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Teacher(s): Mr. Alex Meek Grade Level: College Date Taught: 2/15/18
KCCR Standard
Evaluation What went well? What didn’t? What are some other ways I could use my
ensemble members to give feedback?
3 min. Results of feedback Commented [AW2]: Make sure you don’t spend too
Most popular “strengths” (2-3 specific examples) much time on these (mainly with vocal fillers); state
them, allow reaction, give some feedback of your own
Most common “weaknesses” (tempo (approx. 1/3 of responses said this), dynamics, and move.
Beginning
Engage
blend)
“I’ll give you our strengths and read some of my favorite feedback slips to you after
this rehearsal, so long as we’re productive and make a discernable improvement
overall”
2-3 deep breaths in and out, close eyes
15 A—focus on BLEND and INTONATION (smaller instrument groups, as per a couple
min. suggestions), start with run-through
BRING UP: Kelli Irvin and Wesley Crow (stand in front, ask them to listen to each of the Commented [AW5]: If you do this after today, I would
following areas) encourage you to ask members of the ensemble who
are good musicians but on the “shy” side. Give them an
Tpts + altos—balance to the trpts, matching articulations opportunity to have positive input and for their voice to
Explain/Explore
Everyone else (m. 11, balance unison note: low brass, low ww, hn, clsfirst chord) be heard!
Middle
Lows at m. 13 (accented and leading) Are Kelli and Wes just going to stand in the front the
Perc—solidity entire time? Will they a specific task/more guided
instruction?
B—focus on ARTICULATIONS and DYNAMIC CONTRAST, start with full run
BRING UP: Grant Bess and Abby Giles, strike Kelli and Wes When do Kelli and Wes go back to their seats?
Perc—solidity, snare rolls Commented [AW6]: What will you tell them to do?
Fl/ob/cl—m. 39 light, “dut” not “tut” Balance to a section, balance to a part, balance to the
lowest voice? Be very specific on how you want them
Dynamic diffs (Grant and Abby to the back of AFC) to balance or else they will do the “default” (balance to
3 min. Full run of B—B’ (stop after perc soli) the trumpet/loudest voice).
Most popular strengths (of 36): energy/motivation (8), vertical alignment (7), tone/sound Commented [AW7]: Balance to root, third, fifth,
Evaluate
seventh? Volume?
End