Ultimo Tango Full Nuevo - Partes PDF

Trumpet in B  1
Ultimo Tango en Buenos Aires
q = 90
                                  
       
  
 
A
            
                         
7
 
    
B q = 100
 
           
                   
13
  
     
   
C
                     
20

3 3
  
 
  
D
                        
28

3
3

3

Eq = 120
     
                    
35
 
3

3 3

q = 110
       
                                
44
      
     
F
                 
52
 


 
q = 120 Gq = 110

       
63
       
    

H
                 
75
    
   
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2 Ultimo Tango en Buenos Aires
 
q = 70
 
               
82

             5


Trumpet in B  2
q = 90
 
      
     


 
     
 
 
 

   

A
         
6
                                 
   
B q = 100
 
      
            
12
    
         



  
19
  
 
  
C
 
20
         
     
 
D
     
    
3
 

Eq = 120
   
        
35
       
3 3 3
  
         
43
         
        
q = 110
 
                   
48

         
   
    
 
F
      
55
 

   
q = 120 Gq = 110
   
62
 
         
    
 
       
76
    
 

     
H
                   
3 3
  3 3

q = 70
  
   
86
     
 

Trombone 1
   
      
q = 90
                                 

                  
                  
A
   
7
                     
B q = 100
           
13

  
     
     
C
  
20
 
 
 
             
  
D
       
3 3 3 3
             

    
E q = 120
      
     
          
q = 110
      
    
48
      
      

F q = 120
    
55

   
q = 110
        
G
       
 
             
H
  
      
78
3 3


2
    
q = 70
         
   
84
  
3 3

Trombone 2
q = 90
     
      
  
              

  

 
  

 
                 
A
                     
   
6
 
B q = 100
      
  

                    
12
   

   
 

C D
 
         
19
 
   3
           
        
34
3 3
           
 
Eq = 120

          
37
  
3
             
    
q = 110
      

      
47
  
               
F q = 120
   
53
 

     
q = 110
                  
G H
              
  3

     
       
q = 70
 
           
83
3 3 3

Violin I
      
q = 90

 
 
         

  
         
A
        
    
8

 
             
B q = 100
     
                   
 
14
               
C
           
  
21
   
3

D
                             
32
                

 
Eq = 120
     
             
             
39
  
3
q = 110
               
49
3
      
   
    
 
q = 120

F
                       
Solo

3
3 3
  3

3
   
                         
64

           
Gq = 110
                    
69
            
  

     
  
74

            
H

     
77 Solo

3 3 3
3
       
q = 70
     

        
84
3 3

Violin II
       
q = 90
 
 
 
        
  
     
A
            

8

 
B q = 100
           
           
13
                          
    
    
18

3 3
 
C D
     
            
24
    

          
34
       
      
      

      
Eq = 120
  

           
39
3   
q = 110
            
48

        
   
   
F
                  
51
  
 

q = 120
     
     
63
    
        
Gq = 110
    
                               
                  
68
     

H
 

       
   
           
74
 
3
    3
        
q = 70
     
    
84
 
3 3

Viola
           
q = 90
         
  
   
A
     
                                                  
8

   
B q = 100
                  
                                  

13
 
     
                             
18
3 3
        
C D
                                
     

    
Eq = 120

              

36

    
     
             
45
3

q = 110
                        
49
     
       
q = 120
      
F
                 
        
                                          
67


         
Gq = 110
  
                
72
 
H
    
80
3
  

       
82
      
3
   
3 3
   
q = 70
 
       
  
94

Cello
        
 
q = 90
       
    

  
     
                                   
A
          
8
 

  
                                 
B q = 100
          
13
 
             

                     
18
    
3 3
                 
C D
                   
          
        
Eq = 120
   
       
36

  3
                            

q = 110
    
              
46
        
  
q = 120
   
F
   
53
                         
    
             
65
          
Gq = 110
                              
70

        
  
H
            
76
3
3
       
q = 70
         
   

84

3 3

Harmonium 1
q = 90
                    
                           
                 
                 
Harmonium 1
 

A
              
             
6
         
               
             
 
mn. 1

                    
                
11
           
               
                   
    
mn. 1

   
B q = 100
 
          
16
   
        
mn. 1
          
     
      
 
  
C
     
21
   
     
   

mn. 1
 
 
         
      
D
       
             
3
 
    
mn. 1 3
3

 
2
   
Eq = 120
         
       
37
       
G7
 3      
mn. 1 Dm
C C
                          
43
B
         C m     F7    B           
     
mn. 1
q = 110
                
               
49

    5     5       5              3     
    
mn. 1 3
5 5 5 3 3
 
F
 
53
 
      
  
mn. 1

q = 120
   
           
61
      
  
    
mn. 1
     
                                    
66
 
   
mn. 1

Ultimo Tango en Buenos Aires 3
                                
69
           

   
mn. 1

Gq = 110
                                              
72
  
 
     
mn. 1 3 3 3
       

H
               
     
79

 
  
mn. 1
 
                             
82

   
mn. 1 5
        
                 
85
   
   
mn. 1 3

q = 70
    
            
89
   
       
  
      
mn. 1
 

Harmonium 2
q = 90
                    
                           
                 
                 
Harmonium 2
 
                               
6
                  
                   
                 
mn. 2

                  
             
12
       
                
         
       
mn. 2

   
B q = 100
   
    
  
         
       
 
   
mn. 2

       
C D
                   
24

3
  
 
3
    
mn. 2 3 3
 
Eq = 120

                       
38
  
Dm G7 C C Cm
   
                    
        
mn. 2
  

q = 110
B B
2
 
                     
46 F7
  

   

    
 
mn. 2 5 5
 
F
                 
   
50

       
     
mn. 2 5 3 3

q = 120 Gq = 110
       
  
     
                                    
61 3 3 3
      

   
   
mn. 2

      
               
76


   
mn. 2

    
H
                                   



    
mn. 2 5

q = 70
     
  
 
85

  

     
mn. 2

Harmonium 3
q = 90
                    
                           
                 
                 
Harmonium 3
 

A
                               
6
                  
                   
                 
mn. 3

                         

12
        
               
         
    

mn. 3

    
B q = 100 C
              
16
               

     
         


   
mn. 3
 
 
Eq = 120
  
D
                       

    
      G7   
        
3
     
mn. 3 3
3 3
Dm
C Cm F7 B
                    
43 C
  

   

   

   

   

 
mn. 3

B q = 110
                               
       
48

       
mn. 3 5 5 5 3 3
   
F
     

   
53
     

           
  
mn. 3

q = 120 Gq = 110
                           
63

3 3
     
 
   
mn. 3

                        
               
75
3
 

    
mn. 3

    
H
                                   



    
mn. 3 5

q = 70
 
      
85
      

     
mn. 3

Piano
q = 90
               
                        
       
      
        
Piano
 
         

        


                    
5
                  

     
         
Pno.
 
         
       
A 
                          
              
                   
     
         
Pno.
         
         

B q = 100
              
14
   
            
     
       
  
           
Pno.

             
     
      
19
                      
                    
           
           
Pno.
            
          
  
C
                      
            
        
Pno.
               

           

D

                       
31
 
                       
                   
       
Pno.
        
        
  
Eq = 120

                    
36
              
   
              
Pno.
    
                                 

42 3 3
3
                  
 
       
Pno. 3 3
      
q = 110
          
     
49
                     

       
               
3
 
Pno.
     
  

3
              

F
     
54
                   
  3                              
      
      
Pno.
3
  
   
q = 120
      
                      
59
             
    
       
Pno.
           


Ultimo Tango en Buenos Aires 3
 
                    
64

           
     
 
Pno.
         
                          
67
            

         
Pno.
     
        

                           
70
                


Pno.
  
     
  
q = 110

G

                 
                   
  
 
          
            
Pno.
    
  

       
 
H

  
        
78
   
     
   
           
Pno.
    
       
   
      
q = 70

              
82
          
   


          
Pno.
          
       

Acoustic Bass
q = 90
       
   
 
   
 
   
 
   
 
   
 

                           
A
     
7
     
B q = 100
                      
 
14
       

         
C
     
                    

21
     
 
          
D
                           
28
     
  
                 
Eq = 120
35
          
           
q = 110
     
        
43
 
    
               
50
  
 
                        
q = 120
      
F
                  
     
65

   
q = 110
     
G
 
         
     
 

          
H
               
80
q = 70
      
 
94

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Ultimo Tango Full Nuevo - Partes PDF

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Trumpet in B  1

Ultimo Tango en Buenos Aires

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             

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      

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            

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                            

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       

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                                   

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               

                       

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                                   

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                  

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                                 

                     

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            

                

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