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COURSE DESCRIPTION
This course introduces students to the concept of stylistics. It gives knowledge on tracing the
historical evolution of stylistics and how the studies in linguistics and semiology influenced its
modern form. The course also provides students with an understanding of how language works in
different contexts but with particular reference in literary works. Furthermore, the course defines the
nature and limitation of translation, and explains the wide range of vocabulary in appreciating
literature. The course comprises two parts. The first part of the course deals with the language of
literature. It also examines the characteristics of literary language. This part also examines how
translation affects a work of art. The second part includes the concepts of stylistics and introduces
students to the descriptive analysis of language. It covers general topics as the nature and function of
language, phonological, grammatical and semantic relations. It also covers the linguistics
key concepts in language and assesses its nature and function in literary works and other
contexts
Trace the historical evolution of stylistics, and how it had been influenced by studies in
Examine the linguistic characteristics of a variety of styles and registers, and analyzes
Define the nature and limitation of translation, and explains the wide range of
COURSE CONTENT
a. Introduction
e. Summary
a. Metre
b. Rhythm
c. Syntax
d. Lexical Variation
g. Figures of Speech
h. Summary
e. Summary
d. Characteristics of Language
e. Language Use
Demonstrate a general awareness of the subject matter and themes prevalent in oral
literature
Assessment strategy:
Compulsory Student Progress Portfolio (SPP), timed test and final examination.
Assessment criteria:
Total 100%
A Excellent 70%-100%
BASIC READINGS/REFERENCES
Chomsky, N., Language and Mind, Harcourt Brace Publishers, London & New York, 1982.
Hasan, Ruqaiya, Linguistics, Language and Verbal Art, Deakin University Press. 1985
Leech, Geoffrey N., A Linguistic Guide to English Poetry. Longman, London, 1969.