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Critical Reflection
my final research paper for Dr. Nayar’s Critical Methods class, ECM (…). In this class,
variety of scholars and philosophers and applied their various theories about
language to different texts, but mainly applied these theories to Joseph Conrad’s
novella The Heart of Darkness. By applying all the different theories we learned to
one text, we were really able to get a full understanding of the theories. It is
extremely beneficial to be able to compare your own analysis to each other to see
Heart of Darkness in order to take a deeper look at the actual way Conrad structures
Another way in which Conrad manipulates the narrative through his writing
is in the way he physically presents it to us. Not only does Conrad give us the
story in bits and pieces, but sometimes he gives us the literal sentences in bits
and pieces, forcing the reader to stop frequently while reading. The opening
stasis that permeate the tale” (Jones). Conrad establishes that not only will the
story be about opposite “movements” at work, but the actual structure and
syntax are also “movements” at work. “The Nellie, a cruising yawl, swung to
her anchor without a flutter of the sails and was at rest. The flood had made,
the wind was nearly calm, and being bound by the river the only thing for it
was to come to and wait for the tide,” (Conrad 1). In each sentence above, the
verb tense is simple past and the voice is active. With this being said, the
I was able to apply all the different skills and techniques I learned in the
linguistics and applied the methods of analyzing passages and asking “why” and
“how” questions that was taught during the course to create a well-written paper
that looks deeply at Conrad’s phrasing and sentence structure. This phrasing and
sentence structure created a story of its own, and I could not have even discovered