Fitri surya rahayu

4322316020004

Answer

1. Prose is a form of language that has an informal rhythmic structur. It applies the natural flow of
speech, and ordinary grammatical structures rather than rhythmic structures, as in the case of
traditional poetry. Normal every day speech is mentioned in prose and most people think and write in
prose. Prose consists of of full grammatical sentences consisting of paragraphs and forgoes aesthetics
supporting simple, clear language. Can be said to be the most reflective speech conversation . Arya
prosa has versification and a combination of two formats which is called poetry prose.

2. The exposition or presentation of the initial situation is disturbed by a complication or conflict which
produces suspense and eventually leads to a climax, crisis, or turning point.

3.- narrative, perspective,characterizes

4.-Anglo saxon, middle english, the renaissance,the neoclassical , the romantic, the Victorian, the
Edwardian , the Georgian , the modrn ,the postmodern.

5. a. Shakespearean tragedy is the designation given to most tragedies written by playwright William
Shakespeare. Many of his history plays share the qualifiers of a Shakespearean tragedy, but because they are
based on real figures throughout the History of England, they were classified as "histories" in the First Folio.
The Roman tragedies—Julius Caesar, Antony and Cleopatra and Coriolanus—are also based on historical
figures, but because their source stories were foreign and ancient they are almost always classified as
tragedies rather than histories. Shakespeare's romances (tragicomic plays) were written late in his career and
published originally as either tragedy or comedy. They share some elements of tragedy featuring a high status
central character but end happily like Shakespearean comedies. Several hundred years after Shakespeare's
death, scholar F.S. Boas also coined a fifth category, the "problem play," for plays that do not fit neatly into a
single classification because of their subject matter, setting, or ending.[1][2] The classifications of certain
Shakespeare plays are still debated among scholars

b.james joyce ) was an Irish novelist, short story writer, and poet. He contributed to the modernist avant-
garde and is regarded as one of the most influential and important authors of the 20th century. Joyce is best
known for Ulysses (1922), a landmark work in which the episodes of Homer's Odyssey are paralleled in a
variety of literary styles, most famously stream of consciousness. Other well-known works are the short-story
collection Dubliners (1914), and the novels A Portrait of the Artist as a Young Man (1916) and Finnegans
Wake (1939). His other writings include three books of poetry, a play, his published letters and occasional
journalism.

c. Beowulf stands at the head of English literature; a poem of historical interest and epic scope. Although
the first manuscript of Beowulf dates from around the year 1000 CE, it is thought that the poem existed in its
present form from the year 850. Beowulf's adventures themselves stand in front of the wide historical canvas of
5th and 6th century Scandinavia. Against this heroic background of feuding and feasting, Beowulf first kills the
monster Grendel and her mother, and later defends his people against a dragon in a battle that leaves them
both mortally wounded
 d. Angela Olive Carter-Pearce (née Stalker; 7 May 1940 – 16 February 1992), who published under the
pen name Angela Carter, was an English novelist, short story writer and journalist, known for
her feminist, magical realism, and picaresque works. She is best known for her book The Bloody Chamber,
which was published in 1979. In 2008, The Times ranked Carter tenth in their list of "The 50 greatest British
writers since 1945".[1] In 2012, Nights at the Circus was selected as the best ever winner of the

e. From Paul Auster, author of the forthcoming 4 3 2 1: A novel – his debut work of fiction,
the first volume in his acclaimed “New York Trilogy” series of novels

Nominated for an Edgar Award for Best Mystery of the Year, City of Glass inaugurates the intriguing
New York Trilogy of novels that the Washington Post Book World has classified as "post-
existentialist private eye...It's as if Kafka has gotten hooked on the gumshoe game and penned his
own ever-spiraling version." As a result of a strange phone call in the middle of the night, Quinn, a
writer of detective fiction and crime books, becomes enmeshed in a case more puzzling than any he
might have written. New York Times-bestselling author Paul Auster combines dark humor with
Hitchcock-like suspense to City of Glass.

f. Petrushevskaya was born in Moscow, USSR, on 26 May 1938, in the stately Metropol Hotel.[1][2][5] She
lived there with her family until 1941, when her father, a Bolshevik intellectual, was declared an enemy of the
state. He abandoned Petrushevskaya and her mother, who were forced to flee the city for Kuibyshev
(now Samara).[2][5] Following this, Petrushevskaya recounts a harrowing early childhood spent in group homes,
on the streets, and later in communal apartments.[1][2][5] She states in The Girl from the Metropol Hotelthat she
earned the nickname "The Moscow Matchstick" from other children during this time, due to her thinness.