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Olympia Cykiert
Professor Silva
English 10H
November 8, 2018
When an individual does not perfectly fit into a social category, it can bear consequences
on identity formation. Culture is a socially constructed system of values, beliefs, ideas of what is
considered acceptable and unacceptable behavior that members of a society are taught are
“fixed” and “true” (Trumball & Pacheco). The notion of being part of a “fixed” category (that is
socially constructed) elicits a feeling of belonging and validation within an individual. In the
essay “Ethnic Hash,” by Patricia J. Williams, the speaker struggles to make sense of her diverse
and multifaceted identity—she does not belong to anywhere in particular. The speaker uses the
metaphor of food in order to exemplify her ethnic makeup and to illustrate her interracial
identity. The axis of culture and identity is one that is thought of as being seamlessly achieved.
However, as Williams expresses in her piece, if one is not part of the dominant constructed social
group, the individual often occupies a space of confusion, which in turn can impact identity
formation.
Culture is undoubtedly associated with food. Patricia Williams takes the idea of food and
explores its relationship with culture and consequently, how it manifests into a marker of
identity. When she is asked to participate in a pot-luck that will express her cultural identity, she
grapples with what food item or hors d’oeuvre will be able to encompass the multiple
dimensions of her ethnic heritage. Williams compares ethnic recipes to the census form when she
states, “Ethnic recipes throw me into the same sort of quandary as that proposed ‘interracial’ box
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on the census form: the concept seems so historically vague, so cheerfully open ended, as to be
on the census form nor within an ethnic recipe. Her interracial composition and multifaceted
ethnicity is wholly unique and layered, placing her in a “quandary” or confused mental space
when considering who she is and what ethnic group she belongs to.
For Patricia Williams, her identity is one that is outside any group and absolutely distinct
to her ancestry. At first, she is not sure about her background and expresses to the reader that she
just sees herself as “black,” explaining, “As far as this world’s concerned, I’ve always thought of
myself as just black…however my categories get jumbled…it’s the little black core of me that
moves through the brave new world.” Williams is incorporating the category that others
prescribe to her, thus internalizing how she is perceived by the dominant culture. As the essay
continues, she delves deeper into the contributions of her identity and breaks free from the
perfectly boxed category of “black” into something more complex. She begins to list different
backgrounds and meals of her family and branches beyond the point of confusion into accepting
her identity as something intricate. At the end of the essay, Williams chooses a recipe “for the
Twenty-first Century”—one that is a hodge-podge of ingredients and that will allow one to,
“throw in as many exotic sounding spices and mysterious roots…use your imagination!” That is
precisely what members of society must do in order to carve out a space for individuals that
come from and encompass a variety of heritages—use their imagination. The space does not
exist within the dominant culture and therefore needs to be created, as Williams states, with
imagination.
systems and geographical placement that sometimes excludes individuals not part of its
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mainstream encompassment. The speaker in “Ethnic Hash” draws a parallel between ethnic
heritage and food. For the speaker, it is difficult to represent her full ethnic identity in one dish
since her heritage is layered and multidimensional. For someone who occupies a non-distinct
space within a culture, it is up to the individual to carve out a space for themselves that embraces
all parts of their identity, just like Patricia J. Williams has done for herself.