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3/18/2019 This medieval astrolabe is officially world’s oldest known such instrument | Ars Technica

GOOD HEAVENS —

This medieval astrolabe is officially world’s


oldest known such instrument
Mariners used the instruments to navigate at sea using the stars.
JENNIFER OUELLETTE - 3/18/2019, 7:00 AM
David Mearns/University of Warwick

Enlarge / Left: A laser imaging scan of the so-called Sodre astrolabe, recovered from the wreck of a Portuguese
Armada ship. Right: The astrolabe is believed to have beeb made between 1496 and 1501.

A mariner's astrolabe recovered from the wreck of one of Portuguese explorer Vasco da Gama's ships
is now officially the oldest known such artifact, according to a new paper in the International Journal of
Nautical Archaeology. It's even going into the Guinness Book of world records, along with the ship's
bell, now that both have been independently verified as the oldest of their kind in the world.

Key distinction: this is the oldest known mariner's astrolabe. Astrolabes are actually very ancient
instruments—possibly dating as far back as the Second Century, B.C.—for determining the time and
position of the stars in the sky by measuring a celestial body's altitude above the horizon. They were
mostly used for astronomical studies,  although they also proved useful for navigation on land.
Navigating at sea was a bit more problematic, unless the waters were calm.

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3/18/2019 This medieval astrolabe is officially world’s oldest known such instrument | Ars Technica

The development of a mariner's astrolabe—a simple ring marked in degrees for measuring celestial
altitudes—helped solve that problem. It was eventually replaced by the invention of the sextant in
the18th century, which was much more precise for seafaring navigation. Mariner's astrolabes are
among the most prized artifacts recovered from shipwrecks; only 108 are currently catalogued
worldwide.

The so-called Sodre astrolabe was recovered


from a shipwreck off the coast of Oman
in 2014.

The so-called Sodre astrolabe was recovered from a shipwreck off the coast of Oman in 2014, along
with around 2800 other artifacts. The Esmerelda was part of da Gama's armada. When the explorer
returned to Portugal in early 1503, he left behind several ships, including the Esmerelda, which were
eventually sunk by severe storms. According to expedition leader and recovery expert David Mearns
of Blue Water Recoveries, Ltd., it's an unusual specimen in that it is decorated with the royal coat of
arms of Portugal, as well as the personal emblem of King Don Manuel I.

However, any navigational markings on the instrument had worn away sufficiently as to be invisible
to the naked eye, making it difficult to confirm that the object was indeed an astrolabe. So
researchers at the University of Warwick in England, led by Mark Williams, traveled to Oman in
November 2016 to study laser scans of various artifacts recovered from the shipwreck, including the
astrolabe. They used those scans to build a 3D virtual model of the instrument.

Among the details gleaned from the scan were 18 scale marks, uniformly spaced along the disk,
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degree intervals. Mariners would have used the instrument to measure the height of the sun above
the horizon at noon to pinpoint their location at sea. The astrolabe was made sometime between
1496 and 1501. According to the Warwick team, that makes this instrument a transitional design,
linking an earlier type of astrolabe with one using an open-wheel design that mariners began using
before 1517.

"Without the laser scanning work performed by [the Warwick team] we would never have known that
the scale marks, which were invisible to the naked eye, existed," said Mearns. "Their analysis proved
beyond doubt that the disk was a mariner's astrolabe. This has allowed us to confidently place the
Sodré astrolabe in its correct chronological position and propose it to be an important transitional
instrument."

DOI: International Journal of Nautical Archaeology, 2019. 10.1111/1095-9270.12353  (About DOIs).

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JENNIFER OUELLETTE
Jennifer Ouellette is a senior reporter at Ars Technica with a particular focus on where science meets
culture, covering everything from physics and related interdisciplinary topics to her favorite films and TV
series. Jennifer lives in Los Angeles.

TWITTER @JenLucPiquant

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