 4 students at a time)
Building Station An area with a table low to the Somewhere where it is safe for
ground- or just a flat platform students to be working close to
on the ground- with loose parts or on the floor
(natural and otherwise) for
students to build with and
explore temporary layers (limit of 3 students at a time)
Light Station Area with a light table and Preferably away from most of
materials that can interact with the windows but still visible in
it that promote layers of light the classroom
interacting, with a GoPro
filming the movements done
and filters added by students (limit of 3 students at a time)
Papier-mâché Station This space will be home to an This needs a small table and
ongoing orb being built upon room for supplies
with papier-mâché paste and
additions of newspaper strips
and streamers/crepe paper (limit of 2 students at a time)
Photography Station This space will be introduced This space is located on the
mid-way through the lesson Circle Time Carpet to ensure
and watched by the teacher as students at other stations are
home base for the instant not distracted, and in order to
camera children will be sharing. serve as a home base where the
Children will come here to take teacher can still see the
turns taking photos with the ongoings of the rest of the
instant camera or digital room
camera, and choose from fabric
and paper filters to lay over the
lens (limit of 4 students at a time)
Sign In/Sign Out Table Space for parents to say At the entrance of the
goodbye & sign in child while classroom
the child receives their name
tag, and where they can return
to sign out their child when
class ends. Cubbies will be
included for students to place
their
belongings/coats/backpacks
and keep their sketchbook
Circle Time Space/Carpet Main meeting space for the In open area by the chalkboard
class for the beginning & end of
lessons as well as any mid-lesson
demonstrations or
announcements
Quiet Space Where a student who feels A tucked away, but still visible,
overwhelmed, sad, upset, or corner of the room where there
just uncomfortable can go to are not many distractions
take a break and look through
books or listen to music to calm
down
Sinks Necessary for clean-up at the At the far end of the classroom
end of the lesson
LESSON PLAN FORMAT
Teacher: Emma Karpinski
Unit Title: “Layers- Explorations in Art-Making”
Lesson Title: “Painting and Printing with Layers”
Grade Level: Preschool
Number of Students: 15
Lesson #: 4 of 8 projected lessons.
BIG IDEA (UNIT):
The big idea guiding the curriculum unit is Layers.
BIG IDEA (LESSON):
Students’ interest in paint sparks a lesson that combines P ainting and Printing with Layers where
exploration of paint and how we can interact with it is encouraged. There will be provocations that ask
students to investigate how paint can be used in all different ways and by utilizing different actions
and tools so that they can expand their idea of layering and continue to layer together, as well.
ART / ARTIST(S) OF RELEVANCE:
● Sharifa Callender
According to her website, Sharifa is, “a t wenty-something mixed media and abstract artist
from Houston, Texas. [She has] had a love for art since childhood ... The process of painting without
boundaries or expectations is completely freeing. It brings [her] so much peace and clarity ... Light
and femininity are re-occurring elements in my artwork. [She] explore[s] them both by
experimenting with vibrant colors, bold textures, and, most importantly, glitter,” (Sharifa Creates).
I plan on posting images of Sharifa’s works up at the Painting Station to act as visual inspirations to
students, and can point them out, along with my own painting (below) if students are stuck.
● Teacher Sample-
PREREQUISITES:
● Students must be prepared to sit quietly for 10-15 minutes of time and listen to the teacher- If
students show signs that they are not, small activities that involve movement and letting out
energy will be facilitated to break up the necessary times spent listening to guidelines for the
lesson & classroom rules.
● Students must be able to keep safe space between other students to prevent injuries- If students
show signs that they are not, rules about making sure there is enough space between students
to then spread their arms wide without touching another individual will be enforced, and
location can be adjusted in necessary to accommodate for this.
● Students must be able to hold a drawing utensil comfortably in order to mark-make- If
students show signs that they are not, the allotted time for drawing on sketchbook covers at
the beginning of class will include a brief demo on how to adjust grip to successfully
mark-make.
● Students must be able to let an adult know when they need to use the restroom- If students
show signs that they are not, the teacher can take a moment a few times over the course of the
lesson to ask for all students’ attention to then remind them to take a bathroom break if
needed, most likely going to the restroom with other adult(s) in the room.
● Students must be able to clean up their workspace & themselves when instructed at end of
class- If students show signs that they are not, the teacher and any other adults in the room can
give prompts to students during clean up that show them what clean up time will look like in
the future and ensure that no mess is left behind that could cause injuries (i.e. slipping on spilt
water/wet paint) or disrupt what comes next in the lesson.
● Students must be able to safely navigate between the stations within the classroom, based off
of the tour done during the first week- If students show signs that they are not, a refresher
demonstration will be done at the station the student is currently a part of.
SAFETY HAZARDS:
● There is a lot happening in our art room, so we must remember to never run, and always watch
where we are walking so we do not trip or bump into anyone or anything.
● Art materials are for art making only and should never be used on anyone’s face, body, clothes,
or belongings.
● Glitter, specifically, can be dangerous, and students will be spoken to about how to properly
handle it when joining the Painting Station. S poons will be in the shallow cups of glitter
to act as tools to transfer the material to the artwork in a safe and controlled manner.
INTERDISCIPLINARY CONNECTIONS:
Reading: Students will be read “I Ain’t Gonna Paint No More!” by Karen Beaumont, which is a book
about painting and what value and excitement it brings. The book will draw connections to the
painting that was done last week, and to what will be discussed about stations available in class today,
asking students to not only pay attention to the words being read, but to think about how the story
can relate to the classroom and activities.
Science: I would like to facilitate an approach to the art-making process that is similar to that of a
scientist experimenting in a lab. Students will be reminded to question what they think might happen
before they combine materials, and wonder what makes them react the way they do, forming
hypotheses in doing so.
Language Arts: Students will be asked questions about what they are making in order to learn more
about their interests and help them practice articulating what it is they are trying to create. This will be
recorded in my sketchbook during the class to be included in documentation later, including the
exhibition at the end of the eight weeks.
I-A. UNIT OVERVIEW (RATIONALE)
In examining my own artistic practice, I am able to identify the process of layering as a
prevailing concept. This class will create opportunities for children to interact with new & traditional
art materials and experiment with what they can create when combined. In art-making, layering
materials on top of one another, over time, transforms the artwork with each addition, or subtraction,
that the individual artist chooses to make. Each class will give children the agency to decide which
materials they use, what they create with them, and the ways that they do so. I strongly believe in art
that supports each child’s artistic visions, and hope to create a space that encourages each child to make
art that looks different from everyone else’s and sparks their imagination while using layering as a tool
to get there.
I-B. LESSON OVERVIEW (RATIONALE)
This week, we will be exploring how paint can be layered in different fashions, and what layers
can be added in combination with paint. The P ainting Station will be added and will invite students
to explore the possibilities of acrylic paint when thickening medium is mixed in to allow for more
visible textures and larger, more visible layers. A buffet of loose parts will be available at the station, as
well, to prompt students to try layering other elements in their artwork to see how they interact with
paint. The idea of painting and what a painting can become will be discussed here, and at several of the
other stations, especially because students expressed an interest in painting, and using paint to
printmake, the previous week. A P rinting Station will be introduced, as well, to provide students
with items to use as printmaking objects, and a large surface area to collaborate in their explorations.
The S ketchbook Station will also tap into printing by offering stamps and ink pads to mark-make.
The B uilding Station, Papier-mâchéStation, Post-It Station, Beading Station, and P hoto
Station tie into the larger concept of layering in general, as well as the previous week’s work with
layering together, but have been tweaked with new materials added to keep student interest. Art
materials will be incorporated into the B uilding Station, the P
ost-It Station will have paint pens
alongside the Sharpies, and the B eading Station will include pipe-cleaners to add beads to a sturdier
material that students can twist off themselves if desired. A E rasing Station is also something that can
be brought in to introduce the idea of taking away layers, but offering a large page covered in charcoal,
with kneaded erasers and charcoal with it to invite students to explore taking away in art, and how it
still leads to creating!
II. LEARNER OUTCOMES
Throughout this lesson, students will learn...
● How different types of paint can create different things
● That items we use everyday can become part of art-making
● How layers in art can be made up on objects
● How different materials interact with each other depending on what they are made of
● To discover new ways to use paint to make new artwork
III-A. NATIONAL ART STANDARDS
VA:Cr1.1.PKa - Engage in self-directed play with materials.
VA:Cr1.2.PKa - Engage in self-directed creative making.
VA:Cr2.1.PKa - Use a variety of artmaking tools.
VA:Cr2.2.PKa - Share materials with others.
VA:Cr3.1.PKa - Share and talk about personal artwork.
VA:Cn10.1.PKa - Explore the world using descriptive and expressive words and art-making.
VA:Cn11.1.PKa - Recognize that people make art.
III-B. PENNSYLVANIA DEPARTMENT OF EDUCATION STANDARDS
9.1.V PK.A - Know and use basic elements of visual arts.
9.1.V PK.B - Combine a variety of materials to create a work of art.
9.1.V PK.E - Use imagination and creativity to express self through visual arts.
9.1.V PK.J - Use a variety of technologies for producing works of art.
IV. MATERIALS NEEDED FOR LESSON
● 1 Sketchbook per student (Sketchbook Station)
● Stamps (Sketchbook Station)
● Ink Pads (Sketchbook Station)
● Paint Pens (Sketchbook Station)
● Jars/Cups for Materials (Sketchbook Station)
● Small Plastic Animals/Bugs (Sketchbook Station)
● Varied Beads (Beading Station)
● Plastic Thread (Beading Station)
● Pipe-Cleaners (Beading Station)
● Tape (Beading Station)
● Scissors (Beading Station)
● Balloon as base of project (Papier-mâché Station)
● Newsprint Paper Strips (P apier-mâché Station)
● Crepe Paper (Papier-mâché Station)
● Fabric Strips (Papier-mâché Station)
● Papier-mâché Paste (P apier-mâché Station)
● Containers for Paste (P apier-mâché Station)
● Tray for the Balloon (P apier-mâché Station)
● Wooden Blocks (Printing Station)
● Plates of Acrylic Paint (Printing Station)
● Roll of Paper (Printing Station)
● Paper Towels (Printing Station)
● Baskets for Materials ( B uilding Station)
● Styrofoam Blocks (Building Station)
● Small Plastic Figurines (Building Station)
● Glue Sticks (Building Station)
● Markers (Building Station)
● Jars for water (Painting Station)
● Variety of paint brushes (Painting Station)
● 1 Canvas per Student (Painting Station)
● Plates of Acrylic Paint Premixed with Thickening Medium (Painting Station)
● Trays of Loose Parts, i .e. short lengths of yarn, glitter, sequins, buttons, google-eyes, mosaic pieces,
pipe-cleaner segments, and scraps of paper (Painting Station)
● Spoons to move small parts i .e. glitter (Painting Station)
● Printed Artist Reference Images (Painting Station)
● Teacher Sample (Painting Station)
● Fuji Instax Camera (Photo Station)
● Fuji Instax Film (Photo Station)
● Large Paper covered in charcoal (Erasing Station)
● Cups of kneaded erasers (Erasing Station)
● Cups of charcoal (Erasing Station)
● Post-It Note Board (Post-It Note Station)
● Post-It Notes (Post-It Note Station)
● Sharpies (Post-It Note Station)
● Paint Pens (Post-It Note Station)
● Carpet (Quiet Space)
● Pillows (Quiet Space)
● Teddy Bear (Quiet Space)
● Books (Quiet Space)
● Circle Carpet (Circle Time Space)
● Projector & Adapter to play film from laptop (Circle Time Space)
● Laptop with songs & videos ready (Circle Time Space)
● Revised Rules Sign (Circle Time Space)
● Name Tags for students & adults (Sign In/Sign Out Table)
● Parent Sign In/Sign Out Sheet (Sign In/Sign Out Table)
● Camera for adult documentation (Sign In/Sign Out Table)
● Signs with the name of each station & the number of maximum students for each space
● Color Card/Swatches for each station/the max. number of students for each
V. TEACHER ACTIONS / EXPECTED LEARNER ACTIONS
Time Teacher Actions Expected Learner Actions
Sketchbook Station Tables (covered with paper) Near the cubbies where
and chairs with materials for sketchbooks are kept
students to bring their
sketchbook to work on (limit of 4 students per table)
Painting Station This area will have a buffet of This will be to the side of the
paint mixed with medium, carpet, where there is room for
brushes, tools, canvases, loose a table to be flipped on its side,
parts, glitter, sequins, gems, etc. and with enough room for at
for students to combine to least one round child’s table for
create mixed media works materials
(soft limit of 6 students)
Building Station An area with a table low to the Somewhere where it is safe for
ground- or just a flat platform students to be working close to
on the ground- with loose parts or on the floor
(natural and otherwise) for
students to build with and
explore temporary layers (limit of 3 students at a time)
Printing Station Where students are invited to On the floor, preferable against
explore the act of printmaking a wall for double the surface
and stamping using paint and area to attach large sheets of
blocks on a communal large paper to
piece of paper
(limit of 3 students at a time)
Papier-mâché Station This space will be home to an This needs a small table and
ongoing orb being built upon room for supplies
with papier-mâché paste and
additions of newspaper strips
and streamers/crepe paper (limit of 2 students at a time)
Post-It Station This will feature the sturdy Anywhere near a wall so that
cardboard surface students the cardboard surface can be
began to add post-it notes to at hung or propped up vertically
the end of last class, and will
have the same post-it notes and
Sharpies available for more and
more drawings to be added and
layered over each other (limit of 5 students)
Erasing Station This consists of a large sheet of Anywhere near a wall to
paper covered in charcoal, with preferably hang the paper there
kneaded erasers provided to as a sturdy, easel-like surface
allow students to take away
layers to make art- charcoal will
be there as well to cover up and
start new (limit of 3 students)
Photography Station This space will be introduced This space is located on the
(may or may not be mid-way through the lesson Circle Time Carpet to ensure
incorporated this lesson and watched by the teacher as students at other stations are
depending on student home base for the instant not distracted, and in order to
engagement) camera children will be sharing. serve as a home base where the
Children will come here to take teacher can still see the
turns taking photos with the ongoings of the rest of the
instant camera or digital room
camera, and choose from fabric
and paper filters to lay over the
lens (limit of 4 students at a time)
World-Making Station A tray with blocks and pre-cut Consists of a tray, so it can be
(may or may not be collage images can be brought taken anywhere, but preferably
incorporated this lesson out onto the carpet if students onto the carpet to work on the
depending on student are done working with the floor and spread out
engagement) stations already prepared, with
the prompt of creating a whole
new world of their own by
layering the materials (soft limit of 4 students)
Sign In/Sign Out Table Space for parents to say At the entrance of the
goodbye & sign in child while classroom
the child receives their name
tag, and where they can return
to sign out their child when
class ends. Cubbies will be
included for students to place
their
belongings/coats/backpacks
and keep their sketchbook
Circle Time Space/Carpet Main meeting space for the In open area by the chalkboard
class for the beginning & end of
lessons as well as any mid-lesson
demonstrations or
announcements
Quiet Space Where a student who feels A tucked away, but still visible,
overwhelmed, sad, upset, or corner of the room where there
just uncomfortable can go to are not many distractions
take a break and look through
books or listen to music to calm
down
Sinks Necessary for clean-up at the At the far end of the classroom
end of the lesson
LESSON PLAN FORMAT
Teacher: Emma Karpinski
Unit Title: “Layers- Explorations in Art-Making”
Lesson Title: “Adding & Taking Away Layers”
Grade Level: Preschool
Number of Students: 15
Lesson #: 5 of 8 projected lessons.
BIG IDEA (UNIT):
The big idea guiding the curriculum unit is Layers.
BIG IDEA (LESSON):
This week will have stations that combine student’s suggestions and new concepts of making art by
Adding & Taking Away Layers. While most of the stations and projects up to this point have been
based on adding layers over top on one another, we will be mixing them with new ways of thinking
about art making that asks students to take away and erase to actually c reate.
ART / ARTIST(S) OF RELEVANCE:
● Sheri Lynn Boyer Doty
According to Art Instruction Blog .com , “Sheri Doty received a BFA degree in 1972 from the
University of Utah with a painting and drawing emphasis. Having experimented with
non-representational styles during her student years, Sheri preferred classic realism as thought by
professor Alvin Gittons. He and the professors, under whom she studied, emphasized strong drawing
and painting skills. Sheri is a faculty member of Salt Lake Community College and Peterson’s Art
center where she teaches Fine Art and Design,” (Art Instruction Blog).
One work in particular that Sheri Doty had featured on this site is her abstract sketchbook
work where she experimented with subtractive drawing using colored pencils and different types of
erasers. The image is below-
I’d like to print this image and hang it at the E
rasing Station w
here there will not only be a
large sheet of paper with the ongoing charcoal adding & subtracting, but smaller pieces of sturdy paper
& a collection of colored pencils and erasers for students to try different ways of erasure. S everal
teacher samples of erasure with different mediums will be displayed at this station, as well.
VI. ENDING THE LESSON
Closure of Lesson:
The class will end with the group coming together on the carpet to have 3 students share what they made and
did during the class, to inspire students and give the sharerers some confidence in speaking about what they
worked on. The discussion after each student shares includes the teacher, adults, and students and can help give
everyone new ideas for what to try next week.
Transition to Next Lesson:
The teacher will reference next week’s new material and activity by asking students to raise their hands if they’ve
worked with clay before, as air-dry clay will be introduced next week. To get students brainstorming, the teacher
will ask how layering fits into this material, and what ways we can layer with clay a nd w
hat other materials can
be layered within the clay! This will hopefully get students to think of ways they can layer in 3D before coming
in next week.
Key:
Spaces in Red are Available the Entire Class
Spaces in Green are Only Available during Second Half
Spaces in Black are all other environmental elements
Classroom Space Function Location
Sketchbook Station Tables (covered with paper) Near the cubbies where
and chairs with materials for sketchbooks are kept
students to bring their
sketchbook to work on (limit of 4 students per table)
Painting Station Back by popular demand, This will be to the side of the
watercolor paints will be set up carpet, where there is room for
here with watercolor paper, jars a table to be flipped on its side,
of water, and brushes for and with enough room for at
open-ended painting. least one round child’s table for
Sketchbooks can be brought materials
over, as well
(soft limit of 6 students)
Building Station An area with a table low to the Somewhere where it is safe for
ground- or just a flat platform students to be working close to
on the ground- with Play Doh or on the floor
and Legos for a fun mixture of
materials to combine
(limit of 3 students)
Printing Station Where students are invited to On the floor, preferable against
explore the act of printmaking a wall for double the surface
and stamping using paint and area to attach large sheets of
blocks on a communal large paper to
piece of fabric, inspired by last
weeks’ printmakers creating a
mural (limit of 3 students)
Papier-mâché Station This space will be home to an This needs a small table and
ongoing orb being built upon room for supplies
with papier-mâché paste and
additions of newspaper strips
and streamers/crepe paper. It
will be swapped out half-way
through class (limit of 2 students)
Suminagashi Station This new station will be a more At a table with room for 3 trays
calming way to layer, and once of water that fit the size paper
the paper that is covered in the being used
water marbled design is dry, it
can be used as a base layer- most
likely next week (limit of 3 students)
Scratch Art Station On-theme with the lesson’s This will replace the
idea of looking at how we can Papier-mâché Station table,
take away layers to make art, since a flat surface and chairs
too, this will consist of rainbow are needed
scratch-off paper and wooden
styluses for students to practice
taking away layers and making
art at the same time (limit of 4 students)
Post-It Station This will feature the sturdy Anywhere near a wall so that
cardboard surface students the cardboard surface can be
began to add post-it notes to at hung or propped up vertically
the end of last class, and will
have the same post-it notes and
Sharpies available for more and
more drawings to be added and
layered over each other (limit of 5 students)
Erasing Station This consists of a large sheet of Anywhere near a wall to
paper covered in charcoal, with preferably hang the paper there
kneaded erasers provided to as a sturdy, easel-like surface
allow students to take away
layers to make art- charcoal will
be there as well to cover up and
start new (limit of 3 students)
Photography Station This space will be introduced This space is located on the
(may or may not be mid-way through the lesson Circle Time Carpet to ensure
incorporated this lesson and watched by the teacher as students at other stations are
depending on student home base for the instant not distracted, and in order to
engagement) camera and digital camera serve as a home base where the
children will be sharing. teacher can still see the
Children will come here to take ongoings of the rest of the
turns taking photos with the room
instant camera or digital
camera, and choose from fabric
and paper filters to lay over the
lens (limit of 4 students)
World-Making Station A tray with blocks and pre-cut Consists of a tray, so it can be
(may or may not be collage images can be brought brought anywhere, but
incorporated this lesson out onto the carpet if students preferably onto the carpet to
depending on student are done working with the work on the floor and spread
engagement) stations already prepared, with out
the prompt of creating a whole
new world of their own by
layering the materials (soft limit of 4 students)
Sign In/Sign Out Table Space for parents to say At the entrance of the
goodbye & sign in child while classroom
the child receives their name
tag, and where they can return
to sign out their child when
class ends. Cubbies will be
included for students to place
their
belongings/coats/backpacks
and keep their sketchbook
Circle Time Space/Carpet Main meeting space for the In open area by the chalkboard
class for the beginning & end of
lessons as well as any mid-lesson
demonstrations or
announcements
Quiet Space Where a student who feels A tucked away, but still visible,
overwhelmed, sad, upset, or corner of the room where there
just uncomfortable can go to are not many distractions
take a break and look through
books or listen to music to calm
down
Sinks Necessary for clean-up at the At the far end of the classroom
end of the lesson
LESSON PLAN FORMAT
Teacher: Emma Karpinski
Unit Title: “Layers- Explorations in Art-Making”
Lesson Title: “Layering with Old & New”
Grade Level: Preschool
Number of Students: 15
Lesson #: 6 of 8 projected lessons.
BIG IDEA (UNIT):
The big idea guiding the curriculum unit is Layers.
BIG IDEA (LESSON):
This week, as we continue to layer with old and new materials & processes, L ayering with Old &
New things will be a central theme. Projects and stations will ask students to look at work done in
previous classes and explore ways to add or remove layers from them, and build layers that we can
work with in the weeks to come, as well.
ART / ARTIST(S) OF RELEVANCE:
● Gloucesterschire Resource Center Children Artists-
“The Scrapstore and City Works at Alfred Street, Gloucester, are run by The Gloucestershire
Resource Centre (GRC) to promote the principles of ‘re-use’ through arts, education, and play in a
vibrant environmentally conscious venue for associations, businesses, and community groups to
create, meet, and work. We share aspirations with the other Scrapstores and Resource Centres
operating throughout the UK to:
● enrich children’s play experiences;
● encourage participation in creative activities for all ages;
● stimulate the imagination;
● nurture invention and resourcefulness;
● promote the re-use of surplus materials generated by businesses.
We have a fabulous dance studio and meeting rooms as well as busy art spaces and studios.
Local commercial companies looking for room hire or business office rental will find City Works
Gloucester only a few minutes walk from the train station and city centre,” (GRCLTD.org).
● Child Artist at Community Playthings
Rhonda at Community Playthings said, “Most children, when given a piece of clay, are
immediately motivated to explore its inviting sensory qualities. Like water and sand, clay has a natural
open-ended appeal and provides an inspirational break from using markers, crayons, paint, or other art
mediums. Children delight in the freedom to manipulate and transform their creations: a simple coil
can become a snake, then a bowl, then a bracelet!” (Community Playthings).
● Child Artists at the Basement Community Art Studio
“This art club is designed to engage the child (age 3-6) in an environment that fosters creative
play, inquiry, problem solving, self expression, and exploration. For this group we are influenced by
the Reggio Emilia approach to early childhood ... Our projects will be very open ended and process
based. Children will be encouraged to follow their own natural curiosity as they explore the materials
and the many creative possibilities each material provides. We will incorporate many aspects of
creativity including visual representation, story, dramatic play, and song each month. The focus will be
on discovery and self expression. The classes will follow the interests of the children present,”
(Basement Community Art Studio).
These images will be posted at the C
lay Station to prompt and inspire students to layer with their clay
and the loose parts provided.
● In addition to clay inspiration, the B lock Painting Station is inspired by a project I had
started at Hort Woods with preschool students, asking them to work together to decorate
wooden blocks with different types of paint, so they could use their own customized block set
when in the art studio space. They worked with both acrylic and watercolor, and I feel that
watercolor worked better and would be the nicer fit for this lesson-
PREREQUISITES:
● Students must be prepared to sit quietly for 10-15 minutes of time and listen to the teacher- If
students show signs that they are not, small activities that involve movement and letting out
energy will be facilitated to break up the necessary times spent listening to guidelines for the
lesson & classroom rules.
● Students must be able to keep safe space between other students to prevent injuries- If students
show signs that they are not, rules about making sure there is enough space between students
to then spread their arms wide without touching another individual will be enforced, and
location can be adjusted in necessary to accommodate for this.
● Students must be able to hold a drawing utensil comfortably in order to mark-make- If
students show signs that they are not, the allotted time for drawing on sketchbook covers at
the beginning of class will include a brief demo on how to adjust grip to successfully
mark-make.
● Students must be able to let an adult know when they need to use the restroom- If students
show signs that they are not, the teacher can take a moment a few times over the course of the
lesson to ask for all students’ attention to then remind them to take a bathroom break if
needed, most likely going to the restroom with other adult(s) in the room.
● Students must be able to clean up their workspace & themselves when instructed at end of
class- If students show signs that they are not, the teacher and any other adults in the room can
give prompts to students during clean up that show them what clean up time will look like in
the future and ensure that no mess is left behind that could cause injuries (i.e. slipping on spilt
water/wet paint) or disrupt what comes next in the lesson.
● Students must be able to safely navigate between the stations within the classroom, based off
of the tour done during the first week- If students show signs that they are not, a refresher
demonstration will be done at the station the student is currently a part of.
SAFETY HAZARDS:
● There is a lot happening in our art room, so we must remember to never run, and always watch
where we are walking so we do not trip or bump into anyone or anything.
● Art materials are for art making only and should never be used on anyone’s face, body, clothes,
or belongings.
INTERDISCIPLINARY CONNECTIONS:
Reading: The teacher will read the class “ The Most Magnificent Thing” w ritten and illustrated
by Ashley Spires, and ask students to think about the story and relate it to what we have been doing
in the class. Students will be asked to share an idea they have about how they can be like the character
in the book during class today, if they find themselves feeling the same way.
Science: I would like to facilitate an approach to the art-making process that is similar to that of a
scientist experimenting in a lab. Students will be reminded to question what they think might happen
before they combine materials, and wonder what makes them react the way they do, forming
hypotheses in doing so.
Language Arts: Students will be asked questions about what they are making in order to learn more
about their interests and help them practice articulating what it is they are trying to create. This will be
recorded in my sketchbook during the class to be included in documentation later, including the
exhibition at the end of the eight weeks.
I-A. UNIT OVERVIEW (RATIONALE)
In examining my own artistic practice, I am able to identify the process of layering as a
prevailing concept. This class will create opportunities for children to interact with new & traditional
art materials and experiment with what they can create when combined. In art-making, layering
materials on top of one another, over time, transforms the artwork with each addition, or subtraction,
that the individual artist chooses to make. Each class will give children the agency to decide which
materials they use, what they create with them, and the ways that they do so. I strongly believe in art
that supports each child’s artistic visions, and hope to create a space that encourages each child to make
art that looks different from everyone else’s and sparks their imagination while using layering as a tool
to get there.
I-B. LESSON OVERVIEW (RATIONALE)
Now that we are more than halfway through our exploration of layering, everyone has had
some experience creating new layers by adding their own, taking layers away, and building with
pre-existing layers to make a new piece of art. We have worked together and we have worked on things
on our own, and it’s time to see how we can combine all of that in relation to work started in the weeks
before, and how we can start to build layers that we can come back to in the following weeks to add
new and exciting things later. L ayering with Old & New Things will ask the students to think
about what they’ve already made, how they can add on, what they can make today, and how that can
be added onto, as well, using materials and techniques we’ve seen before, and ones that are brand new.
The S ketchbook Station will invite students to layer over old pages with familiar and unfamiliar
materials, and to revisit the scratch art used last week to practice making by taking away layers. This
station will also serve as a space for students to take their marbled paper from the Suminagashi Station
last week and add new layers over top with Sharpies, to practice adding onto things made in the past.
The C lay Station is brand new, and will invite students to work with a material we have not yet used-
air dry clay. There will also be loose parts, similar to the painting on canvases done two weeks ago, to
prompt students to think about how other materials can act as layers in this process, too. The
Building Station will make a return as it was popular last week due to its abundance of materials that
were able to be combined in layers to create sculptures and narratives. The Play Doh, legos, mosaic
tiles, feathers, natural materials, and plastic figurines will be back, along with new things, like
clothespins and popsicle sticks, for example, to add to the potential of the space. B lock Painting will
be a new station, acting as a part one to a 3D project for students. There will be wooden blocks and
watercolor paint for students to work together to add color and pattern to the plain blocks, which will
be used next week as materials to be glued together to create fixed sculptures by stacking and layering.
A station for D rawing on Pictures will be incorporated as well, inviting students to add layers of
Sharpie drawings over photo documentation of the previous classes. An adult will be placed at this
station to ask students questions about what the photos are of, what they think of the photos, how
they can add to the story the photos are telling with drawings, and what they think their new layer says
about the whole photo. This will serve the closing circle discussion this week, as well. The B eading
Station will act as a P asta Dyeing Station for the first half of the art-making time, letting students
work together to dye the pasta with watercolors, with the help of an adult. After it is dry, the pasta will
be put out to serve as beads for the beading station, opening up for the second half. The carpet will
house the open-ended S tory Rock Station w ith all the materials needed for students to create their
own story rocks that they can use to add to the stories already being made, and display in the exhibit
before taking home. Halfway through class, after the break, three more stations will be added to allow
students to take a break and try new materials and processes. P ainting with Marbles will be one of
them, opening up by the carpet and clay station, to invite students to paint with motion by dipping
marbles into paint and rolling them in a tray with paper at the bottom. The students will be told that
the paper they paint with this method will be brought back next week for them to add more layers to.
The E rasing Station will return, where students can add or subtract charcoal, chalk pastel, or colored
pencil on large or small collaborative works. The P hotography Station w ill be an option again, too,
as students enjoyed the mission of becoming “class photographers” if they wanted a new activity a bit
past the halfway point.
II. LEARNER OUTCOMES
Throughout this lesson, students will learn...
● Ways to add onto the work they’ve made in the past
● How to layer over old work without completely covering what was underneath
● New ways to use the materials they have become familiar with during the past few weeks
● How to mix adding and subtracting layers in a single artwork
● How their layers can add their own personal ideas to a shared work of art
III-A. NATIONAL ART STANDARDS
VA:Cr1.1.PKa - Engage in self-directed play with materials.
VA:Cr1.2.PKa - Engage in self-directed creative making.
VA:Cr2.1.PKa - Use a variety of artmaking tools.
VA:Cr2.2.PKa - Share materials with others.
VA:Cr3.1.PKa - Share and talk about personal artwork.
VA:Cn10.1.PKa - Explore the world using descriptive and expressive words and art-making.
VA:Cn11.1.PKa - Recognize that people make art.
III-B. PENNSYLVANIA DEPARTMENT OF EDUCATION STANDARDS
9.1.V PK.A - Know and use basic elements of visual arts.
9.1.V PK.B - Combine a variety of materials to create a work of art.
9.1.V PK.E - Use imagination and creativity to express self through visual arts.
9.1.V PK.J - Use a variety of technologies for producing works of art.
IV. MATERIALS NEEDED FOR LESSON
● 1 Sketchbook per student (Sketchbook Station)
● Stamps (Sketchbook Station)
● Ink Pads (Sketchbook Station)
● Gel Pens (Sketchbook Station)
● Sharpies (Sketchbook Station)
● Jars/Cups for Materials (Sketchbook Station)
● Rainbow Scratch Art Paper (Sketchbook Station)
● Wooden Styluses (Sketchbook Station)
● Students’ Suminagashi artwork from last week (Sketchbook Station)
● Air Dry Clay separated into fist sized balls (Clay Station)
● Clay tools (Clay Station)
● Sequins (Clay Station)
● Mosaic Tiles (Clay Station)
● Feathers (Clay Station)
● Googly Eyes (Clay Station)
● Natural Materials (Clay Station)
● Liquid Watercolor (Pasta Dyeing Station)
● Trays (Pasta Dyeing Station)
● Clear Baggies (Pasta Dyeing Station)
● Uncooked Pasta (Beading/Pasta Dyeing Station)
● Plastic Thread (Beading Station)
● Golden Elastic (Beading Station)
● Cord (Beading Station)
● Ribbon (Beading Station)
● Tape (Beading Station)
● Scissors (Beading Station)
● Wooden Blocks (Block Painting Station)
● Watercolors (Block Painting Station)
● Brushes (Block Painting Station)
● Jars of water (Block Painting Station)
● Legos (Building Station)
● Popsicle Sticks (Building Station)
● Clothespins (Building Station)
● Plastic Animal & People Figurines (Building Station)
● 5 Containers of Play Doh (Building Station)
● Play Doh Tools (Building Station)
● Documentation covered with Acetate (Drawing on Pictures)
● Sharpies (Drawing on Pictures)
● Fuji Instax Camera (Photo Station)
● Fuji Instax Film (Photo Station)
● Canon Powershot (Photo Station)
● Storytelling Rocks (Rock Painting)
● Plain Rocks (Rock Painting)
● Paint Pens (Rock Painting)
● Trays (Painting with Marbles)
● Ice Cube Tray of tempera paint and marbles (Painting with Marbles)
● Thick Paper to fit in bottom of trays (Painting with Marbles)
● Large Paper covered in charcoal (Erasing Station)
● Boards with smaller paper covered in Chalk Pastel & Colored Pencil (Erasing Station)
● Cups of kneaded erasers (Erasing Station)
● Cups of charcoal (Erasing Station)
● Cups of chalk pastel (Erasing Station)
● Cups of colored pencil (Erasing Station)
● Blocks for potential back-up activity
● Collage cut-outs for potential back-up activity
● Carpet (Quiet Space)
● Pillows (Quiet Space)
● Teddy Bear (Quiet Space)
● Books (Quiet Space)
● Circle Carpet (Circle Time Space)
● Projector & Adapter to play film from laptop (Circle Time Space)
● Laptop with songs & videos ready (Circle Time Space)
● Revised Rules Sign (Circle Time Space)
● The Most Magnificent Thing by Ashley Spires (Circle Time Space)
● Name Tags for students & adults (Sign In/Sign Out Table)
● Parent Sign In/Sign Out Sheet (Sign In/Sign Out Table)
● Camera for adult documentation (Sign In/Sign Out Table)
● Signs with the name of each station & the number of maximum students for each space
● Color Card/Swatches for each station/the max. number of students for each
V. TEACHER ACTIONS / EXPECTED LEARNER ACTIONS
Time Teacher Actions Expected Learner Actions
VI. ENDING THE LESSON
Closure of Lesson:
The class will end with the group coming together on the carpet to have 3 students share what they made and
did during the class, to inspire students and give the sharerers some confidence in speaking about what they
worked on. The discussion after each student shares includes the teacher, adults, and students and can help give
everyone new ideas for what to try next week.
Transition to Next Lesson:
By showcasing the work done in regards to documentation, students will begin thinking about more ways they
can share what we have done in class with each other and their families. We will brainstorm more ways to
document and add layers on top of said documentation in preparation for next week.
Sketchbook Station Tables (covered with paper) Near the cubbies where
(w/ Scratch Art) and chairs with materials for sketchbooks are kept
students to bring their
sketchbook to work on, or to
layer over their Suminagashi
paper made last week, or work
on Scratch Art which will be at
tables as well (limit of 4 students per table)
Clay Station This is where students will be This will be to the side of the
able to work with air dry clay in carpet, where there is room for
combination with loose parts a table to be flipped on its side,
to incorporate layering and with enough room for at
least one round child’s table for
materials
(soft limit of 6 students)
Block Painting Station A space with small wooden At a table where the teacher can
blocks and watercolor paint for easily monitor and prompt
students to work together to students
customize the materials so they
can be used to build sculptures
next week (limit of 4 students)
Drawing on Pictures Using printed out At a table where the teacher can
documentation from previous sit and talk with students
weeks covered in acetate, participating
students can draw layers on top
to add to what the photos
capture (limit of 4 students)
Story Rock Making Station A station with rocks and paint At the carpet to allow for a
pens to allow students to large amount of space for
customize more rocks to use for students to spread out while
story telling, with the ones they working
have been using as inspiration
(soft limit of 5 students)
Pasta-Dyeing Station Done before the Beading A table, centrally located to be
Station, as prep, students will able to monitor when an adult
be invited to help dye pasta cannot be seated directly at the
with watercolor in baggies to station
dry and be used at the Beading
Station during the second half (limit of 4 students)
Erasing Station Also introduced half way At the carpet, propped up
through class, students can against the tables on their sides
return to adding and
subtracting layers to the
collaborative pieces (soft limit of 5 students)
Photography Station This space will be introduced This space is located on the
(may or may not be mid-way through the lesson Circle Time Carpet to ensure
incorporated this lesson and watched by the teacher as students at other stations are
depending on student home base for the instant not distracted, and in order to
engagement) camera and digital camera serve as a home base where the
children will be sharing. teacher can still see the
Children will come here to take ongoings of the rest of the
turns taking photos with the room
instant camera or digital
camera, acting as class
photographers
(limit of 2 students)
Sign In/Sign Out Table Space for parents to say At the entrance of the
goodbye & sign in child while classroom
the child receives their name
tag, and where they can return
to sign out their child when
class ends. Cubbies will be
included for students to place
their
belongings/coats/backpacks
and keep their sketchbook
Circle Time Space/Carpet Main meeting space for the In open area by the chalkboard
class for the beginning & end of
lessons as well as any mid-lesson
demonstrations or
announcements
Quiet Space Where a student who feels A tucked away, but still visible,
overwhelmed, sad, upset, or corner of the room where there
just uncomfortable can go to are not many distractions
take a break and look through
books or listen to music to calm
down
Sinks Necessary for clean-up at the At the far end of the classroom
end of the lesson
LESSON PLAN FORMAT
Teacher: Emma Karpinski
Unit Title: “Layers- Explorations in Art-Making”
Lesson Title: “Calling all Layers”
Grade Level: Preschool
Number of Students: 15
Lesson #: 7 of 8 projected lessons.
BIG IDEA (UNIT):
The big idea guiding the curriculum unit is Layers.
BIG IDEA (LESSON):
As we near the end of the session and begin to prepare for the exhibition, projects and stations will
feature a combination of materials and activities that students have expressed interest in over the
course of the past few weeks. We will be C alling all Layers to see what ways we can bring back
favorite materials and stations while trying new things and working together to share what we’ve done
so far.
ART / ARTIST(S) OF RELEVANCE:
● Gina Fera & Students/Children
“I am an artist, art teacher, and parent who is passionate about children's art and creativity. I
want to make quality art education for kids easy and fun to do both in the home and the classroom.
Whether you are a parent or a teacher, join me in exciting art adventures with your budding artists!”
(The Painterly Path).
I want to feature this image Fera’s children made with her prompting because of its use of both
painting and clay, as these materials will be combined mid-way through this lesson. Students are
already fairly familiar with how to use both materials individually, but I’d like to give them some
inspiration regarding how they can combine them.
● The Artful Parent’s Samara Caughey
“Samara Caughey is the owner of P urple Twig, an art studio for kids and families in Los
Angeles, CA. She has a BFA from the Art Institute of Chicago in Photography and an MFA from
USC in sculpture.
Samara has been creating art with children for 15 years and continues to be constantly
surprised and delighted by watching kids explore materials to create their work. You can also find her
on I nstagram,” (The Artful Parent).
I’d like to include these images at the Painting/Clay Station because of the collaborative theme
this work has- as many surfaces at this space will be collaborative and ask students to work together on
large areas with multiple materials, and the works from The Artful Parent show how children can do
this in an inspiring and exciting way.
● Carla Adams
“Carla Adams (b.1984, Perth) graduated with an advanced diploma in contemporary art from
Central TAFE in 2012, she went on to receive first class honours from Curtin University in 2014 ...
[Her] work is aligned with feminist sculptural and textile practices and investigates how women
navigate digital dating platforms. [Her] practice is concerned with personal and intimate internet
encounters rather than mass attended online spaces,” (CarlaAdams.net).
I plan to include these images at the Painting/Clay station as well, to showcase how paint can be used
as a layer over top of clay that students have sculpted already.
PREREQUISITES:
● Students must be prepared to sit quietly for 10-15 minutes of time and listen to the teacher- If
students show signs that they are not, small activities that involve movement and letting out
energy will be facilitated to break up the necessary times spent listening to guidelines for the
lesson & classroom rules.
● Students must be able to keep safe space between other students to prevent injuries- If students
show signs that they are not, rules about making sure there is enough space between students
to then spread their arms wide without touching another individual will be enforced, and
location can be adjusted in necessary to accommodate for this.
● Students must be able to hold a drawing utensil comfortably in order to mark-make- If
students show signs that they are not, the allotted time for drawing on sketchbook covers at
the beginning of class will include a brief demo on how to adjust grip to successfully
mark-make.
● Students must be able to let an adult know when they need to use the restroom- If students
show signs that they are not, the teacher can take a moment a few times over the course of the
lesson to ask for all students’ attention to then remind them to take a bathroom break if
needed, most likely going to the restroom with other adult(s) in the room.
● Students must be able to clean up their workspace & themselves when instructed at end of
class- If students show signs that they are not, the teacher and any other adults in the room can
give prompts to students during clean up that show them what clean up time will look like in
the future and ensure that no mess is left behind that could cause injuries (i.e. slipping on spilt
water/wet paint) or disrupt what comes next in the lesson.
● Students must be able to safely navigate between the stations within the classroom, based off
of the tour done during the first week- If students show signs that they are not, a refresher
demonstration will be done at the station the student is currently a part of.
SAFETY HAZARDS:
● There is a lot happening in our art room, so we must remember to never run, and always watch
where we are walking so we do not trip or bump into anyone or anything.
● Art materials are for art making only and should never be used on anyone’s face, body, clothes,
or belongings.
INTERDISCIPLINARY CONNECTIONS:
Science: I would like to facilitate an approach to the art-making process that is similar to that of a
scientist experimenting in a lab. Students will be reminded to question what they think might happen
before they combine materials, and wonder what makes them react the way they do, forming
hypotheses in doing so.
Language Arts: Students will be asked questions about what they are making in order to learn more
about their interests and help them practice articulating what it is they are trying to create. This will be
recorded in my sketchbook during the class to be included in documentation later, including the
exhibition at the end of the eight weeks.
I-A. UNIT OVERVIEW (RATIONALE)
In examining my own artistic practice, I am able to identify the process of layering as a
prevailing concept. This class will create opportunities for children to interact with new & traditional
art materials and experiment with what they can create when combined. In art-making, layering
materials on top of one another, over time, transforms the artwork with each addition, or subtraction,
that the individual artist chooses to make. Each class will give children the agency to decide which
materials they use, what they create with them, and the ways that they do so. I strongly believe in art
that supports each child’s artistic visions, and hope to create a space that encourages each child to make
art that looks different from everyone else’s and sparks their imagination while using layering as a tool
to get there.
I-B. LESSON OVERVIEW (RATIONALE)
This lesson will begin to guide students into preparing for the exhibition and ask them to bring
back art mediums previously worked on to combine with new techniques and means of using them.
There will be a call for layering of all kinds- layering to combine different materials together that may
not normally do so, layering with materials normally used individually on a collaborative scale, layering
two familiar materials with each other that are unlikely pairs, and beginning to look at layering as a tool
to tell stories about our art class. The V ideo Station w ill be a new way to layer and think of what
layering can mean, as it will invite students to think of each class we’ve spent together as a layer that
makes up a big picture that the exhibition will explain. Students will be able to go up to the camera in
this space and speak about what they’ve done in the past weeks, and can show their work, as well. The
Drawing on Pictures Station will return with new, larger additions featuring photographs from past
classes, with drawing materials to add layers to with acetate as a barrier. This will be a space where
students are prompted to think about what other stories can be told about a photo that do not already
show up. The P hotography Station will do something similar to this, featuring paint pens for the
first time, allowing students to draw or write over their instant photos created by the Fuji Instax
camera. The S ketchbook Station w ill bring back the papers with layers added on from the
Suminagashi and Marble Painting Stations from previous weeks, providing children with the
opportunity to bring new layers to work they are returning to after some time has passed. The
Painting Station will be one of the spaces where a favorite medium is approached in a new way.
Canvases, which students are now familiar with, will be available, but also large-scale surfaces like a
stretch of fabric and a large transparent shower curtain to let students experiment with how they let
their environment impact their painting. The C lay Station w ill be added to this space half-way
through, keeping paint and other materials accessible in addition to what clay brings, prompting
students to see what happens when the two mix, and what layers can be made between them. The
Beading Station will return, combining the colored pasta and plastic beads for the first time to see
how children will or will now combine them to create hangings and jewelry. The blocks painted last
week will become a part of the new B lock Building Station that will ask students to create
permanent sculptures with blocks customized by the class to claim some ownership over materials to
impact the meaning of the finished work. The P ost-It Station will make an appearance with the
addition of collage materials (which also have been gone for several weeks) to invite a cross-over of
supplies and build upon old layers. The E rasing Station w ill be similar, returning with new materials
added to promote the idea of both adding and taking away layers to work together on art pieces and
contribute in different ways. The B uilding Station continues to grow this week, bringing new
materials and more ways to keep the creations together as sculptures to be in the show. Old and new
building supplies will be available to mix together to make 3D art. S tory Rocks w ill return within the
station on the carpet, combining old and new rocks. After students made their own a nd added new
layers onto the previously made rocks, there is potential for new stories and more layers to be drawn on
as stories change. The A rt Book Station is a new feature to ask students to collaborate on pages of a
keepsake book for the teacher that can showcase all of their ideas and mastered materials, in the context
of layering or otherwise. It will be a collaborative piece exhibited in the show. All of the stations, new
and old, will ask students to think of how layers made between the first class and now can interact and
tell a story together.
II. LEARNER OUTCOMES
Throughout this lesson, students will learn...
● How to reflect on old artwork
● What stories art can tell when put together
● How layers made by one artist can make a difference in a collaborative artwork
● What it means to put on an art show
● How we can plan an art show together
III-A. NATIONAL ART STANDARDS
VA:Cr1.1.PKa - Engage in self-directed play with materials.
VA:Cr1.2.PKa - Engage in self-directed creative making.
VA:Cr2.1.PKa - Use a variety of artmaking tools.
VA:Cr2.2.PKa - Share materials with others.
VA:Cr3.1.PKa - Share and talk about personal artwork.
VA:Cn10.1.PKa - Explore the world using descriptive and expressive words and art-making.
VA:Cn11.1.PKa - Recognize that people make art.
III-B. PENNSYLVANIA DEPARTMENT OF EDUCATION STANDARDS
9.1.V PK.A - Know and use basic elements of visual arts.
9.1.V PK.B - Combine a variety of materials to create a work of art.
9.1.V PK.E - Use imagination and creativity to express self through visual arts.
9.1.V PK.J - Use a variety of technologies for producing works of art.
IV. MATERIALS NEEDED FOR LESSON
● 1 Sketchbook per student (Sketchbook Station)
● Washi Tape (Sketchbook Station)
● Jars/Cups for Materials (Sketchbook Station)
● Rainbow Scratch Art Paper (Sketchbook Station)
● Wooden Styluses (Sketchbook Station)
● Students’ Suminagashi artwork from past week (Sketchbook Station)
● Students’ Marble Painting artwork from past week (Sketchbook Station)
● Acrylic Paint (Painting Station)
● Thickening Medium (Painting Station)
● Paint Brushes & Water Jars (Painting Station)
● Canvases (Painting Station)
● Large Sheet of Fabric (Painting Station)
● Transparent Shower Curtain (Painting Station)
● Plates (Painting Station)
● Colored Pasta (Beading Station)
● Varied Beads (Beading Station)
● Plastic Thread (Beading Station)
● Golden Elastic (Beading Station)
● Cord (Beading Station)
● Ribbon (Beading Station)
● Tape (Beading Station)
● Scissors (Beading Station)
● Air Dry Clay separated into fist sized balls (Clay Station)
● Clay tools (Clay Station)
● Sequins (Clay Station)
● Mosaic Tiles (Clay Station)
● Feathers (Clay Station)
● Googly Eyes (Clay Station)
● Natural Materials (Clay Station)
● Post-It Note Board (Post-It Station)
● Post-It Notes (Post-It Station)
● Sharpies (Post-It Station)
● Collage Materials (Post-It Station)
● Tape (Post-It Station)
● Painted Blocks (Block Sculpture Station)
● Liquid Glue in Cups (Block Sculpture Station)
● Brushes (Block Sculpture Station)
● Sharpie & Plates to Label Individual Work (Block Sculpture Station)
● Legos (Building Station)
● Popsicle Sticks (Building Station)
● Clothespins (Building Station)
● Plastic Animal & People Figurines (Building Station)
● 5 Containers of Play Doh (Building Station)
● Play Doh Tools (Building Station)
● Colorful Masking Tape (Building Station)
● GoPro on Clamp Tripod (Video Station)
● Fuji Instax Camera (Photo Station)
● Fuji Instax Film (Photo Station)
● Canon Powershot (Photo Station)
● Paint Pens to Draw Over Instant Photos (Photo Station)
● Documentation covered with Acetate (Drawing on Pictures)
● Sharpies (Drawing on Pictures)
● Storytelling Rocks (Story Rock Station)
● Plain Rocks (Story Rock Station)
● Paint Pens (Story Rock Station)
● Large Paper covered in charcoal (Erasing Station)
● Boards with smaller paper covered in Chalk Pastel & Colored Pencil (Erasing Station)
● Cups of kneaded erasers (Erasing Station)
● Cups of charcoal (Erasing Station)
● Cups of chalk pastel (Erasing Station)
● Cups of colored pencil (Erasing Station)
● Teacher’s Art Book (Art Book Station)
● Sharpies (Art Book Station)
● Markers (Art Book Station)
● Gel Pens (Art Book Station)
● Pastels (Art Book Station)
● Colored Pencils (Art Book Station)
● Carpet (Quiet Space)
● Pillows (Quiet Space)
● Teddy Bear (Quiet Space)
● Books (Quiet Space)
● Circle Carpet (Circle Time Space)
● Projector & Adapter to play film from laptop (Circle Time Space)
● Laptop with songs & videos ready (Circle Time Space)
● Revised Rules Sign (Circle Time Space)
● Name Tags for students & adults (Sign In/Sign Out Table)
● Parent Sign In/Sign Out Sheet (Sign In/Sign Out Table)
● Camera for adult documentation (Sign In/Sign Out Table)
● Blocks for potential back-up activity
● Collage cut-outs for potential back-up activity
● List of correct spellings of students’ names for creating labels
● Signs with the name of each station & the number of maximum students for each space
● Color Card/Swatches for each station/the max. number of students for each
V. TEACHER ACTIONS / EXPECTED LEARNER ACTIONS
Time Teacher Actions Expected Learner Actions
VI. ENDING THE LESSON
Closure of Lesson:
The class will end with the group coming together on the carpet to have 3 students share what they made and
did during the class, to inspire students and give the sharerers some confidence in speaking about what they
worked on. The discussion after each student shares includes the teacher, adults, and students and can help give
everyone new ideas for what to try next week.
Transition to Next Lesson:
In preparation for the exhibition, which will be the focus of the next class, students will be asked to begin
thinking about how they want to show what we have done in the class, and what their experience means to
them. We will brainstorm together to plan titles or phrases to be featured, and this will get students more
familiar with what the goal of the show is. The label-making activity will be helpful prep for a more personal
way to label children’s work.
I would like the overall classroom to use natural light to feel fresh and exciting, and try to keep
as much space as possible for movement that can and will occur between stations to share and
communicate where a path is cleared and safety is ensured. The classroom will become an
environment of controlled chaos, and may appear eccentric with “too much” going on, but stations
and scaffolding of rules & guidelines will allow the students to work in a space that is busy and full of
opportunities for them to create and layer their work with new & traditional materials.
Key:
Spaces in Red are Available the Entire Class
Spaces in Green are Only Available during Second Half
Spaces in Black are all other environmental elements
Classroom Space Function Location
Sketchbook Station Tables (covered with paper) Near the cubbies where
(w/ Scratch Art, and chairs with materials for sketchbooks are kept
Suminagashi Paper, students to bring their
& Marble Painted Paper) sketchbook to work on, or
to layer over their
Suminagashi paper and
Marble Painting paper from
previous weeks, or work on
Scratch Art which will be at (limit of 4 students per table)
tables as well
Painting Station Due to students expressing Near the table on its side, on the
an interest in paint floor, where materials can be set
returning, the acrylic paint out like a buffet and the surfaces
and thickening medium will to be painted on can stretch and
be available with canvases, be worked on as a group
fabric, and a transparent
stretch of material to create (soft limit of 6 students)
both individual and
collaborative works
Block Sculpture Station The wooden blocks painted At a table where the teacher can
by students last week will be easily monitor and prompt
available with glue & students
brushes for students to
create sculptures to be (limit of 4 students)
preserved for the show
Drawing on Pictures Using printed out At a table where the teacher can sit
documentation from and talk with students
previous weeks covered in participating
acetate, students can draw
layers on top to add to what
the photos capture (limit of 4 students)
Story Rock Station A station with rocks and At the carpet to allow for a large
paint pens to allow students amount of space for students to
to customize more rocks to spread out while working
use for story telling, with the (soft limit of 5 students)
ones they have been using as
inspiration
Art Book Station To create a book of drawings At a more secluded table, with the
by students as a collaborative help of an adult, whether it be the
keepsake, students can come teacher or one of the interested
over one at a time do draw in adults/volunteers that also
2 page spreads at a time with understand the book’s purpose
a variety of drawing
mediums (limit of 1 student at a time)
Video Station A camera will be set up and At a space where a clamp tripod
recording a video can be attached and pointed at the
throughout the class, where area students can stand or sit at,
students can take turns with room for more than one at a
visiting to talk about what time if desired, and where a
they’ve made in the class, teacher or other adult can monitor
what they’ve liked, how and prompt
they’ve explored layering,
etc. (soft limit of 3 students at a time)
Post-It Station This will feature the sturdy Against the table on its side by the
cardboard surface students carpet so that the cardboard
have been adding post-it surface can be propped up
notes to, and will have the vertically
same post-it notes and
Sharpies available with
additional collage materials
for more and more to be
added and layered over each
other (soft limit of 4 students)
Clay Station Due to students expressing The clay will be added to the
an interest, the clay will be Painting Station space, with paint
brought back half-way remaining, to see how students
through class for students to choose to combine the two, if they
continue building with it, desire
this time with more tools
and loose parts that differ
from those featured last
week. (soft limit of 6 students)
Erasing Station Also introduced half way At the carpet, propped up against
through class, students can the tables on their sides
return to adding and
subtracting layers to the
collaborative pieces (soft limit of 5 students)
Photography Station This space will be This space is located on the Circle
introduced mid-way Time Carpet to ensure students at
through the lesson and other stations are not distracted,
watched by the teacher as and in order to serve as a home
home base for the instant base where the teacher can still see
camera and digital camera the ongoings of the rest of the
children will be sharing. room
Children will come here to
take turns taking photos
with the instant camera or
digital camera, acting as class
photographers. If desired,
students can use paint pens
to draw over the instant
photos they take to further
document the class (limit of 2 students)
Sign In/Sign Out Table Space for parents to say At the entrance of the classroom
goodbye & sign in child
while the child receives their
name tag, and where they
can return to sign out their
child when class ends.
Cubbies will be included for
students to place their
belongings/coats/backpacks
and keep their sketchbook
Circle Time Space/Carpet Main meeting space for the In open area by the chalkboard
class for the beginning &
end of lessons as well as any
mid-lesson demonstrations
or announcements
Quiet Space Where a student who feels A tucked away, but still visible,
overwhelmed, sad, upset, or corner of the room where there
just uncomfortable can go to are not many distractions
take a break and look
through books or listen to
music to calm down
Sinks Necessary for clean-up at the At the far end of the classroom
end of the lesson
LESSON PLAN FORMAT
Teacher: Emma Karpinski
Unit Title: “Layers- Explorations in Art-Making”
Lesson Title: “Last Layers”
Grade Level: Preschool
Number of Students: 15
Lesson #: 8 of 8 projected lessons.
BIG IDEA (UNIT):
The big idea guiding the curriculum unit is Layers.
BIG IDEA (LESSON):
This week’s lesson will guide students towards putting their L ast Layerson the artwork made, stories
told, and experiences had the last few weeks, and ask for a collaborative effort in planning aspects of
the final exhibition of all student work.
ART / ARTIST(S) OF RELEVANCE:
● Marcia Beckett & Students
Marcia Beckett is a K-6 art teacher who runs the blog A rt is Basic: Art & Creativity for Kids.
“[She] believe[s] that art is a basic part of a child's educational experience. Creative thinking should be
a core objective in all schools. Art is a basic means of expression for people in all cultures throughout
all of history,” (Art is Basic: Art & Creativity for Kids).
I wanted to include Marcia’s image of her work layering with children, specifically with
stencils and various wet and dry media on a shared surface, as this is what my students will be able to
explore at my Stencils & Stamps Station.
● The Art Pantry
The owner of the blog T he Art Pantry is, “an artist, entrepreneur, mother of 2, and early
childhood educator. [She] began [her] career as a preschool teacher, deeply intrigued by the use of art
in the preschools of Reggio Emilia, Italy. While working towards a Masters in education, [she] had the
amazing opportunity to take part in a study tour of the preschools in Reggio Emilia. This experience
has shaped who [she is] as a teacher, an artist, and business owner. In January of 2010 [she] began
offering toddler art classes in my back cottage. This wonderful experience lead to the creation of The
Art Pantry, an online shop for children's art supplies and creative resource for parents and caregivers,”
(Blogger).
The images from her Collaborative Canvas project will also be hung at my S tencils & Stamps
Station to promote exploration of materials and productive collaboration that can lead to wonderful
work!
PREREQUISITES:
● Students must be prepared to sit quietly for up to 10 minutes of time and listen to the teacher-
If students show signs that they are not, small activities that involve movement and letting out
energy will be facilitated to break up the necessary times spent listening to guidelines for the
lesson & classroom rules.
● Students must be able to keep safe space between other students to prevent injuries- If students
show signs that they are not, rules about making sure there is enough space between students
to then spread their arms wide without touching another individual will be enforced, and
location can be adjusted in necessary to accommodate for this.
● Students must be able to hold a drawing utensil comfortably in order to mark-make- If
students show signs that they are not, the allotted time for drawing on sketchbook covers at
the beginning of class will include a brief demo on how to adjust grip to successfully
mark-make.
● Students must be able to let an adult know when they need to use the restroom- If students
show signs that they are not, the teacher can take a moment a few times over the course of the
lesson to ask for all students’ attention to then remind them to take a bathroom break if
needed, most likely going to the restroom with other adult(s) in the room.
● Students must be able to clean up their workspace & themselves when instructed at end of
class- If students show signs that they are not, the teacher and any other adults in the room can
give prompts to students during clean up that show them what clean up time will look like in
the future and ensure that no mess is left behind that could cause injuries (i.e. slipping on spilt
water/wet paint) or disrupt what comes next in the lesson.
● Students must be able to safely navigate between the stations within the classroom, based off
of the tour done during the first week- If students show signs that they are not, a refresher
demonstration will be done at the station the student is currently a part of.
SAFETY HAZARDS:
● There is a lot happening in our art room, so we must remember to never run, and always watch
where we are walking so we do not trip or bump into anyone or anything.
● Art materials are for art making only and should never be used on anyone’s face, body, clothes,
or belongings.
INTERDISCIPLINARY CONNECTIONS:
Reading: The teacher will read the class “ Do You See What I See” written and illustrated by
Helen Borten, as a closing circle activity, and ask students to think about the story and relate it to
what we have done in the class. Students will be asked to share times they have noticed art all around
us, or other similar experiences to what is mentioned in the book, and how they can keep doing so
every day.
Science: I would like to facilitate an approach to the art-making process that is similar to that of a
scientist experimenting in a lab. Students will be reminded to question what they think might happen
before they combine materials, and wonder what makes them react the way they do, forming
hypotheses in doing so.
Language Arts: Students will be asked questions about what they are making in order to learn more
about their interests and help them practice articulating what it is they are trying to create. This will be
recorded in my sketchbook during the class to be included in documentation later, including the
exhibition at the end of the eight weeks.
I-A. UNIT OVERVIEW (RATIONALE)
In examining my own artistic practice, I am able to identify the process of layering as a
prevailing concept. This class will create opportunities for children to interact with new & traditional
art materials and experiment with what they can create when combined. In art-making, layering
materials on top of one another, over time, transforms the artwork with each addition, or subtraction,
that the individual artist chooses to make. Each class will give children the agency to decide which
materials they use, what they create with them, and the ways that they do so. I strongly believe in art
that supports each child’s artistic visions, and hope to create a space that encourages each child to make
art that looks different from everyone else’s and sparks their imagination while using layering as a tool
to get there.
I-B. LESSON OVERVIEW (RATIONALE)
This final lesson will tie up loose ends with artwork that was still in-process, allow for
brainstorming and general preparation for curating the exhibition, and create opportunities for
students to combine the materials & processes they had mentioned enjoying most the past few weeks.
Last layers will be added to works (both old and new) for this last day.
The Sketchbook Station will have returning washi tape, as students had a blast using it to
mark-make, layer over, and use as its own individual material. Suminagashi prints, marble-painting
prints, and scratch art will be available to be layered over, here, as well. The P
ainting Station near by
will welcome sketchbooks, as well as loose sheets of paper, to be painted on with the student-favorite
watercolor paints. C lay and Building will be combined into one mega-station per students’ interest in
doing so last week to let narratives and creations expand! The new S tencils & Stamps Station is
added to let students combine many of their favorite materials and processes on one collaborative
work that includes the stamping actions, as well as new stencils that have not been used previously, in
combination with dry and wet art materials. Students spoke about wanting to explore collage again, so
a single-table C
ollage Station w ill be available for work inside and outside of sketchbooks, revisiting
old processes with new knowledge and experiences since then. The B eading Station will come back,
as well, with new beads and new materials to bead onto, to allow for more creating and sharing. The
Art Book Station w ill be brought back, as well, asking students to put their own artwork into pages
of a collective journal as a keepsake, which will be shown in the exhibition, too. Collaboration can
happen at the E rasing Station yet again with more colorful materials and opportunities for teamwork
in creating large-scale pieces. The carpet will also house a combined S tory Rocks & Blocks Station
where children can use the two materials, and customize them, to create stories and share visions with
each other. The P hotography Station w ill be back until the remainder of the film has been depleted,
as this was one of the most popular activities and has prompted layering and insightful discussions
every week.
II. LEARNER OUTCOMES
Throughout this lesson, students will learn...
● How to think back on art made by them in the past
● How to reflect on art and tell if it is done
● How to think of parts of everyday life as art
● How to look for art in small details
● How to combine their favorite parts of the past few weeks to make final artworks
III-A. NATIONAL ART STANDARDS
VA:Cr1.1.PKa - Engage in self-directed play with materials.
VA:Cr1.2.PKa - Engage in self-directed creative making.
VA:Cr2.1.PKa - Use a variety of artmaking tools.
VA:Cr2.2.PKa - Share materials with others.
VA:Cr3.1.PKa - Share and talk about personal artwork.
VA:Cn10.1.PKa - Explore the world using descriptive and expressive words and art-making.
VA:Cn11.1.PKa - Recognize that people make art.
III-B. PENNSYLVANIA DEPARTMENT OF EDUCATION STANDARDS
9.1.V PK.A - Know and use basic elements of visual arts.
9.1.V PK.B - Combine a variety of materials to create a work of art.
9.1.V PK.E - Use imagination and creativity to express self through visual arts.
9.1.V PK.J - Use a variety of technologies for producing works of art.
IV. MATERIALS NEEDED FOR LESSON
● 1 Sketchbook per student (Sketchbook Station)
● Washi Tape (Sketchbook Station)
● Jars/Cups for Materials (Sketchbook Station)
● Rainbow Scratch Art Paper (Sketchbook Station)
● Wooden Styluses (Sketchbook Station)
● Students’ Suminagashi artwork from past week (Sketchbook Station)
● Students’ Marble Painting artwork from past week (Sketchbook Station)
● Colorful Markers (Sketchbook Station)
● Watercolor Paint (Painting Station)
● Paint Brushes & Water Jars (Painting Station)
● Mixed Media Paper (Painting Station)
● Varied Beads (Beading Station)
● Colorful Yarn (Beading Station)
● Plastic Thread (Beading Station)
● Golden Elastic (Beading Station)
● Cord (Beading Station)
● Ribbon (Beading Station)
● Tape (Beading Station)
● Scissors (Beading Station)
● Air Dry Clay separated into fist sized balls (Clay/Building Station)
● Clay tools (Clay/Building Station)
● Sequins (Clay/Building Station)
● Mosaic Tiles (Clay/Building Station)
● Feathers (Clay/Building Station)
● Googly Eyes (Clay/Building Station)
● Natural Materials (Clay/Building Station)
● Legos (Clay/Building Station)
● Popsicle Sticks (Clay/Building Station)
● Clothespins (Clay/Building Station)
● Plastic Animal & People Figurines (Clay/Building Station)
● Remaining Play Doh (Clay/Building Station)
● Play Doh Tools (Clay/Building Station)
● Colorful Masking Tape (Clay/Building Station)
● Scrap Paper (Collage Station)
● Cut-Out Images (Collage Station)
● Textured Paper (Collage Station)
● Mixed Media Paper (Collage Station)
● Glue Sticks (Collage Station)
● Scissors (Collage Station)
● Large Sheet of White Paper (Stencils & Stamps Station)
● Stencils (Stencils & Stamps Station)
● Wooden Blocks Wrapped in Yarn (Stencils & Stamps Station)
● Stamps (Stencils & Stamps Station)
● Ink Pads (Stencils & Stamps Station)
● Plates of Tempera Paint (Stencils & Stamps Station)
● Chalk Pastels (Stencils & Stamps Station)
● Paint Pens (Stencils & Stamps Station)
● Fuji Instax Camera (Photo Station)
● Fuji Instax Film (Photo Station)
● Canon Powershot (Photo Station)
● Paint Pens to Draw Over Instant Photos (Photo Station)
● Storytelling Rocks (Story Rocks & Blocks Station)
● Plain Rocks (Story Rocks & Blocks Station)
● Paint Pens (Story Rocks & Blocks Station)
● Colorful Wooden Blocks (Story Rocks & Blocks Station)
● Boards with smaller paper covered in Chalk Pastel & Colored Pencil (Erasing Station)
● Cups of kneaded erasers (Erasing Station)
● Cups of charcoal (Erasing Station)
● Cups of chalk pastel (Erasing Station)
● Cups of colored pencil (Erasing Station)
● Teacher’s Art Book (Art Book Station)
● Sharpies (Art Book Station)
● Markers (Art Book Station)
● Gel Pens (Art Book Station)
● Pastels (Art Book Station)
● Colored Pencils (Art Book Station)
● Carpet (Quiet Space)
● Pillows (Quiet Space)
● Teddy Bear (Quiet Space)
● Books (Quiet Space)
● Circle Carpet (Circle Time Space)
● Projector & Adapter to play film from laptop (Circle Time Space)
● Laptop with songs & videos ready (Circle Time Space)
● Revised Rules Sign (Circle Time Space)
● Do You See What I See by Helen Borten (Circle Time Space)
● 2-3 Shelves to mark up for sculptures (Circle Time Space)
● Masking Tape (Circle Time Space)
● Sharpies (Circle Time Space)
● Name Tags for students & adults (Sign In/Sign Out Table)
● Parent Sign In/Sign Out Sheet (Sign In/Sign Out Table)
● Camera for adult documentation (Sign In/Sign Out Table)
● Color Card/Swatches for each station/the max. number of students for each
V. TEACHER ACTIONS / EXPECTED LEARNER ACTIONS
Time Teacher Actions Expected Learner Actions
I would like the overall classroom to use natural light to feel fresh and exciting, and try to keep
as much space as possible for movement that can and will occur between stations to share and
communicate where a path is cleared and safety is ensured. The classroom will become an
environment of controlled chaos, and may appear eccentric with “too much” going on, but stations
and scaffolding of rules & guidelines will allow the students to work in a space that is busy and full of
opportunities for them to create and layer their work with new & traditional materials.
Key:
Spaces in Red are Available the Entire Class
Spaces in Green are Only Available during Second Half
Spaces in Black are all other environmental elements
Classroom Space Function Location
Sketchbook Station Tables (covered with paper) Near the cubbies where
(w/ Scratch Art, and chairs with materials for sketchbooks are kept
Suminagashi Paper, students to bring their
& Marble Painted Paper) sketchbook to work on, or
to layer over their
Suminagashi paper and
Marble Painting paper from
previous weeks, or work on
Scratch Art which will be at (limit of 4 students per table)
tables as well
Painting Station Watercolor paints and paper At a table beside the wall that has
will be available for students the marks from several weeks’
to use as standalone works or worth of work on it
in their sketchbooks
(soft limit of 4 students)
Stencils & Stamps Station A collaborative work will be Beside the carpet, on the ground
made with stencils, stamps, using a table on its side as an easel
ink pads, paint pens, chalk to hold the surface students will
pastels, blocks wrapped in me mark-making on
yarn, and tempera paint as a
last hurrah exploring several
of the approaches to layering
students said they enjoyed
most the past few weeks (soft limit of 5 students at a time)
Collage Station Per students’ requests, the At a single table, preferably with
collage station will be an adult stationed there when
brought back as a smaller children are working to prompt
scaled option with images, them and help with gluing if
textures, scrap paper, and needed
loose parts to glue down on
paper or in sketchbooks (limit of 4 students)
Clay/Building Station Due to students’ interest in At a round table against the wall
bringing clay over to the so all materials can fit with room
building station last week, remaining for students to work
the two will be combined n
area with the remaining Play
Doh, legos, sticks, plastic
figurines, and other loose
parts for a fun mixture of
materials, with clay tools and
tape to keep pieces together
if students wish (limit of 4 students)
Art Book Station To create a book of drawings At a more secluded table, with the
by students as a collaborative help of an adult, whether it be the
keepsake, students can come teacher or one of the interested
over one at a time do draw in adults/volunteers that also
2 page spreads at a time with understand the book’s purpose
a variety of drawing
mediums (limit of 1 student at a time)
Story Rocks & Blocks The story rock station will On the carpet where there is open
be combined with the block- space
building/world-making
station as a mid-way option
for students to work
together or separately to
make up narratives with
what they create and utilize,
with paint pens for items to
be customized if students
desire (soft limit of 6 students)
Erasing Station Also introduced half way At the carpet, propped up against
through class, students can the tables on their sides
return to adding and
subtracting layers to the
collaborative pieces (soft limit of 5 students)
Photography Station This space will be This space is located on the Circle
introduced mid-way Time Carpet to ensure students at
through the lesson and other stations are not distracted,
watched by the teacher as and in order to serve as a home
home base for the instant base where the teacher can still see
camera and digital camera the ongoings of the rest of the
children will be sharing. room
Children will come here to
take turns taking photos
with the instant camera or
digital camera, acting as class
photographers. If desired,
students can use paint pens
to draw over the instant
photos they take to further
document the class (limit of 2 students)
Sign In/Sign Out Table Space for parents to say At the entrance of the classroom
goodbye & sign in child
while the child receives their
name tag, and where they
can return to sign out their
child when class ends.
Cubbies will be included for
students to place their
belongings/coats/backpacks
and keep their sketchbook
Circle Time Space/Carpet Main meeting space for the In open area by the chalkboard
class for the beginning &
end of lessons as well as any
mid-lesson demonstrations
or announcements
Quiet Space Where a student who feels A tucked away, but still visible,
overwhelmed, sad, upset, or corner of the room where there
just uncomfortable can go to are not many distractions
take a break and look
through books or listen to
music to calm down
Sinks Necessary for clean-up at the At the far end of the classroom
end of the lesson
Saturday Art School
Preschool Classroom
Volunteer Cheat Sheet
Weeks Two - Seven
Possible questions to ask children while making:
“What are you layering here?”
“What are your layers working together to make?”
“What is it you decided to start making?”
“What made you want to make a ______?”
“How can you add more layers to tell more about what you’re making?”
“What layers do you want to add next?”
“What can we do with all these things to make something?”
“How are you using these to make something?”
“What do you think these things can be used for?”
“What can we add on or take away here?”
Please try to take notes of children’s answers or quotes from them that were interesting about what
they are making or otherwise!
If a student is finished with work, please write their name on the b ackof the piece so its artist can be
identified, but the work can still be displayed in the art show.
If you are not aware of the 2 students who cannot be in photos, please ask to be shown before
taking any documentation!
However, t aking pictures of what is happening in the classroom is encouraged! Images or
videos taken with your phone (or using the teacher’s camera at the sign in/out table!) are helpful and
should be shared with the teacher via email (karpinskiem@gmail.com) to be placed in a
password-protected PSU Box folder, and no images including children’s faces should be posted online
or shared with anyone.
Saturday Art School
Preschool Classroom
Volunteer Cheat Sheet
Week Eight
Possible q
uestionsto ask children while making: