L’ABEILLE ET LE PAPILLON

Henri Salvador
Arr. O.Kroha
Giocoso
     
1  
4 3   1      1  4 2 1 2
 
1
3
1 _


1 2 2





Andrey Nosov's Guitar School... Only the Best Materials...

   3 X   
        4 
3 
V;3str.

     4 


  32  4  
 40 1 0  0 1

1

 
4 1

3


1 2

 0  
4

  0 0 
0   
0 3


0

  
(2)

            

                         
4 4 4
1 0 0

   
4 4 1 1 1

         
0 0 0

 
0 0 0 0
2
0 0 3 3 3
2 3 3 3

  
4   4  4   1 
  
   
  0        
  0        0    
1 4
0 0

     0
1

    3
0 0 0 1

 0  0  3
2
  3
2 3 3 3

    

4   4  4  
4      
 
 0 0        0  0   0  0        
*)


18 1 4
0 0

   
1 1 1

 0
   0  2    3 
0
 3
3
2 3 3 3 3

   
1  4 3
V

    
0  0   0  241
4  4 
 
      102
3

  0       0     02      2 0
4
1

 0
   0    0 3  3 
3
2 3 3 0

  VII   
                     
 V;3str.

            
4

 
4 4 4 3

 
3 3 3 4

  
3

    
1

     
 3

0 0 0

From A.Nosov's archives of sheet music

http://www.guitarnosov.com
  
  1  3  
3 X   
 


 
 3      3    2         
  40 1  0 1
4 1

      
    0  
4 33 0
4

    0   3
0 0 0
0 0 0


(2)

   
34      

               
II

 
4

                 
4 2 4
1 1
Andrey Nosov's Guitar School... Only the Best Materials...

0 0


2 2 1 1 1 2

        
1

  
0
2 0
3 0
0
0 0 0 0

  
 
4 
 
 2 

  2 1  1 

 0  2 
      1     
4

 0     0   
2
0

  0     
0
   0
3
0


0 0 0 0

 1  1
   VII
  4 4
   1 0 2 0  2        4  
4
_1
3

  0    1        3 
            0

3
0 0 0
0 0 0 0

*) SCHEME OF COMPOSITION
Step One: 1st to 33th measure inclusive (measure numbers are shown in figures in the boxes).
Step Two: transition to the 18st measure and from the 18st measure to the 24nd measure inclusive.
Step Three: transition to the 34th measure and from the 34th measure until the end.
Let me also remind you that according to the rules of notation,
the measure numbers are shown in the beginning of the measures.

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Andrey Nosov