.

27

A TRIP TO THE MOON

1 12.
JUL JULY
2019.
 SADRŽAJ / CONTENTS
.
27 2 MAPA / MAP
3 INFORMACIJE / INFORMATION
4 REPERTOAR / REPERTOIRE
8 UVOD / INTRODUCTION

9 POZORINI PROGRAM / THEATRE PROGRAM

12 IVO VIZIN – KAPETAN OD SNOVA / IVO VIZIN – THE CAPTAIN OF DREAMS
13 MUZEJ PLESA / MUSEUM OF DANCE
14 BREMENSKI MUZIKANTI / THE TOWN MUSICIANS OF BREMEN
15 MALI PIRAT / THE LITTLE PIRATE
16 EPSKE IGRICE: ZIDANJE SKADRA / EPIC GAMES: BUILDING OF SKADAR
17 BUJI PAJI / LULLA
18 MONSTRUMI / MONSTERS
19 2062
20 LAGARIJE – PREDAVANJE O SUROGATU
20 MAKE-BELIEVE – A LECTURE ON SUBSTITUTES
21 NIKOMU PRAVO / CAN’T PLEASE THE WHOLE WORLD
22 PITAM SE, PITAM, KOLIKO SAM BITAN / KURT, QUO VADIS?
23 FERAL
24 NIJAR – PAPIRNA PRIČA / NIYAR – A PAPER TALE
25 LEPOTICA I ZVER / BEAUTY AND THE BEAST
26 EMEŠIN SAN / DREAM OF EMESE
27 CAREVO NOVO ODIJELO / THE EMPEROR’S NEW CLOTHES

28 ŽIRI / JURY
30 SCEZAM / YOUTH STAGE
38 EDUKATIVNO-TEORIJSKI PROGRAM
38 EDUCATIONAL AND THEORETICAL PROGRAM
50 MUZIČKI PROGRAM / MUSIC PROGRAM
54 KNJIŽEVNI PROGRAM / LITERARY PROGRAM
62 DJEČJE SCENSKO STVARALAŠTVO
62 CHILDREN’S PERFORMING ARTS
68 LIKOVNI PROGRAM / VISUAL ARTS PROGRAM

76 UPUTSTVO ZA UPOTREBU POZORIŠTA

77 THEATRE USER MANUAL
78 IMPRESUM / IMPRESSUM
79 SPONZORI / SPONSORS
1
 KOTOR
S TA R I G R A D / O L D TO W N

24

19
9 1 26
20
23
21 2 16
25 10 14

4
8
15 3
17 22

6 13

12
18

Kino Boka
17
Cinema Boka
Galerija solidarnosti Kameni kiosk TOK
8 Gallery of Solidarity 18
Stone Kiosk TOK
Osnovna škola Njegoš, Kotor Stari zatvor
9 Njegoš Elementary School 19
Old Prison
Ljetnja pozornica Trg Sv. Tripuna
1 10 Vrata od Gurdića
Summer Stage St. Tryphon Square 20
Gurdić Gate
Kulturni centar Nikola Đurković Ljetnja pozornica Cetinje
2 11 Pjaca od salate
Nikola Đurković Cultural Centre Summer Stage in Cetinje 21
Square of salad
Pjaca od kina Glavna vrata
3 12
Cinema Square Main Gate 22 Maceo
Crkva Sv. Duha Markat Pomorski muzej
4 Church of Holy Spirit 13 23
Market Maritime Museum
Muzej grada Perasta Atrijum Kulturnog centra Trg Blažene Ozane
5 Museum of Perast 14 24
Cultural Centre Atrium Blessed Osana Square
Trg od oružja Rijeka Škurda Trg Sv. Luke
6 Square of Arms 15 25
River Škurda St. Luke Square
Crkva Sv. Nikole, Perast
7 16 Gurdić 26 Snack bar Bokun
St. Nicolas’s Church, Perast
2
U M J E T N I Č K E I N S TA L A C I J E KARTE / TICKETS
A R T I N S TA L L AT I O N S P R O D A J N A M J E S TA
SELLING POINTS

13 LA LUNA

15 SKOK / THE JUMP

18 8 − 20 h
PUT NA MJESEC
3
A TRIP TO THE MOON 2 10 − 13 h, 17 − 20 h

ŠTO JE ČOEK, DO LI BICIKLISTA Prije predstave / Before the shows

16 1
WHAT IS A MAN, IF NOT A CYCLIST 20 − 21.30 h

24 MEDUZA / JELLYFISH

3 ZEMLJA ČUDA / WONDERLAND

ULAZ SLOBODAN
KOTORSKO POZORIŠTE za sve programe, osim
6
KOTOR THEATRE za predstave pozorišnog programa
24 MAČKE LJUDI / CAT PEOPLE
FREE ENTRANCE
16
MLADI ZA ČIST JADRAN for all programs, except
YOUTH FOR A CLEAN ADRIATIC
for shows in the Theatre Program
ČAROBNA LAMPA
6
THE MAGIC LAMP

13 RIBA / THE FISH Kulturni centar Nikola Đurković,

Stari grad, 85330 Kotor, Crna Gora
ZAROBLJENA RIBA
13
THE TRAPPED FISH T. +382 32 323 344 +382 32 326 033

20 000 M POD MOREM

22
20 000 M UNDER THE SEA

FESTIVALSKI PRESTO
26
FESTIVAL THRONE

19 GALEB / SEAGULL

2 RENTA METLE / RENT-A-BROOMS

3
VOĆKA ČUDNOVATA
THE EXTRAORDINARY FRUIT
#KFPD #KFPD_2019
DRUGA KLUPA OD VRATA
12
SECOND BENCH FROM THE DOOR #PUTNAMJESEC
# AT R I P T O T H E M O O N
GULIVEROV VEŠ
21
GULLIVER’S LAUNDRY
@ KO T O R S K I F E S T I VA L
2 ŽMURKE / HIDE AND SEEK KO T O R S K I F E S T I VA L . M E
3
 27. 27. 21 h

1. 7.
SVEČANA CEREMONIJA OTVARANJA
OPENING CEREMONY

PON / MON
27
pozorišni program / theatre program
27

27. IVO VIZIN – KAPETAN OD SNOVA

.
.

27.
IVO VIZIN – THE CAPTAIN OF DREAMS
Gradsko pozorište Podgorica; KFPD; KC Nikola Đurković
(Crna Gora / Montenegro) | 80 min. | 12+

27. 11 h

2. 7.
edukativno-teorijski / educational and theoretical program

PUTOVANJE IVA VIZINA

UTO / TUE
IVO VIZIN’S JOURNEY
27.

27. Okrugli sto u saradnji sa Maticom crnogorskom, ogranak

Kotor / Roundtable discussion in cooperation with Matica

27.
crnogorska, Kotor branch

27 18, 19 & 20 h pozorišni program / theatre program

. MUZEJ PLESA / MUSEUM OF DANCE

27. 27.
STANICA – Servis za savremeni ples / STANICA - service
for contemporary dance (Srbija / Serbia) | 30 min. | 3 – 7
27

20.30 h dječje scensko stvaralaštvo / children’s performing arts

27. PETAR PAN / PETER PAN

.

27.
Dječiji dramski studio Zahumlje

27. Children’s drama studio Zahumlje

20 h
3. 7.

pozorišni program / theatre program

BREMENSKI MUZIKANTI
SRI / WED

THE TOWN MUSICIANS OF BREMEN

27.
27.

Lutkarsko pozorište Cizgi / Cizgi Kukla Theatre

(Turska / Turkey) | 40 min. | 4+

20.30 h dječje scensko stvaralaštvo / children’s performing arts

TRE SORELLE
27

Kulturni centar Nikola Đurković

27.
.

Nikola Đurković Cultural Centre

27

21 h muzički program / music program

27.
PEPELJUGA / CINDERELLA

27 Miona Topalović, violina / violin; Davor Novak, klavir / piano

.
27.

21.30 h pozorišni program / theatre program

27. MALI PIRAT / THE LITTLE PIRATE

Gradsko pozorište Podgorica; Centar za kulturu Tivat
City Theatre Podgorica; Cultural Centre Tivat
27

(Crna Gora /Montenegro) | 85 min. | 8+

.

4 OŠ NJEGOŠ, KOTOR / NJEGOŠ ES

 11 h edukativno-teorijski / educational and theoretical program 12 h
4. 7.
edukativno-teorijski / educational and theoretical program

6. 7.
RAZVOJ MUZIČKOG TALENTA I TREMA DIGITALNA GENERACIJA: IDEJE,
DEVELOPMENT OF MUSICAL TALENT IZAZOVI, INSPIRACIJA! / DIGITAL
ČET / THU

SUB / SAT
AND STAGE FRIGHT GENERATION: IDEAS, CHALLENGES,
Okrugli sto / Roundtable discussion
INSPIRATION!
Radionica za roditelje u saradnji sa Centrom za uzajmano
18, 19 & 20 h pozorišni program / theatre program
vaspitanje VidiMe / Workshop for parents in cooperation with
BUJI PAJI / LULLA Centre for mutual education SeeME
Dybwikdans; Dansens Hus (Norveška / Norway) | 30 min.
0 – 18 mjeseci / months 19 h dječje scensko stvaralaštvo / children’s performing arts

POZDRAV IZ UKRAJNE
20.30 h književni program / literary program
GREETINGS FROM UKRAINE
U ĐARDINU BOKEŠKIH IZRAZA / IN THE Narodni folklorno-etnografski kolektiv Вербиченька, Ukrajina
GARDEN OF BOKELIAN EXPRESSIONS Вербиченька national folk and ethno collective, Ukraine
Promocija bokeške bojanke za djecu – KOLURICA / Promotion
of Bokelian colouring book for children – KOLURICA 20.30 h dječje scensko stvaralaštvo / children’s performing arts

VRTIĆKI PLES
18 & 21.30 h pozorišni program / theatre program
KINDERGARTEN DANCE
EPSKE IGRICE: ZIDANJE SKADRA JPU Radost, Kotor
EPIC GAMES: BUILDING OF SKADAR
Umetnička grupa Hop.La!; Bitef Teatar / Art troupe Hop.La!; 21 h muzički program / music program
Bitef Theatre (Srbija / Serbia) | 60 min. | 10+
PERASTINA
koncert polaznika radionica / concert performed
18 h edukativno-teorijski / educational and theoretical program
5. 7.

by workshops participants
ZNAČAJ NACIONALNIH ASSITEJ CENTARA
I PROMOCIJA POBJEDNIKA KONKURSA
PET / FRI

21 h pozorišni program / theatre program

ASSITEJ-A / IMPORTANCE OF NATIONAL
2062
ASSITEJ CENTERS AND PROMOTION OF
Karla Kracht & Andrés Beladiez (Španija / Spain) | 55 min. | 12+
ASSITEJ CONTEST WINNER
Okrugli sto / Roundtable discussion
7. 7.

10 h edukativno-teorijski / educational and theoretical program

20.30 h dječje scensko stvaralaštvo / children’s performing arts

MUZIKA I POZORIŠTE / MUSIC & THEATRE
NED / SUN

Okrugli sto / roundtable disscussion

BATINA JE IZ RAJA IZAŠLA
BEATINGS CAME FROM HEAVEN 18 & 20 h pozorišni program / theatre program
Dramski studio Prazan prostor, Podgorica / Drama studio
LAGARIJE – PREDAVANJE O
Prazan prostor, Podgorica
SUROGATU / MAKE-BELIEVE –
21 h muzički program / music program A LECTURE ON SUBSTITUTES
BEČKA RAZGLEDNICA GUDAČA KFPD; KC Nikola Đurković; DS Prazan prostor / KFTC; Nikola Đurković
CC; DS Prazan prostor (Crna Gora / Montenegro) | 45 min. | 8+
STRINGED POSTCARD FROM
WIENNA 20 h dječje scensko stvaralaštvo / children’s performing arts

PEĆA I VUK / PETAR & THE WOLF

21.30 h pozorišni program / theatre program
Baletski studio Adagio, Beograd (Srbija)
MONSTRUMI / MONSTERS Adagio Ballet studio, Belgrade (Serbia)
Trupa Duda Paiva; Teatar Korzo / Duda Paiva Company;
Korzo Theater (Holandija / Netherlands) | 60 min. | 6+

FESTIVAL ZADRŽAVA PRAVO

PROMJENE PROGRAMA
FESTIVAL RESERVES THE5RIGHT TO
MAKE CHANGES IN THE PROGRAM
7. 7. 20.30 h dječje scensko stvaralaštvo / children’s performing arts 21 h muzički program / music program

8. 7.
HELEN DORON: ISJEČAK IZ A TALE PRIJATELJI / FRIENDS
NED / SUN

OF TWO TAILS / HELEN DORON: A koncert predavača radionica / concert performed

PON / MON
by workshops educators
TALE OF TWO TAILS EXCERPT
Helen Doron Montenegro
21.30 h pozorišni program / theatre program

21 h dječje scensko stvaralaštvo / children’s performing arts PITAM SE, PITAM, KOLIKO SAM
ŠUMA PJEVA, ŠUMA BLISTA BITAN / KURT, QUO VADIS?
Pozorište Boško Buha / Boško Buha Theatre
FOREST SINGS, FOREST BLINGS
(Srbija / Serbia) | 60 min. | 5+
Studio za balet i ples Mala sirena, Kotor
Mala sirena ballet and dance studio, Kotor
18 & 20 h pozorišni program / theatre program

9. 7.
21 h muzički program / music program
FERAL
Teatar Tortoise in a Nutshell; Pozorište Cumbernauld

UTO / TUE
PUNIM JEDRIMA / FULL SAILS Theatre Tortoise in a Nutshell; Cumbernauld Theatre
koncert polaznika radionica / concert performed by
(UK-Škotska / UK – Scotland) | 55 min. | 12+
workshops participants

19.30 h dječje scensko stvaralaštvo / children’s performing arts

21.30 h pozorišni program / theatre program
MALI, A U ULOZI VELIKIH – GOSPOĐA
NIKOMU PRAVO / CAN’T PLEASE
MINISTARKA / LITTLE ONES IN
THE WHOLE WORLD 
Kazalište lutaka Zadar / Zadar Puppet Theater
ROLE OF GROWN UPS – THE LADY
(Hrvatska Croatia) | 45 min. | 5+ MINISTER
OŠ Lovćenski partizanski odred, Cetinje

18 h edukativno-teorijski / educational and theoretical program Lovćenski partizanski odred ES, Cetinje
8. 7.

POZORIŠTE ZA DJECU I MLADE U

20.30 h dječje scensko stvaralaštvo / children’s performing arts
FUNKCIJI SOCIJALNIH PROMJENA
PON / MON

KAMELEON / CAMELEON
THEATRE FOR CHILDREN AND YOUTH OŠ Lovćenski partizanski odred, Cetinje
IN FUNCTION OF SOCIAL CHANGES Lovćenski partizanski odred ES, Cetinje
Okrugli sto / Roundtable discussion
21 h dječje scensko stvaralaštvo / children’s performing arts
19.30 h dječje scensko stvaralaštvo / children’s performing arts
VEČE SA ALISOM / AN EVENING
PLESNI PERFORMANS WITH ALISA
DANCE PERFORMANCE Plesni studio Alisa, Kotor / Alisa dance studio, Kotor
Infinity Dance, Kotor
21 h muzički program / music program
20.30 h književni program / literary program DESET GODINA MUZICIRANJA
UPOZNAJTE AKIKO / MEET AKIKO TEN YEARS OF PLAYING MUSIC
Promocija knjige JA SAM AKIKO, autor Stefan Tićmi Međunarodni orkestar mladih muzičara sa solistima
Promotion of the book I AM AKIKO by Stefan Tićmi International young musicians orchestra with solists

21 h dječje scensko stvaralaštvo / children’s performing arts 21.30 h pozorišni program / theatre program

RUKOM ŽELIMO SUNCE TAKNUTI PITAM SE, PITAM, KOLIKO SAM

TO REACH SUN WITH OUR HANDS BITAN KURT, QUO VADIS?
NVU Djeca Tivta; Dječiji savez Podgorice / NGO Djeca Tivta; Pozorište Boško Buha / Boško Buha Theatre
Dječiji savez Podgorice (Srbija / Serbia) | 60 min. | 5+

6 OŠ NJEGOŠ, KOTOR / NJEGOŠ ES

 20 h pozorišni program / theatre program 18.30 h

11. 7.
edukativno-teorijski / educational and theoretical program
10. 7.
NIJAR – PAPIRNA PRIČA NOVA PSIHOLOGIJA USPJEHA: KAKO
NIYAR – A PAPER TALE  UČITI DJECU DA NE ODUSTAJU?

ČET / THU
SRI / WED

Maayan Iungman (Njemačka / Germany) | 45 min. | 5+ NEW PSYCHOLOGY OF SUCCESS: HOW

TO TEACH CHILDREN NOT TO GIVE UP?
20 h dječje scensko stvaralaštvo / children’s performing arts
Radionica za roditelje u saradnji sa Centrom za uzajamno
SA NAMA SU NEKA DRAGA vaspitanje VidiMe / Workshop for parents in cooperation
BIĆA, PRENOSIMO RADOST IZ with Centre for mutual education SeeMe
CRNOGORSKIH VRTIĆA
JPU Radost, Kotor 20 h pozorišni program / theatre program

EMEŠIN SAN / DREAM OF EMESE

20.30 h književni program / literary program Čako Ferenz; Art’s Harmony Ansambl / Cakó Ferenc; Art’s
NEOBIČNI PJESNIČKI SVIJET DEJANA Harmony Ensemble (Mađarska / Hungary) | 60 min. | 5+

ALEKSIĆA / UNUSUAL POETIC WORLD

20.30 h dječje scensko stvaralaštvo / children’s performing arts
OF DEJAN ALEKSIĆ
Promocija pjesništva Dejana Aleksića
KULTUROCIKLIN / CURE FOR CULTURE
OŠ Sveti Sava, Kruševac (Srbija) / Sveti Sava ES, Kruševac (Serbia)
Promotion of poetry by Dejan Aleksić

21 h dječje scensko stvaralaštvo / children’s performing arts

21 h muzički program / music program

KORAK NAPRIJED 10 GODINA SA VAMA

A STEP FORWARD 10 YEARS WITH US
Art grupa Montenegro
Međunarodni orkestar mladih muzičara
International young musicians orchestra
18 h
12. 7.

21.30 h pozorišni program / theatre program VELIKA TRAMPA / THE GREAT SWAP
Ekološka zabava / Enviromental party
LEPOTICA I ZVER
PET / FRI

BEAUTY AND THE BEAST

21 h
Pozorište mladih / Youth Theater (Srbija / Serbia) | 60 min. | 6+
SVEČANA DODJELA NAGRADA
AWARDS CEREMONY
12 h edukativno-teorijski / educational and theoretical program
11. 7.

KOTORSKI FESTIVAL POZORIŠTA ZA pozorišni program / theatre program

DJECU – MOGUĆNOSTI RAZVOJA I CAREVO NOVO ODIJELO
ČET / THU

UMREŽAVANJA / KOTOR FESTIVAL THE EMPEROR’S NEW CLOTHES 

OF THEATRE FOR CHILDREN – Hercegnovsko pozorište; Herceg Fest / Herceg Novi Theatre;
DEVELOPMENT OPPORTUNITES AND Herceg Fest (Crna Gora / Montenegro) | 80 min. | 8+

NETWORKING
Okrugli sto / Roundtable discussion

FESTIVAL ZADRŽAVA PRAVO

PROMJENE PROGRAMA
FESTIVAL RESERVES THE7RIGHT TO
MAKE CHANGES IN THE PROGRAM
 d l a z i m na
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Odlazim mene
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A premalo

ković
Petar Pejaestivala
Direktor F

8
After last year’s incredible journey
around the world, we’ve decided
that this time, for our 27th edition,
not even the sky is the limit! So,
prepare yourself for a brand new
mission: A TRIP TO THE MOON!

We have found inspiration in the

works of Jules Verne, Herbert
George Wells, Georges Méliès,
Branko Ćopić, and many more.
The Moon is a symbol of man’s
desire for something impossible,
undiscovered, and unreachable.
This year marks the 50th anni-
versary of the first man landing
on the Moon. A small step for a
man, one giant leap for mankind
is every step one makes, and sig-
nificant for many others. However,
just the attempt of trying to reach
the unattainable and impossible
separates the dreamers from the
people who just surrender to the
life as it is. And sometimes it is the
attempt to achieve the impossible
itself that is the most important.

If you are still wondering why we

are headed straight for the Moon
– we will borrow a quote from the
famous writer and inventor Arthur
C. Clarke and remind you that:
the moon is the first milestone on
the road to the stars. So prepare
yourselves for the mission – from
Kotor to the Moon!

KFTC TEAM

9
POZORIŠNI
PROGRAM
THEATRE
PROGRAM

10
11
PON / MON
1.7.
Jelena Lela Milošević
IVO VIZIN – KAPETAN OD SNOVA /
IVO VIZIN – THE CAPTAIN OF DREAMS
Gradsko pozorište Podgorica; KFPD; KC Nikola Đurković (Crna Gora /Montenegro)
21 h • LJETNJA POZORNICA / SUMMER STAGE 80 min. | 12+
80 min. | 12+
REŽIJA • DIRECTED BY: ZORAN RAKOČEVIĆ
DRAMATURGIJA • DRAMATURGY: DRAGANA
TRIPKOVIĆ KOSTIMOGRAFIJA • COSTUME
DESIGN: DRAGICA LAUŠEVIĆ KOMPOZITOR
• COMPOSER: NEMANJA BEČANOVIĆ
KOREOGRAFIJA • CHOREOGRAPHY: SLAVKA
NELEVIĆ DIZAJN SVJETLA • LIGHT DESIGN:
Što je to heroj? Kako se mjeri njegovo junaštvo? Kako
izgleda? Je li visok, snažan, gromkog glasa? Jede li
spanać? Kupa li se svaki dan u buretu punom čarobnog
napitka? Gađa li strijelom tačno u centar mete? Krade
li zlatno runo od bogova? Moj heroj je Ivo Vizin, jedan
dječak koji je prije dva vijeka rođen u Boki. To što je
kasnije ostvario svoj san oplovivši zemaljsku kuglu, to
su samo posljedice njegovog herojstva. Kad je imao
dvanaest godina, postao je velik. A kako? Vrlo lako.
Nije zaboravio na porodične vrijednosti ni u najtežim
momentima svog siromašnog odrastanja. Bosonog,
pa što? Ne mora heroj da ima cipele. Može slobodno
da ima i rupe na laktovima i koljenima. Pocijepana
košulja nije strašna stvar, ako imaš srce. Prazan džep
je sasvim u redu ako je duša puna kao nar. Heroj,
dakle, može da bude i ovakav i onakav, ali mora biti
plemenit. Nemojte da zaboravite da poljubite majku
svakog jutra, da pomilujete mlađeg brata ili sestru, da
podijelite sendvič sa školskim drugom, da pomognete
baki da pređe ulicu, da zalijete cvijeće u bašti, da čuvate
parkovsku klupu, da nahranite pticu, da pomognete
svima kojima pomoć treba. To je jedini način da vas
istorija zapamti.
ZORAN RAKOČEVIĆ
12
REVIJALNI /
REVUE PROGAM
ZORAN RAKOČEVIĆ, SLAVKA NELEVIĆ
FOTOGRAFIJA • PHOTOGRAPHY: DUŠKO
MILJANIĆ DIZAJN PROMO MATERIJALA • PROMO
MATERIALS DESIGN: SRĐA DRAGOVIĆ IGRAJU
• CAST: VULE MARKOVIĆ, JELENA SIMIĆ, SANJA
POPOVIĆ, PAVLE POPOVIĆ, GORAN SLAVIĆ, MILOŠ
PEJOVIĆ, BRANKA FEMIĆ ŠĆEKIĆ, PAVLE ILIĆ
What is a hero? How do you measure their heroism?
What do they look like? Are they tall, strong, with a
booming voice? Do they eat spinach? Do they bathe
every day in a barrel full of magic potions? Do they
always hit the center of the target? Do they steal
the golden fleece from gods? My hero is Ivo Vizin,
a boy born in Boka two centuries ago. His dream
of circumnavigating the world coming true is just a
consequence of his heroism. When he was twelve,
he became great. How did he do that? Very easily.
He didn’t forget family values even in the hardest
moments of his impoverished childhood. Barefoot,
so what? Heroes don’t need shoes. They can have
holes on elbows and knees. A torn shirt is not a big
deal, if you have a heart. Empty pockets are perfectly
fine if you have a soul full as a pomegranate. A hero,
therefore, can be many different things, but must be
kind-hearted. Don’t forget to kiss your mother each
morning, play with your younger siblings, split your
sandwich with a friend, help a granny cross the street,
water plants in your garden, look after a park bench,
feed a bird, help all of those who need help. That is
the only way to stay remembered.
ZORAN RAKOČEVIĆ

MUZEJ PLESA / MUSEUM OF DANCE
STANICA – Servis za savremeni ples / STANICA - service for
contemporary dance (Srbija / Serbia)
18, 19 & 20 h • KULTURNI CENTAR NIKOLA ĐURKOVIĆ
NIKOLA ĐURKOVIĆ CULTURAL CENTRE 30 min. | 3 – 7
KONCEPT • CONCEPT: KLIMENT POPOSKI, ELENA
RISTESKA, VIKTORIJA ILIOSKA MENTOR: DALIJA
AĆIN THELANDER RAZVOJ I ADAPTACIJA •
DEVELOPMENT AND ADAPTATION: JOVANA
RAKIĆ, MARKO MILIĆ, MILICA PISIĆ, MILENA
TODOROVIĆ TEHNIČKA PODRŠKA I DIZAJN
Muzej plesa je participativna, interaktivna predstava
koje se odigrava unutar prostorne instalacije inspiri-
sane istorijom plesa i koreografije. Instalacija, koja
predstavlja muzej u malom, sastoji se od različitih
prostorija od kojih svaka nudi drugačiji pristup
promišljanju o plesu. U svakoj prostoriji djeca se, na
specifičan način, susrijeću sa plesom i koreografijom
i imaju mogućnost da individualno ili u grupi stvara-
ju, posmatraju ili razgovaraju o plesu. Pored toga
što je edukativnog karaktera, instalacija i izvođači
komuniciraju sa publikom na drugačiji način nego u
klasičnim dramskim ili plesnim predstavama, jer se
djeci pruža mogućnost da uđu i istražuju prostore koje
su kreirali umjetnici okupljeni na projektu Muzej plesa.
Instalacija je nastala u sklopu regionalnog projekta za
razvoj plesnog pozorišta za djecu i mlade Generator,
realizovanog 2015. godine.
IZVOĐAČKI TIM
UTO / TUE
2.7.
SVJETLA • TECHNICAL SUPPORT AND LIGHT
DESIGN: MILAN JANEVSKI, BORIS BUTORAC, PVC
TEATAR VIDEO: MARKO PEJOVIĆ AUDIO: MIKI
TODOROVIĆ GLAS • VOICE: JOVANA RAKIĆ
IGRAJU • CAST: JOVANA RAKIĆ, MARKO MILIĆ,
MILICA PISIĆ, MILENA TODOROVIĆ
Museum of Dance is a participatory, interactive play
that takes place within a spatial installation inspired
by history of dance and choreography. The installation,
which represents a museum at a small scale, consists
of different rooms where each of them offers a differ-
ent approach to reflections on dance. In each of the
rooms, children in a special way encounter dance and
choreography and have a possibility to individually and
within a group create, observe or talk about dance. In
addition to its educational character, the installation
and performers interact with the audience differently
than in typical drama and dance performances since
children have the opportunity to enter and explore
spaces created by artists gathered around the Museum
of Dance project. The installation was created as a part
of regional project for development of dance theatre
for children and youth Generator, implemented in 2015.
MUSEUM OF DANCE TEAM
13
SRI / WED
3.7.
Braća Grim
BREMENSKI MUZIKANTI / THE TOWN
MUSICIANS OF BREMEN
Lutkarsko pozorište Cizgi / Cizgi Kukla Theatre (Turska / Turkey)
20 h • KULTURNI CENTAR NIKOLA ĐURKOVIĆ
NIKOLA ĐURKOVIĆ CULTURAL CENTRE 40 min. | 4+
REŽIJA • DIRECTED BY: ABDULLAH GUN
DRAMATURGIJA • DRAMATURGY: BURHAN
GUN IGRAJU • CAST: ABDULLAH GUN, HASAN
Pozata priča braće Grim u ovoj verziji dobija novo
ruho i uz pomoć specijalne tehnike crnog svjetla. Ova
lutkarska predstava pružiće djeci priliku da razmisle o
konceptu slobode, kroz dogodovštine četiri životinje –
magareta, psa, mačke i pijetla, koji moraju da napuste
svoje domove. Magare, pas, mačka i pijetao pokazaće
djeci kako se boriti za slobodan život. Originalna tehnika
koja odlikuje ovu predstavu, kao i njene likove, pruža
doživljaj kao da gledate crtani film koji se izvodi baš
tu, pred vama.
BURHAN GUN
14
REVIJALNI /
REVUE PROGAM
GUNDOĞDU, BARIŞ AÇIKGÖZ, ERTUNÇ ALICI,
MERVE EREN, HAKAN GUN
A well-known tale by the Grimm Brothers gets a new
face in this version by using a special technique of
black light. This puppet show will offer children a
chance to think about a concept of freedom, through
adventures of four animals – a donkey, a dog, a cat
and a rooster, who have to leave their homes. The
donkey, dog, cat and rooster will help children realize
how to fight for a free life. The original technique that
characterizes this play, and its characters, gives you
a feeling of watching a cartoon playing out right here
in front of you.
BURHAN GUN

Ante Staničić
MALI PIRAT / THE LITTLE PIRATE
Gradsko pozorište Podgorica; Centar za kulturu Tivat / City Theatre Podgorica;
Cultural Centre Tivat (Crna Gora /Montenegro)
21.30 h • LJETNJA POZORNICA / SUMMER STAGE 85 min. | 8+
REŽIJA • DIRECTED BY: MILAN KARADŽIĆ
DRAMATIZACIJA • DRAMATIZATION:
ALEKSANDRA GLOVACKI KOREOGRAFIJA
• CHOREOGRAPHY: NEBOJŠA GROMILIĆ
KOMPOZITOR • COMPOSER: IRENA POPOVIĆ
KOSTIMOGRAFIJA • COSTUME DESIGN:
DRAGICA LAUŠEVIĆ SCENOGRAFIJA • SET
DESIGN: BORIS MAKSIMOVIĆ DRAMATURGIJA
• DRAMATURGY: DUBRAVKA DRAKIĆ LEKTOR •
LANGUAGE EDITOR: NEVEN STANIČIĆ SONGOVI
• SONGS: DUBRAVKA DRAKIĆ, NEVEN STANIČIĆ
DIZAJN SVJETLA • LIGHT DESIGN: RADOMIR
STANMENKOVIĆ ASISTENT KOMPOZITORA •
ASSISTANT COMPOSER: ALEKSANDAR ZAVIŠIN
FOTOGRAFIJA • PHOTOGRAPHY: DUŠKO
MILJANIĆ DIZAJN PROMO MATERIJALA • PROMO
Roman Anta Staničića Mali pirat obilježio je vrijeme
i prostor koje svi rado pamtimo, a kroz projekte mu
se rado i vraćamo. Za mene je bilo posebno inspira-
tivno vratiti se Tivtu poslije mnogo godina, u želji da
uradim predstavu koja će biti rado gledana i igrana.
Predstava Mali pirat je omaž dobrim stripovima, avan-
turističkim scenama i lucidnim filmskim rediteljima,
sa jedne strane, a sa druge, suočavanje sa našim
malim mjestima, i žiteljima, ne baš dobronamjernim
spram naših junaka, onih rijetkih, koji imaju hrabrosti
da budu drugačiji, svoji. Naša priča daje vjetar u leđa
svima koji nose u sebi to zrno hrabrosti.
MILAN KARADŽIĆ
SRI / WED
3.7.
MATERIALS DESIGN: IVAN RADULOVIĆ IGRAJU
• CAST: PAVLE POPOVIĆ, GORAN SLAVIĆ, MILOŠ
KAŠČELAN, JELENA ĐUKIĆ, MILOŠ PEJOVIĆ,
MARIJA MAŠA LABUDOVIĆ, DUBRAVKA DRAKIĆ,
PAVLE ILIĆ, SANJA POPOVIĆ, BRANKO ILIĆ,
MARIJA ĐURIĆ, JELENA SIMIĆ, KATARINA KREK,
BRANKA FEMIĆ ŠĆEKIĆ, OMAR BAJRAMSPAHIĆ,
IVAN KAŠĆELAN, VLADANA MIŠEVIĆ, MIA KUČ,
DUŠICA ROVČANIN, STEFANIJA BRČIĆ, ĐORĐA
ČOLO, BORJANA OBRENOVIĆ, JELENA KNEŽEVIĆ,
ALEKSA BALEVIĆ, FILIP PETROVIĆ, ANTONIO
GRGUROVIĆ, NIKOLA MRVALJEVIĆ, MIRKO
OGNJANOVIĆ
A novel by Anto Staničić The Little Pirate marked a
time and space that we remember fondly and get
back to them gladly, through various projects. It was
particularly inspirational to go back to Tivat after many
years, wishing to do a play that will be watched and
performed also gladly.
The Little Pirate play is an homage to fine comics, ad-
venturous scenes and lucid film directors, on the one
hand, and on the other, facing our little hometowns
and its inhabitants, not as kind-hearted as our heroes,
the rare ones, who have the courage to be different
and to be themselves. Our story puts wind in the sails
of those who carry this grain of courage.
MILAN KARADŽIĆ
15
ČET / THU
4.7.
EPSKE IGRICE: ZIDANJE SKADRA / EPIC GAMES:
BUILDING OF SKADAR
Umetnička grupa Hop.La!; Bitef Teatar / Art troupe Hop.La!; Bitef Theatre (Srbija / Serbia)
18 & 21.30 h • OŠ NJEGOŠ, KOTOR / NJEGOŠ ES
60min. | 10+
REŽIJA I DRAMATIZACIJA NARODNE PJESME •
DRAMATIZATION OF EPIC POEM AND DIRECTION
BY: ANĐELKA NIKOLIĆ DRAMATURGIJA •
Koliko majstorskih plata su Mrnjavčevići isplatili to-
kom tri godine gradnje? Da li je žena materijal? Ko-
liko će godina imati mali Jovo kad se završi suđenje
ubicama njegove majke? Da li vjerujete u vile?
Predstava Epske igrice obrađuje pjesmu Zidanje
Skadra, koja je u programu nastave srpskog jezika
za 5. razred osnovne škole, i povezuje je sa gradivom
tehničkog obrazovanja, matematike i građanskog
vaspitanja. Donja uzrasna granica je, dakle, 10 godina,
a gornja praktično ne postoji, budući da je tematika
pjesme relevantna i za odrasle gledaoce. Predstava
je interaktivnog karaktera: određeni djelovi pretvaraju
se u razgovor sa publikom na teme koje pesma nudi,
i koje variraju u odnosu na uzrast i druge odlike aktu-
elnog auditorijuma.
ANĐELKA NIKOLIĆ
16
DRAMATURGY: OLGA DIMITRIJEVIĆ IGRAJU •
CAST: ANITA STOJADINOVIĆ, ĐORĐE ŽIVADINOVIĆ
GRGUR
How many worker’s wages did Mrnjavčević brothers
pay out in three years of construction? Is a woman
a material? How old will little Jovo be when the trial
to his mother’s murderers is finished? Do you believe
in fairies? The play Epic Games is based on a poem
Building of Skadar, which is a part of literature curriculum
for 5th grade of elementary school, and is connected
with the coursework of technical education, math and
civic education. Lower age limit is 10 years, while no
upper limit truly exist, since the topic addressed in the
poem is relevant for adult viewers too. The play has
an interactive character: certain parts transform into
a dialogue with the audience about themes from the
poem, which vary depending on the age and other
characteristics of the auditorium.
ANĐELKA NIKOLIĆ

BUJI PAJI / LULLA
Dybwikdans; Dansens Hus (Norveška / Norway)
18, 19 & 20 h • KULTURNI CENTAR NIKOLA ĐURKOVIĆ /
NIKOLA ĐURKOVIĆ CULTURAL CENTRE 30min. | 0 – 18 mjeseci / months
KONCEPT • CONCEPT: SIRI DYBWIK KOMPOZITOR
• COMPOSER: NILS CHRISTIAN FOSSDAL
SCENOGRAFIJA • SET DESIGN: KIT BJØRN
PETERSEN MUZIKA • MUSIC: ANDREAS UTNEM,
BERGMUND WAAL SKASLIEN KOSTIMOGRAFIJA
• COSTUME DESIGN: BRITT STIGEN MARTINSEN,
Buji paji nam prezentuje svijet pjesme, pokreta i muzike,
prikazujući uspavanke u novim i tradicionalnim oblicima.
Buji paji je muzički susret koji poziva djecu i odrasle
da otvoreno učestvuju, po sopstvenom nahođenju. Ne
prenosi nam preciznu priču, već, koristeći dječje uspa-
vanke, poziva na fizičku i muzičku interakciju publike,
čineči prisutnost, slušanje i igru vitalnim elementima
ovog susreta. Ova predstava istažuje umjetnički izraz
koji se u potpunosti javlja na sceni gdje umjetnici, djeca i
odrasli čine umjetnički i društveni totalitet. Kao otvorena
forma čije su glavne karakteristike zvuk i pokret, Buji
paji ima za cilj da stvori dijalog i interakciju sa djecom.
SIRI DYBWIK
ČET / THU
4.7.
KARI HELENE GRYTE DIZAJNER/TEHNIČAR •
DESIGNER/TECHNICIAN: KARL OSKAR SØRDAL
SUPERVIZOR • SUPERVISOR: THOMAS CABANISS
FOTOGRAFIJA • PHOTOGRAPHY: TALE HENDNES
IGRAJU • CAST: GERD ELIN AASE, NILS CHRISTIAN
FOSSDAL
Lulla presents a world of song, movement and music,
and shows us lullabies in new and traditional forms.
Lulla is a musical encounter that is open to participa-
tion of children and adults, on their own terms. Lulla
does not tell a precise story; instead, it uses nursery
rhymes to invite physical and musical interaction
with the audience, and makes presence, listening and
play vital elements in the encounter. Lulla explores an
expression that arises in its entirety in the stage space
where the artists, the children and the adults constitute
the artistic and social totality. An open and inviting
form, characterized by sound and movement, has the
goal to achieve dialogue and interaction with children.
SIRI DYBWIK
17
PET / FRI
5.7.
MONSTRUMI / MONSTERS
Trupa Duda Paiva; Teatar Korzo / Duda Paiva Company; Korzo Theater (Holandija / Netherlands)
21.30 h • LJETNJA POZORNICA / SUMMER STAGE
60min. | 6+
KONCEPT I REŽIJA • CONCEPT AND DIRECTION:
DUDA PAIVA DRAMATURGIJA • DRAMATURGY:
KIM KOOIMAN LUTKE • PUPPETS: DUDA PAIVA,
JUSTYNA BANASIAK, ANDRÉ MELLO, TIM
VELRAEDS DIZAJN ZVUKA • SOUND: WILCO
ALKEMA DIZAJN SVJETLA • LIGHT: MARK
VERHOEF DEKOR • DECOR: DANIEL PATIJN
Monstrumi predstavljaju veoma lijep balans na granici
između potpuno stvarnog i očigledno lažnog. Lutke
Dude Paive su veoma čudna stvorenja! Imaju smiješne
glave, krila, repove, ali i ruke i noge… šta li su u stvari?
Životinje, ljudi, ili oboje? I izgledaju tako slatko i dodirljivo,
ali da li to stvarno i jesu? Srećom, Monstrumi su pod
Narcisovom kontrolom i publici će pokazati sve trikove
koje ih je naučio: okrete, plesove, pjesmu, čak i kako da
lete! Ali, Monstrumi mrze da izvode ove trikove. Zbog
toga se pobunjuju protiv Narcisa, što navodi publiku da
se zapita – ko je ovdje prava zvijer? Jedna stvar koja
je jasna u ovoj konstantno promjenljivoj izvedbi je da
ono što vidimo, nije i ono što dobijemo.
KIM KOOIMAN
18
KOSTIMOGRAFIJA • COSTUME: ATTY KINGMA
SAVJETNIK • ADVICE: HARRIET STROET
REPETITOR • REPETITION: EDERSON XAVIER
PRODUCENT • PRODUCTION: MARIJANA
MIKOLCIC IGRAJU • PERFORMERS: JOSSE
VESSIES, CAT SMITS, TIM VELRAEDS
Monsters balance extremely finely on the borderline
between completely real and obviously fake. What
strange creatures the puppets of Duda Paiva are! They
have funny heads. They have wings and tails but also
arms and legs… what are they? Animals, humans, or
both? And they look so sweet and touchable…but are
they? Luckily, Narcissus controls the Monsters and
he is showing his audience all the tricks he taught
them: somersaults, dances, songs and even how to
fly! But, Monsters hate to do these tricks. That’s why
they rise up against him and prompting the audience
to ask themselves; who is the real beast here? One
thing is clear in this continuously changing slapstick
performance: what you see is not what you get.
KIM KOOIMAN

2062
Karla Kracht & Andrés Beladiez (Španija / Spain)
21 h • KULTURNI CENTAR NIKOLA ĐURKOVIĆ /
NIKOLA ĐURKOVIĆ CULTURAL CENTRE 55min. | 12+
IDEJA I KONCEPT • IDEA AND CONCEPT: KARLA
KRACHT, ANDRÉS BELADIEZ DRAMATURGIJA
• DRAMATURGY: ANDRÉS BELADIEZ
SCENOGRAFIJA • SET DESIGN: KARLA KRACHT
KAMERA I ANIMACIJA • CAMERA AND
ANIMATION: KARLA KRACHT DIZAJN ZVUKA •
2062 je šou nastao miksom scenskih, multimedijalnih,
stripovskih, ilustrativnih i animacionih tehnika, koje uz
teatar sjenke i objekta, kreiraju scenski i kinematografski
šou uživo. S ovim sastojcima, stvoren je distopijski
svijet koji govori o granicama, zidovima, novim mi-
gracijama, posljednjim geopolitičkim i ekonomskim
promjenama. Svijet više nikad neće biti isti. Granice
će ponovo biti obojene u crveno ili potpuno nestati.
Postaće manje pristupačne. Izgradiće se novi zidovi,
a stari ideali sahraniti. Ratovi će biti drugačiji, ali će
nastaviti ubijanje s ideološkog nišana. Kapitalizam
će se, bez skoro ikakvog protivnika, proširiti na cio
zemaljski svijet. Vlade će svoju moć predati velikim
korporacijama. Nove migracije i Evropa u agoniji, koja
pokušava da se odupre gubljenju svoje hegemonije.
Građani traže svoj indentitet u potrošačkim korpama.
21. vijek je stigao i promijenio nas zauvijek, a da smo
mi to jedva i shvatili. A nekako, sve je i dalje isto.
KARLA KRACHT, ANDRÉS BELADIEZ
SUB / SAT
6.7.
SOUND DESIGN: ANDRÉS BELADIEZ
MULTIMEDIJALNO PROGRAMIRANJE •
MULTIMEDIA PROGRAMING: KARLA KRACHT,
ANDRÉS BELADIEZ IGRAJU • CAST: KARLA
KRACHT, ANDRÉS BELADIEZ
2062 is a multi-disciplinary show encompassing and
interweaving scenic, multimedia, comic, illustration, and
animation techniques, as well as shadow and object
theatre, aimed at creating a scenic and cinematographic
live show. With these ingredients, a dystopian world is
created, a world in which we encounter borders, walls,
new migrations, and the latest geopolitical and economic
changes. The world will never be the same again...
Borders will turn red again or disappear completely.
They will become less accessible. New walls will be built
and old ideals will be buried. Wars will be different, but
killing at ideologist gunpoint will continue. Capitalism,
facing virtually no opposition, will extend to the whole
terrestrial world. Governments will concede their power
to large corporations. New migrations will antagonize
Europe, which will try to preserve its hegemony. Citizens
will be searching for their identities in shopping carts.
The 21st century has arrived and changed us forever,
but we have hardly realized it. Somehow, everything
continues to be the same.
KARLA KRACHT, ANDRÉS BELADIEZ
19
NED / SUN
7.7.
LAGARIJE – PREDAVANJE O SUROGATU / MAKE-BELIEVE –
A LECTURE ON SUBSTITUTES
KFTC; Nikola Đurković CC; DS Prazan prostor (Crna Gora / Montenegro)
18 & 20 h • KULTURNI CENTAR NIKOLA ĐURKOVIĆ /
NIKOLA ĐURKOVIĆ CULTURAL CENTRE 45 min. | 8+
REŽIJA I VIZUELNI INDENTITET• DIRECTION AND
VISUAL IDENTITY: MIRKO RADONJIĆ
KOMPOZITOR • COMPOSER: NINA PEROVIĆ
Lagarije - predavanje o surogatu je predavanje-per-
formans namijenjen djeci i mladima, a rađen prema
motivima animiranog filma Surogat Dušana Vukotića.
Film iz 1961. godine je satirični komentar na tadašnji
društveni trenutak, no danas, kad je ono što je nepo-
sredni doživljaj skoro sasvim iščililo iz naših života i
surogat postaje norma po kojoj dišemo, djeluje pora-
žavajuće aktuelno. Uronjeni u društvene mreže kao u
rastvor formaldehida, nikada nismo bili usamljeniji.
Sagledati taj svijet i prihvatiti ga kao normalan je teš-
ko, ali promijeniti ga je nemoguće jer to bi značilo: ići
protiv istorije. Ipak, alternativu je nužno pronaći, i mi
je tražimo. Vukotićev film je osnova i inspiracija za
multimedijalni i interaktivni performans koji govori o
idejama, usamljenosti, emocijama i mašti. Služeći se
performativnim i pozorišnim sredstvima, insistiramo
na čulnim, opipljivim iskustvima i posredujemo ideju
o kreaciji kao ultimativnom surogatu koji (ironično)
donosi izbavljenje od surogata samog.
MIRKO RADONJIĆ
20
REVIJALNI /
REVUE PROGAM
ASISTENTKINJA REŽIJE • ASSISTANT DIRECTOR:
MARIJA BACKOVIĆ IGRAJU • CAST: MIRKO
RADONJIĆ, MARIJA BACKOVIĆ, NINA PEROVIĆ
Make-believe – A Lecture on substitutes is a lecture-per-
formance intended for children and youth, and is based
on motifs from an animated film The Substitute by Dušan
Vukotić. The film from 1961 is a satirical comment on
the social moment of the time. However, today, when
direct experiences have vanished from our lives and
the substitutes have become a norm for everything
but breathing, it appears to be devastatingly current..
With our heads deep in social media, we have never
been lonelier. Grasping the world and accepting it as
normal is hard, but changing it is impossible, since that
would mean: going against history. Still, alternative must
be found, and we are looking for it. Vukotić’s film is a
basis and inspiration for a multimedia and interactive
performance which speaks about ideas, loneliness,
emotions and imagination. Using performance and
theatre means, we insist on sensory and tangible
experiences and we convey the idea of creation as the
ultimate substitute (ironically) which brings salvation
from the substitute itself.
MIRKO RADONJIĆ

NIKOMU PRAVO / CAN’T PLEASE THE WHOLE WORLD 
Kazalište lutaka Zadar / Zadar Puppet Theater (Hrvatska / Croatia)
21.30 h • LJETNJA POZORNICA / SUMMER STAGE
45 min. | 5+
REŽIJA • DIRECTED BY: ANA PROLIĆ ASISTENT
REŽIJE • ASSISTENT DIRECTOR: JURAJ ARAS
SARADNIK ZA SCENSKU IGRU • SCENIC PLAY
ASSOCIATE: DAMIR KLEMENIĆ MUZIKA I
TEKST SONGOVA • MUSIC AND SONGS LYRICS:
MATE MATIŠIĆ LIKOVNO OBLIKOVANJE •
VISUAL IDENTITY: SANJA MRŠA VUKMAN
KOSTIMOGRAFIJA • COSTUME DESIGN: ANITA
GORETA DIZAJN SVJETLA • LIGHT DESIGN: BAUSOVIĆ, ANĐELA ĆURKOVIĆ PETKOVIĆ, TAMARA
FRANE PAPIĆ DIZAJN ZVUKA • SOUND DESIGN:
MATE PETRIČEVIĆ SCENOGRAFIJA • SET DESIGN:
Nastalo prema motivima narodne priče Svijetu se ne
može ugoditi, Nikomu pravo govori o želji da se udovolji
okolini, pa i cijelome svijetu, kako bi se zadobila tuđa
naklonost, potvrda o ispravnosti, zatim stvorio osjećaj
prihvaćenosti, pri čemu dolazi do potiskivanja i odbacivan-
ja vlastitih želja i stavova, a na kraju i same osobnosti.
U vremenu u kojemu smo sa svih strana napadnuti
agresivnim odredbama - kako treba izgledati, kako se
ponašati, kako treba misliti, kako provoditi vrijeme,
koju vrstu jogurta treba piti - a koje nastojimo ispuniti
kako bi se - po tuđim mjerilima - ostvarili, bili uspješni
i sretni, ukalupljeni, uklopljeni i potapšani po ramenu,
valja se podsjetiti do koje mjere poništavamo sami
sebe. Jer, kako god okrenuli, nekom neće biti pravo.
ANA PROLIĆ
NED / SUN
7.7.
ROBERT KOŠTA INSPICIJENT • SHOW MANAGER:
RADOJKA KOZULIĆ MAJSTOR SCENE • SET
MANAGER: ROBERT KOŠTA IZRADA KOSTIMA •
COSTUME MAKER: NATAŠA PEROVIĆ TEHNIČAR
ZVUKA I SVJETLA • LIGHT & SOUND TECHNICIAN:
MARIN BAKMAZ FOTOGRAFIJA • PHOTOGRAPHY:
IVA PERINČIĆ IGRAJU • CAST: JURAJ ARAS,
SANJA ZALOVIĆ, DOMINIK KARAKAŠIĆ, IRENA
ŠOLETIĆ, RADOJKA KOZULIĆ, ROBERT KOŠTA
Based on the motifs from a popular story, Can’t Please
the Whole World speaks about a desire to please
people around us, and then the whole world, in order
to get their affection, confirmation of righteousness,
and create the feeling of acceptance, which leads to
suppression and abandonment of our own desires
and opinions, and finally even our own personalities.
In this time, where we are attacked by aggressive
regulations from all over– about how to look, how
to behave, how to think, spend time, which brand of
yogurt to take – that we tend to meet in order to – by
others’ parameters – achieve ourselves, be successful
and happy, within the required shape and pattern and
tapped on the shoulder, it is important to remind our-
selves to which extent we deny ourselves. Since after
all, whatever we do, we can’t please the whole world.
ANA PROLIĆ
21
PON / MON
UTO / TUE
8–9.7.
Erlend Loe
PITAM SE, PITAM, KOLIKO SAM BITAN / KURT, QUO VADIS?
Pozorište Boško Buha / Boško Buha Theatre (Srbija / Serbia)
21.30 h • LJETNJA POZORNICA / SUMMER STAGE
60 min. | 5+
REŽIJA • DIRECTED BY: JANA MARIČI
DRAMATURGIJA • DRAMATURGY: MILENA DEPOLO
SCENOGRAFIJA • SET DESIGN: VELJKO
STOJANOVIĆ KOSTIMOGRAFIJA • COSTUME
DESIGN: SNEŽANA VELJKOVIĆ KOMPOZITOR •
COMPOSER: BOŽIDAR OBRADINOVIĆ
Erlend Lu, čuveni norveški savremeni pisac, i jedan od
omiljenih pisaca domaće čitalačke publike, napisao je i
serijal knjiga za djecu čiji je glavi junak vozač viljuškara
Kurt. U ovoj priči, Kurt je, zbog visokog društva u kojem
se kreće, postao nesiguran u sebe, i sa svojim malim
sinom polazi u potragu za svojim velikim djelom koje
će mu pomoći da i on postane važan u svom okru-
ženju. Dok smo pravili ovu predstavu za djecu, nismo
željeli da budemo neki pametni veliki ljudi koji će ih
nečemu naučiti. Uostalom, djeca su vrlo često mnogo
pametnija od nas, baš kao što je i Bud, koji ima svega
nekoliko godina, pametniji od svog tate Kurta. Htjeli
smo da djeci ispričamo priču i da sa njima podjelimo
misli, brige i osjećanja koja su se u nama rađala dok
smo se družili sa Erlendom Luom i njegovim glavnim
junakom, Kurtom.
MILENA DEPOLO
22
KOREOGRAFIJA • CHOREOGRAPHY: MAJA
KALAFATIĆ SCENSKI GOVOR • SCENIC SPEECH:
DIJANA MAROJEVIĆ IGRAJU • CAST: STEFAN
BUNDALO, ALEKSANDAR MILKOVIĆ, TEODORA
RISTOVSKI, MILOŠ VLALUKIN, JELENA TRKULJA
Erlend Loe, a prominent Norwegian contemporary
author, and one of favourite writers to the local
readership, wrote a series of children’s books whose
protagonist is Kurt, forklift truck driver. In this story, as
a result of being a part of high society, Kurt started
losing his self-confidence and together with his little
son started searching for a great deed that will help
him become important in his surroundings. While we
were working on this play, we didn’t want to be some
smart grownups who will teach you something. After
all, children are very often much smarter than us, just
like our Bud is, who is only several years old and is
smarter than his dad Kurt. We wanted to tell a story to
children and share with them our thoughts, concerns
and feelings that came to life while we were hanging
out with Erlend Loe and his protagonist Kurt.
MILENA DEPOLO

FERAL
Teatar Tortoise in a Nutshell; Pozorište Cumbernauld / Theatre Tortoise
in a Nutshell; Cumbernauld Theatre (UK-Škotska / UK – Scotland)
18 & 20 h • KULTURNI CENTAR NIKOLA ĐURKOVIĆ /
NIKOLA ĐURKOVIĆ CULTURAL CENTRE 55 min. | 12+
REŽIJA • DIRECTED BY: ROSS MACKAY
SCENOGRAFIJA • SET DESIGN: AMELIA BIRD
DIZAJN SVJETLA • LIGHT DESIGN: SIMON
WILKINSON KOMPOZICIJA I DIZAJN ZVUKA
• COMPOSITION AND SOUND DESIGN:
Inovativna predstava koja kombinuje lutkarstvo,
manipulaciju objekata, imersivne zvučne pejzaže i
multimedijalnu tehnologiju. Feral sadrži zajednicu
pod mikroskopom i detaljno je analizira pred samom
publikom. Džo se prisjeća doma iz svog djetinjstva
i prati njegovo putovanje od idiličnog grada na obali
do zajednice zahvaćene anarhijom. Kao mješovita
umjetnička forma, Feral besprekorno spaja film i izvedbu
uživo. Vještom manipulacijom lutaka izvođači oživljavaju
maleni svijet, istovremeno stvarajući animaciju uživo,
praćenjem svakog njegovog daha digitalnom kamerom.
TORTOISE IN A NUTSHELL
UTO / TUE
9.7.
JIM HARBOURNE TEHNIČKI MENADŽER •
TEHNICAL MANAGER: ANDREW GANNON
FOTOGRAFIJA • PHOTOGRAPHY: AMY DOWNES
IGRAJU • CAST: ARRAN HOWIE, ROSS MACKAY,
ALEX BIRD, JIM HARBOURNE, MATTHEW LEONARD
An innovative performance combining puppetry, object
manipulation, immersive soundscapes and multime-
dia technology, Feral holds a community under the
microscope and dissects it in front of its audience’s
eyes. Joe looks back at the home of his childhood
and traces its journey from idyllic seaside town to
community gripped by anarchy. A cross art form piece,
Feral, seamlessly blends film and live performance.
Puppeteers manipulate and bring to life a tiny world,
whilst simultaneously creating a live animation, as they
follow its every breath via digital camera.
TORTOISE IN A NUTSHELL
23
SRI / WED
10.7.
NIJAR – PAPIRNA PRIČA / NIYAR – A PAPER TALE
Maayan Iungman (Njemačka / Germany)
20 h • KULTURNI CENTAR NIKOLA ĐURKOVIĆ /
NIKOLA ĐURKOVIĆ CULTURAL CENTRE 45 min. | 5+
KONCEPT I REŽIJA • CONCEPT AND DIRECTION:
MAAYAN IUNGMAN TEHNIKA I MANIPULACIJA
LUTKAMA • TECHNICIAN AND PUPPET
MANIPULATOR: PHILIPP RÜCKRIEM DIZAJN
SVJETLA • LIGHT DESIGN: ANNA LIENERT
MUZIKA I DIZAJN ZVUKA • MUSIC AND SOUND
DESIGN: THOMAS MOKED ČELO • CELLO: ILLAY
CHESTER TEHNIČKA PODRŠKA • TECHNICAL
Nijar – Papirna priča predstavlja kombinaciju lutkarskog
teatra i objekta, napravljenu u potpunosti od papira. Fru-
strirana umjetnica sjedi ispred brda zgužvanog papira.
Sa svakom odbačenom idejom, gomila je sve veća i
veća. Posred ove kreativne krize, iznenada počinje život.
Pojavljuje se figura od papira koja će povesti umjetnicu
na poetično putovanje. Karolina Augustyniak (pozorišni
časopis Dziennik Teatralny) opisuje Nijar kao odličan
prikaz slobodne mašte, poput materijala oblikovanog
dječjim entuzijazmom. Unikatan šou koji se izražava
bez upotrebe riječi, ali i simbolična priča o sastanku
i rastanku, skoro kao čistota ljepote, koja inspiriše.
MAAYAN IUNGMAN
24
SUPPORT: NIR LADANY DIZAJN MEHANIZMA
• MECHANISM DESIGN: TAL IUNGMAN, ARIANE
BOTHE KOSTIMOGRAFIJA • COSTUME DESIGN:
CHANTAL KIRCH SCENOGRAFIJA • SET DESIGN:
NIMROD EREZ ASISTENT • ASSISTANT: KAREN
DAVIDOFF IGRAJU • CAST: MAAYAN IUNGMAN,
PHILIPP RÜCKRIEM
NIYAR – A Paper Tale is an object & puppet theatre
show made completely out of paper. A frustrated
artist is sitting in front of a mountain of crumpled
paper. With each idea that is being thrown aside, the
pile gets bigger. In the midst of this creative crisis - life
suddenly begins. A paper figure appears and takes
the artist on a poetic journey. Karolina Augustyniak
(theatre magazine Dziennik Teatralny) describes Niyar
as a great show of free imagination, like a material
shaped with child’s enthusiasm. This unique show is
expressed without any words and is a symbolic story
of meeting and separation, almost as the purity of
beauty - that inspires.
MAAYAN IUNGMAN

LEPOTICA I ZVER / BEAUTY AND THE BEAST
Pozorište mladih / Youth Theater (Srbija / Serbia)
21.30 h • LJETNJA POZORNICA / SUMMER STAGE
60 min. | 6+
REŽIJA • DIRECTED BY: MILOŠ JAGODIĆ
ADAPTACIJA TEKSTA • TEXT ADAPTATION:
NATAŠA ILIĆ, MILOŠ JAGODIĆ SCENOGRAFIJA •
SET DESIGN: MARIJA KALABIĆ KOSTIMOGRAFIJA
• COSTUME DESIGN: MR MILICA GRBIĆ KOMAZEC
KOMPOZITOR • COMPOSER: GABOR LENĐEL
KOREOGRAFIJA • CHOREOGRAPHY: OLIVERA
KOVAČEVIĆ CRNJANSKI, FROSINA DIMOVSKA, ISTA
STEPANOV TEKSTOVI SONGOVA • SONGS’ LYRICS:
NATAŠA ILIĆ KOREPETITOR • CO-REPETITION:
DR AGOTA VITKAI KUČERA SCENSKE BORBE -
Predstava Lepotica i zver Stevana Koprivice, višeslojna
je bajka za djecu i odrasle koja govori o snazi snova
i moći ljubavi u odnosu na materijalne vrijednosti,
zbog čega je izuzetno aktuelna i danas. Preobražaj
koji doživljavaju glavni likovi budi pomisao da ništa
nije onako kako površno izgleda na prvi pogled, i da
ćemo pravu ljepotu otkriti samo ako se suštinski
bavimo ljudima. Univerzalne poruke, da je prava ljepota
u ljudskoj duši i srcu, a ne u spoljašnjem izgledu, da
svako mora da nauči da voli, ali i da zasluži tuđu ljubav,
da prava ljubav postoji i opstaje bez obzira na razlike,
čine ovu bajku svevremenom.
MILOŠ JAGODIĆ
SRI / WED
10.7.
MAČEVANJE • SCENIC FIGHTS – SWORDPLAY:
DRAGAN STOJMENOVIĆ FOTOGRAFIJA I VIDEO •
PHOTOGRAPHY AND VIDEO: ZOOM MEDIA, NENAD
MIHAJLOVIĆ DIZAJN PLAKATA I PROGRAMSKE
KNJIŽICE • PROMO MATERIALS DESIGN: MR
JELENA ĐURIĆ IGRAJU • CAST: KRISTINA SAVKOV,
SLOBODAN NINKOVIĆ, SAŠA STOJKOVIĆ, MARINA
CINKOCKI, SLAVICA VUČETIĆ, SAŠA LATINOVIĆ,
NEDA DANILOVIĆ, IVAN ĐURIĆ, ALEKSA ILIĆ,
DANILO MILOVANOVIĆ
The play Beaty and the Beast by Stevan Koprivica is a
multi-layered fairy tale for children and adults which
tells us how dreams and power of love are much
stronger compared to material values, which is why it
is extremely current even today. A transformation that
main characters go through shows us that nothing is
as it seems on the surface and that true beauty can be
discovered only if we truly deal with people. Universal
morals, that true beauty is found in a person’s soul
and heart, and not in their exterior appearance, that
everybody must learn how to love and how to become
worthy of someone else’s love, that true love exists
and perseveres regardless of differences, render this
fairy tale timeless.
MILOŠ JAGODIĆ
25
ČET / THU
11.7.
EMEŠIN SAN / DREAM OF EMESE
Čako Ferenz; Art’s Harmony Ansambl / Cakó Ferenc; Art’s Harmony Ensemble
(Mađarska / Hungary)
20 h • KULTURNI CENTAR NIKOLA ĐURKOVIĆ /
NIKOLA ĐURKOVIĆ CULTURAL CENTRE 60 min. | 5+
IDEJA, CONCEPT I REŽIJA • IDEA, CONCEPT, AND
DIRECTION: CAKÓ FERENC MUZIKA • MUSIC: ART’S
HARMONY ENSEMBLE KOMPOZITOR • COMPOSER:
Emešin san je lajv šou zansovan na pješčanoj animaciji
svjetski poznatog mađarskog umjetnika i reditelja ani-
macionih filmova, Čaka Ferenca. Uz muzičku pratnju
Art’s Harmony ansambla i Čakove originalne pješčane
animacije, Emešin san nas vodi kroz vjekove mađarske
istorije. Stvarajući slike od pjeska pred očima publike,
umjetnik nam prenosi priču o bogatoj istoriji svog
naroda kroz niz animacija, koju dodatno obogaćuju
muzičari dinamičnom i sjetnom muzikom. Jedinstven
umjetnički izraz, kreiran od strane Čaka Ferenca, pru-
žiće publici priliku da uživaju u živopisnoj, impresivnoj,
pješčanoj animaciji, koja se brzo, poput filma, odvija
uživo pred njima.
KATALIN BARTHA
26
REVIJALNI /
REVUE PROGAM
BARTHA KATALIN IGRAJU • CAST: CAKÓ FERENC,
BARTHA KATALIN, BARTHA PÉTER, LÁZÁR GYÖRGY,
NAGY OTTÓ, PIUKOVICS GÁBOR
DREAM OF EMESE is a live sand animation show by
world acclaimed Hungarian artist and animation film
director Cakó Ferenc. Accompanied by Art’s Harmony
Ensemble and combining live music with Cakó’s original
sand animation, Dream of Emese takes us through
the centuries of Hungarian history. Creating the sand
paintings right in front of the audience’s eyes, the artist
tells the rich history of his people through the sequence
of animations, while the musicians enrich the story
with soulful and dynamic music. A unique artistic
expression created by Cakó Ferenc, will provide the
audience with an opportunity to enjoy lively-bustling,
film-like running, impressive on-the-stage stream of
sand animation inspired by music, happening live
right in front of them.
BARTHA KATALIN

H.K. Andersen
CAREVO NOVO ODIJELO / THE EMPEROR’S NEW CLOTHES
Hercegnovsko pozorište; Herceg Fest / Herceg Novi Theatre; Herceg Fest
(Crna Gora / Montenegro)
21.00 h • LJETNJA POZORNICA / SUMMER STAGE
80 min. | 8+
REŽIJA • DIRECTED BY: PETAR PEJAKOVIĆ
DRAMATURGIJA • DRAMATURGY: ĐORĐE
STANOJLOVIĆ SCENOGRAFIJA • SET DESIGN:
VOJISLAV VOJO KILIBARDA KOSTIMOGRAFIJA •
Carevo novo odijelo je skrojeno kroz igru. Maštali smo
o tome da napravimo predstavu o politici za djecu. Ova
Andersenova bajka je napisana, kao i mnoge njegove
bajke, i za djecu i za odrasle. On nije mislio da postoje
neke stvari koje su samo za odrasle, a neke samo za
djecu. Pisao je za djecu o stvarima za odrasle. Sve stvari
koje su za odrasle jesu i za djecu, pa i politika, samo
je pitanje kako je predočiti djeci. Carevo novo odijelo
je tako postalo igra s ozbiljnim temama. Carevo novo
odijelo ne postoji. Car je go. To svi znamo. Htjeli smo da
ogolimo sve te teme za odrasle: vlast, podanik, politika,
izbori, programi, demokratija, despotija, revolucija... da
ukažemo na mehanizam njihovog funkcionisanja. Da,
te stvari su često jezive, ponekad smiješne, uglavnom
farsične, kao i kod Andersena. A kao što kod njega
takođe često biva, nema srećnog kraja, ima nade, ima
poziva, ima i rješenja, ali razrješenja ne, ono je na nama.
PETAR PEJAKOVIĆ
PET / FRI
12.7.
REVIJALNI /
REVUE PROGAM
COSTUME DESIGN: JELENA VASILJEVIĆ IGRAJU
• CAST: DEJAN ĐONOVIĆ, GORAN SLAVIĆ, MILOŠ
PEJOVIĆ, SLAVIŠA GRUBIŠA
The Emperor’s New Clothes was tailored through
games. We dreamed about making a show about
politics for children. This Andersen’s fairy tale was
written, as most of his tales, both for children and
adults. He never thought that there were things only
for grownups, and those only for children. He wrote
for children about things for grownups. All the things
for adults are also for children, including politics, the
only issue is how to present them to children. The
Emperor’s New Clothes therefore became a game with
serious themes. The Emperor’s New Clothes don’t exist.
The Emperor is nude. We all know that. We wanted
to expose all these topics for adults: power, subjects,
politics, elections, programs, democracy, despotism,
revolution…to expose the functioning mechanism.
Yes, these things are often scary, sometimes funny
and mainly farcical, just like in Andersen’s tales. And
just like his tales often don’t have a happy ending, they
offer hope, invitations, solutions, but no resolution,
that is up to us.
PETAR PEJAKOVIĆ
27
ŽIRI / JURY
dr ANA TASIĆ
teatrološkinja i
pozorišna kritičarka
Završila je osnovne studije na Fakultetu dramskih
umetnosti u Beogradu 2002. godine (odsjek za po-
zorišnu i radio produkciju). 2008. godine je magis-
trirala u oblasti teatrologije, na Fakultetu dramskih
umetnosti u Beogradu, a 2012. godine je doktoriria-
la, na istom fakultetu.
Bila je selektorka brojnih pozorišnih festivala, nacio-
nalnih i internacionalnih, članica mnogih pozorišnih
žirija, moderatorka i/ili učesnica niza internacionalnih
tribina, radionica, simpozijuma i konferencija iz
oblasti teatrologije. Objavila je dvije knjige, teatrološke
studije, Otvorene rane (telo u neobrutalističkoj drami i
pozorištu) (Institut za pozorište, film, radio i televiziju,
2009) i Digitalni dvojnici (Pozorište u ekranskom svetu)
(Sterijino pozorje, 2015).
Od jula 2005. godine stalna je pozorišna kritičarka
dnevnog lista Politika. Dobitnica je Sterijine nagrade
za pozorišnu kritiku (2015), kao i nagrade Niko Garone
za posebno angažovanje i posvećenost u oblasti
kulture (2016). Od marta 2017. godine je urednica
u redakciji Kulturno-umjetničkog programa Radio
televizije Srbije.
dr ANA TASIĆ, teathrologist and theatre critic
She completed her elementary studies at the Faculty
of Dramatic Arts in Belgrade in 2002 (Department for
Theatre and Radio Production). In 2008, she obtained
her MA degree in the field of theatre studies at the
Belgrade Faculty of Dramatic Arts and in 2012 her
doctoral degree at the same faculty.
She was a selector of numerous theatre festivals,
both national and international, a member of many
theatre juries, moderator and/or participant of an
array of international discussions, workshops, sym-
posiums and conferences from the field of theatre
studies. She published two books, theatre studies,
28
Open Wounds (Body and Physicality in New Brutal
Drama and Theatre) (Institute for Theatre, Film, Radio
and Television, 2009) and Digital Doubles (Theatre
in World of Film) (Sterija Theatre, 2015).
Since July 2005, she has been a theatre critic for a
daily paper Politika. She won the Sterija Award for
Theatre Criticism (2015) and Niko Garone Award
for special contribution in the field of media and
culture (2016). Since March 2017, she has been
working as editor of cultural and arts program of
Radio-Television of Serbia.
MIRKO
RADONJIĆ
pozorišni reditelj
Rođen 1984. u Titogradu. Nakon studija slikarstva
shvatio da voli pozorište, diplomirao režiju i počeo
da stvara u pozorištu. Režira predstave, osmišljava
scenografije, dizajnira svijetlo. Bavi se dramskom
pedagogijom. Pozorište za djecu ga izaziva. Zanimaju
ga uzbudljive, aktuelne, snažne i važne teme. Za
odrasle pravi predstave kakve bi sam volio da gleda,
a za djecu onakve kakve bi volio da gleda njegov
sin Jagoš. Kao samostalni umjetnik javno govori o
problemima i mogućnostima pozorišta u Crnoj Gori,
najviše kroz svoj rad.
Dobijao je nagrade ali prvi put je i sam član žirija.
Živjeće u kući na selu koje se zove Viđenje, kupaće se
u Stolivu i pratiće Kotorski festival pozorišta za djecu.
MIRKO RADONJIĆ, theatre director
He was born in 1984 in Titograd. After his painting
studies, he realized that he loves theatre so he grad-
uated in direction and started creating in theatre. He
directs plays, designs sets and lighting and also deals
with drama pedagogy. Theatre for children fulfils
him. He is interested in exciting, current, strong and
important topics. He makes plays for grownups the
way he likes them, and plays for children, as his son
Jagoš likes them. As a solo artist, he gives public
speeches on problems and opportunities for theatre
in Montenegro, mainly through his work.
He won awards before, but this is his first time as
a jury member.
He will be living in a house in a village called Viđen-
je, spend his summers in Stoliv and attend the Ko-
tor Festival of Theatre for Children.
. From 2009 till 2012 s he was producer and program
MORANA
DOLENC
teatrološkinja i
pozorišna rediteljka
Diplomirala je teatrologiju na Sorboni 2008. i završila
Ecole Nationale Superieure des Arts de la Marionnette
2005. god u Charleville – Mezieresu u Francuskoj.
Od 2008. glumi i režira u brojnim pozorišnim projektima
u Francuskoj, Sloveniji i Hrvatskoj. Bila je uključena u
mnogobrojne humanitarne projekte i producentkinja
je PIF - Međunarodnog festivala kazališta lutaka od
2009. do 2012. godine.
2013. godine osniva umjetničku organizaciju Lutkarska
organizacija koju fakat trebamo - LOFT. Dobitnica je
brojnih nagrada za svoj rad u Hrvatskoj i Sloveniji.
Od 2015. je članica Hrvatske zajednice samostalnih
umjetnika. Vodi mnogobrojne radionice na fakulteti-
ma, školama, vrtićima, kao i za projekte Ministarstva
kulture Republike Hrvatske.
Članica je HC UNIMA (Union Internetionale de la
Marionnette) od 2000. i HC ASSITEJ (International
Association of Theatre for Children and Young
People) od 2013.godine.
2016. njezin LOFT postaje član HC ASSITEJ –a, a
2018.UNIMA-e.
2017. Dolenc postaje članica Upravnog odbora HC
ASSITEJ. Profesorica je na Akademiji za umjetnost i
kulturu u Osijeku, te režira predstave za djecu i odrasle.
MORANA DOLENC, theatrologist and theatre
director
Graduated from the Université de la Sorbonne
Nouvelle, Paris III (3 Licenses, Etudes thaéâtrales)
in Paris, In February 2008, France. Before that she
graduated from the Ecole Nationale Supérieure des
Arts de la Marionette in Charleville-Mezieres, France,
in June 2005.
Since 2008 she performed and directed in various
theatres in Croatia, France and Slovenia and partici-
pated in numerous humanitarian projects.
manager of International Puppet Theatre Festival –
PIF in Zagreb.
In 2013 she founded her own puppet company: Lut-
karska organizacija koju fakat trebamo - LOFT (Puppet
organization that we need indeed). She is winner of
different prizes for her work in Croatia and Slovenia.
Since 2015 she is member of Croatian Freelance
Artists’ Association as a theater director. She is leading
various puppet workshops in Universities, schools,
kindergartens and projects of Ministry of Culture.
She is member of UNIMA (Union Internetionale de
la Marionnette) and of ASSITEJ (International As-
sociation of Theatre for Children and Young People).
ASSITEJ member since 2013 as individual
ASSITEJ member since 2016 as LOFT – Puppet
Organization that we need indeed
UNIMA member since 2000 as individual
UNIMA member since 2018 as LOFT – Puppet Or-
ganization that we need indeed
Since 2017 she is member of executive board of
ASSITEJ Croatia.
She is now a professor at Academy of Arts in Osijek,
Croatia, and is directing performances for children
and adults.
29
SCEZAM
YOUTH
STAGE

30
S S
CEZAM (Scena za mlade)
je dijete Kotorskog fetsivala
pozorišta za djecu. To je malo
čudno jer je SCEZAM tinejdžer,
a Festival dijete. Stalno zaboravljamo
da su svi prvo bili djeca. Tako je i
nama prvo bio potreban Festival za
djecu. Onda smo se uplašili šta je
sa našom bivšom djecom koja još
uvijek nisu u svijetu odraslih i shvatili
da moramo stvoriti nešto za njih. I
evo ga, mjesto susreta, razmjene,
druženja i učenja.
SCEZAM će ugostiti pedesetak
mladih ljudi iz regiona koji će izvesti
svoje predstave, pohađati radionicu,
gledati profesionalne predstave na-
mijenjene mladima, upoznati Kotor…
Mladi u pozorištu? Zar to postoji? Da,
postoji i ne smije prestati da postoji.
I posljednji mladi glumac/gledalac
je nada za opstanak pozorišta. Sre-
ćom mi znamo da je mnogo mladih
ljudi koji vole pozorište i stvaraju u
pozorištu. Malo su stidllivi i nesigurni
ali zato smo tu mi. SCEZAM svake
godine upali luču koja osvjetljava put
pozorištu za mlade. Nadamo se da
ćemo prerasti u sunce.
Marija Backović
CEZAM is a child of Ko-
tor Festival of Theatre for
Children. This confuses a
little bit since SCEZAM is
a teenager, and the Festival a child.
We keep forgetting that they had to
be children first. This is why we first
needed a theatre for children. Then
we got scared about what happened
to our children who still haven’t en-
tered the adult world and realized
that we must create something for
them. Thus, we have SCEZAM now,
a place of encounters, exchange,
socializing and studying.
SCEZAM will be a host to fifty young
persons from the region who will
perform their shows, attend work-
shops, watch professional plays
intended for youth, meet Kotor and
socialize.
Youth in the theatre? Does that really
exist? Yes, it does and it shouldn’t
stop. Even the last actor/viewer is
a hope for survival of theatre. They
are somewhat shy and insecure,
but that’s why we’re here. SCEZAM
lights a fire each year to illuminate
the path for the youth theatre. And
we hope to transform into the sun.
Marija Backović
31
SRI / WED
26.6.
VEČERA BUDALA / DINNER FOR SCHMUCKS
NOVA Akademija Umetnosti; KPGT (Beograd, Srbija) /
NOVA Academy of Arts; KPGT (Belgrade, Serbia)
19.30 h • KULTURNI CENTAR NIKOLA ĐURKOVIĆ /
NIKOLA ĐURKOVIĆ CULTURAL CENTRE 90 min. | 12+
REŽIJA • DIRECTED BY: JELENA RISTELJIĆ
TEKST • WRITTEN BY: FRANSIS VEBER SCENSKI
DIZAJN I ORGANIZACIJA • SET DESIGN AND
ORGANISATION: MILANA MATEJIĆ IGRAJU •
Večera budala je predstava rađena po tekstu istoi-
mene drame francuskog pisca i reditelja Fransisa
Vebera. Ovo je dobro skrojena komedija sa komičnim
i inteligentnim zapletima, u kojoj se prepliću elementi
vodvilja, komedije karaktera i intrige. Predstava za-
počinje idejom o večeri između grupe intelektualnih,
snobovskih i sarkastičnih prijatelja, čiji su gosti, a da
toga nisu svjesni, kandidati za nagradu najveće bu-
dale. Ovim gostima nikada nije saopšten pravi razlog
za poziv na večeru, već umjesto toga oni nesvjesno
zabavljaju njihove domaćine. Kada se najavljena ve-
čera odloži, spletom komičnih okolnosti i urnebesnih
situacija radnja se zapliće do nezamislivog vrhunca,
ne baš povoljnog po Pjera. Na kraju takve odložene
večere, autor služi za dezert životnu lekciju koja se
bavi francuskom prefinjenošću i suptilnošću: ko je,
u stvari, budala? Plejada likova koji se pojavljuju na
vratima stana, izazvani telefonskim pozivima zbunju-
juće i urnebesne sadržine, izaziva gomilu smiješnih
zapleta koji se razrješavaju potpunim padom glavnog
lika i moralističko-ironičnim krajem. Drama Fransisa
Vebera još jednom je pokazala koliko su pojmovi “bu-
dala”, “pametan”, “glup” zapravo elastični i promjenlji-
vi, u zavisnosti od životnih situacija koje nas svakog
trenutka testiraju. Ko je jednom napravio budalaštinu
i okusio njenu slast, ukus nikad ne zaboravlja. Prvi po-
stulat budale jeste uverenje da je pametan.
32
SCEZAM –
YOUTH STAGE
CAST: MARKO TOPOLOVAČKI, UROŠ NOVOVIĆ,
DEJANA DŽINIĆ, MARKO PANAJOTOVIĆ, GABRIELA
ADŽIĆ, MAGDI EL-ASRAG, LUKA PAVLOVIĆ, ELDAR
ZUBČEVIĆ / MIHAILO PERIŠIĆ
Dinner for Schmucks is a play based on a drama of
a French writer and director, Francis Veber. This is
a well-tailored comedy with comical and intelligent
plots and intertwining elements of vaudeville, char-
acter comedy and intrigue. The play starts with the
idea of a dinner for a group of intellectual, snobbish
and sarcastic friends, whose guests are, without be-
ing aware of it, candidates for the biggest idiot award.
These guests were never told why they had been
actually invited to the dinner, but instead they keep
entertaining their hosts, without knowing about it.
When the anticipated dinner is delayed, with a set of
comical circumstances and hilarious situations, the
plot entangles to the most unimaginable culmination,
not so favourable for Pierre. At the end of such de-
layed dinner, the author serves a peculiar life lesson
which deals with French sophistication and subtlety:
who, in fact, is the idiot? The pleiade of characters
who appear at the door of the apartment, invited in
hilarious and confusing ways, causes plenty of funny
plots which result in a complete fall of the protagonist
and moralistically – ironical ending. Francis Veber’s
drama showed once again how terms ‘’idiot’’, ‘’intel-
ligent’’, ‘’stupid’’ are actually elastic and volatile and
dependant of life situations which constantly test us.
Who once committed idiocracy and tasted its delights,
never forgets the taste. The first postulate of idiots is
their conviction that they are intelligent.

SFRJ PoJezija / SFRY Po(J)etry
Dramski studio Prazan prostor, (Kotor Crna Gora) /
Drama studio Prazan prostor (Kotor, Montenegro)
21.30 h • KULTURNI CENTAR NIKOLA ĐURKOVIĆ /
NIKOLA ĐURKOVIĆ CULTURAL CENTRE 85 min. | 12+
REŽIJA • DIRECTED BY: SLAVIŠA GRUBIŠA IGRAJU
• CAST: IVAN FRANOVIC, MARKO RADOVIĆ, BOBAN
CRNOGORAC, MILIVOJ MIKI RADULOVIĆ, ALEKSA
BALEVIĆ, KLARA MILOŠEVIĆ, STEFANIJA BRČIĆ,
Predstava SFRJ PoJezija bavi se problemom turbo
folka na prostorima bivše Jugoslavije. Uz kakve pje-
sme - hitove odrasta i sazrijeva današnja omladina?
Da li i u kolikoj mjeri je takva muzika uticala na sta-
nje svijesti naroda na ovim prostorima? Da li bi bilo
drugačije da takva muzika nije postala naša svakod-
nevica? Odgovore na ova pitanja nećete dobiti u ovoj
predstavi ali ćemo pokušati na drugačiji način da
vam približimo stihove koji su sveopšte poznati, pa
zaključite sami. Ne može nam niko ništa, jači smo od
sudbine. Da li?
SRI / WED
26.6.
SCEZAM –
YOUTH STAGE
ANTONIO GRGUROVIĆ, STEFAN LAZAREVIĆ, DUŠAN
LUČIĆ, DEJANA USKOKOVIĆ, IVAN KAŠĆELAN,
JOVANA MAGUD, KATARINA NOVOVIĆ, ŽELJKO
ĐUJIĆ
A play SFRY Po(J)etry tackles the problem of turbo
folk in the region of former Yugoslavia. Hit songs
heavily present in growing up of today’s youth. Did
this type of music and to which extent did it affect
the state of mind of people from this region? Would it
be any different if such music has never become our
everyday life? This play doesn’t offer answers to the-
se questions but we will try to approach these well-
known lyrics from a different perspective, so you can
reach your own conclusions. No one can harm us, we
are stronger than destiny. Are we?
33
ČET / THU
27.6.
13
Dramski studio Istarskog narodnog kazališta / Gradskog kazališta Pula (Hrvatska)
Drama studio of Istrian National Theatre / Pula City Theatre (Croatia)
NOVA Academy of Arts; KPGT (Belgrade, Serbia)
19.30 h • KULTURNI CENTAR NIKOLA ĐURKOVIĆ /
NIKOLA ĐURKOVIĆ CULTURAL CENTRE 35 min. | 12+
AUTORKA I KOREOGRAFKINJA • AUTHOR AND
CHOREOGRAPHER: ANDREA GOTOVINA (u saradnji s
izvođačima / in cooperation with performers)
KOSTIMOGRAFIJA • COSTUME DESIGN: DESANKA
JANKOVIĆ DIZAJN SVJETLA • LIGHT DESIGN:
DARIO DRUŽETA DIZAJN TONA • SOUND DESIGN:
13 je plesna predstava, inspirisana filmom Ocean’s
Eleven. Dinamičnim i ritmičkim oblikom, jednostav-
nim scenskim rješenjima, kretanjima i radnjama pro-
lazi kroz radnju filma na apstraktan način. Kao glavni
oblik komunikacije odabrana je igra hodanja. Hladno,
pravouglo, oštro kretanje koristi se kao simbol organi-
zovanosti i preciznosti, što jednostavno čini kompli-
kovanim. Svaki izvođač je dio cjeline, karika bez koje
se ne može, kao i svaki pokret koji ima svoj tačan broj
i mjesto. Na taj način se izvođači sve vrijeme igraju
kompozicijom tijela u prostoru i prostor čine bogatim
i dinamičnim.
34
SCEZAM –
YOUTH STAGE
MIODRAG FLEGO IGRAJU • CAST: NINA PERUŠKO,
MICHELLE SALOME KURSAR, MORIS NIKOLIĆ,
LUANNA POČEREK, IVA KOVAĆ, LEONARDA SEP,
MARKO GAŠPAROVIĆ, MELISSA MALEŠEVIĆ, ANJA
ERJAVEC, MIRJANA ANDRIĆ, KARLA MEDAKOV,
EMA VJEŠTICA, DONATA BUTKOVIĆ, DAVID ROVIS
13 is a dance show, inspired by the film Ocean’s
11. Plot of the film is explored in an abstract way
through dynamic and rhythmic form, simple scenic
solutions, movements and actions. A play of walking
is chosen as the main form of communication. Cold,
rectangular, sharp movement is used as a symbol of
organization and precision, which transforms simple
into complicated. Each performer is a part of a whole,
an essential link, as every move that has its exact
number and place. In this way, performers play with
composition of body in a space thus rendering the
space rich and dynamic.

RADOJKA NEMA KNJIŽICU / RADOJKA HAS NO
REPORT CARD
Dečiji centar (Zaječar, Srbija) / Children’s Centre (Zaječar, Serbia)
21.30 h • KULTURNI CENTAR NIKOLA ĐURKOVIĆ /
NIKOLA ĐURKOVIĆ CULTURAL CENTRE 45 min. | 12+
REŽIJA • DIRECTED BY: SELENA RISTIĆ
VITOMIROVIĆ ADAPTACIJA TEKSTA • ADAPTATION
OF THE TEXT: RADNICI UMIRU PEVAJUĆI OLGE
DIMITRIJEVIĆ • THE TORN WORKERS BY OLGA
DIMITRIJEVIĆ IGRAJU • CAST: STEFAN VUGRINEC,
Predstava je nastala po motivima teksta Olge Dimitri-
jević Radnici umiru pevajući. Na satiričan način tretira
važnu društvenu temu položaja radničke klase u Srbi-
ji, uništene u procesu surove i neodgovorne tranzicije.
Kroz Brehtovski teatarski izraz, komad je društveno
pozicioniran, politički neopredjeljen ali obojen kroz
osvrt na položaj radnika od 90-ih do danas. Rad na
crno, dečiji rad, partijsko zapošljavanje, liberalni kapi-
talizam koji se rađa u društvu čiji su korjeni u osnovi
i dalje u socijalizmu - teme su kojima se komad bavi.
Osvrćući se na probleme društvenog života i egzi-
stenciju ljudi u restriktivnom okruženju, predstava
izaziva smijeh. Publika uvučena u mrežu ‘’tuđih živo-
ta’’ tek po završetku dolazi do krajnje spoznaje da je
smijeh upućen njima samima i njihovom višedece-
nijskom pasivnom prihvatanju propadanja društva u
cjelini.
ČET / THU
27.6.
SCEZAM –
YOUTH STAGE
MILOŠ MITROVIĆ, DIMITRIJE STANKOVIĆ, VLADIMIR
PETKOVIĆ, MILICA ANĐELIĆ, DUŠICA POLIĆ, ANA
STOKIĆ,TAMARA MILANOVIĆ, PETRA STOJANOVIĆ,
MILICA RISTIĆ, TAMARA MARKOVIĆ
The play was created based on motifs from Olga Di-
mitrijević’s text The Torn Workers. In a satirical way, it
tackles a very important social topic of the status of
the working class in Serbia, destroyed in a process of
a cruel and irresponsible transition. Through Brecht’s
theatrical expression, the piece is socially positioned,
politically neutral but coloured through looking at the
position of workers from the 90s until today. Illegal
work, child labour, political employment, liberal capi-
talism coming to life in a society whose roots are still
in socialism – are some of the topics of this piece.
Displaying the problems of social life and existential
conditions of people in a restrictive environment, the
play causes laughter. The audience pulled into the
web of ‘’lives of others’’ realises only at the end of the
play how laughter is directed towards themselves
and their decades-long passive acceptance of socie-
tal decay in general.
35
PET / FRI
28.6.
USPAVANKA ZA MLADENKU / LULLABY FOR MLADENKA
Mostarski teatar mladih (Mostar, BIH)
Mostar Youth Theatre (Mostar, Bosnia and Herzegovina)
NOVA Academy of Arts; KPGT (Belgrade, Serbia)
19.30 h • KULTURNI CENTAR NIKOLA ĐURKOVIĆ /
NIKOLA ĐURKOVIĆ CULTURAL CENTRE 60 min. | 12+
AUTORSKI PROJEKAT • AUTHOR PROJECT:
SEAD ĐULIĆ IGRAJU • CAST: MIA MUSIĆ, ŠEJMA
Biti čovjek nije hrabrost
Predstava Uspavanka za Mladenku poetsko je doku-
mentarna predstava koja govori o zločinu počinje-
nom septembra 1993. godine u selu Grabovica, kod
Mostara. Ubijena su 33 civila. Ubili su dijete od 4 go-
dine. I uglavnom nisu odgovarali za zločin. Veo šutnje
se nadvio nad Grabovicom, koja danas kao nastanje-
no mjesto ne postoji. Od premijere konstantno nas
pitaju: Otkud vam toliko hrabrosti da o tome govorite?
Od početka naš odgovor je isti: Hrabrost je šutnja o
svemu, a mi smo samo uradili normalnu ljudsku ge-
stu. Biti čovjek nije hrabrost.
36
SCEZAM –
YOUTH STAGE
DELALIĆ, ALI KAMER AKSOY, ALEM NEZIRI, DAMIR
ČOBO, FARIS KOLIČIĆ I HARIS HABIBIJA
Being human is not courage
The play Lullaby for Mladenka is a poetic documentary
show about a crime committed in September, 1993
in Grabovica village, near Mostar. 33 civilians were
killed. A 4 year old was killed. And most of the people
responsible for the crime were not brought to justice.
A veil of silence began hovering over Grabovica,
which doesn’t exist today as an inhabited village.
Since the premiere, we get asked all the time: Where
do you get courage to speak about this? Since the
beginning, our answer has remained the same:
Courage is silence about everything, and all we did is a
normal human gesture. Being human is not courage.

STVAR IZBORA ILI ZAŠTO SLUŠAM MARČELA
MATTER OF CHOICE OR WHY I LISTEN TO MARČELO
Teleport teatar (Paraćin, Srbija) / Teleport Theatre (Paraćin, Serbia)
21.30 h • KULTURNI CENTAR NIKOLA ĐURKOVIĆ /
NIKOLA ĐURKOVIĆ CULTURAL CENTRE 43 min. | 12+
AUTORSKI PROJEKAT • AUTHOR PROJECT: UROŠ
MLADENOVIĆ, MARKO ŠELIĆ MARČELO, MILENA
BOGAVAC IGRAJU • CAST: UROŠ MLADENOVIĆ,
IVAN ALEKSIĆ, MEDA GLUMAC • TEDDY BEAR – THE
ACTOR
Autopoetički esej po tekstu O Ljudima, psima i miši-
ma. Ako slušate Marčela... Ili slušate mamu i tatu...
Ako slušate dobornamjerne savjete... Ili slušate
samo sebe voljećete ovu predstavu. Ona govori o iz-
borima koje pravimo i o Srbiji koja ti pruža milion ra-
zloga da budeš nesrećan. Ipak, postoji jedan razlog
za sreću i taj je jači od onih milion.
Taj razlog si TI. Predstava je za mlade, predstava je
za roditelje, predstava ohrabruje mlade da povedu
svoje roditelje. Stvar izbora je predstava o odrasta-
nju. O odlukama i odlučivanju. O malom gradu i
mladim ljudima, iz malog grada. O uzorima, ambi-
cijama, upoznavanju sebe i značaju pronalaženja
svog životnog poziva. O hiljadama razloga da budeš
nesrećan i samo jednom da budeš srećan. Taj jedan
razlog si TI!
PET / FRI
28.6.
SCEZAM –
YOUTH STAGE
Auto-poetic essay based on texts of About People,
Dogs and Mice. If you listen to Marčelo… Or listen to
your mom and dad… If you listen to well-intentioned
advice… Or you listen only to yourself, you will love
this play. It speaks about choices we make and about
Serbia which offers you a million reasons to be unha-
ppy. Still, there is one reason for happiness and it is
stronger than the other million ones. That reason is
YOU. This play is for youth, this play is for parents, this
play encourages young people to bring their parents.
Matter of Choice is a play about growing up. About
decisions and making decisions. About a small town
and its people, from a small town. About role models,
ambitions, getting to know oneself and significance
of finding one’s own calling. About a thousand of rea-
sons for you to be unhappy and only one to be happy.
That one reason is YOU!
37
EDUKATIVNO –
TEORIJSKI
PROGRAM /
EDUCATIONAL
AND
THEORETICAL
PROGRAM

38
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39
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u Ev la i završ ozorištu e Drams e i ona p yout n prosto does.
s p j g a l
odra ljena u e. Član ene kole Praz She stil
b in j .
zaro 08. god inama n years
0 d
od 2 r koji go i se.
to d
pros une.Tru
a i s p
d

40
 2– 5. JUL /
JU LY
Priča
jmo t
Eduka
t ijelim
Bosna or: Mak Če
i Herc ng
egovin ić, glumac
a
a), 8+ (Sara
jevo, Let’s
Pan
T
Bodie alk With O
tomim
sreds a prip
tv a
Gram o za izraža da scensk
dijelo
m
atika v
ta vo
o
pokre anje je u pr j umjetno
razvija iz svakod u pantom j liniji čovje ti. Njeno
s Educa s ur
t
n n
pod k je snage ili evnog živo
imi je
u
kovo t
ij e
and H or: Mak Če
zeta n lo. erzeg n
ontro s t a
lu svje avitljivost . Cilj pant ajve ovina gić, actor
snost i tijela omim ćim ), 8+ (Sara
jevo, B
i. , n ego st e n M ime b
MAK
ČENG aviti tij ije is elong osnia
1994. IĆ (Sa elo prima s to s
godin rajevo mime r il y h c e n ic
umjet e, zav , BiH) uman art. It
is
n rš
televiz osti Saraje io glumu n rođen je mime taken ma body. Gram s expressio
iji, a n vo. Ig a Aka 26. m is not inly fr mar o n mea
but pu s om f
Možet
e
ajviše
v
ra u p
o
demij
i
arta tting trength dev everyday movement ns
+ NPS ga vidjeti u oli da se igr zorištu, na scenskih body
under e lo p m li fe . Th s in
) p a
Annua , Flashdanc redstavam tijelom i st lmu i na
fi MAK contr ent or body e aim of
e a v Č o l o fl e xib
l
Amer Putnam Co Musical (IM : Annie Mus ara priču. was b ENGIĆ (Sa f cons
cious ility,
ic ic o r
u
gone ka ambas nty Spellin TM + NPS al (IMTM the Ac rn on 26.0 ajevo, Bos ness.
2 a ), a 3 n
g
morna 000y later ( da), Prosja Bee, music The 25th in the demy of S .1994 and ia and Her
a c g z
r U č
Biraju a (Kraljevs lysses tea ka opera (N l (NPS +
a and s tre, film an enic Art in raduated in egovina)
ta to d S
( k
Silvija Altteatar), o pozoriš r), Pobuna S), Anti-
P Annie ry creation television, arajevo. He Acting at
te M . a
(ASU) M
i Snije uška stvar Zetski Dom otorskih
K (IMTM usical (IM You can se nd prefers performs
T e b
g (NP
S). (ASU) )
, Koza , Dame Bee m + NPS), The M + NPS) him in play ody play
ili ko usica 25th A , Flas s such
je O p era ( l ( N PS n n ual P h D ance as:
The m NPS), Antig + America utnam Coun Musical
unity one 2 n Em ty Spellin
Dom) of Ko 000y la bassy g
,L to t ), B
The g adies choic r’s sailors ( er (Ulysses eggar’s
oat or e (Altt Royal theat
who is ea Th re
Silvija tar), The g eatre Zets ),
(ASU) uy ki
and S thing (ASU
nijeg )
(NPS) ,
.

2– 12. JUL / JULY

Videografija Videography
Edukator: Aref Zaabi, montažer (Beograd, Educator: Aref Zaabi, editor (Belgrade, Serbia),
Srbija), 10+ 10+

U vrijeme kada tehnologija caruje nad čovječanstvom,
kada je video zapis idealan način da se memoriše
događaj, smijeh, ljudi, izlazak sunca, jutarnja šetnja,
festivalska radost... Da li je tehnologija nama gazda
ili mi možemo da naučimo kako da je nadvladamo?
Kroz ovu radionicu naučićemo kako se znanjem
preuzima prijesto nad tehnologijom i zavirićemo
u skrivene odaje Festivala, upoznati ljude koji čine
In the time of technology having dominion over hu-
manity, when a video clip is an ideal way to memorise
an event, laughter, people, sunrise, morning walk, the
Festival joy... Is technology the boss of us or we can
learn to be in charge? Through this workshop we will
learn to take over the rule over technology and take a
peek in the hidden chambers of the Festival, meet the
people who are behind the Festival, acquaint ourselves
with what goes on behind the scenes (and I know for

41
 Festival, ispratiti dešavanja iza kulisa (a provjereno
znam da je tamo najzanimljivije). Priprema, istraživanje
zanimljivih detalja, snimanje, glumci, montiranje i na
kraju prikazivanje vaših filmića, snimaka, vlogova...
Čekamo vas, AKCIJA!
AREF ZAABI (Beograd, Srbija) rodio se 30.08.1975.
Diplomirao na Univerzitetu Braća Karić – Majstorske
klase umjetnosti, odsijek montaža, 1999. godine. Bo-
gato radno iskustvo stekao je na brojnim televizijama
i studijima, među kojima su TV Palma, Studio PRIZOR,
studio Gemini3, studio KREMATORIJUM, TV Pink i VI-
SIONTEAM. Radio je na poznatim filmovima: Čitulja za
Eskobara (2008), Zduhač (2011), Gorčilo (2015), Biser
Bojane (2017), kao i TV serijama: Idealne veze (2005),
Ljubav i mržnja (2007), Kuku Vasa (2010), Pevaj brate
(2011), Budva na pjenu od mora (2012), Mala istorija
Srbije (2014), Komšije (2015). Učestovao je i u sve
popularnijoj formi rijaliti programa: SURVIVOR Srbija
(2008-2012), Moja desna ruka (2012), Hitna Pomoć
(2011), Super Srbija (2018). U oblasti dokumentarnog
filma, radio je na projektima: Korak napred (2002),
Ukleti rudnik (2003), Priča o Crnom Drimu (2004), E-70
(2005), Zlatni grad (2006), Eko kajt kamp (2006), Titovi
dnevnici (2010), BMX Water to Dust (2013), Na putu do
kuće (2016), Godine slatkog greha (2018).
sure that this is the most entertaining part). Preparing,
exploring interesting details, filming, acting, editing
and finally screening your films, clips, blogs… We are
waiting for you, ACTION
AREF ZAABI (Belgrade, Serbia) was born on 30.08.1975.
He graduated in Editing at the Karic Brothers University.
His work experince includes Palma TV (1996), PRIZOR
Studio (1997), Gemini Studio (1999), KREMATORIJUM
Studio (2000), Pink TV (2004), VISIONTEAM (2008).
Films: Čitulja za Eskobara (2008), Zduhač (2011),
Gorčilo (2015), Biser Bojane (2017). TV series: Ide-
alne Veze (2005), Ljubav i mržnja (2007), Kuku Vasa
(2010), Pink TV, Pevaj brate (2011), Budva na pjenu
od mora (2012), Mala istorija Srbije (2014) Nova TV
, RTS Komšije (2015). Reality program: SURVIVOR
Serbia (2008-2012), Moja desna ruka (2012), Hitna
Pomoć (2011). Documentary films: Korak napred
(2002), Ukleti rudnik (2003), Priča o Crnom Drimu
(2004), E-70 (2005), Zlatni grad (2006) Kula, Eko kajt
kamp (2006), Titovi dnevnici (2010), BMX Water to
Dust (2013) RedBull, Na putu do kuće (2016), Godine
slatkog greha (2018).

2 – 12. JUL / JULY

Kritičarnica
Edukatorke: Nataš School of Critic
sateljica, feministi
a Nelević, teatro
čka aktivistkinja
loškinja, spi-
Educators: Nataš
s
(Crna Gora), Ma i teoretičarka a Nelević, theatro
ja Mrđenović, tea feminist activist logist, writer,
pozorišna kritičark trološkinja i and a theoretici
a, 10+ gro), Maja Mrđeno an (Montene-
vić, theatrologist
critic, 10+ and theatre

Kritičarnica je projek
at koji se u najširem
na razvoj najmlađ smislu odnosi
e po School of Critics
o radionici namijen zorišne publike KFPD. Riječ je is a project which
jenoj djeci – publi velopment of th refers to de-
će im omogućiti ci KFPD-a koja e youngest thea
da prodube svoj do KFTC. We are tal tre audience of
umjetnosti i koja življaj pozorišne king about a wo
će ih istovremen for children – au rkshop intended
artikulišu i javno o ohrabriti da dience of KFTC
iznose svoje utisk them to deepen which will enable
rištu. Iz grupe dje e i sudove o pozo their impression
ce koja prođu rad - at the same time of theatre art an
“regrutovati” člano ionicu mogli bi se encourage them d
vi dječjeg žirija za publicly express to articulate and
naredni Festival. their impressions
regarding theatr and conclusions
NATAŠA NELEVI e. From the group
Ć (Podgorica, Cr complete the wo of children who
na Gora) je te- rkshop members
jury for the next of the children’s
festival could be
‘’recruited’’.

42
 atrološkin
ja,
teoretičark spisateljica, femin
a. isti
knjiga, međ Autorka je, priređiv čka aktivistkinja i
u kojima su ačica i ure NATAŠA
dramskih : D ramski tr dnica više NE
te
Ženski glas kstova u Crnoj Gori anzit – Antologija theatrolog LEVIĆ (Podgorica
is , Monten
ovi u izvedb 1994-200 cian. She t, writer, feminist a eg
Balkana 1
990-2010 enim umjetnostima (2008),
5 is author ctivist an ro) is a
roda – Crn (2012), M Z ap ad no g
so m e o f w h ic h a
a n d ed it or of num d theoreti-
og edijs re: Dram erous boo
nasljeđe – orsko iskustvo iz tran ka konstrukcija drama te
xts a transit
–Antholo ks,
Ka zi
Žene u Crn osnivanju Muzeja že cije (2011), Žene i Women vo in Montenegro 1 gy
oj na ic es in perform 9 9 4 – 2005 (2 of
(2010), Šta Gori od 1972 do 1914 Crne Gore (2013), 1990 - 201
0 (2 012), The in g a rt s o
008),
je
ženskog so nama AFŽ – Prilozi za - Istorijska čitanka der – Mon
te media con f West Balkan
drame Ja
cijalističk
og nasljeđ
nova čitanj
a Women a negrin experience struction
of gen-
istorije n d of
(2017), Vo
ja (2011),
zbirke dra a (2017). Autorka je of the Wo heritage – Toward transition (2011),
diča kroz mskih teks men’s Mu s the esta
Gore (201 istoriju em tova Dram Women in seum of blishmen
M Mo t
8) i priče
za djecu Z
ancipacije
žena Crne
e book (201 ontenegro from 1972 ntenegro (2013),
ovu me Čup 0 ), W h at is Wom un ti l 1914 - His
a (2018). u s – Contrib en’s An tory
MAJA MR
ĐENOVIĆ,
teat of women utions for new rea tifascist Front to
ka, diplom ’s din
irala je na rološkinja i pozorišn of the dra socialist heritage (2 gs of the history
teoriju knjiž ka a kr ma Eggs (2 0
evnosti Fi tedri za Opštu knjiž itičar- Dramas (2 011), colle 17). She is author
u Beograd lološkog fa ev no st i 017), Guid ction of d
u, g kulteta Uni of Women e to ram
je zvanje m dje je i magistirala verziteta of Monten the History of Eman a texts
agistra poz 2011. god ch ild re n Zovu me eg ro (2 0 cipation
dramskih
um orišne pro
dukcije na
ine. Stekla Čupa (201 18) and the story fo
saradnik je jetnosti Cetinje 20 Fakultetu 8). r
u 15
kniževnost nastavi na Fakultetu . Od 2016. godine MAJA M
RĐENOV
na Cetinju za crnogorski theatre cr IĆ , a known
teatrologije .R
, pozorišne edovno objavljuje te jezik i itic
General Li , graduated from
theatrolo
gist and
politike. Dje produkcije kstove iz te
lovala je ka i pozorišn
e U ni ve rs
ra tu re and Theo the Department o
i moderat o urednica ku lt ur ne ity of Belgr ry of Litera f
ork Te ade Facult
tivala, gdje a razgovora o pred orijskog programa received h
er MA in 2 y of Philolo ture at the
je osmišlja stavama n th e ti tle Mas 0 1 1 . In 2015, gy , w he re she
konferenci la, organiz ašeg Fes-
je
razgovore i simpozije na pozo vala i moderirala
o of Drama ter of Theater Prod she was awarded
o predstav rišne teme, tic Arts Cet uction at th
te aching at in je. Since 2 e F
dječjom pu ama sa uče te vodila th 016, she h aculty
bl sn
za najbolji ikom. Bila je član žiri icima, odraslom i Literature-U e Faculty of Monte
dramski te ja različitih niversity in negrin Lang as been
2014. god kst, član ži konkursa texts from Cetinje. She uage and
th regularly pu
ine,
Barski ljeto selektor dramsko
rija festiv
ala FIAT cultural po eatrology, theatre pr blished
p g program lic y. S he worked as od uc ti on , and theatr
brojnih okr is za 2017. godinu a festivala Program an
d m od editor of th e
u i učesnik erated talk e
teme. Čla glih stolova i konfe im our Festiva s about pe Theoretical
n je i jeda rencija na edijator co nf erences
l. She desi
gn ed , organize rf or m an ces of
n od osniv p
rišnih kritič
ara i teatro ača Udruže ozorišne conducted and symposiums on d and moderated
je i kao je lo n
dan od osn ga Crne Gore. Prep ja pozo- and both ad
talks on p
er formance
theatre them
es, and
časopisa ivača i ure oz
Ud dnika elek natljiva ult and ch s with par
Crne Gore ruženja pozorišnih tronskog a member ild
of jury in va ren audiences. Als
ticipants
Peripetija.m kritičara i FIAT Festi rious dram o, she was
časopisa e, jedinog teat
uC stručnog po rologa va
ljetopis d l in 2014, and she is text contests and
a
u pola cije rnoj Gori. Autorka zorišnog ra m a p rogram fo a se le ctor of Bar
ne, u izda je
nju Biblitek knjige Pola porcije originators
a r 2017 ski
e Čuk. the Associ nd editors of the el . She’s one of the
ation of T ectronic jo
of Monten heatre Cri u rnal of
eg tics
theatre jo ro - Peripetija.me, th and Theatrology
urnal in M e o n ly p ro
Half a port on fe
ion, half a tenegro. Author of ssional
price off the book

43
 JUL / JULY
3 – 6. missing!
O n ly flie s a r e
r of Serbian
zjale fale! sić, professo
taša Va
Nama samo
Educators: Na chil-
ks with gifted
d literature, wor pant;
pskog jezika language an prog ra m pa rti ci
orica sr ining and NDI , playwright
ša Vasić, profes uka dren, NTC tra ević, educator
Edukatori: Nata vitom djecom, NTC ob , sa nd ra Đo rđ
rad sa daro spitačica and Alek bi a) , 10+
i književnosti, Đorđ ević, va DS Znakovi (S er
i NDI program
; Aleksandra
Znakovi (Srbija
), 10+ and director in
aturškin ja i rediteljka u DS
dram
they
e children how
ps ar e de sig ned to show th ey’ve the right to
Worksho f, that th
thout any stuf lica’’ (to the
ci stavimo do znan
ja can have fun wi , create and grow. ‘’Do ko al game,
ko da dje ing , to re lax as a lit er
mišljene ta aju prava do noth s that will serv
e
Radionice su za bavljaju “ni sa čim”, da im varaju i ca rt) – a play of word ll be searching for the cart wi d
th
se za te , st
da mogu da im pomog nu da se op us th e ch ild re n wi
re ad y, ge t ou t an
o bukvalna in which thing at
’s materials. No from a different author
na dokolicu, da - ova igra riječi poslužiće ka je će biti the workshop
a
rastu. Do kolic svakog dana tražiti kolica
gd y day a book r and
ži. search fo r it. Ev er rve as their helpe ient
igra u kojoj će
se
ni št a na izv olte nego potra je , Al ek sić , Ko larov...), will se ke y, in co nv en
d. Nema igrama (Petrović ers to
materijali za ra moćnik i saveznik u svim će nam them the answ
po ja guide, and give ns asked daily.
Svakog dana rović, Aleksić, Kolarov...), ko zgodna, and trick y qu es tio
et ne
jedna knjiga (P na postavljana ključna, a graduate
davati odgovo
re rade, Serbia) is
tanj a. EK SA ND RA ĐORĐEVIĆ (Belg For the last 15 years she
pi AL
škakljiva om of two girls. Inspired by
je diplomi- educator and m children and for children.
RĐ EV IĆ (B eograd, Srbija) ednjih 15 ha s wo rk ed with sh e of te n wr ites poems,
ĐO
ALEKSANDRA i mama dvije djevojčice. Po
slj with children, . In the past
a direktnim her direct work atic texts intended for them es by the
rana vaspitačic ecom i za djecu. Inspirisana amske stor ies an d dr am rded se ve ra l tim
dj i dr texts were rewa tion. After graduation,
godina radi sa pjesme, priče tekstovi five years, her
om često piše i cia
radom sa djec . U posljednjih 5 godina njen spitača Be lg ra de Ed ucational Asso imator, was a member of
ks to ve za nj ih ne Ud ru že nja va a bi rth da y an underwent
te
više puta od st
ra ndanske she worked as theatres for children, and
nagrađivani su vršetku studija radila je rođe za djecu, se ve ra l tra veling ud io fo r ch ild ren The Little
za ta in a dance st
Beograda. Po n nekoliko putujućih pozoriš inc. Dugi dance training y years, she has been invo
lved with a
čla pr
animacije, bila no g stud ija za djecu Mali
za djec u Pr inc e. Fo r man ak ov i, wh ich has a 20 year
es
prošla obuku
pl
amskog studija bitnik je for children Zn ous awards throughout
eluje u radu dr do drama studio mer
niz godina sudj tradiciju dugu 20 godina i mnoge i n and won nu ’s merit. She
ak ov i, ko ji im a
bije, od ko jih su lo ng tra di tio
of wh ich ar e on Aleksandra numerous
Zn gr ad a šir om Sr o čla nica Se rb ia, m an y as a m em be r of
na
mnogobrojnih a bogato glumačko iskustvo, filmova.
ka g experience, ms.
Im ih has a rich actin rticipant of many short fil
njena zasluga. esnica mnogih kratkih igran tro up es an d a pa
uč
brojnih trupa i essor of
pskog rbia) is a prof
ad , Sr bij a) je profesorica sr a ŠA VA SI Ć (Belgrade, Se ployed in Elementary
Ć (Beogr oli Drink NATA , em
NATAŠA VASI sti, zaposlena u Osnovnoj šk susrete, e and literature organizes
no ne Serbian languag vlović in Belgrade. She often us edu-
jezika i književ du. Često organizuje književ jetnički Scho ol Dr ink a Pa
rkshop s an d va rio
ra ukacije kroz um riku s gs, drama wo
Pavlović u Beog literary meetin artistic expression. Within of public
the NGO
ice i različite ed Reto
dramske radion O Aleksandrija držala je ta - catio ns th ro ug h
ic wi th ele m en ts
u NV ima i us lectured Rhetor and institutions, from
izraz. U okvir g nastupa u različitim projekt eljskog Alexandria she
elementima jav
no djec u bez rodit in va rious projects ntal care.
ola do Do m ov a za
ganizac iju perfo rm an ce n without pare tion of
novama, od šk entskih dana je vezana za or ojekata, ol s to ho m es for childre rt in or ga ni za
ud i pr scho ys, she took pa
staranja. Od st tivnih pozorišnih festivala školskog Fr om student da theatre festivals and projec whom
ts, held
ih alt er na a za dje cu e
različit sk ih ra dio nic av i us alt er na tiv sc ho ol ag e, to
je dram predst vario
ops for childre
n of
kao i za izvođen ije svega voli da književnost radnica drama worksh ent literature through music e project
and stage
a pr enutno je sa binu
uzrasta, kojim i po kr et . Tr
she lik es to pr es so cia te on th
scensk u i tri as
rrently, she is an with an autistic child,
kroz muziku i koji kroz pozorišnu predstav autizma, movement. Cu
r
na projektu Da dicu koja ima dijete u stan
ju
ft, wh ich po rtrays a family l discussion, thus
The Gi pane
ro
predstavlja po a publici ovu temu. tre show and
pr ib liž av th rough a thea
ec t close r to the audience.
te tako bringing this su
bj

44
 6 – 9. JUL /
JULY
Doku
K
Mjese otor na
cu
Edukat Docu
vatsk or: Anja Ple K
a), 5-
12 tikosa
, dram on th otor
at urškin
ja (Hr e Moo
Inspir
is
-
Educa
tor: A
n
izdanje ani temom nja Ple
tikosa
k
se na KFPD, radio ojoj je pos , playw
pionir
s nic a D većen right (
u sad ke pod o k u K o to o ovo
g
Croatia
a u ) 5-12
poten šnjosti i lju hvate iz pro r na Mjesecu odišnje In spired
cijale d sk o š lo st fo k u sira
na ko za bud -prirod i, stan D b y t h
ji uć ne je d ocuKo e them
preds ma je mog nost. Razm resurse, o ruštva neer e tor on the e of th
ta u a d is ye
mater vu, na osno će oblikov traćemo sv nosno today
ndeav M
ours f oon works ar’s Kotor
ijala. v u prikup a t i jednu e n ačine and h rom th hop fo Festiv
kreativ Sve u ljeno poz the fu u e a
no ist z
raživa igru, istraživ g dokumen orišnu ture. W man-natur past, state cuses on p l,
nje pr a a tarnog p la y e w ill con a l re s o f t h io-
e m čki ra could sider o u rc e e s o c
ANJA a vlas d be sh s/pot iety
P titom , kao i kroz mater
ia ap all t ent
parativ LETIKOSA senzib searc l. A playfu ed from ga he ways in ials for
n u knjiže ( H r vatsk ilite tu. h a c cordin l, e x plo t h e re w h ic
fakult vno a) je g to o ratory wa d documen h a
e
na fran tu u Zagreb st i kroatis diplomira ANJA ne’s o
w
r and
c tary
kfurts u, a za tiku n la kom P n s ensib r e a tive re
u Zag k
rebu, g om Gete Un tim i izvođa Filozofsko -
a Litera LETIKOSA (C ility. -
tu
drama
tu
dje je
u
iverzit
et
čke um
je
m losoph re and Croa roatia) grad
torka fi rškinja na p posljednjih u. Trenutno tnosti Unive
y in Za
greb a
tian S
tudies
uated
in Com
lm o p ž
Čari ra skih i poz zorišnim pre et godina ra ivi i radi rs n
in Zag ity in Frank d Performin t the Facult arative
a p
da u k orišnih ds ta d ila k re f u g y of Ph
poslo ulturi radion vama, k a o a b w h e r t . S h e Arts a i-
ve u r upotpu ica za ao i m s a pla r e for curre t the
Trenu a n
tno piš zličitim um ila je radeć jecu i odras -
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in
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se pos lu te rij i i litera nim iran a . She is io p nd
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posao ži dobar au eči. Anja vo rnom stvara i film, a curren n jobs in dif ented her w s for childre
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ich co c-
st her
a

45
RADIONICE ZA RODITELJE /
PARENTHOOD WORKSHOPS
6. JUL
Digitalna generacija:
ideje, izazovi,
inspiracija!
Edukatorka: Ranka Šarenac, magistarka socijalne
psihologije, koprarativnog lokalnog razvoja za Balkan
i zemlje u tranziciji i upravljanje mirovnim misijama
(Crna Gora/Luksemburg) Živimo u digitalnoj eri u
kojoj smo svi mi rođeni prije osamdesetih postali
tzv. “digitalni imigranti” jer ne govorimo digitalnim
jezikom interneta, igrica… Njime govore tzv. “digitalni
urođenici” odnosno naša djeca. Počinjemo da se
pitamo kako ići u korak sa modernim tehnologijama,
a pri tome ne izgubiti sopstveni identitet i osjećaj
za stvarnost? Djeca sve više traže tablete, pametne
telefone, računare umjesto klasičnih igračaka, knjiga…
Kako naći zlatnu sredinu i obezbijediti djeci digitalnu
pismenost, a u isto vrijeme ih zaštititi od opasnosti
koje sa sobom nosi virtuelna stvarnost bez obzira
na prefiks “nestvarnog”?
Na ovoj radionici ćete čuti mozaik raznih informacija
koje Vam mogu pomoći da sami odlučite zajedno
sa Vašim članovima porodice što je za Vas u ovom
trenutku prava mjera kada je u pitanju digitalni svijet.
11. JUL
Nova psihologija
uspjeha: kako
učiti djecu da ne
odustaju?
Nova psihologija uspjeha govori o tome koliko
vaša (kako svjesna tako i nesvjesna) vjerovanja o
sopstvenim sposobnostima mogu da utiču na vaša
dostignuća. Ljudi koji imaju tzv. statični stav (“fixed
mindset”) vjeruju da su njihov karakter, inteligencija
46
6. JULY
Digital generation:
ideas, challenges,
inspiration!
Educator: Ranka Šarenac, MA in social psychology,
Comparative Local Development for the Balkans and
other areas in transformation and peace mission
management studies (Montenegro/Luxembourg)
We live in a digital era where all of us born before
the eighties became so-called ’’digital immigrants’’
since we don’t use digital language of the Internet,
games... it is used by so-called ’’digital natives’’ i.e.
our children. We start wondering how to catch up
with modern technologies, and in this process avoid
losing our own identity and a sense of reality? Children
ask for tablets, smartphones, computers instead of
ordinary toys, books... How to find a happy medium
and provide our children digital literacy and at the
same time protect them from dangers lurking from
virtual reality despite its ’’unreal’’ prefix?
You will hear a mosaic of various information at
this workshop, which can help you decide together
with your family members what the right measure
in terms of digital world is for you at this moment.
11. JULY
New psychology
of success: how to
teach children not to
give up?
New psychology of success tells us about how (both
conscious and subconscious) beliefs of one’s own
abilities can affect one’s achievements. People with
so-called ’’fixed mind-set’’ believe that their character,
intelligence and creative potential are not subject to
i kreativni potencijal nepromjenjivi. Smatraju da je
uspjeh samo potvrda već datih odlika i po svaku
cijenu izbjegavaju neuspjeh. Sa druge strane su svi
oni koji uživaju u izazovima doživljavajući neuspjeh
kao odskočnu dasku za rast i razvoj. Za njih kažemo
da imaju progresivni tzv. “growth mindset”.
Na ovoj radionici saznaćete kako se može uticati na
već ispoljene sklonosti i stavove, kako vaše tako i
vaše djece i stremiti ka novim izazovima bez straha
od neuspjeha.
RANKA ŠARENAC (Kotor, Crna Gora) diplomirala je
psihologiju na Filozofskom fakultetu u Beogradu
1997. godine, a 1999. magistrirala socijalnu psiho-
logiju na Univerzitetu u Londonu, LSE-u (London
School of Economics and Political Science). Kao
jedan od međunarodnih stipendista 2005. godine,
učestvovala je u programu Centra za filantropiju i
civilno društvo Univerziteta u Njujorku. Završila je i
magistarske studije u Italiji na Univerzitetu u Trentu
2006, iz komparativnog lokalnog razvoja za Balkan
i ostale zemlje u tranziciji i na Univerzitetu u Torinu
2007. iz upravljanja mirovnim misijama. Nakon
deset godina rada na projektima demokratizacije
centralnih i lokalnih vlasti, Ranka je preusmjerila
svoja interesovanja na demokratizaciju odnosa
roditelj - dijete i obrazovnog sistema kao osnova
demokratskog društva. Od 2009. do 2015. živjela je
u Stokholmu gdje se stručno usavršavala u oblasti
nenasilne komunikacije, vaspitanja saosjećanjem,
aktivnog roditeljstva i uvažavanja dječije kompeten-
cije u skladu sa uzrastom. U Crnoj Gori 2015. godine
osniva fondaciju Centar za uzajamno vaspitanje
VidiMe (www.facebook.com/vidime.org) sa ciljem
da promoviše razvoj djece na bazi uzajamnog
poštovanja i razumijevanja. Krajem 2017. postaje
i sertifikovana voditeljka inspirativnih seminara za
roditelje u okviru međunarodne organizacije FamilyLab,
čiji je osnivač danski porodični terapeut Jesper Jul.
Njena djeca, osmogodišnja ćerka i šestogodišnji sin
su njena najveća inspiracija za kontinuirani rad na
sebi i svojim roditeljskim vještinama. Posljednje
četiri godine živi i radi u Luksemburgu.
change. They think that success is just a confirma-
tion of already given characteristics and that failure
should be avoided at all costs. On the other hand
we have those who enjoy challenges and see failure
as a stepping stone for growth. We say they have a
so-called progressive ’’growth mind-set’’.
This workshop will help you realise how you can
affect already expressed inclinations and stances of
yours and your children’s and how to aspire towards
new challenges without concerns and fear of failure.
RANKA ŠARENAC (Kotor, Montenegro) graduated
in Psychology at the University of Belgrade in 1997
and shortly after became the Master of Science in
Social Psychology at the London School of Econom-
ics and Political Science. In 2005, Ranka was one
of the Emerging Leaders International Fellows at
the Centre on Philanthropy and Civil Society at the
City University of New York. In 2006 she completed
the Joint European Master in Comparative Local
Development for the Balkans and Other Areas in
Transformation at the University of Trento, Italy and
in 2007 the Master in Peacekeeping Management
at the University of Turin, Italy. After ten years of
working in the field of democratisation primarily
with government officials, Ranka has shifted her
professional interests towards democratisation of
parent-child relations and educational systems as
the basis of a democratic society. Living in Sweden
for almost seven years facilitated her specialisation
in non-violent (compassionate) communication,
peaceful parenting and competent child approach-
es. In January 2015 Ranka established the Centre
for Mutual Education SeeMe (www.facebook.com/
vidime.org) in Montenegro to support parents and
professional educators to treat children the way they
want them to treat others: with understanding, respect
and compassion. At the end of 2017, Ranka became
a certified leader of inspirational seminars for parents
within the FamilyLab, an international organization
established by Danish family therapist Jesper Juul.
Her children, eight year old daughter and six year old
son are her main inspiration for continuous growth
and education. For the past four years, Ranka has
been living and working in Luxembourg.
47
 ULY
JUL / J
9– 12.
S av e a Trepe
How toishibai worksh
o
m
s p a sti drvicoa eco ka tre dire
ctor;
ć, thea s (Serbia), 5-
12

Kako ibai radion

ij a K r s ti rt
rs: M a r e A
of Fin
Educato jkov, Doctor
miš
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stić, p etnosti
ri : M arija Kr likovne umij
Eduka to r
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Stojkov rkshop
Darko 5-12 c o lo gical wo atre. Basis
(Srbija
), an e i the
Tree is ve Kamishiba How to Save
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p a n - fo rm op is in h ab e from
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loš k .N a y S tr pa rt
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asti drv iš c ste g
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l
Kako sp ovjednog Kam knjigu za dje ovnici malog s rk
p re
o
skog pri in obradićem ar, u kojoj sta avaju spasiti
n a chain amishibai wo gination and
ač k a
rd
mljiv n rke Stanke B hrastu poku e im pomoći
š the eco g colours, im tre and
to m eć story u
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te te ji ia e in alt udio books
eko sis o od motorne radionice, ko papira. KRSTIĆ
(Serb
A degre
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a
svoje d eko kamišib , mašte i recik M c d
esn ic i ć b o ja io io d ire e c ts ra p s .
uč mo na i rad rad , dir sho
ti uz po pozoriš theatre ’s work
ispriča mirana m i lutkarskom puppet ucts children e Arts,
(S rb ija ) d iplo
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D o c to r of Fin d ten
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MARIJA , master režij ke predstave i audio knjige, T O J KOV (Se er. He had fiv llective Raj in
ka rs e S ch o
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A R K O STOJK tavnik likovne nih izložbi. O osve-
D a s p i, p
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zaposle lnih i preko d aj u Banatsko lu.
m o s ta kti v a R a n a s e
sa ole
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Umjetn du sa djecom
g ra
ćeno

48
 3 – 11. JUL / JULY
11 h 2

SUSRETI DJECE I GLUMACA / MEETINGS

OF CHILDREN AND ACTORS:
Razgovori o predstavama / Discussions About
Shows

OKRUGLI STOLOVI /
ROUNDTABLE DISCUSSIONS

11 h 10 h 8
2. 7.

7. 7.
2

PUTOVANJE IVA VIZINA / IVO VIZIN’S MUZIKA I POZORIŠTE / MUSIC &

NED / SUN
UTO / TUE

JOURNEY THEATRE
Okrugli sto u saradnji sa Maticom crnogorskom, Okrugli sto / roundtable disscussion
ogranak Kotor / Roundtable discussion in
cooperation with Matica crnogorska, Kotor branch
18 h 2
8. 7.

11 h POZORIŠTE ZA DJECU I MLADE U

4. 7.

5
FUNKCIJI SOCIJALNIH PROMJENA /
PON / MON

RAZVOJ MUZIČKOG TALENTA I TREMA /

THEATRE FOR CHILDREN AND YOUTH
ČET / THU

DEVELOPMENT OF MUSICAL TALENT

IN FUNCTION OF SOCIAL CHANGES
AND STAGE FRIGHT
Okrugli sto / Roundtable discussion
Okrugli sto / Roundtable discussion

12 h 2
11. 7.

18 h
5. 7.

2
KOTORSKI FESTIVAL POZORIŠTA ZA
ZNAČAJ NACIONALNIH ASSITEJ
DJECU – MOGUĆNOSTI RAZVOJA I
ČET / THU
PET / FRI

CENTARA I PROMOCIJA POBJEDNIKA

UMREŽAVANJA / KOTOR FESTIVAL
KONKURSA / ASSITEJ-A IMPORTANCE
OF THEATRE FOR CHILDREN –
OF NATIONAL ASSITEJ CENTRES AND
DEVELOPMENT OPPORTUNITES AND
PROMOTION OF ASSITEJ CONTEST
NETWORKING
WINNER
Okrugli sto / Roundtable discussion
Okrugli sto / Roundtable discussion

KULTURNI CENTAR NIKOLA ĐURKOVIĆ MUZEJ GRADA PERASTA GALERIJA SOLIDARNOSTI

2 NIKOLA ĐURKOVIĆ CULTURAL CENTRE 5 MUSEUM OF PERAST 8 GALLERY OF SOLIDARITY

49
MUZIČKI
PROGRAM
MUSIC
PROGRAM

50
10. festiva
festiv
l guda
al of s
t
ča
X FESTIVAL GUDAČA
P U
Pod sloganom ČUJTE NAS, X
Festival gudača, kao i prethod-
nih godina, ima jasne i vidljive
ciljeve. A to je pružiti podršku
mladim muzičarima na putu njihovog
napretka i afirmacije kroz muzičke ra-
dionice, koncertni program, predavanja
i druženja. Stasavajući uz muziku i ovaj
Festival, njih vodi ista misao, snaga volje,
optimizam, hrabrost i uporan rad. Uz
podršku koju imaju tokom Festivala,
oni vjeruju u sebe i vlastite sposob-
nosti, a to rezultat čini svemogućim.
Spajanjem različitih kultura, iskustava i
znanja naša vizija je naša težnja i naša
dužnost – osvijetliti put kojim koračaju
kroz čaroliju zvanu MUZIKA!
Marina Dulović
Umjetnički direktor Festivala
gudača
rings
X FESTIVAL OF STRINGS
Under the slogan HEAR
US, the 10th edition of the
Festival of Strings has clear
and visible goals, same as
in its previous editions. Its goals are to
provide support to young musicians
on their journey to improvement and
affirmation through music workshops,
concerts, lectures and socializing events.
Having matured together with music
and this Festival, they’re guided by the
same idea, willpower, optimism, courage,
and persistence. With the support they
enjoy during the Festival, they believe
in themselves and their own abilities,
and that renders the results limitless.
Through fusion of different cultures,
experiences and knowledge, our vision is
our aspiration and our duty – to enlighten
the way they’re travelling through the
magic called MUSIC!
Marina Dulović
Festival of Strings Art Director
51
 a ča

10. g s ud
v a l ri n g
t i s t
fes ival o
f
st fe

o
rit pian
i
Sp r/
ED ol
y A kla
vi
/W fH LL k, 5.
SR
I
urc
ho
RE r
DE avo
No
va
7. PE
7. Duha / CIN iolin; D Ch
21
T/
FR
3. Crkva Sv UGA v/iolina / v
.
h, C I
BE rkva Sv.
ČK Nik
J ST A ole
RIN RAZG Perast /
h,
,
L ić ,
21
PE pa
lov
GE L
PE ona T ED St. Nico
o
DP NIC
i OS A
las
’s C
TC
AR GUDA urch, Pe
M h
DF Č A
ras
RO t
MW /
IEN
NA

52
 6. 7. SU B / S
AT

21 h, M
uzej gra
da Pera
sta / M
PERAS useum o
TINA f Peras
t
koncert
polaznik
a radion
ica / co
ncert p
erforme
d by wo
rkshops
participa
SU N
nts
/
NED
ts
eras
t ipan
. artic
7. 7
of P ops
p
ta /
Mus
eum
SA ILS by worksh
eras U LL med
A / F oncert per
da P for
j gra
uze IM
EDR
,M c
21 h ica /
MJ dion
P UNI ola znik
a ra

kon
c ert p
8. 7. PON / MON

21 h, Crkva Sv. Duha / Church of Holy Spirit

PRIJATELJI / FRIENDS
koncert predavača radionica / concert performed by workshops educators

UTO / TUE
9. 7.
MUSIC
a / St. Trypho
n Square
Y E A R S O F PLAYING with solists
21 h, Trg Sv.
Tripun
/ TEN
ZICIRANJA / International young musicians or
chestra

DESET GODINA MU a
ičara sa solis
tim
ni orkestar mladih muz
Međunarod

10. 7. SRI / W
ED

21 h, Lje
tnja po
zornica
KORAK Cetinje
/ Summ
N APRIJE er Stag
in Cetin e
Međuna D/AS je
rodni o
rkestar T E P FO
Interna
tional y
mladih
muziča R WARD
oung m ra /
usician
s orche
stra

53
KNJIŽEVNI
PROGRAM
LITERARY
PROGRAM

54
OD RIJEČI DO RIJEČI
ulska predvečerja, već 27 go-
J dina, otprilike u isto vrijeme,
postaju mjesta gdje riječi lete,
mašta se rasplinjava i pisci nam
pričaju svoje priče. I pisci i vi, djeco,
naši najdraži čitaoci, svi ste važni! Svi
stvarate književni svijet u kojem je sve
moguće. Što nam je potrebno da bismo
pisali i čitali? Malo riječi, mnogo mašte,
još više sanjanja, zamišljanja, imaginarnih
putovanja, spajanja nespojivog... i čarolija
će krenuti da se dešava! Zažmurite.
Zamislite da ste na Mjesecu, da ste se
vinuli u nebo i da ste dio jednog novog
univerzuma? Jeste li? Znate li koja je
prečica? Knjiga! Uz pomoć dobre knjige
možemo biti na bilo kojem mjestu na
svijetu u isto vrijeme, ili na svim mje-
stima istovremeno. Ponovo zažmurite.
Zamislite sada junake koje biste voljeli
da sretnete na tom putovanju. I oni su
nemoguće-mogući, samo ako zavirite
u stranice neke avanturističke knjige.
Slova, riječi, junaci, zanimljivi događaji,
stilske figure, smijeh, suze, sreća, tuga
– i eto vas u svijetu književnosti.
Spremni za još jedno književno puto-
vanje, ovog puta čak do Mjeseca?
Maja Grgurović
WORD FOR WORD
uly evenings, for 27 years now,
J approximately at the same
time, become places where
words fly, imagination spreads
out and writers tell us their stories. All
writers and you, children, our dearest
visitors, all of you are important! All of
you are part of literary worlds where
anything can happen. What do we need
in order to write and read? Some words,
lots of imagination, more of dream-
ing, daydreaming, imaginary journeys,
matching the matchless… and magic
will start! Close your eyes. Imagine you
are on the Moon, high in the sky, part
of a new universe. Did you? Would you
like to know a shortcut? It’s a book!
With a help of a good book we can
be anywhere in the world at the same
time, or at all places at the same time.
Close your eyes again. Imagine heroes
you would like to meet on this journey.
They are also impossibly-possible, if
only you take a peek in the pages of
an adventurous book. Letters, words,
heroes, interesting events, figures of
speech, laughter, tears, joy, sadness
– and there you are in the world of
literature.
Are you ready for another literary jour-
ney, this time all the way to the Moon?
Maja Grgurović
55
ČET / THU
4.7.
20.30 h
Pjaca od kina / Cinema Square
U ĐARDINU BOKEŠKIH IZRAZA / IN THE GARDEN OF
BOKELIAN EXPRESSIONS
Promocija bokeške bojanke za djecu – KOLURICA / Promotion of Bokelian
colouring book for children - KOLURICA
Kolurica je slikovnica za djecu, sa domino karti-
cama, namijenjena za uzrast od 5 i više godina.
Izdata je u saradnji i po uzoru na sličnu publikaci-
ju realizovanu u Dubrovniku, uz podršku Baštine,
odnosno zajedničke prekogranične saradnje u
primjeni novih metoda na zaštiti i upravljanju
prirodnom i kulturnom baštinom, na području
Dubrovnika i Boke Kotorske.
Kolurica je zapravo knjiga i za djecu i za odrasle,
a ima svrhu očuvanja bokeških izraza kao sveuk-
upne kulturne baštine. Napravljena je kao podsti-
caj za razmišljanje o važnosti njegovanja jezika
Boke. Iz ove bojanke, najmlađi, ali i oni stariji uče
izraze svog kraja i tako grade identitet. Izdavač
ove zanimljive bojanke je Kulturno-zavičajno
društvo Napredak iz Gornje Lastve.
Znate li što je creva? Čipula? Đelat? Njeska? Re-
gal? Libar?
56
Kolurica is a colouring book for children, with
domino cards, designed for children age 5 and
above. It was published in cooperation with and
based on a similar publication produced in Du-
brovnik, with the support of Baštine, i.e. joint
cross-border cooperation in implementation of
new methods for protection and management of
cultural heritage, referring to areas of Dubrovnik
and Boka Bay.
Kolurica is actually a book for both children and
adults, since its purpose is preservation of Bo-
kelian expressions in addition to overall cultural
heritage. It was created with the aim to stimulate
us to think about importance of cherishing Boke-
lian language. This book teaches the youngest
and also the older ones about expressions from
their home and in this way it helps them build
their identities. Publisher of this interesting co-
louring book is Napredak from Gornja Lastva.
Do you know the meaning of creva? Čipula?
Njeska? Regal? Libar?
57
PON / MON
8.7.
20.30 h
Pjaca od kina / Cinema Square
UPOZNAJTE AKIKO / MEET AKIKO
Promocija knjige JA SAM AKIKO autora Stefana Tićmija / Promotion of
the book I AM AKIKO by Stefan Tićmi
STEFAN TIĆMI rođen je 19. januara 1992. godine
u Leskovcu, Srbija. Diplomirao je na Fakultetu
sporta i fizičkog vaspitanja u Nišu. Pisac za dje-
cu i odrasle. U njegova najvažnija djela ubrajaju
se: U’vatile me lutke (ARTE, 2015) i Ja sam Akiko
LAGUNA, 2018).
Roman Ja sam Akiko do sada ima šest izdanja
i štampan je u 16000 primjeraka. Nagrađen je
plaketom Dječija knjiga godine na Međunarod-
nom sajmu knjiga Trg od knjige u Herceg Novom
i nagradom Politikinog Zabavnika za najbolje dje-
lo namijenjeno mladima u 2018. godini. Knjiga
U’vatile me lutke prevedena je i prilagođena oso-
bama sa oštećenim sluhom. Uskoro se očeku-
je izrada kratkometražnog animiranog filma Ja
sam Akiko u produkciji To blink studio, a pod
pokroviteljstvom Filmskog centra Srbije.
Stefan je scenarista i učesnik Dečjeg beogradsk-
og proleća 2019. Jedan je od osnivača Omla-
dinskog kluba Ančiki, neprofitne organizacije
u naselju Ančiki, u kojem je, zajedno sa svojim
kolegama, od napuštene kuće napravio malu
besplatnu biblioteku sa preko 5.000 knjiga. Ovaj
gest ih je dovelo do odjeljka Heroji nedelje u
emisiji Da možda ne kod Olivere Kovačević na
RTS-u i do specijalne nagrade za entuzijazam i
veliki doprinos kulturi Fondacije Tanje Petrović.
58
TEFAN TIĆMI was born on January 19th , 1992
in Leskovac, Serbia. He graduated from the Fac-
ulty of Sport and Physical Education in Niš. He
is an author of books for children and adults.
His most important works are: U’vatile me lutke
(ARTE, 2015) and I am Akiko (LAGUNA, 2018).
Novel I am Akiko has six editions and 16000
printed copies. It was awarded with the Children’s
Book of the Year plaque at the International Book
Fair Square of Books in Herceg Novi and with
Politikin Zabavnik award for the best work intend-
ed for youth in 2018. The book U’vatile me lutke
was translated and adapted to persons with hear-
ing impairment. I am Akiko short animated film
is expected soon in production of To blink studio
and sponsorship of Serbia Film Centre.
Stefan is a screenwriter and participant of Chil-
dren’s Belgrade Spring 2019. He is one of found-
ers of Ančiki Youth Club, a non-profit organization
in Ančiki district, where, together with his col-
leagues, he transformed an abandoned house
into a little free library with over 5000 books. This
brought them to a special Heroes section of a
TV show Da možda ne with Olivera Kovačević on
RTS and a special prize for enthusiasm and great
contribution to culture awarded by Tanja Petrović
Foundation.
59
SRI / WED
10.7.
20.30 h
Pjaca od kina / Cinema Square
NEOBIČNI PJESNIČKI SVIJET DEJANA ALEKSIĆA
UNUSUAL POETIC WORLD OF DEJAN ALEKSIĆ
Promocija pjesništva Dejana Aleksića / Promotion of poetry by Dejan Aleksić
Dejan Aleksić (1972), pjesnik, dramski pisac, pri-
povjedač. Kao pjesnik, dobitnik je najznačajnijih
književnih priznanja, među kojima su i nagrade:
Meša Selimović, Zmajeva nagrada Matice srpske,
Branko Miljković, Branko Ćopić, Borislav Pekić,
Miroslav Antić, Risto Ratković i druge. Posebno
je značajano njegovo stvaralaštvo za djecu. Za
djecu i mlade je objavio preko dvadeset proznih
i pjesničkih knjiga, kao i nekoliko dramskih kom-
ada. Neka od njegovih djela nalaze se u čitanka-
ma i obaveznoj lektiri za osnovnu školu. Dvostru-
ki je dobitnik nagrada Politikin zabavnik i Neven,
a među priznanjima njegovom književnom
stvaralaštvu za djecu nalaze se i Nagrada Zma-
jevih dečjih igara, Plavi čuperak, Zlatno Gašino
pero, Nagrada Sajma knjiga u Beogradu, Nagra-
da Sajma knjiga u Banjaluci, kao i međunarodna
nagrada Mali princ.
Radi kao glavni i odgovorni urednik časopisa i
Izdavačke djelatnosti Povelja, pri Narodnoj bib-
lioteci Stefan Prvovenčani u Kraljevu.
60
Dejan Aleksić (1972) is a poet, drama writer, and
storyteller. As a poet, he won the most significant
literary awards, including the following ones:
Meša Selimović, Zmajeva nagrada Matice srpske,
Branko Miljković, Branko Ćopić, Borislav Pekić,
Miroslav Antić, Risto Ratković, etc. A special em-
phasis is put upon his creative work for children.
He published over twenty prose and poetry books
and several drama pieces for children and youth.
Some of his works are included in textbooks and
obligatory reading for elementary schools. He
won Politikin zabavnik and Neven awards two
times while recognitions for his literary work for
children include also Zmaj Children Games Award,
Plavi čuperak, Zlatno Gašino pero, Belgrade Book
Fair Award, Banja Luka Book Fair Award, as well
as an international award The Little Prince.
He currently works as an editor-in-chief of a mag-
azine and publishing house Povelja, within the
Stefan Prvovjenčani National Library in Kraljevo.
BILJEŠKE / NOTES

61
 NSKO
SCE

ART
S

62
 ragi sanjari, drugari, avan-
D turisti, dobrodošli na naše
putovanje na Mjesec. Od stvari
koje treba da ponesete su:
ruksak pun igračaka, svesku i olovku,
fotoaparat, mapu Kotora (da znate da
se vratite) i puno mašte. Drugari vas
čekaju na trgovima i pjacama, da vam
pokažu što su pripremali i vježbali samo
za vas. Muziku, ples, glumu, pantomimu
ćemo da spakujemo u kapislu, možda
nam zatrebaju da se sporazumijemo sa
ljudima koje sretnemo na našem putovan-
ju. Ovo putovanje pruža mogućnost da
upoznate neke nove drugare, da naučite
nove vještine, da posjetite mjesta koja
do sada niste stigli. Kotorski festival
pozorišta za djecu je odmor za maštu,
nada za srećno djetinjstvo, ukazivanje
na greške. Kotorski festival pozorišta
za djecu je kolaž kreativnosti, predanog
rada, dobrih ljudi i velikih prijateljstava.
Kotorski festival pozorišta za djecu je
primjer da u našoj zemlji postoje ljudi
koji se trude da svoju zajednicu učine
boljom, sjajnijom, uspješnijom!
Jelena Odalović
Dear dreamers, friends,
D adventurers, welcome to
our journey to the Moon.
The things you should
bring are: backpack full of toys,
notebook and pencil, camera, map
of Kotor (to know your way back)
and lots of imagination. Friends
are waiting for you on squares and
market places, to show you what
we prepared only for you. We will
pack music, dance, performances
and mime in a cap, we might need
them to communicate with people
we meet on our journey. This jour-
ney offers a possibility to meet new
friends, learn new skills, visit places
you haven’t reached before. Kotor
Festival of Theatre for Children is
a holiday for imagination, hope for
a happy childhood, indication to
mistakes. Kotor Festival of Theatre
for Children is a collage of creativity,
diligent work, good people and great
friendships. Kotor Festival of Theatre
for Children is an example showing
that we have people in our country
who try to make their community
better, brighter, more successful!
Jelena Odalović
63
64
65
66
67
LIKOVNI
PROGRAM
VISUAL ARTS
PROGRAM

68
Nj
egujući vrijednosti različitih
umjetničkih praksi, KFPD i
ove godine u okviru likov-
nog programa predstavlja
instalacije crnogorskih umjetnika u da-
tom prostoru, preko kojih se modifikuje
perceptivno iskustvo posmatrača i grad
Kotor obogaćuje novim značenjima i
sadržajem.
Pod okriljem ovogodišnje teme festiva-
la Put na Mjesec, selektovani umjetnici
posredstvom sopstvenih stvaralačkih
poetika motivišu mlađu i stariju publi-
ku i ukazuju na značaj intervenisanja u
javnim površinama, stvarajući koheziju
publike, mjesta i umjetnosti, što ovaj Fe-
stival i grad Kotor čini prepoznatljivim.
Ovogodišnja selekcija umjetnčkih for-
mi uključuje, sad već stalnu postavku
ranije realizovanih radova, kojima će
se pridružiti par novonastalih skulptu-
ra-instalacija istaknutih na više lokacija
u starom gradu.
Namjerna publika će imati priliku da
doživi i sagleda umjetničke sadržaje
lokalnih i gostujućih umjetnika, koji će
svojim izlaganjem transformisati stari
grad Kotor u kiklopsku pozornicu na
kojoj i slučajni prolaznik može odigrati
važnu ulogu.
Tokom trajanja Festivala, daleke i naizgled
nedostižne površine koje su inspirisale
maštovite radove naših umjetnika, biće
nikad bliže Kotoru, a vaše je samo da
nam se pridružite i spremite za put.
Srećan put i dobro došli!
Zdravko Delibašić Beli
C
herishing values of various
artistic practices, once again
this year KFTC presents, as
a part of visual arts program,
installations of Montenegrin artists in a
specific space, which modify perceptive
experience of an observer and enrich
the town of Kotor with new meaning
and contents.
Based on this year’s theme of the fes-
tival - Trip to the Moon, and using their
own creative poetics, selected artists
motivate younger and older audience
and indicate to the importance of in-
tervention in public spaces by creating
cohesion of audience, space and art,
thus rendering this festival and the town
of Kotor recognizable.
This year’s selection of artistic forms
includes now permanent exhibition of
earlier works complemented by several
new sculpture-installations displayed on
different locations in the Old Town.
The audience will have the opportunity to
experience and observe artistic contents
of local and guest artists who will use
their works to transform the Old Town
of Kotor into a Cyclops stage where
even a random passer-by could play
an important role.
During this Festival, faraway and seem-
ingly unreachable areas which inspired
creative works of our artists will be as
close as ever to Kotor, and all you need
to do is join us and get ready for the trip.
Bon voyage and welcome!
Zdravko Delibašić Beli
69
UMJETNIČKE INSTALACIJE RIBA / THE FISH
NVO Expeditio / Meštar & Furešta
ART INSTALLATIONS
Lokacija / Location: Markat / Market

LA LUNA
Ivana Lazarević ZAROBLJENA RIBA / THE TRAPPED FISH
Lokacija / Location: Markat / Market Kotor Art / Gimnazija Kotor
Učenici / Students: Anastasija Ćetković, Ksenija Milanović,
Anđela Isljamović, Ivana Lučev, Jovana Živković, Anastasija
SKOK / THE JUMP Nišavić, Miloš Matković, Milivoj Miki Radulović, Gojko
Lana Bokan Daković, Martin Krivikapić
Lokacija / Location: Rijeka Škurda / River Škurda Lokacija / Location: Markat / Market

PUT NA MJESEC / A TRIP TO THE MOON 20 000 M POD MOREM / 20 000 M UNDER THE SEA
Željko Reljić Ivana Lazarević / Ana Zarubica
Lokacija / Location: Pjaca od kina / Cinema Square Lokacija / Location: Maceo

ŠTO JE ČOEK, DO LI BICIKLISTA FESTIVALSKI PRESTO / FESTIVAL THRONE

WHAT IS A MAN, IF NOT A CYCLIST Marjan Šantić
Marko Petrović Njegoš Lokacija / Location: Snack bar Bokun
Lokacija / Location: Gurdić

GALEB / SEAGULL
MEDUZA / JELLYFISH Goran Moškov
NVO Naša akcija Lokacija / Location: Stari zatvor / Old Prison
Lokacija / Location: Trg Blažene Ozane
Blessed Osana Square
RENTA METLE / RENT-A-BROOMS
Mitar Jovanović
ZEMLJA ČUDA / WONDERLAND
Lokacija / Location: Kulturni centar Nikola Đurković
KFPD / KFTC
Nikola Đurković Cultural Centre
Lokacija / Location: Pjaca od kina / Cinema Square

VOĆKA ČUDNOVATA / THE EXTRAORDINARY FRUIT

KOTORSKO POZORIŠTE / KOTOR THEATRE
Goran Moškov
KFPD / KFTC
Lokacija / Location: Pjaca od kina / Cinema Square
Lokacija / Location: Trg od oružja / Square of Arms

DRUGA KLUPA OD VRATA / SECOND BENCH FROM

MAČKE LJUDI / CAT PEOPLE
THE DOOR
Mitar Jovanović
Dejan Mirošević / Mitar Jovanović
Lokacija / Location: Trg Blažene Ozane
Lokacija / Location: Glavna vrata / Main Gate
Blessed Osana Square

ČAROBNA LAMPA / THE MAGIC LAMP GULIVEROV VEŠ / GULLIVER’S LAUNDRY

Dejan Mirošević/Mitar Jovanović Radmila Beća Radulović / Lina Leković
Lokacija / Location: Trg od oružja / Square of Arms Lokacija / Location: Pjaca od salate / Square of salad

ŽMURKE / HIDE AND SEEK

MLADI ZA ČIST JADRAN / YOUTH FOR A
Smiljka Šeparović
CLEAN ADRIATIC
Lokacija / Location: Kulturni centar Nikola Đurković /
Mijo Milovanović & NVO Naša akcija
Nikola Đurković Cultural Centre
Lokacija / Location: Gurdić
ŠTO JE ČOEK, DO LI BICIKLISTA / WHAT IS A MAN, IF NOT A CYCLIST
Marko Petrović Njegoš

71
ČAROBNA LAMPA / THE MAGIC LAMP
Dejan Mirošević, Mitar Jovanović

72
GALEB / SEAGULL
Goran Moškov

73
PUT NA MJESEC / A TRIP TO THE MOON
Željko Reljić

74
GULIVEROV VEŠ / GULLIVER’S LAUNDRY
Radmila Beća Radulović / Lina Leković

75
 Uputstvo za upotrebu pozorišta
Ne preporučuje se dovoditi u
pozorište neposlušne roditelje
koji imaju naviku da:
ometaju djecu dok
uživaju u predstavi
ometaju glumce dok
igraju predstavu
ometaju sebe dok
gledaju predstavu
U pozorište se ne uvode životinje:
NI DOMAĆE:
razni psići i mačići i pilići i prasići
NI STRANE:
od mravića do nilskog konjića
od morske krabe do kitove babe
Za vrijeme predstave nije dozvoljeno
pucanje (osim pucanje od smijeha,
pojedinačno i u rafalu, i štucanje,
takođe... ako Te neko spominje).
Nedozvoljene su sve vrste šamaranja
izuzev međusobnog šamaranja
Tvoje lijeve i desne ruke,
od čega se dobija aplauz.
Nije zgodno sjesti na mjesto
na kome već sjedi nečija
sjednica*,a to nije Tvoje mjesto.
Ako Tvoja sjednica želi da
sjedne, pogledaj svoju
ulaznicu na kojoj piše
broj reda i broj sjedišta i
udobno smjesti svoju
sjednicu na svoje
sjedište.
*dio tijela koji služi da ti tijelo sjedne
**pretjerano filozofiranje (smaranje)
Dejan Đonović
76
1 6 Dok traje predstava ne preporučuje se:
hodanje na nogama
i rukama
sjedjenje na ušima
i očima
sviranje na glasnim
žicama i razgovor
sa pticama
7 U pozorištu nema mljackanja, grickanja,
2 zvrckanja, krckanja, guckanja, pijuckanja,
deruckanja, truckanja, drmuckanja,
bijuckanja, psovuckanja i penjuckanja,
ali je poželjno da dođe do jakog
tresuckanja zbog smijuckanja.
8 Za vrijeme pozorišne predstave nije lijepo
dobacivati glumcima da oni nisu ono što
nam kažu da jesu, kad svi znamo da oni
3 zbilja nisu ono što kažu da jesu, nego
ono što stvarno jesu, ali se zbog nas
pretvaraju da su ono što nisu jer je
tako zanimljivije**.
4 9 Poželjno je da djeca opominju,
upozoravaju i kritikuju roditelje
da bez guranja, jurenja, teturanja
i durenja ulaze u, i izlaze
iz pozorišta.
5
10 Preporučuje se da nakon izlaska
iz pozorišta roditelji djeci
kupe nešto slatko,
kako bi se nadoknadio
šećer koji su potrošila,
slatko se smijući
na predstavi.
11 (u pripremi...)
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Dejan Đonović

77
IMPRESUM / IMPRESSUM
PRODUKCIJA / PRODUCTION
Izvršni producent
Executive producer
Kotorski festival pozorišta za djecu
Kotor Festival of Theatre for Children
Suorganizator / Co-organiser
Kulturni centar Nikola Đurković
Nikola Đurković Cultural Centre
Pokrovitelji / Festival Patrons
Opština Kotor / Municipality of Kotor
Ministarstvo kulture Crne Gore
The Ministry of Culture of Montenegro
Zlatni sponzor / Gold sponsor
Turistička organizacija Opštine Kotor
Tourism Organisation of Kotor
Podrška / Support
Ministarstvo vanjskih poslova
i trgovine Mađarske
Nedjelja mađarske kulture
u Crnoj Gori 2019
Institut Yunus Emre
AC/E, Acción Cultural Española -
Programme for the Internationalisation
of Spanish Culture (PICE)
DIREKCIJA FESTIVALA
FESTIVAL DIRECTION
Direktor / Director
Petar Pejaković
Menadžer / Manager
Nataša Risteljić
Upravni odbor Fondacije
Foundation Concil
Ljubica Rajković
(presjednica odbora / Council President)
Dejan Uskoković, Pavo Perugini,
Tatjana Kondanari, Vesna Momčilović
Stručni žiri / Expert Jury
dr Ana Tasić, Morana Dolenc,
Mirko Radonjić
78
Dječiji žiri / Children’s Jury Koordinator dječjeg žirija
Children's Jury Coordinator
Laura Bilafer, Lara Blagojević, Maša
Brkanović, Viktor Brkanović, Ljubica Aleksandra Tomović
Vučković, Ana Doljanica, Đuro
Janjetović, Petra Kerndl, Nikola Kovač, Organizatori / Organisers
Elena Marković, Sara Matković, Matija Ana Ercegović, Maja Kecojević,
Mršić, Matija Pasković, Sava Risteljić, Ksenija Stanković, Radovan Vujović,
Maša Uskoković Jovan Džudović, Jelena Risteljić,
Milana Matejić
Urednički odbor i selekcija
Artistic Board and Selection Računovodstvena služba
Accounting service
Dalija Aćin Thelander, Petar Pejaković,
Živomir Joković, Marija Backović, Marko Jeličić
Marina Dulović, Maja Grgurović,
Zdravko Delibašić Beli Šef službe protokola
Protocol manager
Jadranka Stanković
ORGANIZACIONO-ADMINISTRATIVNI
SEKTOR ORGANIZATIONAL & Šef službe animacije
ADMINISTRATIVE SECTOR Animation service manager
Koordinatori programa Slaviša Grubiša
Program Coordinators
Šef službe volontera
Kristina Sestak, Jelena Odalović, Volunteer service manager
Petra Radulović
Patricia Pobrić
Menadžer marketinga i komunikacija
Marketing & communiction manager Šef službe za goste
Guest office manager
Marija Nikčević
Perica Gojković
Menadžer socijalnih mreža
Social Media Manager Šef tehničke službe KFPD
KFTC Technical service manager
Aleksandar Kaluđerović
Dragan Šiljak
Grafički dizajn / Graphic design
Šef operativne službe
Helena Tošić, Ivana Vujošević Operational service manager
Animacija / Animation Marjan Šantić
DAA Montenegro Tehnička produkcija
Technical production
Fotografi festivala
Festival’s photographers PGSound
Duško Miljanić, Krsto Vulović
Promoter (ambasador na Mjesecu)
/ Promoter (KFTC Ambassador on
the Moon)
Milivoje Mišo Obradović
Moderator žirija / Juries’ Moderator
Katarina Krek
Izvršni producent / Executive producer Suorganizator / Co-organiser

Pokrovitelji / Festival Patrons Zlatni sponzor / Gold sponsor

Podrška / Support

Sponzori / Sponsors

Fortezza d.o.o. Kotor

Expo Commerce | Kotorska suvenirnica | Stovarište VUKŠIĆ | Crnagoracoop | Uniprom Pekara doo, Nikšić | Helada-Mont doo, Nikšić | Aqua
Bianca | Crnogorska plovidba A.D. | Konoba Akustik | Siempre Caffe Bar | Knjaz Miloš Montenegro | PR & Media Consultancy – Prime consultancy,
Podgorica | Štamparija Studio Branko | Step Up doo – Pescaria Dekaderon | Meridian DMC, Kotor | Plantaže 13. jul | ARCO & CO doo – The Square
Pub | Vizin travel, Kotor | Snack bar Bokun | SC Kamelija | Pixap studio, Kotor | Restaurant Pržun | Pub Old Town, Kotor

Partneri / Partners

ЈУК ХЕРЦЕГ ФЕСТ

Kraljevsko pozorište Zetski dom, Cetinje | Centar za kulturu Tivat | Budva Grad teatar | Međunarodni dječiji festival Šibenik – MDF |
Fakultet dramskih umjetnosti, Cetinje | NVO BUDI - Pančevo | NVO Prazan Prostor, Podgorica | NVO BUDI - Pančevo | Centar za uzajamno
vaspitanje VidiME | Pomorski muzej Crne Gore | Matica crnogorska, ogranak Kotor | Muzička škola Vida Matjan | Gradska knjižara | NVO
Bocche di Cattaro | NVO Expeditio | NVO Koltrina | NVO Računajte na nas

Prijatelji / Friends

Hotel Marija | Resursni centar za sluh i govor Dr Peruta Ivanović | OŠ Njegoš, Kotor | Gimnazija Kotor | JPU Radost, Kotor | Kotorska biskupija
| Kino Boka | Gradska biblioteka i čitaonica, Kotor | OJU Muzeji, Kotor | Fjord AD, Kotor | Autoremont LMI Restoran Giardino | Kancelarija za
prevenciju narkomanije, bolesti zavisnosti i rizičnih ponašanja, Kotor | Đir Taxi | DAA Montenegro | Montenegro Adventures

Medijski prijatelji / Media Friends

Vijesti | Prva | RTCG | Kotor TV | RTV Budva | TV 777 | Radio Kotor | Radio Tivat | Radio Dux | Politikin Zabavnik |
Dnevne novine Dan | Pobjeda | Culture Corner | Café del Montenegro | Peripetija.me | Public Figure

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