O GUARANI Aut: A.

Carlos Gomes
Arr: Herbert L. Clarke
Andante Grandioso, marcato q = 88
(Overture)
    
                3   3          
      
  
1st & 2nd Cors
ff fff (W.W.) p


3rd Cl., Alto Cl.,

Tutti

Trumpets, Horns, 1st Tr'b., Bar. 1st Bass'n

        
           3   3        
    Tr'bs, Bar.
 & 3rd Tr'b.  3   3    fff
p
         
ff 2nd
    
Bass

      
2nd Bass'n

    
B.D. B.D.
     
Bass Cymb. Cymb.

      
Andante espressivo q = 76
       
            
7 Fl., Ob.

          

Solo Cl.

              
dim.
pp 1st Cl., Solo Cor. dolce Bassoon 
Cl., Saxs 
p
         
    
             
III-IV Horns
pp p
 
    
dim.

        
Bass

       

Un poco piú animato q = 104

       

add Ob., Eb Cl., 1st Cl., Sop. Sax.
   
14

         


 

            
2nd Cl Horn

   
p  2nd Cl., Ten. Sax 
Alto Sax.
p

      

       
     
III-IV Horns., Bass Cl.
 
Bass

1 Tempo I q =88 

        
         
 
21

       
    
(2nd Cl.)
     
pp poco rit. ff Tutti
       
Sax., 3rd Cl., Bassoon

   
           

    
2nd
  
Horns ff & 3rd Tr'b.

pp poco rit.
     
 
          
Bass  B.D.

B.D.
 
    

Bass Cl. B.D. Cymb.


M. B. - Btl. Nav. - Cia de Bandas - Arquivo Musical - Setor de Digitalização
   
Cymb. Cymb.
E-180 - 02/2000 - SG-Darlan
2 O GUARANI
3 
Piu mosso q = 132 to 144
  3
 3        
3 3 3
 3   3   3       
3
 
                 
Fl., 1st Cl.

         
26 3 3

                        

         
 ff Tutti  
pp Solo Cor., Ob.  pp (as before) ff 

p string. cresc. sf sf
2nd & 3rd-Alto,-Bass Cls    
        
3
    
3

                          
Trbs

                                 
3 3   pp 3 3  3 
3
3 3
3    3 
pp Horns 3 3 3 sf sf
  3 
p string. cresc.
    
ff ff
        
3

3
   
      
     
 3
Timp. roll

Meno mosso q = 88
       
30

          
     
G.P.
 
ff
     
       
Cls
               
 3  Bar.    
  
ff  
Ten.Sax. pp G.P.

      
dim. ppp

             
Bass, Bass'n
              
3 Bass, Bass'n

Andante espressivo q = 76
    Solo & 1st Cl., Sax's 
36

            
      3 3

    
3
pp Bass Cl., Bar. 8vª

2nd & 3rd Cls
     
             
1st & H'ns sust
     
3rd & 4th Horns (1st Horn)
pp Bass
  
2nd Bassoon
           
              
 3 3   3    
3
 3   
3

    3   3 
39

3
     
             
    3     
 
      3
 
3
   
3

              
   
  
2nd Horn
             
                 
   3 3
  3  3

                  3 
   3         3         
42 3 3
  
             3    
  Solo Cor.   
3
 
3 3

  
3rd Trb.
  
3
       
   2nd Cor.        
poco cresc.

         
3

   
1st & 2nd Trbs
            
     
              

 
    
O GUARANI 3
   add 1st Bassoon, Alto Cl. 8vª lower 
45

     
3
   
3

       
Fl. 
3
3
 
3 p
  Ob. 
mf cresc.
             
       
 
p

1st Horn
pp 3rd Cor.cresc.
                  
  3 
  3         3    pp cresc.

3

Horns, Bar. Sax., 2nd Bassoon
mp
 
          

    3          3      
48 3 3 3 add Solo Cor.
     3   3 
 3      
    3 f
    
          
3rd Cl.

    
    
Horns
      
         

Trbs
          
Tímp.

        
    3         
p 3

Piu mosso affret. 2 Allegro Vivo (in 4) q = 152

   Fl.,   
               
51 Picc., Eb Cl. 8va

         
3 3
  
 3
3

  Cls, Horns    
p cresc. ff Cls
                  
       
      

Trbs

p cresc.
            
 
 
ff
  
cresc.
        
    

 
        S. Dr.
    
   
  


                                  

55

                                 

    


Cors

       

 

  

 
ff
    


   
        
 O GUARANI              
   
4
                              
57

                      

     
Bar.

              
Tutti
 
Sempre
 
         
    
   
ff
          
         
    

   3                       3       3   

                       
60

           

     

    

       
 
           
Alto & Ten. Sax. 
   

      
         
Bass Cl.

Brass
   
S. Dr. sempre
        
3 3

3     3      3   3    3    3  3 W.W. in 8ves
     
                      
63

  

     Horns
Cor. & Horns

         
       
  
  
            
     
    
 
Cors, Bar., Trbs,
in3 8vas
   

           

             
    Basses

           

     Fl. 
       
66 Cls,

          

sfz 1st Cor.

   Horns, 3rd Cor.

        
 
         
   sfz
    
     
Trbs B'ss'n
            
                   
          
 O GUARANI 5

           
                                               
                                                 
69

  
  Alto Sax.   
        
2nd Cor.
     
      
 
          
 
      
Tenor Sax. 8va
     
   
Basses, Bar. Sax.     
  


                Fl., Eb Cl. 8va     

                                  
    
72

            
Bb Cls, Ob., Alto Cl., Alto Sax.
 
                
                 
               
 
S. Dr. roll. B'ss'n Tenor, Bar. Sax
all Brass

              
      
               

   
    

     
      
                
                   
       
               
77

              
     
Cors, Saxs
   
   

         
 
Trbs, Horns, Bassoon  
             
            
                        
 
      
Bass, Bass Cl., Bar. Sax., Bar.

      
    
 
80
                
       
Clrs, Alto Sax, Bar.
                            
   
  
Sop. Ten. Sax
 
                  Alto Cl.
          Bassoon
      
  
 

           
Bass Cls

             
       
            
    
Bass
6 O GUARANI
       


          
      
83

           
                  
 
          
Tutti
  
 
         
 

 
      
  
   
             
           
        

            
   
87 Ob.

    
   
 & 1st Bb Cl.
f Solo   
                 
                 
 
       

p Alto Sax. Bassoon, Bar.

       

4 L'istesso movimento, ma un poco riten (in 2) h = 96

   
      
Fl., Eb Cl.

                         
90 add Solo Cor. Sop. Sax.
   
p

Solo & 1st Cl.
               
       
all Bb Cls
 
             

Ob., Saxs, 2nd Cors

              
  
p
 Sax. Alto
Ten.  Cls
 & Bass    
       
    
      
     
add Bassoon add Horns

       
               3  
                         
93 3

        
 
         
       
             
 



ff
     Tutti
        
 
      
 

 O GUARANI 7
 Fl.,
 Bb Cls      
    Cls
    
     
     
        
                          
96


            
          
p     
Fl.         
 
                                    
Ob., Alto Sax.

          

    
 p          
Ob.

         

    
 Horns, Bassoon

5

            
                        
  
101

                    
    
   mf Alto Sax. Ob.
               
ff
                
2nd Cor.

     
             
               

Bassoon

 
ff mf
Tutti
    
Alto & Bass Cl., Bar.

      
      
      
    
    
  



                    
        
                       
106

        
ff Tutti    
             
          
  
     
ff Bar. Ten.Sax., Bass Cl.
                    
Horns

             

              
                

   
           
6

                6   
(Fl., Picc., 8va)

111


       
               
(Cls. Saxs)
   
                  
       Trbs,
        

      
 Bar.   
                
               
   Basses
 
    
8 O GUARANI
   
                     
117 6

          
         
        
ff 
string. e cresc.

            
    


           
ff
     
  
          
  
 
 

  
         
      

   
Meno h = 80
   
                
 
123

              
    
         Fl., Picc.
     
      p
                    
Solo Cl.
            
       
   
              p
           
G.P.

        
1st Bassoon, Alto Sax.

                  
            
           

Bar.

  
  
         
130

          

     
         

    

     
        
     

For 4 Beats q = 160

For 2 Beats h = 80
6 Allegro espress. (in 2)
             
 
Fl., Picc., Eb Cl.
        
136

        
    
           
   1st B'ss'n 
p Bar.

   
1st & 2nd Cls, Harp
        
3  3  3  3    3  3  3 

 p

3rd, Alto, Bass Cls, Sax. 
3
 
         
       
 
      

   
  
p
 

         
      
  
 
   
O GUARANI
      
9

   
140
       
            
   
      
    
  3  3  3                 
 
3 3 3 3 3 3
 
3

3 3
      
         
     
   
     
   
  
Horns   
 
  

     

  
          
     
 
     
     
143

           
        


    
   

   
 
  
     
  3   3 3 3
   3    3

3 3 3 3

3 3
 
        
  
      
  
       
  
           
   
 

   
 
    
              


       
    
    
146

         


  
                   
   3     3  3   3 
 
3

3 3 3
   
3
 
3
   
    
3 3

      
    
   
     

      
      
 
   
  

                 
  
  
    
  
           
149

  
  
    
    
    
  
               
     3        

3 3 3  
 
3 3 3
 
3 3
    
3

     
3

       
   
        
 
add 1st Trb.  
     
     
                 
      
10 O GUARANI
7 Brake into 2 Beats h = 80
      
      
152 Fl., Picc., Eb & Solo Cl.

     
sotto voce
p cresc.

 
Cls, Sax., Bar. Cls, Cor.

                       

pp Alto Sax.       
p cresc.

  
  
  



pp 3rd & 4th Horns add Trbs, Bassoons
p cresc.

       
Bass Cl. B. Dr. roll

       
 
    
Timp. roll

       
           
155

    

ff
           Cls, Sax., Bar.

              


   

ff Tutti
   
pp Alto Sax.
 
     




ff pp 3rd & 4th Horns
Bass Cl.
        
   

        
Tímp. roll

  
                         
158

      
 Bb Cls
p cresc. ff
 Cls, Cor. 
p
       
      
            
      
   
ff p 2nd Ob., 2nd Cor.
       Horns, Alto Sax.

p cresc.

  
Tutti


add Trbs, Bassoons
p cresc. ff
Trbs
p Ten., Bar. Sax., Bar. 
sf

 
B. Dr. roll
        
             
  
        

p Eb Bass

     

                  
161 Fl., Cls, Ob

      

                 Sax.
cresc. ed animato
               


 
  
 
1st & 2nd Horns

 
  

 
 
3rd Cl.

        


      

                
    
Bass Cl., Basson

      

 O GUARANI
                                            
11
165

 
 
   
(Ob.)
        

       
           
  
       
   
            
  
energico
168
    
                       
   

           
ff (Ob.) Cors
 2nd & 3rd Cls, Alto Cl.   

 

    
   
        
  
ff         

            
         

ff Trbs, Horns
Bar.             
                 
             
     S. Dr.  
       
                    

      
                                             
172

        

   2nd       cresc. sempre     

              
& 3rd Cls., Alto Sax.
        
         
                          
Cors, Horns cresc. sempre
            
      
   
 
   
 
   

175

  
 

       
(3rd Cl., Ob.)

             


    
   
 
Sop. Sax.

8 Break into 4 beats q = 160  

 Fl., Solo Cl., Ob., Sax 
            
        3
178 Solo Cor.
  3   3  3  3
        sempre              
    
3
3 3
ffz
ff
Bar. Bassoons 1st & 2nd Cls Harp

      
Tutti

               

(Tutti except Drs)

  
    

      
ff 3rd & Alto Cl.
   
ffz
 3

 
ffz 
   
2nd & 3rd Cors
   
ff Horns, Bassoons, Trbs

        
          
 Bass Cl., Basses
 O GUARANI  

12
         
   
182
     
    3   3   3   3   3   3  3  3  3  

3  3 
     3

           
                         
   
      
     
3

 
 
           
     
Trbs
   
             
 

        
  
185

    3  3 3  3   3  3   3 
3   3 3    3
               3   
pp

     
                          
    
pp
  
         
  
              
pp
            
   
              

       
        
188
   
   3   3  3   3   3  
3
    3   3   3  3   3 
  

3

  
                 

         

     
  
            

3 3

 
 

                

   

 
      
  
                    
     
 
       
       
      
191

      
   3   3  3     3          3     3   3
3 3 3 3
 
3
 

        
                          
 
   
   
       

           
     
          
     
  
O GUARANI 13

                       
194

    3  3  3  3   3  3  3  3                   

     
cresc.
    
                            
  cresc.   

  
 
 


 


     
  
         
    
cresc.
         
   

9 Break into h = 92
     
Fl., Eb Cl.
        
  
198                      

                  
  Bb Cls


f (Cor.)

                 
Cors, Ob., Alto Cl., Sax.
 
Alto Cl., Ten. Sax.

       
   

      

f Bar.,
   Bass Cl.      
        
Cors
       
   

 
    
Horns, Trbs
      
f Horns, Trbs

 
        
                 
(Drs)
                 
                                          
203 (Fl. Picc. 8va)

 
   
      
                
 3      
 3      
 

         

      
         
     

Piu mosso h = 120
   
Fl., Eb Cl.
                  
              
       
206

 
        2nd & 3rd Cors, Bassoons, Bar.
all Bb Cl., Ob., Solo Cor.

Ob., Sop. Sax.

                          
Ten. Sax., Bass Cl. 8va 

         
Horns, Bassoons
Alto Sax.
 
            
 
Trbs
    
Trbs, Horns

Bass Cl., Ten. Sax.
  
              
Bar. Sax.
     
  

   
Bass

                        
14 O GUARANI
  
                    
210

     

    
                       
      
   
  
   

  
          
       
      

 

 


                      
(Bass Cl.)

                         
    
   
             

                          
Fl. Ob., Eb Cl.
 
215

             

      

ff
   
mf Solo Cl.
    
cresc.

                                
Bb Cls

             
mf cresc. ff Tutti

    
                 
   

Alto Cl., Bassoon, Saxs
ff
  
cresc.
   
    



                           
    
            
       
219

          
      
p cresc. molto

                   

(Cor.)

                        
              
             p cresc. molto
    
 
   
 
   
 
   
 
   
      


p cresc. molto
Bass Cl., 2nd Bassoon, Tenor Sax.
  
                          

        p       
         
  

     

               
           
very slow
      
222

         
fz
                 
ff string. rall.

      

                 
ff string.
rall. 
fz
                   

  
    
 
 ff string. fz
 
rall.

               
                        
  
       fz