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Culture is today one of the primary interests of Marxist thought, which takes to cultural
analysis rather often. Karl Marx himself gave little attention to the concept and working
of culture in his own writings. This as a result of Marx's focus on economical and
political factors, granting culture only a secondary position. Marx positioned culture in
the superstructure, which for him was derived for the economical base of material
practice. The role of the superstructure, according the Marx, is to mask and justify the
inequalities and exploitation which take place in the material base. Culture for Marx is
therefore something which abstracts the truth and creates "false consciousness" and an
incorrect perception of social, political and economic reality endorsed by the ruling
class.
Marx's successors in the 20th century had a hard time maintaining his perception of
culture as secondary to the material dimension. Neo-Marxist thinking throughout the
20th century began to focus more and more on culture and its workings, giving birth to
the discipline known as cultural studies. One field of cultural research within the Marxist
tradition is that of asking how, and if, art and culture can subvert the workings of
capitalism or how the cater for its greedy needs. The Frankfurt School for social thought
is famous for the notion of cultural industry is an example of such research of culture
within the Marxist tradition. Such a view of culture could stress its repressive function,
such as in popular and mass culture. Another way Marxist thinkers can analyze culture
is by asking how the interchange of power if facilitated by it, and the battle between
different interests drawn through it. Unlike the Frankfurt School, this Marxist approach
for cultural analysis, which is often attributed to the legacy of Gramsci, feels that culture
can indeed be subversive and to challenge the ruling order.
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The seven theses of Cultural Marxism:
(1) Support of the Third World immigration and refugee invasion of the West. Cultural
Marxists adamantly insist on Third World immigration and refugees for the West, and oppose
the deporting of Third World invaders. Support of Third World immigration (both legal and
illegal) is the #1 precept of Cultural Marxism.
(4) Cultural Marxists want to insist that things like gender and race really do not exist and are
merely “social constructs,” although genetics shows that both do exist.* For instance, using
Structure geneticists can easily cluster people into racial groupings.
(5) Cultural Marxists denote anything they oppose as “hate speech” in order to try to censor it.
Cultural Marxists are vehemently opposed to free speech.
(6) Cultural Marxists adamantly support globalism and oppose nationalism. Cultural Marxists
also support the ‘proposition nation’ which is a Cultural Marxist idea that stresses only ideas
matter to constitute a nation. The traditional notion of a ‘nation’ (from the Latin nasci) is rooted
in ancestry and blood: blood and soil.
(7) Cultural Marxism is basically an anti-white ideology that supports the dispossession of white
people and the eventual "blending white people out of existence" through Third World
immigration and race mixing. Cultural Marxism, in essence, is anti-white (i.e. opposed to
people of European ancestry).
"The very essence of Cultural Marxism is the support of mass immigration / open borders."