Auld

Lang Syne
                
Transcribed by ZHL242 Too Many Zooz

 4    rit.
 4  
      
                 
        
 = 70 boldly upbeat, slightly funky  = 160

 4
B♭ Trumpet

  
  4   
  







      
         
 
  
upbeat, slightly funky

           
Baritone Saxophone

        
 growl
       
      



11

 
B♭ Tpt.

                 

                           
3

         
                 
Bar. Sax.

   
  
                   

 
   

    
shake
18

  
B♭ Tpt.

  
                                                          
3 3

Bar. Sax.
                       
   

             

    
           


26 to voice

B♭ Tpt.

   
          
                                
3
should auld ac quain tance be for

              
               
Bar. Sax.
                     
     
34 lay back

B♭ Tpt.

     
                                            
3

       
got and ne ver brought to mind should auld ac quain tance be for

Bar. Sax.
                      
   

          
          
42

B♭ Tpt.

             
                                  
3
got and a uld la ang syne for a uld la ang syne my

                 
                 
Bar. Sax.

          
       
       
50

B♭ Tpt.

           
        
                   
                  
dear for a uld la ang syne we'll take a cup of kind ness

         
  
         
   
Bar. Sax.

         
            
              
58 to trumpet


            
B♭ Tpt.



                                  
3


yet for a uld la ang syne

               
      

Bar. Sax.

 
3

             
         

      

 

 
        
 
        
 
66



                       
        
B♭ Tpt.


               
lay back growl

Bar. Sax.

2
              
     
    

  

 
 
   
                 
  
     
74

              
                    
B♭ Tpt.

                 
     
3
Bar. Sax.
3 3


             
  
 
   
      
 
         
                     
81

 
         
                      
B♭ Tpt.


                    

growl

Bar. Sax.
3 3 3 3 3 3 3 3 3

 
                     
     
              

delicately

      
89

                     
     
B♭ Tpt.

                
                
 
growl

Bar. Sax.
    
       
            
 

                 

shake

 
growl
95


B♭ Tpt.

                 
                        
3 3

        
3

     
                 
Bar. Sax.

        

              

   2
            4
shake
103 gliss. rit.


B♭ Tpt.

 
                                        2
4
3 3

                     
        
rit.


Bar. Sax.

3
          
  42          
111 gently, slower  = 85

 2
B♭ Tpt.

     
4      
 
   
3

          
gently, slower

                   
Bar. Sax.

  
    

       
           
       
just shake

    
growl AND shake just growl
121 slower intimately molto rit.

   
B♭ Tpt.

    
                   
              
gradually slower

     
slower 3 intimately molto rit.
3 3
Bar. Sax.

4
 B♭ Trumpet Auld Lang Syne

 4                                 
Transcribed by ZHL242 Too Many Zooz

 
 4 
 = 70

   
boldly

2
                     
 growl
              
 = 160

    
8 rit. upbeat, slightly funky

    

             
    
3

 

      
18 shake

                 
3


               
 
25 to voice

                  
3 3

  
should auld ac

  
32 lay back

                  
   
quain tance be for got and ne ver brought to mind should

 
39

                  
3

  
3

   
auld ac quain tance be for got and a uld la ang syne for
47

                        
a uld la ang syne my dear for a uld la ang syne we'll



55 to trumpet

 
3

         
        
take a cup of kind ness yet for a uld la ang syne

               
63


         
                 
              
67


       
           
           

   
            
 
72

           
                    
77


        
        
     
   

81

 


  
                    
                 
86

 

        

           
         
     
91 delicately

          
           
     
             
 
97 shake growl

 
3 3

   
3

         

      

    
            42
103 gliss. shake rit.

  

3 3


 2                   
 4 
 = 85
111 gently, slower growl AND shake
slower just growl


  
3

    
             
              

123 just shake intimately molto rit.

 
 
133

2
 Baritone Saxophone Auld Lang Syne

 4  
Transcribed by ZHL242 Too Many Zooz

       
 4
 = 70

              
    
 
    

                            
 = 160



9 upbeat, slightly funky

         

                       
   
13

           
    
                        

   
17

      
              
  
     
          
       
21

   

                            
                
25

 
                        
29

              
         
                        
33

        
         
    
     
            
      
 
37

   

                       
                 
41
  
                    
45

              
    
                        

   
49

      
           
                      
        
53

   

                 
    
               
57

              

 
 
           
61

      
      lay back     
                        
3

    
65

              
                      
    3
70 growl

 
              
      
 
            
3

     
77
3


            
                   
    

81 growl

         
             
3 3 3 3 3 3

      
  
86 growl

                       
3 3 3

                
     
91


2
 
                    
            
94

   
    
  
 

                        
    
  
  
  
99

      

    
          
                
    
  
103

    

 
                          42  
 = 85

         
107 rit. gently, slower

     

       
             
112

             

       
       
        
   

  
 

120 slower gradually slower intimately

        
3 3 3

     
   
      
128 molto rit.