The

Dark Island
Theme and Variations in 24 EDO
Trad. Chris Janowiak

              
        
Adagietto

               
                      


        

 
              

   
                       

   


9

               
  
             

      

  
           

                  
  
   
A


16 rit.

      
        


     
       
 

   

            
         

            
 
22

       

              
                

             

(C) MMXV
           
 
         
    
  
 
         

29

        
                         


 


          
      

      


            
         

      
    
  
36

     
   

  
      
           
            
   

    
               

       

          
    
B
 = 92

   
44
With more motion,

 

                     
               


   
    

                  
           

 
            
                

51

   
          
     
                
  
             

2 (C) MMXV
       
          
          
 
 
 


 
58

      
                            
            
      

  
      
             
         

               
           
 
65


              

         
          

    
           
       
     
 

     
 
   

    




  


71


                       
  
             


  
           
      


     
C

         
      
        
77  = 80


     
                   
    


  
    



             
            


    
      

  
84

          
   
         
      

           
(C) MMXV 3
              
   rall.
                      
 
  
90

                

                 
       
     
    
 


     

4 (C) MMXV