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O pinion

This I believe
The Tower | Opinion | Page 6 | November 9, 2018

Adopted as children of God


Melody Siebenmann dence and we can overcome. us and died for us so we masterpiece. Ephe-
Reporter God’s word, the Bible, is can share eternal glory with sians 2:10 tells us
Christ. We are chosen and we we are God’s work-

W
his love letter to mankind.
e have to remem- In it we find the truth - God are children of God. That fact manship created
ber who we are, loves us so much that he gave should comfort us. For we for a purpose - to
who God says we up the splendor of heaven to have a daddy in heaven there do good works so
are, or else we get caught up die on a splintered cross. God to protect us, lead us and that we may glo-
in the web of lies Satan whis- loves us so much that when provide for us. rify Him. We are
pers in our ears. we deserve hell, he gave us “He chose us in him designed and literally knit
Therefore, we are God’s.
When we believe the lies a way to heaven. God loves before the foundation of the together before we are born.
We have his Holy Spirit
we can become depressed, us so much that he listens world, that we should be holy As Psalm 139 says, we are
dwelling in us, strengthening
stressed out or sometimes to our prayers and desires a and blameless before him. fearfully and wonderfully
us and comforting us to get
feel lost and without a pur- relationship with us. Romans In love he predestined us for made. So when you look in
through the toils and trials
pose. 8:37-39 says we are more adoption to himself as sons the mirror, know that you
of life. For God has not given
When we trust who God than conquerors, and nothing through Jesus Christ, accord- are not a random collection
ing to the purpose of his will,” of cells, but you are chosen us a spirit of fear, but one of
says we are - loved, adopted, can separate us from the love
and his masterpiece - we can according to Ephesians 1:4. and created by a loving power and love (2 Timothy
of God.
have hope, we can have confi- And finally, we are his 1:7).
God adopted us, chose father.

Switchfoot switches it up
FEEL THE

W hen I first saw that


Switchfoot had
released a new single, my
where they feature per-
cussion are Dirty Second
Hands, Gone, Lonely
low brass, piano and back-
ground vocals (the tongue is
important to feature). Each
need to be more accepting
to other races and not let the
language barrier cause mis-
expectation was either a Nation, Say It Like You of these instrument families understandings.
forgetful worship ballad Mean It and, more recent- are featured in a unique way In conclusion, the song
or a cheesy wannabe rock ly, Float. and they also add a timbre is catchy and fun to listen
anthem. I would soon Even with that being contrast, as well as a dynam- to. I rate it a four out of five
realize that neither of these said, the flow of the song ic contrast which keeps the flames for its feature of per-
assumptions would prove is still felt. The melody listener intrigued. cussion, instrument place-
to be true. throughout the whole song “Love is the language, ment and clever writing.
Looking just at the is catchy, but the non-per- love is your native tongue” You can listen to the single
instrumentation is a variety cussion instrument fam- is the statement that captures on Spotify, Apple Music, or
of percussion instruments ilies (in orchestras there the meaning of the song. YouTube. The album “Native
(shakers, tambourines, are four families strings, I personally think that the Tongue” will be released on
toms, snares, bass, rim woodwind, brass and per- “native tongue” is a metaphor January 19.
clicks, snaps and more) cussion) create an appro- for our natural instinct to talk
and creative placement for priate presence to balance to God since God is love. But
the non-percussion instru- out the percussion. I there’s also the argument that
ments. would define “non-percus- the “native tongue” could
By Josh Burns Switchfoot even pro- sion” instruments as bass be literal. The song could be
vides a foundation not typ- guitar, synths, violins, saying that we as humans
ically heard in their songs
by matching the energy of
percussion instruments by
the non-percussion instru-
ments imitating a percus-
sive sound.
Some examples of songs

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