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PERSONAL INFORMATION
Address- 704, J K Chambers,
Sector 17,Vashi,
Navi Mumbai,
Pincode- 400703
Contact- +91- 9833023353
Email Id- preeya2804@gmail.com
Date of Birth- 28-04-1999
Preeyanka Gandhi
APPLIED FOR
3rd Year Interior Design Degree
EDUCATION
(September 2016- Present)- Raffles Design International, Mumbai
Interior Design, Advanced Diploma
Core Subjects- Design Studio 4,
Building Technology & Materials,
Construction
2016- Jai Hind College, Mumbai
HSC Certificate in Commerce
2014- Podar International School, Mumbai
ICSE- 10th
ACHIEVEMENTS
PERSONAL
STATEMENT
Hello everyone, I would like to introduce myself as an applicant for
the 3rd year Interior Architecture & Design B.A Honours course at
your Esteemed University. As for my credentials, I have successfully
completed 2 years of Advanced Diploma from Raffles Design Inter-
national, Mumbai, India (2016-18). Prior to that, I have completed my
basic schooling (10th ICSE Marks- 91.5 %) and junior college (12th HSC
Marks- 91.4 %). Having an inclination for design and architecture, I
aspire to attain the Degree in the same.
Raffles Design International Institute’s faculty comprised of Indian &
European professors under whose guidance I have been able to learn
C
concepts of design and innovative thinking approach towards space.
During my Design studies at Raffles, I was encouraged to enter de-
sign competitions and represent the college. Having participated in
Design Studio Furniture Design Construction
various competitions, I won the Park Elle Décor Student Contest held
in 2018. The jury panel comprised of eminent Architects and Interior
Commercial Studies O
Designers of India. This is a contest where in the students from all
over the country participate. I was featured in one of the renowned
and leading interior design magazines “Elle Décor”. In another major
N

• WINNER of Park Elle Decor Student Contest,2018 in Interior Design

contest, our team won the Bronze medal in the concept based “wood
is good” competition conducted by Canadian wood and held in FOAID
Design Studio
Retail
Light Design
T
Nationality- Indian (Festival of Architecture &
Category. Interior Design), 2017. The Challenge was to design a multifunctional
and creative furniture piece out of the wood provided to us. The event
E
N
• Runner up in “Wood is Good” Competition, 2017 conducted by FOAID, India was covered by the prestigious CNBC TV 18 Business Network Chan-
(Festival of Architecture and Interior Designing). nel.
Kiosk Design

SOFTWARE SKILLS
To summarize about myself; I am focused, dedicated and also a team
player. I am punctual and passionate towards my field. To me, time
management is very important for efficiency in work. My interest in
T
Photoshop
interior design grew while going through the magazines, searching
and selecting furniture and furnishings for my house, understanding
Design Studio S
Illustrator the design and construction details while visiting places & watching Residential
InDesign interior design TV shows. Throughout all this, I discovered that there
Skethup
is so much to understand and create design in the spaces which have
Autocad 2D
some meaning, functionality and are ergonomically viable.
Autocad 3D
3DS Max
Design Studio
Revit Design is a field which inspires me to explore the world along with my
creative instincts. I believe concept plays a major role while designing
Hospitality
any element of a project. Every part of the project has to be empha-
PERSONAL SKILLS sized upon and given due importance. The beauty of the design lies in

Dedicated
its intriguing details. This field requires a lot of time and efforts but Modular Pavilion
the end results are worthwhile. According to me, a successful design
Passionate is a combination of a strong concept and creativity. Design
Hard-working
Creative I want to further enhance my understanding and knowledge of the
design and architecture field by studying in your university. I am de-
termined to work hard and excel in this field further. I wish and hope
LANGUAGES that I will be given an opportunity to study at your university. Hoping
to hear favourably from you.
Sindhi, English, Hindi
 PROJECT BRIEF
CONCEPT
PLANS
SECTIONS
RCP
RENDERS

DESIGN STUDIO
01 COMMERCIAL
D ZONING
Greenhouse Office, Latvia
E Location- Latvia, Europe Project year- 2012

S
Designed by- OpenAD Design Firm

The keywords of the design for Office Greenhouse

I PROJECT BRIEF
are greenery and the flow and continuity which
has been incorporated in the work desks. P
G The Office has been designed for Garden Silks Company, India. Garden All the cabinets have been zoned in one area and
the common workspace has been kept in the center R
N Vareli is the textile brand of this Company. The Company has dedicated
ATRIUM of the office.

E
more than 80 years to design and creation of high quality textiles and
fabrics.

S
It deals in Cotton, Silk and Polyester Saree’s and Dress Materials.
The company works in large quantities and has huge Sales over the year C
E
and exports to more than 20 Countries.
T The Back Office is designed for the Marketing, Sales and Advertising
Squint Company, Australia
U Department. The number of employees working were 300 and the office
was designed using the concept derived from the precedent studies. Location- Melbourne, Australia. Project year- 2015
D
D Designed by- Sibling Design Firm, Sydney.

Squint Studio is a company which produces animated film and

E
CONCEPT
I visualisation work.
N
The main objective of the design was to incorporate the flow and
O fluidity in the vertical space along with inter-connectivity among
the different work zones.
Using these mesh grids,the zones have been kept inter-
connected. Each zone has multiple entries and this keeps T
-
the people and its surroundings connected to each other.

The Furniture was used to design the curves and achieve the These metal grids which form a partition in actual means do
C objective. The entries and exits to the zones were planned such not isolate a zone as one can see through the partitions.
that they remain connected. Also, the green zone concept was
S
O developed and the girders in the office were used to highlight the
greenery.

M T
M
INTER- CONNECTIVITY AND FLUIDITY IN FURNITURE
Vigoss R & D, Turkey U
E Location-Istanbul Project year- 2014 D
Area- 250sq.m
R Designed by- Zemberek Design Office.
I
C E
It is an Research & Development studio within the
headquarters of a textile company.

I Flexibility and fluency in working was the main

aim to be achieved. S
A The curves in the entire office imply the fluent and
unobstructed flow for working. There are no
L boundaries to work desks or seating.
STUDIO DESIGN INCORPORATING GIRDERS IN THE DESIGN
 A’

11
PRESIDENT VICE PRESIDENT IT DEPARTMENT

CEO OPEN SPACE (GREEN ZONE)

8
MARKETING
DEPARTMENT

PRESENTATION ROOM

9 10 1- RECEPTION
ADVERTISING
DEPARTMENT CAFETERIA

2- LOUNGE
3- CUSTOMER CARE
4- EXPORTS
DEPARTMENT
5- STUDIO
6- SALES DEPARTMENT

P 7
7- INFORMAL
MEETING SPACE
UP

R
1
MARKETING
HEAD

8- MARKETING
L

r
C
Capsule

o
lift no.6

t
DEPARTMENT

a
INFORMAL
WORKSPACE RECEPTION

l
9- ADVERTISING

a
A P

c
Capsule

s
DEPARTMENT
SALES HEAD lift no.5

E
DN

10- CAFETERIA
N 11- CEOs CABIN

6 2
5 SALES
DEPARTMENT
LOUNGE

B’ B
3 CUSTOMER
CARE

4
PRESENTATION ROOM

EXPORTS
DEPARTMENT

Maximum amount of Suspended LED rectangular shape and recessed panel energy efficient have
SCALE- 1:200 been used along with Tracklights for passage and hanging designer lights for the cafeteria.
S
E
C SCALE- 1:200
SECTION AA’
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SCALE- 1:200 SECTION BB’

R
E Advertising Department
N The Advertising department is a single unit of furniture which runs
throughout the zone. The concept is to create a flow and fluidity in the
D space and ensure a smooth working space with effective circultion. It
has multiple entries which ensures inter-connectivity. Since there are

E no partitions within the work department, it leads to unhindered

visual and verbal communication.

R The Girders have been used to incorporate greenery and the creepers
add to the visual appeal of the office. Also, an informal meeting booth

S has been designed to maintain employee well being and healthy

environment.
 R
Studio E
The studio is designed using organic structures. The studio has a
distinctive feature which is a unique element in the office.
N
It is 450mm above the floor level where the mannequins are placed.
The designs of the apparel are visible from far away and D
highlights the designer pieces of the company.

The seating pit has been designed for the employees concerned to have
E
a look and evaluate the company design and clothing. This helps to
form further product marketing, sales and advertising strategies. R
The customers and visitors can have a look around the studio and
understand the brand and its quality. S
R
E Sales Department
N The Sales Department has zonal heads (North, South, East and West
parts of the Country)and the cabins for the respective heads have been

D designed. The employees of each zone work outside respective zonal

heads.

E The faux grass bed patch has been used under each working zone to
give feels of serenity, comfort and peacefulness. The Work departments

R are planned in such a manner that, it covers the maximum amount of

sunlight.

S
 PROJECT BRIEF
CONCEPT
PLANS
SECTIONS
RCP
RENDERS

DESIGN STUDIO
02 RETAIL
 ZONING IDEATIONS

D CAFETERIA

E PROJECT BRIEF C
S
READING ZONE
WASHROOM
The Retails Store has been designed for Children’s book store. The plan O
I was provided and the interiors of the space were to be designed. The
function chart and the zones were planned and accordingly the design
N
was developed. Since, it was a children’s book store the concept was to
G create a children friendly environment. An entertainment zone is also
designed to provide educational information in the form of movies or READING ZONE BILL DESK LOUNGE MOVIE ZONE C
N videos.

E
CONCEPT
P
S The basic planning of the store is inspired from a maze. The lines were
used in the initial design process which developed further in the form COURTYARD COURTYARD T
PLANNING SKETCH
T of partitions or walls.

U
The Furniture of each zones have been given a specific colour such
U reception is ORANGE, reading zone 2 is RED, Cafeteria is GREEN and so
on. This will instill a curiosity in children and adds to the fun element. A
D The carpet is color coded with zones which helps the children to reach
to their zone.
L
I The Cafeteria has seating which looks similar to a swing. This creates
excitement and inquisitiveness in children to come and sit in cafeteria I
O and have healthy food.

S
- A
R T
E I
T O
A N
I
L FLOORING DESIGN DESIGN FOR SWING SEATING IN
CAFETERIA
 B
A’

Z
O A

N
I
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G

B’
 20586

9622 10598 366

SB 15

PASSAGE

SB 13 SB 14 CAFETARIA

READING ZONE

T SB 17

E Duct
SB 4

SB 8 SB 3
SB 5 SB 16 SB 6

SB 18

6555
C
SB 9
SB 2

7907
SB 12
LOUNGE

H
MOVIE ZONE

SB 19

READING ZONE BILL DESK

N
SB 10
SB 7

S
1353
I
SB 11
LVL + 3900 SB 1

C SECTION AA’ E
A C
L
ELECTRICAL PLAN
T
I
D READING ZONE
PASSAGE

O
N
CAFETARIA

2 TON- HITACHI
A Duct
2 TON- HITACHI

2.5 TON- HITACHI

S
W
1.5 TON- HITACHI

LOUNGE MOVIE ZONE

I READING ZONE BILL DESK

N
1 TON- HITACHI

G
LVL + 3900

S
SECTION BB’
SCALE- 1:50 SPRINKLERS AND SMOKE DETECTORS SCALE- 1:50
R
E
N
D
E
R
S

Reception & Reading Zone 1 View Reading Zone 2 & Cafetria View
The zones have been colour coded and each colour depicts a different zone. The furniture pieces are carefully designed and placed to create children friendly environment. The Red colour depicts the reading zone 2 and the colour green is assigned to cafeteria zone. The Swing design is a Plywood which hangs from the ceiling and
The zones have multiple entries which is inspired from a maze and generates a sense of curiousity amongst children to explore each zone. touches the ground. The seating is provided between the two plywoods and and looks like a swing.
 HIDESIGN is a premium leather brand based in pondicherry,
India. Hidesign started in 1978, as a hobby by Dilip Kapur on
his return to India after his Ph.D in International Affairs in
the United States.

PROJECT BRIEF
CONCEPT
PLANS
SECTIONS
MODEL

DESIGN STUDIO
03 KIOSK
K P
I L
Today, the business is worth over Rs 100 crore (Rs 1 billion) with 62 exclusive
O showrooms and a distribution network in 23 countries of over 2,000 stores.
Hidesign began with a two-person artisan workshop and now it has over 3500
A
S
employess. Hidesign stands out for the sensuous naturalness of its high quality
leathers and the smooth soft glow of its solid brass fittings in the leather goods. N
K The products are all handcrafted using leathers that come from their own tanneries,
-
brass buckles that are exclusively sand casted and polished painstakingly by hand
at their own brass forge.They only use vegetable dyes for all the products made S
by them. Hidesign revived the almost forgotten technique of vegetable tanning.

D PLAN E
E Hidesign revived the almost forgotten technique of vegetable tanning. Learning
from the centuries old skills, using natural seeds and barks native to South India, C
T
Hidesign has created fashionable leathers that age exceptionally well. Today, it is a
S leader in the research and use of vegetable tanned leathers across the globe.

I I
G O
N N

SECTION AA’
M
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This project won the Park Elle Decor Student contest, 2018. A Concept Kiosk designed for HIDESIGN brand dealing in leather The Structure of the kiosk was developed from a simple element Tree and increasing depths and heights of the this element was designed to give a
bags and accessories. The concept was developed keeping in mind the ideology incorporated by the brand.The brand uses sense of perspective and depth of a forest. Hanging plants from the ceiling adds to the beauty of the kiosk and connects the buyers to the concept of
vegetable dyes for all the leather bags and accessories produced by them. nature. The design feature here is the single element of the tree which flows throughout and serves for multiple uses such as a display area, ceiling,
seating and the flooring.

Since, there are all types of vegetation and greenery in the forest which represents the growth of vegetables on a broader As we all know, use of chemicals harms the environment and degrades the quality of the nature. The design and the concept of the kiosk encourages
aspect.The idea was to create a 'forest walk' which informs the people about the brand's sustainable use of vegetable colors and the people to use the products which are Eco-friendly and harmless to the environment and to the inhabitants of the surroundings. The social initiative
promote the brand for its social initiative. The brands discourages the use of Chemical colors for their bags as the chemicals by the brand and the design of the kiosk aims towards sustainability cause and educates people about the future depletion of resources due to usage
would harm the environment eventually. of chemicals. Also, the bags and accessories manufactured by the brand are handcrafted which motivates today's long lost artisan's and craftsmen.
 R
PROJECT BRIEF
CONCEPT
PLANS
SECTIONS
MODEL
RENDERS

DESIGN STUDIO
04 RESIDENTIAL
D
PROJECT BRIEF
E B'
6527

S 2544 1256 2100

CLIENT PROFILE 985 585 885 600

I
The Residence was designed for the Client who lives in Mumbai. She is a 29
G year old Singer who loves bollywood music and works in this industry. She
is a calm, composed and soft person. She loves to read books and listening
N to music is her favourite pass time.
COMMON
She prefers floral patterns and organic curved forms in BATHROOM
accessories, furniture and objects around her.

S She likes pastel and cool colours and wishes to have them in the interiors CONCEPT STUDIO

of her house. A dedicated space for studio has been provided since she
T practices in her home. The Concept chosen was Paneled. Paneled refers to a distinct 10 11 12 15
14
portion, section, or a division of wall, wainscoat, ceiling, door
U
13

shutter, fence etc. especially sunk below or raised above the 9

BUBBLE DIAGRAM
D
general level or enclosed by a frame.

The inspiration was taken from the pleats which are formed in
8
KITCHEN
A' P
I a flowing dress of a girl. 7

2100
3300
6

O The outer structure was designed withe panels which form

pleats and define the beauty of the house. 5

DINING AREA
A
- 4

3
LIVING AREA/ N
GUEST BEDROOM
R 2

S
E
1

UP

S A

2130
D LIVING AREA

1601
1100
ENTRANCE

E
N
T
I B

A
L SCALE- 1:20 GROUND FLOOR
 8880

2255 3874 230 2290

B'
6556 MASTER BEDROOM WALK-IN WARDROBE

3740 150 2280

PANELED BACK WALL WITH PATTERNS IN ALTERNATE PANELS

2850
SLANTING HEADBOARD WITH CUSHIONS PLACED IN DIFFERENT
SIZES OF PANELS IN L- SHAPED DESIGN

449
5415
SITOUT BATHROOM

DN
LIVING AREA
WOODEN PANELS DESIGNED TO CREATE A PARTITION AS WELL AS SERVE A
FUNCTIONAL PURPOSE S

2615
E
10 11 12
15 KITCHEN
14

2100
13 OUTER PANELS DESIGNED ACCORDING TO THE CONCEPT RESEARCH WHICH IS

P
INSPIRED BY PLEATS IN A FREE FLOWING GOWN

900
9
MASTER BEDROOM A'
WALK IN WARDROBE C
L
STEP UP FLOOR DESIGNED TO CREATE AN INTERESTING SPACE IN THE LIVING
8 AREA WHICH SERVES AS COMMON SEATING AS WELL AS GUEST BEDROOM

7
T
A SECTION AA’
3000

I
6
1800

N
5

O
7660
4 DINING AREA
2849 3600
LIVING AREA/
S 3
GUEST BEDROOM PANELED DESIGN INSPIRED FROM THE CONCEPT RESEARCH ON ALTERNATE

N
EXTERIOR SURFACES

DESIGN STUDIO 12-06-2017 1:20

300

S
1

SECTION AA' PREEYANKA GANDHI

SLOPING ROOF WHICH GIVES DOUBLE HEIGHT LIVING AREA
MASTER BEDROOM WALK-IN
RAFFLES DESIGN INTERNATIONAL WARDROBE SHEET NO-1
A

2700
VARYING PANEL SIZES WITH CUSHION ATTACHED TO IT CREATE A
WARM PLACE

LIVING AREA
LOW RISE BED PLACED AGAINST IN THE CORNER OF THE ROOM TO

150
5265
CREATE A COMFORTABLE AND COSY PLACE TO REST

KITCHEN
STUDIO
DESIGN DEPICTS THE VARYING SOUND LEVELS AND IS CREATED USING
COLOURED GLASS IN STUDIO

2615
DINING AREA

SCALE- 1:20 FIRST FLOOR SCALE- 1:20

SECTION BB’
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V
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Bungalow Entrance and Kitchen View Bedroom, Studio and Living area View
R
Living Area
E
N The raised flooring in the living area has been created to serve for the dual pur-
pose. The sofa cum bed can be used when the guests come over. The panels have
D been used to create a partition between the studio and the living area. The panels
designed can be used as a display unit and the design adds to the aesthetic appeal

E of the living area.

R
S
R
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N
D
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Studio Master Bedroom

The materials and the colours have been chosen to create harmony and balance in the room. Since, the studio space will also The Panels have been put up on the back wall of the bed and the velvet fabric has been used
have visitors and clients, the interiors are designed to be soothing and pleasing to everyone. The semi-gloss soundwaves panel to enhance and add glamour to the Bedroom space. The walk-in wardrobe has been designed
has been put up which defines the space. according to the clients requirements and an efficient circulation has been provided in the
bedroom.
 H
PROJECT BRIEF
CONCEPT
PLANS
SECTIONS
RENDERS

DESIGN STUDIO
05 HOSPITALITY
D
E YOUTH HOSTEL
S PROJECT BRIEF

I The project designed is a Boutique Youth Hostel situated in Navi Mumbai

City for all the travellers who wish to stay in a hostel with premium
M
G facilities and have all the requirements fulfilled.
A
N
The aim is to create an experience for each and every visitor while main-
taining the privacy of the guests staying at the hostel. In today’s world
where the youth is surrounded by the gadgets and technology, the design
S
is developed to connect the youth with nature and convey a message of the
importance of environment and sustainability. CONCEPT T
S Navi Mumbai, a commercially strong location is emerging as the smart city
E
T and its proximity to 2 of the most important cities i.e Mumbai and Pune, • The Projects aims to Connect Indoor and Outdoor spaces by the means

U
makes it more important and defines the the scope for the Hostel in this
location along with having many sources of entertainment such as
of design and material applications.
R
multiplexes, shopping malls, night clubs, restaurants and much more. • The design aims to incorporate Fluidity in the structure of the hostel
building and surrounding spaces.
D The design along with the space planning and zoning have been developed

I
from the exisiting Outline of Ground plus 2 floor plans provided. • The purpose is to develop a Sustainable Design and concept in the
hostel environment and create an awareness amongst today’s youth. F
O • The elements in the hostel are planned to have a Modular aspect which
makes them multipurpose.
L
- • The project believes in Open Space Planning and the design aims to O
create a barrier free interiors and exteriors.
H O
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Y SKETCH- CONNECTING INDOOR-OUTDOOR SPACES SKETCH- INCORPORATING SUSTAINABILITY AND FLUIDITY SCALE- 1:100
 B

F B F
L L
O O
O O
R R
B FIRST FLOOR PLAN
P B P
L A A
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A A
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S S

GROUND FLOOR PLAN

SCALE- 1:100 SECOND FLOOR PLAN

B
S S
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SECTION AA’ SECTION BB’

SCALE- 1:100
All Dimensions are in MM
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EXTERIORS - FRONT VIEW EXTERIORS - BACK VIEW

 BRIEF
THIRD FLOOR ISO VIEW
I ISO View’s of all the floor’s have been projected to understand the planning
I
S of different zones and their accessibilty. The Zones have been designed
with the concept of interconnecting the interiors and the exteriors.
S
O O
M M
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T T
R R
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C C

V V
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W W
S S
GROUND FLOOR ISO VIEW SECOND FLOOR ISO VIEW
R
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CAFETERIA - DAY VIEW CAFETERIA - SERVICE COUNTER

 R
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BAR COUNTER DORMITORY

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DORMITORY- BALCONY VIEW BALCONY

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AMPHITHEATRE OUTDOOR CAFETERIA SEATING

 MODULAR PAVILION- refers to the design
composed of separate components that can be
connected together to create a space or object.
The beauty of modular architecture is that you
can replace or add any one component (module)
without affecting the rest of composition.

DESIGN

PROJECT BRIEF
CONCEPT
MODEL

DESIGN
06 MODULAR PAVILION
 PROJECT BRIEF

Modularity- Modularity means a standardized unit which when combined together forms
M an object or large composition. In nature, modularity refers to the construction of a cel-
lular organism by joining together standardized units to form larger Compositions such

O as the hexagonal cells in honeycomb.

D DESIGN CONCEPT

U The model is designed for exhibition spaces, public meeting halls and similar places. The entrance is unconventional , giving easy
entry and exit and at the same time main-
L The pavilion structure has an interlocking system in which the modular component i.e.
the square sun board tile has been cut in such a way that it interlocks with the other tile
taining the enclosure of the Model in the
front.

A thus forming a huge structure.

Cross ventilation has been kept in mind

R The material used is of different sizes and a sense of balance is maintained. The walls of
the structure have been given different heights and slopes to enhance the design of the
while designing the structure for smooth
flow of air from front to back and left to
structure. right.

The model offers flexibility of changing the

P height, shape due to its easily removable and
changeable interlocking system.
A The model is very contemporary and
V dynamic and is a multi purpose model with
several applications.
I The Model is designed in such a way to

L ensure that the Cross Balance is maintained.

It’s a unique kind of design with multi level

I walls which is visually appealing.

O The size and the number of sun board tiles

in each of the walls are different. The quanti-
N ty of tiles used in the walls balance each
other and also balance the 4 walls to main-
tain the strength of the structure.

The model has been placed on a green

flooring like a turf of any stadium or a lawn
which enhances the look of the design and
gives it a utility value.
 DESIGN

PROJECT BRIEF
CONCEPT
FURNITURE PICTURES

FURNITURE DESIGN
07 HEX
 S
PROJECT BRIEF E
Hex Furniture was designed by a group of six students. The Furniture won 3rd
A
Position in “Wood is Good” Competition conducted by FOAid, 2017. T
Concept- The basic ideation was to incorporate inter-locking element in a
desired form. Eventually, the inter-locking concept was combined with organic
I
honeycomb structure and multiple formations were created. Ergonomics,
Functionality and the design are the highlights of the Hex Furniture.
N
H Wood Provided- 30 pieces (190 running feet)
G
Wood Used- 73% of the total wood provided.
E Hex furniture can be placed in Residential, Office space, Cafeterias, Hotel Lobby D
X and many more similar spaces.

The logs of wood were joined together and converted into planks. The Dove tail
I
joinery was incorporated and the joints were fised with fevicol and araldite.
The Hexagon pieces were sanded and the joinery was filled with sealing
P
F compound.The final Furniture piece designed was finished with clear matte
polish.
L
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T

P
I
PROCESS AND
E
DEVELOPMENT C
E
 DESIGN

CONCEPT
TECHNICAL DRAWINGS
LAMP PICTURES

LIGHT DESIGN

08 PENUMBRA LAMP
L
A
M
P

D
E
S
I Penumbra means “shadow cast by an object”. The inspiration of the
G lamp comes from the appreciation of geometric abstract art. The design
is created to play with shadows and light to fabricate a fantasy of design

N and function coming together.

The lamp has an added feature of playing with direction of the light.
Back Painted Glass
The colour of the glass was carefully selected to give an impact in a
subtle way keeping the design the focal point.

This gives the lamp a construct between the complex geometric design
in stainless steel and the simplicity of the pink glass.

The eye catching feature of the lamp is the different shadows that are
created through the the steel frame. This can give any room more di-
mension and movement just by flipping a switch. Even with the lights
off the lamp is still a stunning addition to any space to add a touch of
FRONT ELEVATION SECTION illusion.
*All dimensions in mm
 KITCHEN AND
BATHROOM DETAILS

PLANS
SECTIONS
DETAILS

CONSTRUCTION STUDIES
09 TECHNICAL DETAILS
 D C
3000
600 600 1800 230

150
HINDWARE TABLE
MOUNTED SINK MIXER
WITH SWIVEL SPOUT
AND CHROME FINISH

850
A A'

1360
2700

1000
K B B'
UPVC FRAME, FENESTA

I SLIDING WINDOW WITH

PRISTINE WHITE HANDLE
AND CLEAR GLASS

T S

850
C
RAK BRAND,300X300MM
MAGNUM BROWN E

0
SATIN MATT WALL TILE

H D' C' C
SECTION AA’ SECTION BB’
E PLAN T
N I
600 860 915
EWS 3, A.O SMITH 3
LITRE CAPACITY WATER
HEATER
O
P
75X75MM, STAINLESS STEEL
FLOOR TRAP

HINDWARE TABLE
N
L
MOUNTED SINK MIXER
S
900
WITH SWIVEL SPOUT
AND CHROME FINISH

A 390 (L) x 255 (W) x 535 (H), ABS FOOD GRADE

PLASTIC KENT RO WATER PURIFIER WITH 8

N
LITRE STORAGE CAPACITY
2700
900

UPVC FRAME, FENESTA

SLIDING WINDOW WITH
PRISTINE WHITE HANDLE
AND CLEAR GLASS

30MM THICK, MSISTONE

AMARELLO ORNAMENTAL
900

SHADE GRANITE
COUNTERTOP
150

RAK BRAND,300X300MM
MAGNUM BROWN
SATIN MATT WALL TILE

DOMESTIC WATER SUPPLY SECTION CC’

SCALE- 1:20 PLUMBING PLAN SECTION DD’ SCALE- 1:20
HOT WATER SUPPLY

*All dimensions in mm *All dimensions in mm

 1200 900
335 440

K B

300
JAGUAR, OHS-1819, 200X200MM

A
OVERHEAD SHOWER,BODY AND FACE

I
PLATE BRASS WITH CHROME PLATED

300
T JAGUAR- ARI-39001B, SINGLE
LEVER BASIN MIXER AND
450MM LONG BRAIDED HOSES
T
C H
R
JAGUAR- ARI-39065K,SINGLE LEVER

H
DIVERTOR WITH WALL FLANGE AND
BUTTON FOR OVERHEAD SHOWER

250
O
JAGUAR- SPJ-35429, BATH SPOUT WITH

E
WALL FLANGE

O
JAGUAR- 440X360X545 MM,

N
FLS-WHT-0111, WALL HUNG WC

150
M
D

300
SECTION

E SECTION AA'
D
T 300X300 MM, CRUST
E
T
270 220 230
A

150
CERAMIC WALL TILE
WITH MATTE FINISH

I
JAGUAR- CIS-WHT-31801021 FLOOR MOUNTED
FRAME WITH INSTALLATION KIT
A

340
JAGUAR- ARI-39001B, JAGUAR-CQT-23083, CONCEALED
STOP COCK

I
SINGLE LEVER BASIN

L
MIXER AND 450MM 140MM DIAMETER, STAINLESS
STEEL FLOOR TRAP

A A'

S BAJAJ, 3 LITRES FLORA 3 KW L

1050
INSTANT WATER HEATER (WHITE)

ROUND BASIN, SIZE-

DOMESTIC WATER
SUPPLY
FLUSH WATER SUPPLY
S
SHOWER, 8MM DIA,1M SEWAGE DRAINAGE
LONG FLEXIBLE TUBE

PLUMBING PLAN
WASTE WATER
DRAINAGE

FLS-WHT-0111, WALL

SCALE- 1:5 SCALE- 1:20

*All dimensions in mm *All dimensions in mm