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The

Phantom of the Opera


Andrew Lloyd Webber
Charles Hart
Richard Stilgoe

1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.)
  = 121
      
Christine 

       


       
Phantom


      
Flute 1


      
Flute 2


      
Oboe 1


      
Oboe 2


      
B♭ Clarinet 1


       
B♭ Clarinet 2


       
Bassoon 1

 
 
Bassoon 2

   
      
      
F Horn 1 & 3


 
F Horn 2 & 4

      
B♭ Trumpet 1 
      
B♭ Trumpet 2 
       

       
Trombone 1


       
Trombone 2

 
       
Tuba


   
Timpani

Drumset            
               
                     
                     


 
 


                                               
Organ

       

       

      
Violin 1



        
Violin 2

      
Viola


       
Violoncello

 
2 Contrabass 1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.)

               
                

Electric Guitar

                                 
                 

Electric Bass
7   
 

 
        
C.



      
In sleep he sang to me In dreams he



P.

     

     
Fl. 1


     
Fl. 2


     
Ob. 1


     
Ob. 2


     
B♭ Cl. 1


      
B♭ Cl. 2


      
Bsn. 1

 

Bsn. 2

    
       
     
F Hn. 1 3

F Hn. 2 4 

B♭ Tpt. 1       

     
B♭ Tpt. 2 
      

      
Tbn. 1


      
Tbn. 2

 
      
Tba.

 
                     
Timp.

             
                                      

Drs.

     
     
 
   
         
  


                                               
Org.

      

      

     
Vln. 1


     
Vln. 2



      
Vla.

Vc.

      
 

1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.) 3

   
Cb.

                  


          

El. Guit.

El. B.                                                 

 
  
            
13

 
C.

      
came That voice which calls to me And speaks my name And do I



P.

     

     
Fl. 1


     
Fl. 2


     
Ob. 1


     
Ob. 2


     
B♭ Cl. 1


      
B♭ Cl. 2


      
Bsn. 1

 

Bsn. 2

      

     
F Hn. 1 3

F Hn. 2 4 

B♭ Tpt. 1       

     


B♭ Tpt. 2

    
      

Tbn. 1

    
      

      
Tbn. 2

 

       
Tba.

           
 
                   
Timp.

                
                                 

Drs.

      



                                               
Org.

      

      

     
Vln. 1


     
Vln. 2



     
Vla.

Vc.       

      
 

1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.)

     
4 Cb.


        
El. Guit.

El. B.                                        
         
              

19

C.

      
dream a gain For now I find The Phan tom of the Op er a is there



P.

     

     
Fl. 1


     
Fl. 2


     
Ob. 1


     
Ob. 2


     
B♭ Cl. 1


      
B♭ Cl. 2


      
Bsn. 1

 

Bsn. 2

     

     
F Hn. 1 3

F Hn. 2 4 
     
B♭ Tpt. 1 

B♭ Tpt. 2       

      

      
Tbn. 1

      
Tbn. 2

 
     
Tba.

       

                 
Timp.

Drs.                                                 

      


        
                                       
Org.

      

      
 

    
Vln. 1

 


     
Vln. 2



      
Vla.

Vc. 
      
 
 
Cb.

   
1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.)


5

    
  
            
El. Guit.

El. B.                                    

       
    
25

C.


          
in side my mind.

P.





       
Sing once a

       
Fl. 1


       
Fl. 2


       
Ob. 1


       
Ob. 2


       
B♭ Cl. 1


       
B♭ Cl. 2

 
       
Bsn. 1

  
 
 
Bsn. 2

            
   
 
F Hn. 1 3

              

 


F Hn. 2 4

                 


B♭ Tpt. 1

  
              

            
B♭ Tpt. 2

       
Tbn. 1    

   
                

  
Tbn. 2

 

   

    
  

 
  
Tba.

          

                        
        
      
Timp.

  
                                      

Drs.


                
                             
 
 
                            
                       
Org.

       
 

 
      

      
Vln. 1

 
       
Vln. 2



         
Vla.

 
  
Vc.

       
6 1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.)

 


           
Cb.

                    


           
        

El. Guit.
         

32

       
        
C.

      
P.
      

         

gain with me Our strange du et My pow er o ver you Grows strong er yet And though you

        
Fl. 1


        
Fl. 2


        
Ob. 1


        
Ob. 2


        
B♭ Cl. 1


         
B♭ Cl. 2

         
Bsn. 1

 
 
Bsn. 2

       

        
F Hn. 1 3



F Hn. 2 4

        


B♭ Tpt. 1

        

  
B♭ Tpt. 2

          

          
Tbn. 1

   

         
Tbn. 2

 
            
Tba.

       
   
                         
Timp.

                                      



Drs.

        

 
Org.
                                     
         

         

        
Vln. 1



         
Vln. 2

                                       


Vla.


                                             
Vc.

 
        
Cb.

 
1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.) 7

                                             


El. Guit.

El. B.
        

40

           
C.

          
P.
       

      
 
turn from me To glance be hind The Phan tom of the Op er a is there in side your

 
       
Fl. 1


       
Fl. 2


       
Ob. 1


       
Ob. 2


       
B♭ Cl. 1


        
B♭ Cl. 2

        
Bsn. 1

 
 
Bsn. 2

      

       
F Hn. 1 3



F Hn. 2 4

       


B♭ Tpt. 1

B♭ Tpt. 2        

        

        
Tbn. 1


        
Tbn. 2

 
         
Tba.

  
 
                    
Timp.

                                    



Drs.

       

 
                               
   
Org.

        

 
                  
    
       
Vln. 1



      
Vln. 2


 
                                 
Vla.

    

                                         
Vc.

   
       
Cb.

 
8 1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.)

                                           
El. Guit.

El. B.
      

47

 
C.

  
P.
 

          
mind.


 
Fl. 1

        

     
Fl. 2

   


 
Ob. 1

       

      
Ob. 2

  


 
B♭ Cl. 1

        

       
B♭ Cl. 2

   

   
Bsn. 1

    
   

   
Bsn. 2

        
  
F Hn. 1 3

        
      
F Hn. 2 4

   

        
B♭ Tpt. 1



       
B♭ Tpt. 2

   

   
Tbn. 1

       
   
Tbn. 2

    
   

      
Tba.

             
Timp.

                                  
             
Drs.

               
 

  
Org.
                                
      

                            

                   
      
    
Vln. 1

                         
   
                


Vln. 2

     

                  
Vla.

               

        1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.)
               
Vc.

          9
 
            
Cb.

                



                  
El. Guit.

El. B.                 
51   
    
C.
            

      
Those who have seen your face Draw back in fear I am the


   
P.

   

  
Fl. 1

   

      
Fl. 2


      
Ob. 1


      
Ob. 2


      
B♭ Cl. 1


      
B♭ Cl. 2

      
Bsn. 1


 
Bsn. 2

      

      
F Hn. 1 3



F Hn. 2 4

     


B♭ Tpt. 1

     
B♭ Tpt. 2 
      

      
Tbn. 1

      
Tbn. 2


      
Tba.

     
Timp.

                                                

Drs.

     


                                               
Org.

      
   
   

     
Vln. 1

 


 
Vln. 2

    


Vla.

                                               

Vc.

                                                

      
Cb.
1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.)


10





El. Guit.

                                               

El. B.
     
            
    
57

C.

      

mask you wear Your spi rit and my voice In one com

         
P.
   

       
It's me they hear My spi rit and your voice In one com


      
Fl. 1


      
Fl. 2


      
Ob. 1


      
Ob. 2


      
B♭ Cl. 1


      
B♭ Cl. 2

      
Bsn. 1


 
Bsn. 2

      

      
F Hn. 1 3



F Hn. 2 4

     


B♭ Tpt. 1

     
B♭ Tpt. 2 
      

      
Tbn. 1

      
Tbn. 2


      
Tba.

       
Timp.

  
                                               

Drs.

      


                                               
Org.

      
     
 

      
Vln. 1

      
Vln. 2

        
Vla.

Vc.                                        

                                      
 1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.)         11

      
Cb.


        
El. Guit.

El. B.                                        
       
       
 

   
63

C.

      
bined The Phan tom of the Op er a is there in side my mind.

       
P.
      
       
bined The Phan tom of the Op er a is there in side your mind.


      
Fl. 1


      
Fl. 2


      
Ob. 1


      
Ob. 2


      
B♭ Cl. 1


      
B♭ Cl. 2

      
Bsn. 1


 
Bsn. 2

      

      
F Hn. 1 3



F Hn. 2 4

    
  

B♭ Tpt. 1

    
B♭ Tpt. 2   
       

      
Tbn. 1

      
Tbn. 2


      
Tba.

           
Timp.

      
                                               

Drs.

      


                                           
   
Org.

      
 
      


      
        
Vln. 1

       
 

       
Vln. 2

    

        
Vla.

                                   
   

Vc.

           1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.)
                                  
   
12

     
Cb.

   
 
        
El. Guit.

                                   

El. B.
 

       
69

 
C.

      

     
      
P.

   

             

Fl. 1

 

     
Fl. 2

          

        
Ob. 1


        
Ob. 2


        
B♭ Cl. 1


       
B♭ Cl. 2


       
Bsn. 1

 
 

Bsn. 2

       

        
F Hn. 1 3


   
F Hn. 2 4

                  
   
B♭ Tpt. 1

                  
     
B♭ Tpt. 2

              
 
       
Tbn. 1


       
Tbn. 2

 
       
Tba.


               
Timp.

    
                                                            


Drs.

      


Org.
                                          

       

                   
 
 
                  

Vln. 1

  
                    
Vln. 2

 
                                         
Vla.

Vc.
 
                                          
 
      
 13

Cb.

                       
     
1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.)

                                 
El. Guit.

El. B.
          
        

76

       
C.

             
P.
    
        

In all your fan ta sies You al ways knew That man and mys ter y

       
Fl. 1



  
      
Fl. 2


   
    
Ob. 1

   

   
    
Ob. 2

   

        
B♭ Cl. 1

    
            
B♭ Cl. 2


           
Bsn. 1

 
 
Bsn. 2

       

       
F Hn. 1 3



F Hn. 2 4

      
   

B♭ Tpt. 1

    
     
   
B♭ Tpt. 2

       

        
Tbn. 1


        
Tbn. 2

 
         
Tba.


                 
Timp.

  
                                   

Drs.

    
     

 
Org.                                     
        

        


         
Vln. 1

      
Vln. 2

 
  
              
Vla.

Vc.                         

                                     


 
     
Cb.

             


 
14 1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.)


 
             
El. Guit.

El. B.                         
       
  
       
      
83

C.

         
Were both in you And in this lab y rinth Where night is blind The Phan

       
P.
    
 
        

And in this lab y rinth Where night is blind The Phan

       
Fl. 1



  
      
Fl. 2


  
      
Ob. 1


  
      
Ob. 2


         
B♭ Cl. 1

         
B♭ Cl. 2


        
Bsn. 1

 
 
Bsn. 2

      

       
F Hn. 1 3



F Hn. 2 4

         


B♭ Tpt. 1

B♭ Tpt. 2          

         

        
Tbn. 1


        
Tbn. 2

 
        
Tba.


                    
Timp.

                                                        

Drs.

       

 
Org.                                    
        

        

       
Vln. 1



        
Vln. 2

                    


Vla.

Vc.                 

           1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.)
                                        15

 

        
Cb.


1/41/23/4
full

                     


El. Guit.

El. B.
               
          
    
     
90

C.

          
tom of the Op er a is there in side your mind.

   
P.
       
        

tom of the Op er a is there in side your mind.

       
Fl. 1



  
      
Fl. 2


  
      
Ob. 1


  
      
Ob. 2


         
B♭ Cl. 1

         
B♭ Cl. 2


        
Bsn. 1

 
  
Bsn. 2

    
      

         
F Hn. 1 3



 
F Hn. 2 4

     
     
 


B♭ Tpt. 1

       


     
B♭ Tpt. 2

      
 
        
Tbn. 1




     
Tbn. 2

         

        
Tba.




                    
Timp.

                             



Drs.

       

  
           
                 
Org.

         

        

       
Vln. 1



        
Vln. 2

              


Vla.

                
    
Vc.

                     
   1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.)
  
 1/41/2   
16

  
Cb.

              



               
El. Guit.

            
3
 
El. B.
            
      
      
97

C.

       
He's there, the Phan tom of the Op era!


 
P.

      

       
Fl. 1



  
      
Fl. 2


  
      
Ob. 1


  
      
Ob. 2


         
B♭ Cl. 1

         
B♭ Cl. 2


        
Bsn. 1

 
 
Bsn. 2

      

       
F Hn. 1 3



F Hn. 2 4

         


B♭ Tpt. 1

B♭ Tpt. 2        

         

        
Tbn. 1


        
Tbn. 2

 
        
Tba.


                    
Timp.

                                     



Drs.

       

  
                                               
Org.

        

        

       
Vln. 1



        
Vln. 2

                                            
Vla.

 

                               
Vc.

             
 
 1/2 3/4full

Cb.

           
  
1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.) 17

                                            
El. Guit.

El. B.  
                     
     
104

  
C.

      
 
 

P.

       

        
Fl. 1


        
Fl. 2


 
  
      
Ob. 1

 
  
      
Ob. 2

 
  
      
B♭ Cl. 1

        
B♭ Cl. 2

 
        
Bsn. 1

  
 

Bsn. 2

       

        
F Hn. 1 3


 
F Hn. 2 4

      

 
B♭ Tpt. 1

      
B♭ Tpt. 2 
        
 
        
Tbn. 1

 
        
Tbn. 2

  
        
Tba.

 
                    
Timp.

                                                        
 
Drs.

      


 
 
                                                            
Org.

        
 
 

       

 
         
Vln. 1

         
Vln. 2

                                                             
Vla.


                                                             
Vc.

  
    1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.)
     
Cb.


18

                                                             
El. Guit.

El. B.  
                 
   
111

 
C.

       

 

P.

       

         
Fl. 1


         
Fl. 2


         
Ob. 1


         
Ob. 2


         
B♭ Cl. 1


         
B♭ Cl. 2


         
Bsn. 1

  
 

Bsn. 2

       

         
F Hn. 1 3


 
F Hn. 2 4

       

 
B♭ Tpt. 1

B♭ Tpt. 2         

          

         
Tbn. 1

 
         
Tbn. 2

  
         
Tba.

 
                     
Timp.

                                                                
 
Drs.

        

 
Org.                                                                    

         
 
 
         

         
Vln. 1



          
Vln. 2

                                                                  
Vla.

 
                                                                  
Vc.

  
                19
Cb.


1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.)

                                                                   
El. Guit.

El. B.


  


119


C.

  
 


P.

 



 
Fl. 1



  
Fl. 2



  
Ob. 1


  

Ob. 2



  
B♭ Cl. 1



   
B♭ Cl. 2


   
Bsn. 1


 
Bsn. 2

  

  

F Hn. 1 3



F Hn. 2 4

  


B♭ Tpt. 1

   

B♭ Tpt. 2

   

   
Tbn. 1

   

Tbn. 2


   

Tba.

      
Timp.

     
           

Drs.

   


 
               

Org.

  

 

 

  
Vln. 1

 

  
Vln. 2

 

   

             
Vla.

   

Vc.

             


 
Cb.


1984 Andrew Lloyd Webber and Charles Hart, 2016 Robert Malkamaki (arr.)

 
20

                 

El. Guit.

El. B.

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