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Tom does not have direct quote but his action is very “[Tom], among various physical
accomplishments, had been one of the most
corrupted throughout the whole book. He cheated on
powerful ends that ever played football at New
Daisy, and still wanted her. He also fake the situation Haven—a national figure in a way, one of
causing Wilson to shoot Gatsby. Tom is probably most those men who reach such an acute limited
unethical person in the book. excellence at twenty-one that everything
afterward savors of anti-climax.”
Nick sees neither Gatsby nor Daisy for several weeks after their reunion at Nick’s house.
Stopping by Gatsby’s house one afternoon, he is alarmed to find Tom Buchanan there. Tom has
stopped for a drink at Gatsby’s house with Mr. and Mrs. Sloane, with whom he has been out
riding. Gatsby seems nervous and agitated, and tells Tom awkwardly that he knows Daisy.
Gatsby invites Tom and the Sloanes to stay for dinner, but they refuse. To be polite, they invite
Gatsby to dine with them, and he accepts, not realizing the insincerity of the invitation. Tom is
contemptuous of Gatsby’s lack of social grace and highly critical of Daisy’s habit of visiting
Gatsby’s house alone. He is suspicious, but he has not yet discovered Gatsby and Daisy’s love.
Chapter 9: Summary
Writing two years after Gatsby’s death, Nick describes the events that surrounded the funeral.
Swarms of reporters, journalists, and gossipmongers descend on the mansion in the aftermath
of the murder. Wild, untrue stories, more exaggerated than the rumors about Gatsby when he
was throwing his parties, circulate about the nature of Gatsby’s relationship to Myrtle and
Wilson. Feeling that Gatsby would not want to go through a funeral alone, Nick tries to hold a
large funeral for him, but all of Gatsby’s former friends and acquaintances have either
disappeared—Tom and Daisy, for instance, move away with no forwarding address—or refuse to
come, like Meyer Wolfshiem and Klipspringer. The latter claims that he has a social engagement
in Westport and asks Nick to send along his tennis shoes. Outraged, Nick hangs up on him. The
only people to attend the funeral are Nick, Owl Eyes, a few servants, and Gatsby’s father, Henry
C. Gatz, who has come all the way from Minnesota. Henry Gatz is proud of his son and saves a
picture of his house. He also fills Nick in on Gatsby’s early life, showing him a book in which a
young Gatsby had written a schedule for self-improvement.
How does this relate to the American
Dream?
Fruscione, Joseph & Von Cannon, Michael. "Fitzgerald and Hemingway." American Literary Scholarship, vol.
Ward, Jesmyn. "The Doomed Dreamer." New York Times Book Review, Apr 22, 2018, pp. 10. ProQuest,
https://cerritoscoll.idm.oclc.org/login?url=https://search.proquest.com/docview/2028114311?accountid=
45477.
Mendelsohn, Daniel, and Zoë Heller. "Bookends." New York Times Book Review, Dec 29, 2013, pp.
23-BR.23. ProQuest,
https://cerritoscoll.idm.oclc.org/login?url=https://search.proquest.com/docview/1471956350?accountid=
45477.
Works Cited
Banach, Jennifer. "F. Scott Fitzgerald’s American Dream." Critical Insights: Fitzgerald, F. Scott, edited
Damon, William. "American dreams and visions." Hoover Digest, no. 2, 2014, p. 160+. Opposing
Viewpoints in Context,
http://link.galegroup.com.cerritoscoll.idm.oclc.org/apps/doc/A373680595/OVIC?u=cerritos&sid=OVIC&
Roberts, Marilyn. "Scarface, The Great Gatsby, and the American Dream." Literature-Film Quarterly, vol. 34, no. 1, 2006, p. 71+.
http://link.galegroup.com.cerritoscoll.idm.oclc.org/apps/doc/A143618074/GLS?u=cerritos&sid=GLS&xid=132b893d. Accessed
11 Dec. 2018.
Stocks, Claire. "'All men are [not] created equal': F. Scott Fitzgerald's The Great Gatsby: Claire
Stocks illustrates how the narrator's bias towards this novel's hero is central to the critique of belief in the 'American Dream'." The
English Review, vol. 17, no. 3, 2007, p. 9+. Literature Resource Center,
LITTLE, MATTHEW. “‘I Could Make Some Money’: Cars and Currency in The Great Gatsby.” Papers on Language &
Literature, vol. 51, no. 1, Winter 2015, pp. 3–26. EBSCOhost,
cerritoscoll.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=101962031&site=e
host-live&scope=site.
Rea, Kevin. "The colour of meaning in The Great Gatsby." The English Review, vol. 10, no. 4, 2000, p. 28. Literature
Resource Center,
http://link.galegroup.com.cerritoscoll.idm.oclc.org/apps/doc/A79410829/GLS?u=cerritos&sid=GLS&xid=ff381945.
Fruscione, Joseph. "Fitzgerald and Hemingway." American Literary Scholarship, vol. 2009, 2009, pp. 195-216. Project
MUSE, muse.jhu.edu/article/450042.
Rangwala, Shama. “Race and the Thickening of Mediation in Repetitions of The Great Gatsby.” English Studies in
Canada, vol. 43, no. 2/3, June 2017, pp. 91–116. EBSCOhost,
cerritoscoll.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=131723270&site=e
host-live&scope=site.
Thank you