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Keynote speakers: Kofi Agawu, George Dor, Meki Nzewi, and Tunji Vidal
Preamble
Akin Euba, Emeritus Andrew Mellon Professor of Music at the University of Pittsburgh
(Pennsylvania, U.S.A.), is the foremost composer and scholar of African art music. His interest in
music began when he was a student at the CMS Grammar School (Lagos, Nigeria). After years of
study at the Trinity College of Music (London, U.K), and the University of California, Los Angeles
(U.S.A.), Euba returned to Nigeria to start the Department of Music at the University of Ife (now
Obafemi Awolowo University) in 1976. He left Ife for the University of Lagos where he was
appointed Director of the Centre for Cultural Studies and Professor from 1977 to 1980. The
Centre, including the Department of Music, later became the Department of Creative Arts in 1998.
Euba’s contributions to Africanist music scholarship and the growth of African art music
are well known. He introduced the concept of African pianism to theorize the ways in which
composers could use the Western pianoforte compositionally to reinterpret the structural and
performance features of African music. Also, he coined and popularized the term creative
composition. In addition, for many years, Euba edited a newsletter, directed a research center, and
musical composition and performance. The symposium series, which included "Africa Meets
Asia" and "Africa Meets North America," also focused on the symbiosis between
ethnomusicological research, composition, and performance. Euba’s works include numerous
academic publications and compositions, prominent examples of which are his book, Yoruba
Drumming (Bayreuth: Bayreuth African Studies Series, 1990), and Chaka, an opera in two chants,
which was recorded by the City of Birmingham Touring Opera (UK), conducted by Simon Halsey,
in 1999.
Organizing a special symposium and concert in honor of Professor Akin Euba would be a
highly significant way to celebrate the remarkable achievements of a man who has mentored many
scholars and musicians within and outside Africa, and whose works are invaluable academic and
creative resources for students, scholars and composers. The symposium will feature paper
The organizing committees of the Akin Euba Symposium and Concert hereby request
interested participants to submit an abstract that focuses on one or more of the following themes:
Main theme: African Art Music: Composition, Performance, Research and Pedagogy
Sub-themes
Performance and reception of African art music within and beyond Africa
Recording, publishing and broadcasting African art music within and beyond Africa
Exploring the relationships between traditional, art, and popular music practices in Africa
Date of symposium: January 16-18, 2019 (arrival: January 15; departure, January 18).
Prof. Kofi Agawu (Princeton University, USA); Prof. George Dor (University of Mississippi,
USA); Prof. Meki Nzewi (University of Port Harcourt, Nigeria); Prof. Tunji Vidal (Obafemi
Registration fee: Ten thousand naira (for local participants); one hundred US dollars (for
Paper proposals (with name, e-mail address, title of paper and an abstract of not more than three
bomojola@mtholyoke.edu
stephenolu2002@yahoo.com