Philippine Normal University

INSTITUTE FOR TEACHING AND LEARNING

SECOND QUARTERLY EXAM

Grade 9

Name: ____________________________ Date: ___________

Yr/Sec: ____________________________ Score: ___________

I. Multiple Choice: Choose the best answer from the given choices. Write the letters only.

_______ 1. A composition with a long libretto of religious or contemplative character that is

performed in a concert hall or church without scenery, costumes or action.

a. opera c. cantata
b. oratorio d. none of these

_______ 2. Short vocal form. It is a free form for solo voice with accompaniment in which the vocal
melody approximates the natural inflection of the speech.

a. recitative c. cantata
b. aria d. none of these

_______ 3. A drama set to music complete with costumes, scenery and staging.

a. oratorio c. opera
b. aria d. none of these

_______ 4. Technique writing in polyphonic texture.

a. canonic c. fugue
b. counterpoint d. none of these

_______ 5. Composite vocal work in several movements for solo voice instrumental and
accompaniment, chorus. These are written for specific holy days in the Lutheran Church
Calendar.

a. cantata c. overture
b. suite d. none of these

II. Direction: Choose the word that does not belong to the group. Write the letters only.

_______ 1. a. Gregorian Chant _______ 4. a. George Frederic Handel

b. Organum b. Giovanni Palestrina
c. Aria c. Antonio Vivaldi
d. Madrigals d. Johann Sebastian Bach

_______ 2. a. Fugue _______ 5. a. Cantata

b. Aria b. Aria
c. Chorus c. Opera
d. Recitative d. Oratorio

_______ 3. a. Polyphonic texture

b. Terraced dynamics
c. Individualism
d. Repeated rhythmic patterns

48
III. True or False: Write True if the statement is correct and False if it is wrong.

_______ 1. Recitative, aria and chorale are the examples of single vocal forms.
_______ 2. There’s no alteration of dynamics in Baroque music.
_______ 3. The word Baroque is derived from barroco which means pearl of regular shape.
_______ 4. George Frideric Handel is well-known more for his instrumental compositions.
_______ 5. Johann Sebastian Bach is well-known for the use of counterpoint in his
compositions.

IV. Direction: Indicate whether the following statements best describe Pre-Baroque or Baroque music.

____________ 1. Their works feature such factor as terraced dynamics, bel canto and an incessant
rhythmic drive.

____________ 2. Era of ecstasy and exuberance of dynamic tensions and sweeping gestures, passion for
large and noble subjects.

____________ 3. The foundation of Western Art were laid in this long period. Vocal polyphony was
begun in which musical interest is shared equally between parts which move
independently to produce an interwoven texture.

____________ 4. Major and minor modes gradually replaced the church modes and moderate
modulation to related keys replaced the practice in remaining in one tonality.

____________ 5. Music was with no regular metric grouping, has narrow range, average tessitura and
conjunct notion. Tonal organization is basically that of the church modes.

____________ 6. This period was characterized by a great interest in drama, religious intensity. This was
a time of significant advances in science, rise of sizable merchant class.

____________ 7. Dynamics were not indicated in most music of this period. Texture was predominantly
monophonic.

____________ 8. Characteristic timbre of this period was that of the basso continuo which was consists
of keyboard, and bass instrument.

____________ 9. Notation of the sounds developed in this period; Syllable names for the note of the
scale was invented by Guido d’ Arrezo which is the basis of the modern Solfeggio
system.

__________ 10. Polarity of outer voices because of the predominance of the high pitched
instruments; use of imitative and non-imitative polyphony.

V. Matching Type: Match column A with Column B. Column A refers to the title of the
compositions and Column B refers to the name of the composers.

Column A Column B

____ 1. Hallelujah Chorus a) Claudio Monteverdi

____ 2. Four Season’s - Spring b) Antonio Vivaldi
____ 3. Toccata and Fugue in D minor c) Johann Sebastian Bach
____ 4. Messiah d) George Frederic Handel
____ 5. Air on G-String

VI. Direction: Identify the Baroque composers being described by the following statements.

______________________ 1. Father of counterpoint and master of fugue

______________________ 2. Master of Italian opera and English oratorio
______________________ 3. First composer of operatic masterpiece
______________________ 4. A religious man, a Lutheran who wrote Jesu Juva and Soli Deo Gloria
______________________ 5. Catholic priest, virtuoso violinist, and an Italian composer

49
VII. Direction: Choose the five (5) instruments that were popularly used during the Baroque Period.

________________ 1. clavichord organ

________________ 2. piano harp
________________ 3. bassoon xylophone
________________ 4. glockenspiel harpsichord
________________ 5. violin mandolin/lute

50
 Philippine Normal University
INSTITUTE FOR TEACHING AND LEARNING

SECOND QUARTERLY EXAM

Grade 9

KEY TO CORRECTION
I. Multiple Choice
1. b
2. a
3. c
4. b
5. a

II.
1. c
2. a
3. c
4. b
5. b

III. True or False

1. True
2. False
3. False
4. False
5. True

IV.
1. Baroque
2. Baroque
3. Pre-Baroque
4. Baroque
5. Pre-Baroque
6. Baroque
7. Pre-Baroque
8. Baroque
9. Pre-Baroque
10. Baroque

V. Matching Type
1. d
2. b
3. c
4. d
5. c

VI. Identification
1. Johann Sebastian Bach
2. George Frederic Handel
3. Claudio Monteverdi
4. Johann Sebastian Bach
5. Antonio Vivaldi

VII.
clavichord
harpsichord
organ
violin
mandolin/lute
51
 Philippine Normal University
Institute for Teaching and Learning

Third Quarterly Examination

Grade 9

NAME: ____________________________ DATE: ___________

YR/SEC: ____________________________ SCORE: ___________

I. Multiple Choice: Choose the best answer from the given choices. Write the letters only.

_____ 1. An instrumental piece in which the leading theme (A) is repeated, alternating with the others.
A typical pattern, with letters representing thematic sections would be ABACABA.
a. ternary form c. sonata-allegro form
b. rondo form d. none of these

_____ 2. A drama set to music complete with costumes, scenery and staging.
a. oratorio c. opera
b. aria d. none of these

_____ 3. A multi-movement or long instrumental form for the orchestra in three or more movements. A sonata
for the orchestra.
a. symphony c. sonata
b. concerto d. none of these

_____ 4. A distinct style of opera which usually implies heroic or tragic drama that employs mythological
characters.
a. opera buffa c. comic opera
b. opera seria d. none of these

_____ 5. A free form for solo voice accompaniment in which the vocal melody approximates the natural
rhythm and pitch inflection of the text.
a. recitative c. overture
b. suite d. none of these

_____ 6. The first section of the sonata allegro form containing the statement of a theme.
a. development c. exposition
b. recapitulation d. none of these

_____ 7. A multi-movement instrumental form for piano or any solo melodic instrument; or for piano and any
melodic instrument.
a. symphony c. sonata
b. concerto d. none of these

_____ 8. Technique writing in polyphonic texture.

a. counterpoint c. fugue
b. canonic d. none of these

_____ 9. Stereotyped figures of accompaniment for the pianist’s left hand, consisting of broken chords. They
are named for Domenico Alberti, who used them extensively.
a. Basso Continuo c. broken chord
b. Figured Bass d. none of these

_____ 10. The most significant single movement form of classical period and most satisfying form because of
its balance of repetition, variation and contrast.
a. sonata c. sonata allegro form
b. concerto d. none of these

52
 II. Direction: Choose the word that does not belong to the group. Write the letters only.

_____ 1. a. symphony _____ 4. a. The Magic Flute

b. concerto b. The Marriage of Figaro
c. sonata c. Fidelio
d. sonata allegro form d. Don Giovanni

_____ 2. a. Franz Joseph Haydn _____ 5. a. Aria

b. George Frederic Handel b. Cantata
c. Ludwig van Beethoven c. Opera
d. Wolfgang Amadeus Mozart d. Oratorio

_____ 3. a. rondo _____ 6. a. Symphony No. 5 in C minor

b. sonata allegro form b. Symphony No. 40 in G minor
c. minuet and trio c. Eine Kleine Nacthmusik
d. sonata d. Air on a G String

III. True or False: Write True if the statement is correct and False if it is wrong.

______________ 1. Approximately Classical period was from 1600-1750.

______________ 2. Homophonic texture flourished generally during the late Baroque period.
______________ 3. Rococo or gallant style began early in the eighteen century in the courts of Europe, especially
France. It was the art of the aristocracy, of the people at the lavish courts of Versailles and
similar places. The music of this style were light, elegant, and frivolous.
______________ 4. The Opera Buffa usually implies heroic or tragic drama that employs mythological characters,
which was inherited from the Baroque period.
______________ 5. Orchestra increased in size and range in Classical Period.

IV. Direction: Indicate whether the following statements describe Pre Baroque, Baroque or Classical
Period.

______________ 1. The foundation of Western Art were laid in this long period. Vocal polyphony was begun in
which musical interest is shared equally between parts which move independently to produce
an interwoven texture.

______________ 2. Music became lighter, clearer in texture, less complicated and mainly homophonic in which a
melody above a chordal accompaniment.

______________ 3. Major and minor modes gradually replaced the church modes and moderate modulation to
related keys replaced the practice in remaining in one tonality.

______________ 4. Emphasis was given on grace and beauty of melody and form, proportion and balance, and
traditionalism.

______________ 5. Sonata form developed and became the most important design.

______________ 6. Music was with no regular metric grouping, has narrow range, average tessitura and
conjunct notion. Tonal organization is basically that of the church modes.

______________ 7. This period was characterized by a great interest in drama, religious intensity. This was a
time of significant advances in science, rise of sizable merchant class.

______________ 8. Characteristic timbre of this period was that of the basso continuo which was consists of
keyboard, bass instrument.

______________ 9. Dynamics were not indicated in most music of this period. Texture was predominantly
monophonic.

______________ 10. The period that gives impression of greater stability, response clarity, balance, objectivity and
traditionalism.

______________ 11. Their works feature such factor as terraced dynamics, bel canto and an incessant rhythmic
drive.

______________ 12. Notation of the sounds developed in this period; Syllable names for the note of the scale was
invented by Guido d’ Arrezo which is the basis of the modern Solfeggio system.

53
______________ 13. Importance was given to instrumental music - sonata, minuet and trio, string quartet, symphony,
concerto and even serenades.

______________ 14. Era of ecstasy and exuberance of dynamic tensions and sweeping gestures, passion for
large and noble subjects.

______________ 15. Composers attempted to create music which is formal, strict in proportion and
moderate in expression.

______________ 16. Polarity of outer voices because of the predominance of the high pitched instruments; use of
imitative and non-imitative polyphony.

V. Matching Type. Match column A with column B.

Column A Column B

____ 1. Surprise Symphony or Symphony No. 94 in G Major a) Ludwig van Beethoven

____ 2. Eine Kleine Nachtmusik or Serenade No. 13 in G Major b) Franz Joseph Haydn
____ 3. Rondo Alla Turca c) Wolfgang Amadeus Mozart
____ 4. Symphony No. 40 in G Minor
____ 5. Symphony No. 5 Op. 67 in C Minor

VI. Direction: Identify the composers being described by the following statements.
2
______________________ 1. Father of Symphony. His music is typically characterizes as boisterous peasant
humor. His slow movements vary from lyric simplicity to deep pathos; his other
movements range from delicate, graceful minuets to complex, fugal finales. He
is usually credited with the establishment of the sonata-allegro form.
______________________ 2. Father of Counterpoint.
______________________ 3. Master of Italian opera and English oratorio.
______________________ 4. At age of five, he was already playing violin and harpsichord. Most prolific
composer of Classical period.
______________________ 5. Brought Classical period in music to its culmination and, at the same time,
launched music on the path toward Romantic period. He became deaf towards
the later part of his life, yet, he was still able to compose some of his master
works.
VII. Listening
_____ 1. a. Symphony No. 5 in C Minor _____ 7. a. Sonata for Piano No. 17 in B flat
b. Symphony No. 40 in G Minor Major
c. Symphony No. 94 in G Major b. Piano Concert No. 21 in C
Major
_____ 2. a. Franz Joseph Haydn c. Piano Concert No. 5 in C Minor
b. George Frederic Handel
c. Ludwig van Beethoven _____ 8. a. Ludwig van Beethoven
d. Wolfgang Amadeus Mozart b. Franz Joseph Haydn
c. Luigi Boocherini
_____ 3. a. Symphony No. 94 in G Major d. Wolfgang Amadeus Mozart
b. Symphony No. 5 in C Minor
c. Symphony No. 40 in G Minor _____ 9. a. Eine Kleine Nacthmusik or
Serenade No. 13 in G Major
_____ 4. a. George Frederic Handel b. Rondo Alla Turca
b. Muzio Clementi c. Sonata for Piano No. 17 in B flat
c. Franz Joseph Haydn Major
d. Wolfgang Amadeus Mozart
_____ 10. a. George Frederic Handel
_____ 5. a. Symphony No. 40 in G Minor b. Wolfgang Amadeus Mozart
b. Symphony No. 94 in G Major c. Muzio Clementi
c. Symphony No. 5 in C Minor d. Ludwig van Beethoven

_____ 6. a. Franz Joseph Haydn _____ 11. a. Moonlight Sonata in C Sharp

b. George Frederic Handel Minor
c. Ludwig van Beethoven b. Symphony No. 6 in F Major
d. Luigi Boocherini c. Sonata for Piano No. 17 in B flat
Major

54
 _____ 12. a. Luigi Boocherini _____ 15. a. Symphony No. 94 in G Major
b. Wolfgang Amadeus Mozart b. Fur Elise or Bagatelle in A
c. Muzio Clementi Minor No. 59
d. Ludwig van Beethoven c. Piano Concert No. 5 in C Minor

_____ 13. a. Eine Kleine Nacthmusik or _____ 16. a. Ludwig van Beethoven
Serenade No. 13 in G Major b. Franz Joseph Haydn
b. German Dance No. 1 in D Major c. Luigi Boocherini
c. Fur Elise or Bagatelle in A d. Wolfgang Amadeus Mozart
Minor No. 59
_____ 17. a. Piano Concert No. 5 in C Minor
_____ 14. a. Wolfgang Amadeus Mozart b. Serenade in G
b. Franz Joseph Haydn c. Rondo Alla Turca
c. Muzio Clementi
d. Ludwig van Beethoven _____ 18. a. Franz Joseph Haydn
b. George Frederic Handel
c. Ludwig van Beethoven
d. Wolfgang Amadeus Mozart

df

55
 Philippine Normal University
Institute of Teaching and Learning

Third Quarterly Examination

Grade 9

KEY TO CORRECTION

I. Multiple Choice 15. Classical

1. b 16. Baroque
2. c
3. a V.
4. b 1. b
5. a 2. c
6. c 3. c
7. c 4. c
8. a 5. a
9. d
10. c VI.
1. Franz Joseph Haydn
II. 2. Johann Sebastian Bach
1. d 3. George Frederic Handel
2. b 4. Wolfgang Amadeus Mozart
3. d 5. Ludwig van Beethoven
4. c
5. a VII. Listening
6. d 1. a
2. c
III. True or False 3. c
1. False 4. d
2. True 5. b
3. True 6. a
4. False 7. b
5. True 8. d
9. b
IV. 10. b
1. Pre-Baroque 11. a
2. Classical 12. d
3. Baroque 13. a
4. Classical 14. a
5. Classical 15. b
6. Pre-Baroque 16. a
7. Baroque 17. b
8. Baroque 18. a
9. Pre-Baroque
10. Classical
11. Baroque
12. Pre-Baroque
13. Classical
14. Baroque

56
 Philippine Normal University
Institute for Teaching and Learning

Fourth Quarterly Examination

Grade 9

NAME: ____________________________________ DATE: ___________

YR/SEC: ____________________________________ SCORE: ___________

I. Multiple Choice: Choose the best answer from the given choices. Write the letters only.

_____ 11. It is a musical setting of a poem. Its melody is expressive of the words and the
accompanying piano part is also descriptive enough.
a. art song c. lieder
b. lied d. all of these

_____ 12. Text of the opera, oratorio and cantata.

a. libretto c. score
b. script d. none of these

_____ 13. A passage or section varying length in a style of brilliant improvisation usually inserted near the end
of a composition, where it serves as a retarding element, giving the performer a chance to exhibit his
technical mastery.
a. coda c. codetta
b. cadenza d. none of these

_____ 14. Theatrical performance by a dancing group usually with costumes and scenery to the
accompaniment of music but customarily without singing or spoken words.
a. opera c. cantata
b. broadway musical d. none of these

_____ 15. A drama set to music complete with costumes, scenery and staging.
a. oratorio c. opera
b. aria d. none of these

_____ 16. A multi-movement instrumental form for piano or any solo melodic instrument; or for piano and any
melodic instrument.
a. symphony c. sonata
b. concerto d. none of these

_____ 17. An instrumental composition intended as an introduction to an opera, oratorio or similar work.
a. intermezzo c. overture
b. interlude d. none of these

_____ 18. A distinct style of opera which usually implies heroic or tragic drama that employs mythological
characters.
a. opera buffa c. comic opera
b. opera seria d. none of these
_____9. A composition for orchestra and a solo instrument which is in three movements.
a. concerto c. symphony
b. fugue d. none of these

_____10. A composition with a long libretto of religious or contemplative character that is performed in a
concert hall or church without scenery, costumes or action.
a. opera c. broadway musicale
b. ballet d. none of these

_____11. Liturgical chant of the Roman Catholic Church named after Pope Gregory I, who has believed to have
developed it.
a. hymn ` c. organum
b. motet d. none of these

_____12. Composition for the piano devoted to the development of performing skill which usually concentrates
upon a single difficult problem and repeats the passage involving this difficulty throughout the piece.
a. nocturne c. fantasie impromptu
b. polonaise d. none of these

57
 _____13. The first section of the sonata allegro form containing the statement of a theme.
a. development c. exposition
b. recapitulation d. none of these

_____14. Mature form of imitative counterpoint based on a short melody called the subject of the theme which
is stated at the beginning by one voice alone, being imitated by the other voices in close succession
and reappearing throughout the entire piece in all the voice at different points in time.
a. ricercare c. fugue
b. motet d. none of these

_____15. Romantic character piece for piano written in a somewhat melancholy or languid style with an
expressive melody over a broken chord accompaniment.
a. etude c. polonaise
b. nocturne d. none of these

_____16. The most significant single movement form of classical period and most satisfying form because of
its balance of repetition, variation and contrast.
a. sonata c. sonata allegro form
b. concerto d. none of these

_____17. A style of performance in which the player deviates slightly the exact execution of the rhythm; A
fraction of time is borrowed from one note in order to lengthen another.
a. romanticism c. fermata
b. hold d. none of these

_____18. Technique of writing in polyphonic texture.

a. canonic c. fugue
b. counterpoint d. none of these

_____19. Short vocal form. It is a free form for solo voice with accompaniment in which the vocal melody
approximates the natural inflection of the speech.
a. aria c. recitative
b. arioso d. none of these

II. Direction: Choose the word that does not belong to the group. Write the letters only.

_____ 1. a. Aida _____6. a. Fugue

b. La Traviata b. Aria
c. The Magic Flute c. Chorus
d. Carmen d. Recitative

_____ 2. a. Peter Ilitch Tchaikovsky _____ 7. a. Symphony No. 5 in C minor

b. Frederic Chopin b. Symphony No. 40 in G minor
c. Franz Liszt c. Eine Kleine Nacthmusik
d. Giovanni Perluigi Palestrina d. Air on a G String

_____ 3. a. scherzo _____ 8. a. Etude in E

b. mazurka b. Fantasie Impromptu
c. theme and variations c. Eine Kleine Nacthmusik
d. polonaise d. Nocturne in E Flat

_____ 4. a. symphony _____ 9. a. The Magic Flute

b. concerto b. The Marriage of Figaro
c. sonata c. Fidelio
d. sonata allegro form d. Don Giovanni

_____ 5. a. Franz Joseph Haydn _____ 10. a. Aria

b. George Frederic Handel b. Cantata
c. Ludwig van Beethoven c. Opera
d. Wolfgang Amadeus Mozart d. Oratorio

III. True or False: Write True if the statement is correct and False if it is wrong.
______________ 1. Romantic period was approximately from 1820-1900.
______________ 2. Concluding section or passage at the end of a section is called the coda.
______________ 3. The Alberti Bass was developed by Domenico Alberti during the Romantic period.
______________ 4. George Frederic Handel is well-known more for his instrumental compositions.
______________ 5. Johann Sebastian Bach is well-known for the use of counterpoint in his
compositions.

58
______________ 6. Approximately Classical period was from 1600-1750.
______________ 7. Rococo or gallant style began early in the eighteen century in the courts of Europe,
especially France. It was the art of the aristocracy, of the people at the lavish courts of
Versailles and similar places. The music of this style were light, elegant, and frivolous.

IV. Direction: Indicate whether the following statements describe Pre Baroque, Baroque, Classical,
Romantic.
______________ 1. Period when the individual sought to revolt against established rules and traditions of
previous era. Composers sought to express their own creative identities.

______________ 2. The foundation of Western Art were laid in this long period. Vocal polyphony was begun
in which musical interest is shared equally between parts which move independently to
produce an interwoven texture.

______________ 3. Chromaticism was extensively employed; modulations to distant keys were frequent.
Extensive use of all dynamic possibilities with emphasis on crescendo and decrescendo.

______________ 4. Music became lighter, clearer in texture, less complicated and mainly homophonic in
which a melody above a chordal accompaniment.

______________ 5. Major and minor modes gradually replaced the church modes and moderate modulation to
related keys replaced the practice in remaining in one tonality.

______________ 6. Music of this era is characterized by emphasis on subjectivity, emotional qualities and
greater freedom of form. The composers tended more toward programmatic expression.
Nationalism in music was achieved by the incorporation of elements from folk music of
subjects from folklore.

______________ 7. Music was with no regular metric grouping, has narrow range, average tessitura and
conjunct notion. Tonal organization is basically that of the church modes.

______________ 8. This period was characterized by a great interest in drama, religious intensity. This was a
time of significant advances in science, rise of sizable merchant class.

______________ 9. Characteristic timbre of this period was that of the basso continuo which was consists of
keyboard, bass instrument.

______________ 10. Expansion of forms; Striving towards a more concise form of expression, increased
interest in orchestral color, textures of sound. Changes of tempo and rubato became
hallmarks of the style and the range of possible tempos increased; new stylized dance
forms appeared such as waltz, polonaise, polka, mazurka etc.

______________ 11. Dynamics were not indicated in most music of this period. Texture was predominantly
monophonic.

______________ 12. The period that gives impression of greater stability, response clarity, balance, objectivity
and traditionalism; Emphasis was given on grace and beauty of melody and form,
proportion and balance, and traditionalism.

______________ 13. Their works feature such factor as terraced dynamics, bel canto and an incessant rhythmic
drive.

______________ 14. Notation of the sounds developed in this period; Syllable names for the note of the scale
was invented by Guido d’ Arrezo which is the basis of the modern Solfeggio system.

______________ 15. Importance was given to instrumental music - sonata, minuet and trio, string quartet,
symphony, concerto and even serenades. Sonata form developed and became the most
important design.

______________ 16. The prominence of a characteristic lyric, emotional, melodic line was a significant feature of
this period. The piano became the favored instrument for many composers because of its
intimate character and large scope of expressive possibilities.

______________ 17. Era of ecstasy and exuberance of dynamic tensions and sweeping gestures, passion for
large and noble subjects.

______________ 18. Polarity of outer voices because of the predominance of the high pitched instruments; use of
imitative and non-imitative polyphony.

59
V. Direction: Identify the composers being described by the following statements.
______________________ 1.
______________________ 2.
______________________ 3.
______________________ 4.
______________________ 5.
` ballet music.
______________________ 6.
______________________ 7.
______________________ 8.
______________________ 9.
______________________ 10.
VI. Direction: Indicate whether the following pictures describe Pre Baroque, Baroque, Classical,
Romantic.
A. Painting
___________ 1.
___________ 2.
___________ 3.
Master of Italian opera and English oratorio.
He is the “Poet of the Piano”. Most of his pieces were exquisite miniatures,
which evoked an infinite variety if moods and are always elegant, graceful and
melodic.
“Father of Symphony” and “String Quartet”. His music is typically
characterizes as boisterous peasant humor. His slow movements vary from lyric
simplicity to deep pathos; his other movements range from delicate, graceful
minuets to complex, fugal finales. He is usually credited with the establishment
of the sonata-allegro form.
Composer of light music and is known as the “Waltz King”. He went on to
write more than 500 musical musical compositions, 150 of which were waltzes,
and he surpassed both his father's productivity and popularity.
He is widely considered the most popular Russian composer in history. His work
includes the “The Sleeping Beauty” and “The Nutcracker”. He was known for his
He is considered to be the “King of March”.
Father of Counterpoint.
He gradually became deaf towards the later part of his life, yet he was still able
to compose great compositions through the aid of his assistant.
He is considered to be the most prolific composer of the Classical Period. He
was able to compose many works; 47 symphonies, 50 concertos, 26 string
quartets, 59 sonatas.
A German composer was known for his Lieder or German Art Song. He also
has compositions for piano and string quartets.
B. Sculpture
___________ 1.
___________ 2.
60
C. Architecture

___________ 1.
___________ 2.

VII. Listening:

______1. a. Peer Gynt Suite No. 1 In the Hall

of the Mountain King
b. Eine Kleine Nachtmusik
c. Serenade in G
d. Peer Gynt Suite No. 1, Morning
Mood
______2. a. Edvard Grieg
b. Johann Strauss II
c. Frederic Chopin
d. Franz Schubert
______3. a. Baroque Period
b. Classical Period
c. Romantic Period
d. Contemporary Period
______4. a. Piano Concerto No. 1 in Bb Major
b. Eine Kleine Nachtmusik
c. Symphony No. 5 in C Minor
d. Moonlight Sonata
______5. a. George Friedrich Handel
b. Franz Joseph Haydn
c. Wolfgang Amadeus Mozart
d. Muzio Clementi
______6. a. Baroque Period
b. Classical Period
c. Romantic Period
d. Contemporary Period
______7. a. Tritsch Tratsch Polka
b. The Beautiful Blue Danube
c. The Wedding March
d. March of the Toy Soldiers
______8. a. Franz Liszt
b. Peter Tchaikovsky
c. Franz Schubert
d. Johann Strauss II
______9. a. Baroque Period
b. Classical Period
c. Romantic Period
d. Contemporary Period
______11. a. George Friedrich Handel
b. Johann Sebastian Bach
c. Antonio Viivaldi
d. Domenico Scarlatti
______12. a. Baroque Period
b. Classical Period
c. Romantic Period
d. Contemporary Period
______13. a. Giovanni Perluigi Palestrina
b. William Byrd
c. Thomas Tallis
d. Thomas Luis Victoria
______14 a. Medieval Period
b. Pre-Baroque Period
c. Baroque Period
d. Classical Period
______15 a. Serenade in G
b. Watermusic
c. Air in G String
d. Toccata and Fugue in D
______16. a. George Friedrich Handel
b. Johann Sebastian Bach
c. Antonio Viivaldi
d. Domenico Scarlatti
______17. a. Baroque Period
b. Classical Period
c. Romantic Period
d. Contemporary Period
______18. a. In the Hall of the Mountain King
b. March of the Toy Soldiers
c. Air in G
d. Watermusic
______19. a. Baroque Period
b. Classical Period
c. Romantic Period

______10. a. Serenade in G
b. Watermusic
c. Air in G String
d. Toccata and Fugue in D

61
 Philippine Normal University
Institute of Teaching and Learning

Fourth Quarterly Examination

Grade 9

KEY TO CORRECTION

I. Multiple Choice 3. False 8. Johann Sebastian

1. d 4. False Bach
2. a 5. False 9. Ludwig Van
3. b 6. False Beethoven
4. d 7. True 10. Wolfgang
5. c Amadeus Mozart
6. c IV. VI. A
7. c 1. Romantic 1. Baroque
8. b 2. Pre-Baroque 2. Classical
9. a 3. Romantic 3. Pre- Baroque
10. d 4. Classical B
11. d 5. Baroque 1. Classical
12. c 6. Romantic 2. Baroque
13. d 7. Pre-Baroque C
14. c 8. Baroque 1. Classical
15. b 9. Baroque 2. Baroque
16. c 10. Romantic VII. Listening
17. c 11. Pre-Baroque 1. d
18. b 12. Classical 2. a
19. c 13. Baroque 3. c
14. Pre-Baroque 4. b
II. 15. Classical 5. c
1. c 16. Romantic 6. b
2. c 17. Baroque 7. b
3. c 18. Baroque 8. d
4. d V. 9. c
5. b 1. George Friedrich 10. c
6. a Handel 11. b
7. d 2. Frederic Chopin 12. a
8. c 3. Franz Joseph Haydn 13. a
9. c 4. Johann Strauss II 14. b
10. c 5. Claude Debussy 15. b
6. Peter Ilych 16. a
III. True or False Tchaikovsky 17. a
1. True 7. John Philip Sousa 18. b
2. True

62