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On Farting Language and Laughter in the Middle Ages


The New Middle Ages
Valerie Allen
Palgrave Macmillan, December 2006
ISBN: 978-0-312-23493-5, ISBN10: 0-312-23493-7,
5 1/2 x 8 1/4 inches, 256 pages,

Hardcover$74.95Buy other sellers


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Charlemagne s Mustache
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Charlemagne s Mustache and Other Cultural Clusters of a Dark Age presents the
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book presents waste as an aesthetic category that introduces an arsy-versy world
where detritus is precious. This aesthetic is applied in the second part to
etymology, poking through the “paternal dungheaps” of words, and tracing their
origins not to Eden but to Babel, puns, and word play. Finally, in the case of
Roland the Farter, who performed annually a jump, whistle, and fart before the
king of England, we encounter the resistance of the past to historical
rationalization. Roland moons at us across the centuries, deflating our attempts
to become one flesh with the past, and placing laughter at the heart of
knowing.Praise"Fascinating and witty...the strength of On Farting is its playful
and evocative treatment of a number of scatological authors and episodes"--Times
Higher Education Supplement
“Allen has written the secret history of waste from the Ancient to the early
modern world, and--dare I say it?--the hidden history of humankind’s relation to
the anus. On Farting, in the line of Norbert Elias’s Civilizing Process or Erik
Erikson’s Young Man Luther, begins small and spreads like wind to almost every
area of personal, social, and even spiritual life in what is a truly original
and significant work of cultural analysis. This is a book with a huge
sweep--from the folklore of the fart, to popular and canonical literary works,
to the upper reaches of Aristotle and Dante. Allen writes with such a
combination of wit, imagination, and erudition that scholars will wonder, ‘Why
didn’t I think of that?’ and the more general reader will be drawn towards a
vision of the past that is lively, courageous, and profound.”-- R. Howard Bloch,
Sterling Professor of French, Yale University
“Allen takes the fart seriously, refusing to see it either as a marker of
abjection or as mere rudeness but also managing to tread the fine line between
the portentous and the jeu d esprit. The book is witty and learned: a tour de
force of scholarship and cultural history. The tone is perfectly judged. Allen
argues for the fart as a threshold between nature and culture, audible and
smellable, and therefore material and bodily, but also roguishly invisible: a
challenge to the primarily visual emphasis of contemporary culture. Allen s book
savours the power of the fart to call in question not only the canons of good
taste but bad taste too, transmuting the whiffy and ineffable into the fresh and
audible.”-- Ruth Evans, Professor of English, University of Stirling, Scotland.
“Gifted with a prodigious vocabulary, Allen is equally gifted with an
expository style at once pristinely rigorous and utterly reader-friendly. The
key is its generosity, what the ancients and medievals would have understood as
its liberality or largesse. She writes with such largesse: of information,
clarification, good sense, sweet humor, and abiding sympathy with what it means
to be human -- unfailingly and unstintingly magnanimous. Her years of reading in
an unexpectedly vast array of medieval and early modern materials that show an
endless fascination with understanding the bowels of humanity has provided her
with a body of evidence that, like the body they and she write about, is full of
an afflatus that careers deliriously and deliciously between oracular
inspiration and fundamental analysis -- when you read this book, I promise you,
you are going to see some amazing shit.”--R. Allen Shoaf, author of Chaucer’s
Body, co-founding editor of EXEMPLARIA.About the Author(s)Valerie Allen
Valerie Allen works in New York, teaching literature at John Jay College of
Criminal Justice at the City University of New York. She was educated at Trinity
College Dublin, and taught in Scotland and Florida before moving to New York.
Her publications include an edited anthology of essays on Chaucer, a short
history of medieval English literature, and articles on medieval culture and on
contemporary continental philosophy.
Table of ContentsIntroduction: The Midden Age * Part I: Beginning * Old Farts *
For the Edification of Copious Shitters and Costive Maidens Whose Hours At Siege
Should Be Profitably Employed * “Sometimes I sits and thinks; Sometimes I just
sits” * Hard Lessons * Logic 101* The Music Album Musical Bum * Butts and
Instruments: Nature vs. Art * The Musical Universe * Canticus Canticorum [Song
of Songs] * Broken Air * The Nose Knows * I/Thou13. One Flesh * Pneuma * A Short
Excursus on Wind * Till Death Us Do Part * Inspiration * “Oh dear, what can the
matter be? Three old ladies got stuck in the lavatory…” * “There was an old lady
who swallowed a fly…” * Farting at the Devil * Filthy Lucre22. Shitting Ducats *
Duck-Rabbit, Face-Bottom * Part II: In Between * In the Beginning was the Word *
The Silver-Tongued Butt * The Grammar of Farts * Potent Words * Legitimate
Etymology * Rebuilding Babel * Bastard Laughter * Better out Than In * Spend a
Penny, Save a Penny * Flatus of the Voice * Conclusion: die afterwissenschaft
[end-knowledge, pseudo-science, butthole-scholarship] * The Mystery of Roland *
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