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Town Planning
Critical Assessment of Golden Ratio
in Architecture by Fibonacci Series
and Le Modulor System
Golden Ratio
The Egyptians thought that the golden ratio was sacred. Therefore,
it was very important in their religion. They used the golden ratio
when building temples and places for the dead. If the proportions of
their buildings weren't according to the golden ratio, the deceased
might not make it to the afterlife or the temple would not be pleasing
to the gods. As well, the Egyptians found the golden ratio to be
pleasing to the eye. They used it in their system of writing and in
the arrangement of their temples. The Egyptians were aware that
they were using the golden ratio, but they called it the "sacred
ratio."
The Egytians used both Pi (Π) and Phi (Φ) in the design of
the Great Pyramids. The Great Pyramid has a base of 230.4
meters (755.9 feet) and an estimated original height of 146.5
meters (480.6 feet). This creates a height to base ratio of
0.636, which indicates it is indeed a Golden Triangles, at least
to within three significant decimal places of accuracy. If the
base is indeed exactly 230.4 meters then a perfect golden
ratio would have a height of 146.5367. This varies from the
estimated actual dimensions of the Great Pyramid by only
0.0367 meters (1.4 inches) or 0.025%, which could be just a
measurement or rounding difference.
Fibonacci Sequence
Leonardo Fibonacci
He wanted to calculate the ideal expansion of pairs of rabbits over a
year. After the calculation he found that the number of pairs of
rabbits are following a certain sequence. It turns out, though, that
he was really on to something. Mathematicians and artists took this
sequence of number and coated it in gold.
The first step was taking each number in the series and dividing it
by the previous number. At first the results don't look special. One
divided by one is one. Two divided by one is two. Three divided by
two is 1.5. Riveting stuff. But as the sequence increases something
strange begins to happen. Five divided by three is 1.666. Eight
divided by five is 1.6. Thirteen divided by eight is 1.625. Twenty-one
divided by thirteen is 1.615.
Examples of the Golden Ratio in Nature
As the series goes on, the ratio of the latest number to the last
number zeroes in on 1.618. It approaches 1.618, getting
increasingly accurate, but never quite reaching that ratio. This
was called The Golden Mean, or The Divine Proportion, and it
seems to be everywhere in art and architecture.
Fibonacci spiral not only found in architecture but also widely
present in nature. The number of petals in a flower
consistently follows the Fibonacci sequence. Famous
examples include the lily, which has three petals, buttercups,
which have five (pictured at left), the chicory's 21, the daisy's
34, and so on.
The Fibonacci sequence can also be seen in
the way tree branches form or split. A main trunk
will grow until it produces a branch, which creates
two growth points. Then, one of the new stems
branches into two, while the other one lies
dormant. This pattern of branching is repeated for
each of the new stems.
Even the microscopic realm is not immune to
Fibonacci. The DNA molecule measures 34 angstroms
long by 21 angstroms wide for each full cycle of its
double helix spiral. These numbers, 34 and 21, are
numbers in the Fibonacci series, and their ratio
1.6190476 closely approximates Phi, 1.6180339.
Le Modulor System
There are several challenges in determining whether the Golden Ratio was used
is in the design and construction of the Parthenon:
The Parthenon was constructed using few straight or parallel lines to make it
appear more visually pleasing, a brilliant feat of engineering.
It is now in ruins, making its original features and height dimension subject to
some conjecture.
Even if the Golden Ratio wasn’t used intentionally in its design, Golden Ratio
proportions may still be present as the appearance of the Golden Ratio in
nature and the human body influences what humans perceive as aesthetically
pleasing.
Photos of the Parthenon used for the analysis often introduce an element of
distortion due to the angle from which they are taken or the optics of the
camera used.
Overlay to the entire face
This illustrates that the height and width of the Parthenon conform closely to Golden
Ratio proportions.
This construction requires a assumption though:
The bottom of the golden rectangle should align with the bottom of the
second step into the structure and that the top should align with a peak of the
roof that is projected by the remaining sections.
Given that assumption, the top of the columns and base of the roof line are in a
close golden ratio proportion to the height of the Parthenon. This demonstrates
that the Parthenon has golden ratio proportions, but because of the assumptions
is probably not strong enough evidence to demonstrate that the ancient Greeks
used it intentionally in its overall design, particularly given the exacting
precision found in many aspects of its overall design.
To elements of the Parthenon
The grid lines appear to illustrate golden ratio proportions in these design
elements.
Height of the columns – The structural beam on top of the columns is in a
golden ratio proportion to the height of the columns. Note that each of the
grid lines is a golden ratio proportion of the one below it, so the third golden
ratio grid line from the bottom to the top at the base of the support beam
represents a length that is phi cubed, 0.236, from the top of the beam to the
base of the column.
Dividing line of the root support beam - The structural beam on top of the
columns has a horizontal dividing line that is in golden ratio proportion to the
height of the support beam.
Width of the columns – The width of the columns is in a golden ratio
proportion formed by the distance from the center line of the columns to the
outside of the columns.
The photo below illustrates the golden ratio proportions that appear in the height of the roof
support beam and in the decorative rectangular sections that run horizontally across it. The gold
colored grids below are golden rectangles, with a width to height ratio of exactly 1.618 to 1.
The animated photo provides a closer look yet at
the quite precise golden ratio rectangle that
appear in the design work above the columns.
The pattern of golden ratios continued in the interior. Below is one of the
representative floor plans, with the hallway dividing the floor at the golden ratio
of the buildings cross-section. There is also a central conference room in the
shape of a golden rectangle.
The Great Pyramid of Giza
The Great Pyramid of Giza (also known
as the Pyramid of Khufu or the Pyramid of
Cheops) is the oldest and largest of the
three pyramids in the Giza Necropolis
bordering what is now El Giza, Egypt. It is the
oldest of the Seven Wonders of the Ancient
World, and the only one to remain largely
intact.
There is debate as to the geometry used
in the design of the Great Pyramid of Giza in
Egypt. Built around 2560 BC, its once flat,
smooth outer shell is gone and all that
remains is the roughly-shaped inner core, so
it is difficult to know with certainty.
There is evidence, however, that the design of the pyramid embodies these
foundations of mathematics and geometry:
Phi, the Golden Ratio that appears throughout nature.
Pi, the circumference of a circle in relation to its diameter.
The Pythagorean Theorem – Credited by tradition to mathematician
Pythagoras (about 570 – 495 BC), which can be expressed as a² + b² = c².
Phi is the only number which has the mathematical property of its square being
one more than itself:
Φ + 1 = Φ², or
1.618… + 1 = 2.618…
By applying the above Pythagorean
equation to this, we can construct a right
triangle, of sides a, b and c, or in this
case a Golden Triangle of sides √Φ, 1 and
Φ, which looks like this:
This creates a pyramid with a base width
of 2 (i.e., two triangles above placed
back-to-back) and a height of the square
root of Phi, 1.272. The ratio of the
height to the base is 0.636.
According to Wikipedia, the Great Pyramid has a base
of 230.4 meters (755.9 feet) and an estimated original
height of 146.5 meters (480.6 feet). This also creates
a height to base ratio of 0.636, which indicates it is
indeed a Golden Triangles, at least to within three
significant decimal places of accuracy. If the base is
indeed exactly 230.4 meters then a perfect golden
ratio would have a height of 146.5367. This varies
from the estimated actual dimensions of the Great
Pyramid by only 0.0367 meters (1.4 inches) or 0.025%,
which could be just a measurement or rounding
difference.
A pyramid based on golden triangle would have other
interesting properties. The surface area of the four sides would
be a golden ratio of the surface area of the base. The area of
each triangular side is the
base x height / 2, or
2 x Φ/2 or Φ.
The surface area of the base is 2 x 2, or 4.
So four sides is 4 x Φ / 4, or Φ for the ratio of sides to base
It may be possible that the pyramid was constructed using a completely
different approach that simply produced the phi relationship. The writings of
Herodotus make a vague and debated reference to a relationship between the
area of the surface of the face of the pyramid to that of the area of a square
formed by its height. If that’s the case, this is expressed as follows:
Area of the Face = Area of the Square formed by the
Height (h)
(2r × s) / 2 = h²
By the Pythagorean Theorem that r² + h² = s², which
is equal to s² – r² = h², so
r × s = s² – r²
Let the base r equal 1 to express the other dimensions in relation to it:
s = s² – 1
Solve for zero:
s² – s – 1 = 0
Using the quadratic formula, the only positive solution is where s = Phi, 1.618…..
If the height area to side area was the basis for the dimensions of the Great
Pyramid, it would be in a perfect Phi relationship, whether or not that was
intended by its designers. If so, it would demonstrate another of the many
geometric constructions which embody Phi.
Conclusion
Using Fibonacci numbers, the Golden Ratio becomes a golden spiral, that plays an
enigmatic role everywhere, from the nature such as in shells, pine cones, the arrangement
of seeds in a sunflower head and even galaxies to the architectural design for structure as
old as the pyramid of Giza to modern building like The Farnsworth House, designed
by Ludwig Mies van der Rohe designed in 1950s.
Adolf Zeising, a mathematician and philosopher, while studying the natural world, saw
that the Golden Ratio is operating as a universal law. On the other hand, some scholars
deny that the Greeks had any aesthetic association with golden ratio. Midhat J. Gazale
says that until Euclid the golden ratio's mathematical properties were not studied. In the
“Misconceptions about the Golden Ratio”, Dr. George Markowsky also discussed about
some misconceptions of the properties and existence golden ratio in various structures and
design. Basically the Golden Ratio should not be considered as a convention to all
circumstances like a law of nature but it needs deeper study and analysis to establish the
relation with the ratio as it is a curiosity of researchers to fulfil the demand of this field of
research.