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Every scale has matching chords. In improvisation, scales are played “over”
chords. In this context, chords are the harmony while scales can be the melody, a
Here, we take a look upon which triads, four-note and five-note chords the Major Scale can
be harmonized into. In other words, which chords that can be built from the scale. Chords
Triads
C Major Scale Triads
Notes C D E F G A B
Chords C Dm Em F G Am Bdim
Notes C# D# E# F# G# A# B#
Notes D# F G G# A# C D
Chords D# Fm Gm G# A# Cm Ddim
Notes E F# G# A B C# D#
Notes F G A Bb C D E
Chords F Gm Am Bb C Dm Edim
Notes F# G# A# B C# D# E#
Notes G A B C D E F
Chords G Am Bm C D Em Fdim
Notes G# A# B# C# D# E# F#
Notes A# C D D# F G A
Chords A# Cm Dm D# F Gm Adim
Notes B C# D# E F# G# A#
Four-note chords
C Major Scale Four-note chords
Notes C D E F G A B
Notes C# D# E# F# G# A# B#
Notes D E F# G A B C#
Notes D# F G G# A# C D
Notes F G A Bb C D E
Notes F# G# A# B C# D# F
Notes G A B C D E F#
Notes G# A# B# C# D# F G
Notes A B C# D E F# G#
Notes A# C D D# F G A
Notes B C# D# E F# G# A#
Notes A# C D D# F G A
Notes B C# D# E F# G# A#
Five-note chords
C Major Scale Five-note chords
Notes C D E F G A
Chords Cmaj9 Dm9 Em7(b9) Fmaj9 G9 Am9
Notes C# D# E# F# G# A#
Notes D E F# G A B
Notes D# F G G# A# C
Notes E F# G# A B C#
Notes F G A Bb C D
Notes F# G# A# B C# D#
Notes G# A# B# C# D# F
Notes A B C# D E F#
Notes A# C D D# F G
Notes B C# D# E F# G#
If including up to seven notes, some of the possible chords are Imaj13, iim13, iiim11
Using C Major Scale as an example, these would result in: Cmaj13, Dm13, Em11 add(m2),
The tables give plenty of information and if you didn't grasp it all please read on.
Degrees: Referring to the relations of the notes in the scale on a general basis. These have
Chords: Referring to the chord with the same tonic as the note.
Roman numerals: Roman numerals indicate chord categories. Uppercase Roman numerals
represent major chords while lowercase Roman numerals represent minor chords.
Notes
You may notice that B# and E# are used in chord names. The reason for this it to avoid
mentioning the same letter twice. Thus, B# and E# should be treated like C and F.
Finally, the presented chord categories don't not include all chords that can be constructed
with three, four and five notes from the Major Scale. Suspended and added chords, are
two among several more categories that have been left out.