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1. The document provides audition information for acceptance into the Percussion Studies Major program at California State University Long Beach's Bob Cole Conservatory of Music.
2. Applicants must complete an application to CSULB and audition on mallet keyboard, snare drum, timpani, and optional areas such as orchestral excerpts.
3. The mallet keyboard, snare drum, and timpani portions of the audition each have specific requirements in terms of technique, scales, and repertoire that must be demonstrated.
1. The document provides audition information for acceptance into the Percussion Studies Major program at California State University Long Beach's Bob Cole Conservatory of Music.
2. Applicants must complete an application to CSULB and audition on mallet keyboard, snare drum, timpani, and optional areas such as orchestral excerpts.
3. The mallet keyboard, snare drum, and timpani portions of the audition each have specific requirements in terms of technique, scales, and repertoire that must be demonstrated.
1. The document provides audition information for acceptance into the Percussion Studies Major program at California State University Long Beach's Bob Cole Conservatory of Music.
2. Applicants must complete an application to CSULB and audition on mallet keyboard, snare drum, timpani, and optional areas such as orchestral excerpts.
3. The mallet keyboard, snare drum, and timpani portions of the audition each have specific requirements in terms of technique, scales, and repertoire that must be demonstrated.
For acceptance into the Bob Cole Conservatory of Music as a
Percussion Studies Major, undergraduate students must meet the following audition requirements:
1. Complete and submit an application to California State University
Long Beach (visit this page for application information). 2. Applicants for admission to the percussion studies program should bring sticks, mallets, music, and any instruments beyond a marimba, vibraphone, snare drum, timpani and drum set. Pieces or etudes should be chosen from the following categories and need not be memorized.
REQUIRED AREAS
Mallet Keyboard
1. Demonstrate 2 Octave Major Scales, Arpeggios and Chromatic
Scale. 2. Perform one 2-mallet solo work or etude to demonstrate musicianship such as: Tambourin Chinois by Fritz Kriesler (arranged for xylophone by George Hamilton Green), Two: A Collection of Concert Pieces for Two-mallet Marimba Solo by Gene Koshinksi, Sonatas & Partitas for Violin or Six Suites for Cello by J.S. Bach or equivalent.
3. Perform one 4-mallet piece from the contemporary marimba
literature such as: A Cricket Sang and Set the Sun by Blake Tyson, Meditation and Dance by David Steinquest, Mexican Dances by Gordon Stout or similar.
Snare Drum
1. Perform a piece or etude in concert style from either: Tributes
for Snare Drum by Ted Atkatz or 12 Etudes for Snare Drum by Jacques Delecluse 2. Perform a rudimental style piece Example: 14 Modern Contest Solos for Snare Drum by John Pratt 3. Demonstrate the 40 Percussive Arts Society Standard American rudiments, sight reading. Timpani 1. Perform a representative piece or etude Example: Eight Pieces for Timpani by Elliot Carter, 20 Studies for Timpani by Jacques Delecluse, Etudes & Solos for Timpani or Saul Goodman’s Modern Method for Timpani or equivalent. 2. Demonstrate rolls, tuning, sight reading Optional Areas EXCERPTS 1. Perform excerpts form the standard orchestral repertoire on Xylophone, Snare Drum, Cymbals, Tambourine, Triangle, Etc.
For application and admission policies and procedures, go to
http://www.csumentor.edu. If you still have questions or concerns, undergraduate candidates should contact the music office at (562) 985-4781 or email Ted Atkatz, the director of Percussion Studies at ted.atkatz@csulb.edu.