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Krzysztof Kobalczyk
Light
Painting
on miniatures
light theory
My main inspiration for this sort of painting are artworks
of different artists and materials for making studio
photography. They are always painted on a flat surface
but you can see that by using light you can achieve
a three-dimensional look and there is always one main
light source and always one or more weak secondary
lights that fill the represented character and add
perspective. The main light source is generated by the
sun, a window, a lamp or something that illuminates
the character and gives a basic mood. This light
influences most of the character and has impact on
the colors, their saturation and placement of shadows.
As promised, I want The secondary light sources are mostly generated by
light reflected from close surfaces. You can also use
to show you a tutorial weak light sources of a different color that come from
about how I approached behind the character and change the mood.
painting the Esthel Below you can see a representation of light and how
it interacts with a sphere. It’s important to have this
bust from Nocturna in mind when painting a miniature and to treat it as
Models. I will show a geometric shape. For most surfaces, a sphere is
sufficient but you should keep an open mind and don’t
you how I interpret light focus to much on the details of the miniature. In my
opinion, one of most important things is the placement
and my way to transfer of core shadow and I always try to start with this and
it in a realistic way then I paint halftones and highlights. After that, I come
back to paint the reflected light and you will see this
to a miniature. on how I approached painting Esthel.
2
light theory
My first step is to look at the
miniature and find an interesting
side where I can focus the light and
use the sculpt. For this bust I made
some photos under my painting
lamp to see how this works. Here
you have some photos of the pure
mini. The first one is just the central
front view from where the light will
fall on the character.
3
light theory
4
adding color
My next step was to begin coloring
the miniature. Here you have
a photo of the paints I used. I use
mostly Scale 75 paints from their
Scale Color line. I like those paints
for their consistency, covering
value and strong pigment. As for
the white I like using the Createx
Airbrush Color paint because it's
very strong and bright
Then I started to color the whole miniature with very and heavy pigment. With paints such as Citadel or
thin glazes mixed with a little of airbrush thinner. I add Vallejo you should be ok with only water because they
the airbrush thinner because it makes the paint more are a little glossy and the thinner would give them even
fluid and more easy to blend. It’s especially good with more gloss. To add fluency and to make the transitions
scale 75 paints because they have a dense consistency more easily.
5
adding color
Here you can see some progress photos on how the whole surface with dark paint the basic light effect
I painted the mini. Painting different areas, I always will be ruined. Having this in mind try to use the base
start with shadows and I covered them with color only as a guide for placing highlights and shadows.
in places that I wanted to, because if you would paint
6
adding color
7
adding color
OK, here you have the final photo of the skin. I hope If you like this tutorial, and would like to leave
this will help you to better understand how this was a comment, you can reach me on my facebook profile.
made and what I had in mind painting this bust.