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Introduction
In general, we have to remember that, in the life and diffusion of all great
heretical (and/or schismatic movements), the political factor is almost always
never absent. For example:
2. The Greek Schism of 1054 was the effect not so much of theological
controversies but of the by then already antique antagonism between
Rome and Constantinople, an antagonism that became more acute
from the moment that Charlemagne assumed the title of Holy Roman
Emperor.
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Theo 273 Modern Church History Giacomo Martina SJ
3. Still to be explored are the themes of anxiety, guilt and sin and their
various aspects and up to what point they weighed on the mentality of
the 1400s and the 1500s. E.Castelli, in his work Il demoniaco
nell’arte (Rome, 1952), has demonstrated with what frequency the
theme of death and the devil runs through the art works of the
Quatrocento and the Cinquecento. J.Delumeau, in his Le peche et la
peur: la culpabilisation en Occident (XIII-XVIII siècles) (Paris,
1983), has analysed the pessimism and the sense of the macabre in
the Renaissance, examining the almanacs, homilies, and other
Catholic and Protestant pastoral works. One may also read with profit
this other work from the same author: La peur en Occident: une cite
assiegee (Paris, 1978).
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Theo 273 Modern Church History Giacomo Martina SJ
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