I really liked the filter implementation on the BLCK NOIR - having a
bipolar control for LP/HP was super powerful, and under heavy modulation I found it pushed the module far outside the realm of drum sounds. And the filter sounded really good too boot ;D
Circadian Rhythm and Tempi provided trigger/gates to the BLCK NOIR
voices, as well as Maths (CYCLE inputs and Trig inputs) as well as Rene, which mixed with the Maths channels into the cuttoff control of the BLK NOIR filter. Add in reverb, delay, and some manual manipulation of controls and there you have it.