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விரத முைறகள்!................................................................................................................. 13
சபrமைலயில் இரவு நைட சாத்தும் ேபாது பாடப்படும் சாஸ்தா அஷ்டகம் ...... 181
A just and precocious sovereign King Rajashekara was held by his subjects in
high esteem. Under him, the region was witnessing a goldenage. But the king
had one sorrow – he was childless and thus had no heir to inherit his throne. Both
the hapless king and his queen prayed ceaselessly to Lord Shiva for a child.
Around the same time, a demon by the name of Mahishasura undertook severe
penance (tapas) and consequently Lord Brahma was forced to grant his wish
that nobody on earth could annihilate him. Emboldened by Brahma’s boon,
Mahishasura commenced systematic destruction of people and pulverized
tribes and communities. Terrorised and fearing his wrath, people fled to distant
lands. Realizing that only a superhuman power could exterminate the wayward
Mahishasura, the devas appealed to Goddess Durga, who killed him in a
bloodybattle.
On one of his hunting trips to the forests near River Pampa, as King Rajashekara
reclined on the banks of river mulling over the natural beauty of the surroundings
and waterfalls, he heard an infant’s wails from the forest. Astounded, he
followed the sounds and came upon a beautiful child furiously kicking its feet
and arms. The king stood there, perplexed – he longed to take the child home
to his palace.
Whilst King Rajashekhara beheld the divine child, a sadhu appeared from
nowhere and instructed him to take the infant to his palace. Also the mendicant
assured him that the child would mitigate his dynasty’s sufferings and that when
the boy turned twelve, Rajashekhara would be aware of his divinity. As the child
was wearing a gold chain, the sadhu directed the King to name him
‘Manikandan’ – one with a golden neck.
Meanwhile the Queen had given birth to a male child who was named Raja
Rajan. Sensing these miraculous turn of events were somehow inextricably linked
to Manikandan, Rajasekara, decided to crown him King; he obviously
considered Lord Ayyappan his eldest son. Everbody with the exception of the
King’s Diwan, rejoiced. This wily minister, who secretly nursed kingly ambitions,
hated Manikandan and devised manifold plots, including poisoning of food to
exterminate the divine avatar. Manikandan had a few narrow escapes, yet his
body bore an injury that none could cure. Finally, Lord Shiva himself in the garb
of a healer cured the young boy.
His plans foiled, the Diwan told the Queen that it was highly improper for
Manikandan to succeed Rajasekara, as her own son was alive. Since
Arthasastra justifies any misdeed with a noble end, he instigated her to feign
illness; he assured the Queen that he would make his physician proclaim that
she could be cured only by the application of tigress’ milk. Manikandan would
be impelled to go to the forest where he would fall a prey to wild animals, or
even if he returned home without accomplishing the task, Rajasekara’s love for
him would be the same as before. Blinded by her devotion to her own son, the
Queen vowed to help the Diwan and pretended as though she were suffering
from a terrible headache. The King grew alarmed and summoned his physicians
who were unable to revive the seemingly ailing Queen. Eventually the Diwan’s
accomplice declared that she would be cured of the malady only if the milk of
a lactating tigress were made available. Rajasekara proclaimed that he would
hand over half his kingdom to anybody who could cure the hapless Queen.
The team of soldiers sent by Rajasekara with the sole purpose of getting the milk
returned empty-handed. Manikandan offered to help, but the King would not
heed his pleas to go to the forest, citing the boy’s tender age and impending
coronation as reasons. Unperturbed, Manikandan requested his father to do him
This dance was witnessed by Lord Shiva and Mahavishnu from a place called
Kalakatti (It is said that Leela, daughter of Kavalan, a Karamban, with a face of
Mahishi and freed herself from the curse and obtained Moksha by the grace of
Shri Dharma Sastha, which is described in Sabarimala Temple as Malikapurathu
Amma, by which name she has a temple there)
Following his confrontation with Mahishi, Manikandan entered the forest for
tigress’ milk. He had a darshan of Lord Shiva who informed him that even though
he had fulfilled the divine plan, he still had one major task to accomplish.
Manikandan was reminded about his grief-stricken father and ailing mother; also
he was assured of Lord Indran’s assistance in obtaining the much prized tigress’
milk. Manikandan made his way to the Royal palace on Lord Devendran,
disguised as a tiger; they were accompanied by female devas in the guise of
tigresses and male devas as tigers.
King Rajasekara decided to punish his Diwan as the latter was responsible for his
son’s exile into the forest. Manikandan, however advised restraint; he held that
all had unfolded in accordance with the divine order, through the will of God.
Also he reminded his father that as he had accomplished the task for which he
had created himself, he would return to Devaloka without fail. Before his
departure, the lad told the King that he as he was pleased by the latter’s
unflinching faith and devotion, he would grant him whatever boon Rajasekara
requested for. Immediately, the King Rajasekara told him that they wanted to
construct a temple in his memory and beseeched him to suggest a suitable
place for the temple. Manikandan aimed an arrow which fell at a place called
sabari, where in Sri Rama's era a Sanyasini called sabari observed Dhavam. Lord
Manikandan told the King to build the temple in that place and then he
disappeared.
Later, acting upon the advice of Saint Agasthya King Rajasekara laid the
foundation stone of the temple at Sabarimala. Lord Manikandan, had stated
emphatically that he would grace only those devotees who offer Darshan after
observing fortyone days’ penance or vrtha that involves strict abstinence from
family desires and tastes; the devotees are expected to adhere to a way of life
akin to that of a brahmachari, constantly reflecting on the goodness of life.
Whilst they make their way up the steep slopes of Sabarimala, they adorn
themselves with three-eyed coconut and foodstuff/Aantha Garland in their
King Rajasekara, in due course of time completed the construction of the shrine
and the sacred eighteen stairs leading to the temple complex. As the King
mulled over the seemingly perplexing task of placing Dharmasastha's idol in the
temple for darshan, he was reminded of the words of the Lord himself - the River
Pampa is a holy river as River Ganga, Sabarimala is as holy as Kasi -
Dharmasastha sent Parasuraman, who resurrected the land of Kerala from the
bottom of the ocean, to Sabarimala; it was he who carved the figure of Lord
Ayyappa and installed it on the day of Makarasankranthi.
The Jewel Casket is carried on head from the ancestral residence of the royal
family of Pandalam to the Shrine on the day. A Garuda, the Brahaman kite,
follows this ornaments-carrying procession, hovering about in the sky, After these
ornaments are worn on the Lord the bird circles the temple in the sky three times
and disappears. Excited by this sight the devotees begin to chant "Swamiye
Saranam Ayyappa". A Star never seen before in the sky appears on the day of
Makarajyothi day before the sighting of the Jyoti. A Jyoti is seen for a little time
on the hilltop showing the presence of Swami Ayyappan gracing his devotees.
1. Devotees are expected to undergo practices of simple living, and absolute cleanliness.
2.Total abstinence from all vices like alcohol, tobacco, chewing betel leaves and non-vegetarian food is
stipulated.
3. Devotees shall not trim or cut their hair on any parts of their body and shall not cut their fingernail or
toenail
4. He shall bathe twice, if possible thrice, daily and perform pooja by at least chanting 108 Ayyappan
Saranam. He shall continuously chant Saranam Ayyappa in mind, both at work and at home.
6. He shall treat all co-devotees as Lord Ayyappan himself and serve them in all the ways.
7. He shall not feel proud of the respect and privileges he gets when he is wearing the holy mala. When
others prostrate themselves on his feet he shall not feel proud but dedicate the same to Lord Ayyappan
and say aloud 'Lord Save everybody for their faith in you'.
8. He shall not cause inconvenience to his family members on account on observing the vritham.
9. As he starts his vritham every year, he shall think that he is doing the same for first time and follow all
the rules of the vritham strictly.
10. He shall strictly follow brahmacharya (continence), refrain from sex, thinking of sex, develop passion
against all women including his wife, and treat all women with motherly feeling.
11. He shall not apply oil to his hair and shall not take bath with oil smeared over his body.
12. He shall not attend any social function like birthdays, engagement, and wedding, etc. and shall feast
in anyone's home who have not undertaken the vritham.
13. He shall avoid being in the proximity of dead body and shall not eat anything till he bathes if he
accidentally sees one.
14.He shall not sleep on bed but on floor, he shall not use pillow but wooden block, he shall not use
footwear but walk with bare feet and not use an umbrella.
காத்திைக மாதம் துவங்கியதும், இந்தியாவில் உள்ள ஐயப்ப பக்தகள் அைனவரும் ஐயப்ப பக்தியில்
மூழ்கிப் ேபாகின்றன. இவகள் ஐயப்பனுக்காக மாைல அணிந்து பக்திச் ெசறிவுடன் ஐயப்பன் நாமத்ைதச்
1. சபrமைல ெசல்ல விரும்புபவகள் காத்திைக மாதம் முதல் நாேளா அல்லது 19ஆம் ேததிக்குள்ேளா
ஒரு நாளில் மாைல அணிய ேவண்டும். காத்திைக மாதம் முதல் நாள், மாைல அணிந்தால் நாள் பாக்க
ேவண்டாம். அதற்குப் பின் அணிபவகள் நல்ல நாள் பாத்து மாைல அணிய ேவண்டும். எப்படி
2. மாைல, துளசி மணி 108 ெகாண்டதாகேவா, உருத்திராட்ச மணி 54 உள்ளதாகேவா வாங்கி, அதில்
3. தாய் தந்ைதயின் நல்லாசியுடன், குருசாமி ஒருவrன் ைகயால் ஆலயத்தில் பூைஜ ெசய்து மாைல
வடுகளிேலா
M ஐயப்பைன மனதார நிைனத்து சரணங்கள் கூறி வணங்க ேவண்டும்.
10. ஏதாவது ஒரு காரணத்தால் மாைலைய கழற்ற ேநந்தால் அந்த ஆண்டு சபrமைல ெசல்லக்கூடாது.
14. வட்டுப்ெபண்களுக்கு
M மாைல அணிந்த காலத்தில் மாதவிடாய் ஏற்பட்டால், ஏழுநாட்கள் கழித்த பின்ன
பழக ேவண்டும்.
18. மற்றவகளிடம் ேபசும் ெபாழுது சாமி சரணம் எனத் ெதாடங்கி, விைடெபறும் ெபாழுது சாமி சரணம்
ேவண்டும்.
21. பம்ைப நதியில் நM ராடும் ெபாழுது மைறந்த தமது முன்ேனாகைள நிைனத்து அவகளுக்கு
படிேய வட்டு
M வாயில்படியில் விடைலத் ேதங்காய் அடித்து வட்டினுள்
M நுைழய ேவண்டும்.
ேவண்டும்.
24. யாத்திைர இனிய முைறயில் நிைறவுற்றபின் குருநாத அல்லது தாயா மூலம் மாைல கழற்றும்
படுக்கேவண்டும்.
6. வட்டிலிருக்கும்
M ெபண்கள் மாதவிலக்கானால், அவகள் தனி அைறயில் ஒதுக்குப்புறமாக பாைவயில்
படாதபடி இருத்தல் ேவண்டும். அப்படி வசதி இல்லாவிடில், மாைல அணிந்தவகள் ெவளியில் எங்காவது
தங்கியிருத்தல் நல்லது.
அைடய ேவண்டியதில்ைல.
9. மாைல ேபாடும் சமயத்தில் எந்தவிதமான பயேமா, சந்ேதகேமா, குற்ற உணச்சிேயா இருத்தல் கூடாது.
13. மாைலக்கு மதிப்பளித்து ஒரு மண்டல காலம் விரத முைறகைள ெநறியாகவும் முைறயாகவும்
கிைடக்கும். படிகள் ஏற ஏற, அவகள் தன் வாழ்வில் உயந்துெகாண்ேட இருப்பாகள் என்பதும் சத்தியம்!
சாஸ்தா காயத்r
Ayyapaa Gayatri Mantra (Tamil)
பவநந்தனாய தM மஹி
பூதநாத ஸதானந்தா
ஸவபூத தயாபரா
5. ேஹ வரதM
M ர ரண சூர ஜிதாr ராேச
ஓம் மஹாசாஸ்த்ேர நம
ஓம் விச்வசாஸ்த்ேர நம
ஓம் ேலாகசாஸ்த்ேர நம
ஓம் தமசாஸ்த்ேர நம
ஓம் காலசாஸ்த்ேர நம
ஓம் கஜாரூடாய நம
ஓம் மஹாத்யுதேய நம
ஓம் ேகாப்த்ேர நம
ஓம் நக்ஷத்ராய நம
ஓம் வலாஹகாய நம
ஓம் தூவாச்யாமாய நம
ஓம் அனாமயாய நம
ஓம் த்rேநத்ராய நம
ஓம் நராதிபாய நம
ஓம் கண்ேடந்துெமௗளிதநயாய நம
ஓம் மதனாய நம
ஓம் மாதவஸுதாய நம
ஓம் சரதராய நம
ஓம் அஜுேநசாய நம
ஓம் அக்னிநயநாய நம
ஓம் துஷ்டக்ரஹாதிபாய நம
ஓம் ராஜேசகராய நம
ஓம் வசஸ்கராய நம
ஓம் வரருசேய நம
ஓம் வரதாய நம
ஓம் வாயுவாஹனாய நம
ஓம் வஜ்ரஹஸ்தாய நம
ஓம் பேலாத்ததாய நம
ஓம் த்rேலாகஞாய நம
ஓம் அதிபலாய நம
ஓம் பூணாதவாய நம
ஓம் புஷ்கேலசாய நம
ஓம் பாசஹஸ்தாய நம
ஓம் பயாபஹாய நம
ஓம் பாபக்னாய நம
ஓம் பஞ்சபாண்டவஸந்த்ராத்ேர நம
ஓம் பூஜ்யாய நம
ஓம் பூதசாஸ்த்ேர நம
ஓம் பண்டிதாய நம
ஓம் கவேய நம
ஓம் கவ M நாமதிபாய நம
ஓம் க்ருபாளேவ நம
ஓம் க்ேலசநாசனாய நம
ஓம் ஸமாய நம
ஓம் அரூபாய நம
ஓம் ேஸநான்ைய நம
ஓம் வ்யாக்ரசமதராய நம
ஓம் சூலிேண நம
ஓம் கபாலிேன நம
ஓம் ேவணுவாதநாய நம
ஓம் கலாரவாய நம
ஓம் கம்புகண்டாய நம
ஓம் தூஜடேவ நம
ஓம் விரநிலாய நம
ஓம் வராய
M நம
ஓம் விச்வரூபாய நம
ஓம் வ்ருஷபதேய நம
ஓம் தM க்கநாஸாய நம
ஓம் மஹாபாஹேவ நம
ஓம் ஜடாதராய நம
ஓம் ஹrஹராத்மஜாய நம
namaamyaham
Annapoorana Sloka
Anandha Sithan
En Aiyan Ayyappa
2. PRABHO GANAPATHE
Charndhu Vanangi tudhi paadi aadi undhan
Sannidhi saran adainthome
SAntha sitha Saubagyam yavayum thaandharul satguru neeye
Thantharul satguru neeye
Prabho Ganapathe Paripoorana Vazhvarulvaye… (2)
Aadi moola gaNanAtha gajAnana
Adbudha davaLa svarUpa
DEva dEva jaya vijaya vinAyaka
Chinmaya para sivadeepa
Prabho Ganapathe Paripoorana Vazhvarulvaye…
Thedi thedi yengo odugindraar unnai
Thedi kandu kollalaame
Kodi kodi madha yanaigal pani seyya
Kundrena vilangum pemmaane
Prabho Ganapathe Paripoorana Vazhvarulvaye…
Gnana vairagya visaara saara swara
Raagalaya nadana padha
Naama bajana guna keerthana navavitha
Vinayagar Agaval
சீ தக் களபச் ெசந்தா மைரப்பூம்
பாதச் சிலம்பு பலவிைச பாடப்
ெபான்னைர ஞாணும் பூந்துகில் ஆைடயும்
வன்னமருங்கில் வளந்தழ ெகறிப்பப்
ேபைழ வயிறும் ெபரும்பாரக் ேகாடும் (05)
ேவழ முகமும் விளங்குசிந் தூரமும்
அஞ்சு கரமும் அங்குச பாசமும்
ெநஞ்சிற் குடிெகாண்ட நM ல ேமனியும்
நான்ற வாயும் நாலிரு புயமும்
மூன்று கண்ணும் மும்மதச் சுவடும் (10)
இரண்டு ெசவியும் இலங்குெபான் முடியும்
திரண்டமுப் புrநூல் திகெழாளி மாபும்
ெசாற்பதம் கடந்த துrயெமய்ஞ் ஞான
அற்புதம் நின்ற கற்பகக் களிேற!
Shanmukhanatha Subrahmanyam
Pallam Medu Ethvagilum muruga paayum neeriln thanmai athu pol muruga
Chorus: Pallam Medu Ethvagilum muruga paayum neeriln thanmai athu pol muruga
mella mella pugunthu vittai, en ullamellam karaiyuthu appa
Chorus: mella mella pugunthu vittai, en ullamellam karaiyuthu appa
Kandhanuku HaroHaraa
Muruganuku HaroHaraa
Velanuku HaroHaraa
Vadi - Velanuku HaroHaraa
Kadambanuku HaroHaraa
Kumaranuku HaroHaraa
Neyanuku HaroHaraa
Karthi-keyanuku Haroharaa
Arumugamanavare Palaniayappa
Jyothi Mugamanavare Ayyappa
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Vandanalu Vandanalu……
Vandanalu Vandanalu……
Vandanalu Vandanalu……
Brindhavana Chandra…
Anadhanatha DheenaBhandu Radhe Govinda
Pandu Ranga Pandarinatha Radhe Govindha
Nandha Mukumda Paramanantha Radhe Govindha (Radhe)
Bhaktha Vathsala Bhagavatha Priya Radhe Govindha
Venu Vilola Vijaya Gopala Radhe Govindha (Radhe)
Nandhamukunda Navanedha Chore Radhe Govindha
Rama Krishana Krishana Rama Radhe Govindha (Radhe)
Purana Purusha Punya Sloka Radhe Govindha
KosamRakshaka Gopi natha Radhe Govindha (Radhe)
நாராயணம் நாராயணம்
Chilanka ketti…
Chilanka ketti……
Chilanka ketti…
Chilanka ketti…
Shiva Songs
Digu Digu Digu naaga naganna, Divya sundara naago naganna(extended slang)…
naganna(extended slang)…
ు
- " "
8 ! 0 6 ."78 -
EF ! 0 G
3 @A -
EF ! ! B C- -
Viprapoojyam Viswavandyam,
Vishnu Shambho Priyam Sutham !
Kshipraprasaada Niratam,
Saasthaaram Pranamamyaham
(CHORUS) Swamiye Saranam Ayyappa !! 2 !!
Asmatkuleswaram Devam,
Asmat Shatru Vinaashanam !
Asmadista Pradaataram,
Saasthaaram Pranamamyaham !!
(CHORUS) Swamiye Saranam Ayyappa !! 4 !!
Sabarigiriniketham Shankaropendrapotham
Shakalitha Dhithijaatham Shatruji Moothapaatham !
Padanatha Puruhutham Paalitha Shesha Bhootham
Bhavajala Nidhi Bhotham Bhavaye Nitye Bhootham !!
(CHORUS) Swamiye Saranam Ayyappa !! 10 !!
1. ேலாக வரம்
M மஹா பூஜ்யம் ஸவ ரக்ஷõகரம் விபும்
Shakthane .....................Shaktiye
Sabarigirisha Ayyappa
Saantha sorupa Ayyappa
Sathiya seela Ayyappa
Sasvatha roopa Ayyappa
(Om Om)
Neeiyabhishekam Swamikke
Karpoora Dheepam Swamikke
Ayyappan maargalum Koodikkondu
Ayyanai naadi chenriduvaar
Sabari malaikku chenriduvaar (Swaamiyee Ayyappoo Ayyappo Swamiyee)
Kaarthigai Maatham Maalaiyanindhu
Neerthiyaagave Viradhamirundhu
Ayya Darshanam Swami Ayya Darshanam Bangaru Konda paina Ayya Darshanam
Santasambu Satasambu ….
Uyyala Ooguchunnaru……..
Uyyala Ooguchunnaru……..
Uyyala Ooguchunnaru……..
Amitanandam Paramanandam…..
Amitanandam Paramanandam…..
Amitanandam Paramanandam…..
YE
Mallepoola Pallaki Bangaru Pallaki Manikantudekkinaadu Andala PallakI
Chorus: Mallepoola Pallaki Bangaru Pallaki Manikantudekkinaadu Andala Pallaki
Villali Veerudu
Chorus:Ekkinadu Palliki,
Veeramani Kantudu
Chorus: Ekkinaadu Pallaki
Villali Veerudu
Chorus:Ekkinadu Palliki,
Veeramani Kantudu
Chorus: Ekkinaadu Pallaki
HA
Pandala baludu, Pambavasudu Harihara Tanayudu Yekkinaadu Pallaki YE
Chorus: Mallepoola Pallaki Bangaru Pallaki Manikantudekkinaadu Andala Pallaki
ARA RE
Chorus: Mallepoola Pallaki Bangaru Pallaki Manikantudekkinaadu Andala Pallaki
Ganapati Sodarudu
Chorus: Yekkinaadu Pallaki
Shanmukha Sodarudu
Chorus: Yekkinaadu Pallaki
Ganapati Sodarudu
Chorus: Yekkinaadu Pallaki
Shanmukha Sodarudu
Chorus: Yekkinaadu Pallaki
HA
Yermeli Vaasudu, Yekantha vaasudu Harihara Tanayudu Yekkinaadu Pallaki YE
Chorus: Mallepoola Pallaki Bangaru Pallaki Manikantudekkinaadu Andala Pallaki
Mahishi Mardhanudu
Chorus: Yekkinaadu Pallaki
Madagaja Vahanudu
Chorus: Yekkinadu Pallaki
Mahishi Mardhanudu
Chorus: Yekkinaadu Pallaki
Madagaja Vahanudu
Chorus: Yekkinadu Pallaki
HAA
Karimala Vaasudu Neelimala Vasudu Hari Hara tanayudu Yekkinaadu Pallaki
Chorus: Mallepoola Pallaki Bangaru Pallaki Manikantudekkinaadu Andala Pallaki (1 time )
ARA RE
Chorus: Mallepoola Pallaki Bangaru Pallaki Manikantudekkinaadu Andala Pallaki
Kaantamala Vaasudu
Chorus: Yekkinaadu Pallaki
Jyothi Swaroopudu
Chorus: Yekkinaadu Pallaki
Kantamala Vaasudu
Chorus: Yekkinaadu Pallaki
Jyothi Swaroopudu
Chorus: Yekkinaadu Pallaki
HA
Bhaktula Broche Bangaaru SAAMI Harihara Tanayudu Yekkinaadu Pallaki YE
Chorus: Mallepoola Pallaki Bangaru Pallaki Manikantudekkinaadu Andala Pallaki
ARA RE
Chorus: Mallepoola Pallaki Bangaru Pallaki Manikantudekkinaadu Andala Pallaki (2 times )
Continue 3 times: MANIKHANTUDEKKINAADU ANDALA PALLAKI
AUM SWAMIYE SARANAMAYYAPPA
VILLALI VEERANE
Chorus: VEERA MANI KANTANE
Veeradhi Veerulanta
Chorus: Muggarannadammulanta
Chorus:
Yekkada vunna Manakosam Ikkadikostadayyappa
Lokaveeram mahaapoojyam
Lokaveeram mahaapoojyam Sarvarakshaakaram vibhum
Paarvati hridayaanandam Shaastaaram pranamaamyaham
(Swamiye Saranam Ayyappa)
Harivaraasanam
To make GOD sleep in the night
Harivarasanam Viswamohanam
Haridadhiswaram Aaradhyapadhukam
Arivimardhanam Nithyanarthanam
Hariharathmajam Devamashraye
Saranakirtanam Bakhtamanasam
Bharanalolupam Narthanalasam
Arunabhasuram Bhoothanayakam
Hariharathmajam Devamashraye
Pranayasathyakam Praananayakam
Pranathakalpakam Suprabhanjitham
Pranavamanidram Keerthanapriyam
Hariharathmajam Devamashraye
Thuragavahanam Sundarananam
Varagadhayudham Vedavavarnitham
Gurukrupakaram Keerthanapriyam
Tribuvanarchitam Devathathmakam
Trinayanam Prabhum Divyadeshikam
Tridashapoojitham Chinthithapradam
Hariharathmajam Devamashraye
Bhavabhayapaham Bhavukavaham
Bhuvanamohanam Bhoothibhooshanam
Dhavalavahanam Divyavaranam
Hariharathmajam Devamashraye
Kalamrudusmitham Sundarananam
Kalabhakomalam Gathramohanam
Kalabhakesari Vajivahanam
Hariharathmajam Devamashraye
Srithajanapriyam Chinthithapradam
Sruthivibhushanam Sadhujeevanam
Sruthimanoharam Geethalalasam
Hariharathmajam Devamashraye
குருக்குருபாகரம் கீ த்தனப்rயம்
Aruvaram Nonbirunthu
Aaru Moondru Padi Yeri
Aaravara Kootathirku Naduvile,
Compiled by Michigan Ayyappa Seva Sangam Page 187
Annandhamai Dharisanamum Kanbene (Ayyappo)