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ACADEMY OF ST MARTIN IN THE FIELDS

FEBRUARY 13 - MARCH 4, 2020


JOSHUA BELL, MUSIC DIRECTOR & SOLOIST

Photo: Chris Christodoulou

The Academy of St Martin in the Fields is one of the world’s greatest


A4 portrait size and position
“Friday’s performance from the British superstar chamber o ­ rchestra,
chamber orchestras, renowned for fresh, brilliant interpretations of the Academy of St Martin in the Fields (ASMF), under the direction of
world’s greatest classical music. Formed by Sir Neville Marriner in 1958 American violinist Joshua Bell, will certainly be remembered as one of
from a group of leading London musicians, the Academy gave its first the top classical music events of the year. The ­present ­configuration
­performance in its namesake church in November 1959. Through unri- of the 56-year-old group is a worthy heir to the name and upholds
valled live performances and a vast recording output – highlights of which high standards for deep musical culture: sound that is crisp, clean,
include the 1969 best-seller Vivaldi’s Four Seasons and the soundtrack balanced, and refined. The musicians seem to have tapped some
to the Oscar-winning film Amadeus – the Academy quickly gained an magical key to heightened attention, displaying ­near-perfect unity
enviable international reputation for its distinctive, polished and refined and collective phrasing that flows with spiritual sway.”
sound.Today the Academy is led by Music Director and ­virtuoso ­violinist Santa Barbara Independent
Joshua Bell, retaining the collegiate spirit and flexibility of the original
small, conductor-less ensemble which has become an Academy hallmark. “The orchestra played with amazing precision and with the
Under Bell’s direction, and with the support of Leader/Director Tomo ­brightest tone imaginable...The Academy of St Martin in the Fields
Keller and Principal Guest Conductor Murray Perahia, the Academy is an ­amazing ensemble. The performance depends on the individual
continues to push the boundaries of play-directed performance to new ­players, all of whom are artists, and we are never disappointed.”
heights, presenting symphonic repertoire and chamber music on a grand Palm Beach Daily News
scale at prestigious venues from New York to Beijing.
“Bell stood in the conductor’s position to [both] direct and
PROGRAM ­perform. As the orchestra’s sounds waxed and waned around his
Opener TBD violin’s sweet, plaintive phrases, Bell captivated with his charismatic
PAGANINI Violin Concerto No.1 ­playing...”
BRAHMS Symphony No. 4 The Washington Post
All programs subject to change. Please do not publish programs without confirmation from Opus 3 Artists. T 212.584.7500
OPUS3ARTISTS.COM3
asmf.org

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