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  • F. Sor. 10 Estudios - 1

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    Alejandro
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    asd

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    F. Sor. 10 Estudios- 1

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    asd

    Авторское право:

    © All Rights Reserved
    Скачайте в формате PDF, TXT или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    16 просмотров12 страниц

    F. Sor. 10 Estudios - 1

    Загружено:

    Alejandro
    asd

    Авторское право:

    © All Rights Reserved
    Скачайте в формате PDF, TXT или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    из 12

    Estudio en Do mayor

    (Op. 60, nº 1)
    Fernando Sor

    Andante


    i

    1
    m

     3   3  i 1
    m i


    m

     1 
    m i m i i m i

         
    p p m p

      
    4

        

     4
    m
      4
    m

      3 
    m i


    i

      3 
    i

     1  
    i i m

    
    6 m

     p  
    4

       
    3 1


    2

    2
     p

          i m  i  i   
       1 1 
    11

     p  p3  
    2 
       2  2
     
    2  3  
    3
    3
    p p
    rit.

    http://guitarraenasturias.blogspot.com.es/
    2

    Estudio en Do mayor
    (Op. 31, nº 1)
    Fernando Sor

    Andante m

     1
    a

     
    a m a

       
    i m m m

       1  
    i i m
     
    i

     
    4

      2
    1 4 1

     2 3

      
    m i m

         
    i m i m

    2   1     
    7 i m i m i 2

      
    4 1

    3 2
      
    1 4


    m
    a a

     
    i m

     
    i m

         
    m m i i i

    34    
    13 i

    
    i

     2
    1
      4

         
    2
    3


    3
    p p i

    1 
    a

     
    a a

      
    m a a m a

     
    i i i m


    19

                 
    4 1

     
    4

    3 3 2 3

        1
    m i m

      
    a a

      
    m a m m i m

           
    24 i m 2

      
    4

    
    4

     
      
    1 1


    2
    2

     
    i a m

       4
    m m m i m

    1  1 
    i i

     
    30 i

     2 
     3   
    3  
    3 2
    2 p
    p
    rit.

    http://guitarraenasturias.blogspot.com.es/
    3

    Estudio en Do mayor
    (Op. 35, nº 1)
    Fernando Sor

    Andante

        4  1
    m a

        
    a a

      4   3 
    m i

    1 
    m i m m i i m i

         1
    4

     2  2
    2 1
    3


    3 p
    p p p p

      
    a


    i m

     4 
    m m m

      
    i i i i


    6 i m

         2       
    i

     3
    3 3  3 

    p p p 2
    p p
    p

                
    m a

       
    m m i i

       
    11 i i m m m i m i

         
       
    2 3 
    4

      

    3 3

    4 
    a

    1
    a

       4      
    a m a m

      1  
    i i m i

       
    17 m i

     2       
    2 3 2  

    3


         
            
    m

      
    m

      4
    22
    i

    4

       3 

    1 1

    3

    2
    p p

    1   2 4  1 
    a a m

     1 4  
    m i a m m

    4
    i m i m m i i m
     1   
    i m m i

     
    27 i

      
      3   
    i

    3
     2 3 2
      
    2 2 1

    3
    3
    p p p p
    rit.

    http://guitarraenasturias.blogspot.com.es
    4

    Estudio en Do mayor
    (Op. 44, nº 2)
    Fernando Sor

    Allegretto
    i a

      1 4 
    i a i a i m i m

      1  4  1   4   
    i m i


    p i p m a m

    1 
    m

       2        
    3 2 3

      

      
    m
             i
    i

       
    9 m

           3
            3
    4

    p 2


    p

     
    p

     1 
    m


    i i i m i a

         2  1           2   4 
    m

    
    m i m

         3   2
    4 1
    2

     
    p p 2 3
    p p

        
                      
    9

     
         
     

           
                
    17

        

     
     
    rit.

    http://guitarraenasturias.blogspot.com.es/
    5

    Estudio en La menor
    (Op. 60, nº 5)
    Fernando Sor

    m a i m a m i p a m

      1  
    i p i

      4
    p i m m
     1 4   4  
    i m p i m

    2   
    p

      
    4

    2 
     1 1

        


    i a

        
    m

         
    m i p a

     
    p i

             
    5 p

        
      
    a m i a m i i m a

     4   3      4    2  
    i m m i m p i m


    p

     
    9


        
    1 1
      1 1

     
    2

      

      
    m i m i Fine
       
    m i m i m i

     
    i m

         2       2   1 
    13 m i

     
    1
     
      2  
    3
    3
    3


    p p p
    p

    i m

     
    i m i

       2  
    i

     1 
    p i a m m i
     2  
    m p m

      1  2
    17

     
    4 4
    2 4 2

          

     
    i m p a m

      4 
    p m m i m

    2 4 4 2
    m p i

     2  3 
    21 p

     1

       
    2

       

    http://guitarraenasturias.blogspot.com.es/
    6

    m i

    4 
    a p m

       1   
    p i m i m m i a m i

       2   3  3  2 
    p i m a i

     1
    25

      
    3
    2 1

          
    1



    m i

     4  1  3 m i m
    a m i

    4 
       4 
    m

     1  2  4 
    29 p i

      2  

        
    1 1

    33
                     

          

    D.C. al Fine

     2 1 4 
    m

      
    i m a i

    
    m

      
    i

     4 
    i a

    3 4 
    37 m

      
     2  
       2 
    3

     rit.
    7

    Estudio en Mi Menor
    (Op. 60, nº 14)
    Fernando Sor

    Andante


    a
          4 3    
    m a m m i

     
    m i

       
     1
     
    4

       
    3

      
    2
    2


    2


    1

           
    1. 2.

         
    6

     
      1 

    2 
    1  2   3  2  1   2  
     
    1 3
      

    3

    a m

      2  2   3     1   4  2  1 2 31 
    a m
    m a

      
    i

     
    11

     1 3 3
    i 1 p i p

       2  
    1

     2   4 2
    3 3
    2
    1

         
       

       
    16

         
    4

       
    2

     2  1
    3 
    3 1
       

        1     4  
       
      3  2 
    21 4

         3
    4

       2

     
    1


    rit. 1

    http://guitarraenasturias.blogspot.com.es/
    8

    Estudio en La menor
    (Op. 35, nº 14)
    Fernando Sor

    Andante

        2    1  4   1  
    i m i m a m m m a 3

    i i i m

       1    3
    m

      
    1   
     3 
    4 1


    2


    1 2
    3


    2

     
    4
       2      4   1  
    i m i

     1 1       
    i a m i


    m m


    4

    5 i

    
    3

       
    4

      2
    1


    1 4


    2


    3
    2

        1
      1    3  1 1  4      3    1   
     
    9 m

                     4   2    3
    i 4 i 4

     p p   2
    1 2 
    p


    4
    m m i

    1 
    m a m a m a a m a

      4  1     1     2    4     1   
    m m a
    14

    2    1   1 
          
    2


    2
    3 3


    2 2


               

         4     1    2
    3

       
    18

    1

       3 
    1


    3 2

      
    2
    3
    2 1

      4  3 3 1 
     1     2       2         1     
    22 1
    1 4

      
    3 3

       3
    1

      rit.  
    2 2


    2

    http://guitarraenasturias.blogspot.com.es/
    9

    Estudio en Do mayor
    (Op. 31, nº 9)
    Fernando Sor
    Allegretto

    4 
          4
    a a m m


    m a

      1  2            
    m
     4 1
    i i

           3   
    i i

    3 p p p p p p p p p
    i 2  2


    p


    i a

        4
         1  
    m
      1
    5

          
            3  3   2
    3  
    2 1



    2
    1

               
     2   4 3    2   3    
    a i m a i m
    9

       
           3
         
     
    1 1

    4       4  1     4   
    3 1
    13

            
    1  
    3     3  1

    2
    cresc.

      2 4   2  3     1  4       1   
    1   1    1  2 
    17

      1       
    4

         3


    2

    4 
           4
     2 1    3    
     
    21


    1

    3     
    4
    1

      3
    2

    1  2     

    
                         
    25

             
     

     
          4

     2    3   
    29

          
        1  2
       
    3

    rit.
    http://guitarraenasturias.blogspot.com.es
    10

    Estudio en Re mayor
    (Op. 31, nº 3)
    Fernando Sor
    Allegro moderato

       4  2  1    2   1  2      4  2    4 3    4  2 
    m i m i m i

            2  
         

    1


    5
      1    42  1 2        2  4   2  2    2 
         1
    3
           
      
    1

    i a i a

     3    3       1        3     


    m i m m i m

       
    9

     1   2
    1
    2
    3
    2
    1

     4 4  
    i m i

      
    a m m i m

          2  
          1    1
     1 
     2
    13

     1     
    
    3 3

    
    2

    
    1 3

     
                   4
      31  1   1   23      
    2

     
    2

       1  

         4  2 1  2  1  2      2
     21  1  1
     

    6

           2   3 
        3


     
       2
    10
      2     2 
    1   1
     
     1  3  1 3   
    4

     2    
    1

         3


                        

     
      
    14

                     
      
    http://guitarraenasturias.blogspot.com.es
    11

    Estudio en Do mayor
    (Op. 35, nº 13)
    Fernando Sor
    Andante a

        4  4  4
    a

     1 1
    m
    i p i

        2     p    2     2  3      3   2      
       
    i i 4

    3 3


    p p

    4
    a

      
    m


    m i

    1       1   4    
    5 i i i

       2         2       2
    0

    3 2  p2 
    3
    3
    3 3 0
    p p p

       
                           
    9

           
       

         
    m

      
    i p p

                            
    13

      i
    2  3
    4

    p
    m

     4  1  i 1    i 1     
    a a m m i m


    m m i

      
    m m i i i
    1
    m

     4        4  2        i   4 
    17 i p i
    i p i
      1 2 
    4

    2  3  2 3 
    4

    3 p p p p
    p


    p p p

      1 4   1 
    m i m i m

                          2   1    3   4
       
    21
    2

      2 3   3 

       4
    C. III .................................

                   1  3  1        3  2   1    

    25
    4

        
     2

    i p i 
    a C. I ........

     
    C. II ..................................... m

      
    m

        3 1      2  34     4   4  12     4   1   2  
    29
    1 0
    1

    3 
    2   
    1
    3 rit.

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