Академический Документы
Профессиональный Документы
Культура Документы
Transcendental Sonnets:
The Son
Jones Very Kyle Gann
1838 2001-2
q = 69 Commissioned by the Indianapolis Symphonic Choir two-piano version 2007-8
! ## ! $ $ $
Soprano " #!
#
Alto " # # !! $ $ $
#
" # # !! $ $ $
#
Tenor
%#!
" # #!
Bass $ $ $
delicate
'' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' '
# ' ''' ' ''' ' ''' ' ''' ' ''' ' ''' ' ''' ' ''' ' ''' ' ''' ' ''' ' ''' ' ''' ' '''
" # # !! $ &
Piano pp
% # !! $ $ $
##
(
#! )*
"# # ! $ , -
'
mp ' ' + ' '
Piano p
% ## !!
# '
* '* '* '* '* '
*
'* '* '* '* '* '*
#
A. "# # $ $ $
#
p
Fa - ther
%#
B. " ## $ $ $
# '' '' '' '''' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' ''
" # # ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' ''
Pno. 1
% ## $ $ $
#
( (
#
" # # '* -
' ' ' ' ' + ' + ' ' '
Pno. 2
% ## ' ' +*
#' '* '* '* ' '
* '* '* '* '* ' '
# p
+* - ', +
A. "# # & ' ' + & & $
Father Fa ther
# ' '
"# # + & . + & ' ' ' '+
#
T.
% ## '
p
' ' ' .
B. " # ' +* ' & $
Fa ther Fa ther
'''''''''''''''''''''''''' ' '' ' '' ' '' ' '' ' '' ' '' '' '' '' '' '' '' '' '' '' '' '' '' '' '' & 0 ' '' '
# ' ' ' ' ' '' ' '' '
" # # ' '' ' '' ' '' ' '' ' '' ' '' '' '' '' '' '' '' '' '' '' '' '' '' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' '' ) ' '
0 ' '' ''
'
' ' ' ' ' ' ' ' ' ' '
pp
Pno. 1
% ## $ $ $ $
#
( ( 1 (
% ##
#' '* '* '* '* '*
* '* '* '* '* '* '* '* '* '* '*
# - ,' ' +
"# # $ - , + + '' ' '
' ' ' '
A.
'' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' ' ''
# '' '' ' '' ' '' ' '' ' '' ' '' ' '' ' '' '''' '''' '''' '' '' '''' '''' '''' '' '' '''' '''' - + '' '' '' ''
" # # ''' '' '' '' '' '' '' '' ' ' ' ' ' ' ' ' ' ' '* ' ' +
' ' + '' ' '
Pno. 1 p
%# $ $ ) &
##
( 1 p
#
" # # '' '' '' ++ '' + + ) % ' ' ', '* '
,
' ' ' /
Pno. 2
% ##
#' '* '* '* '*
* '* '* '* '* '* '* '* '* '* '* '*
#
mp mp
"# # + ''' '' ' ' '' + - 2' ' ' , , - )
A.
/ ' 2' ' ' 2 ' ' ' 2'*
ming - ling line of night and day A list' ning ser - vant wait - ing Thy com - mand
# mp
- 2' ' ' ' ' ,
" # # '*
mp
' + '' ' ' '' + ) ' ' ' ' 3' 2+
# ming
T.
/ / /
- ling line of night and day A list' ning ser - vant wait - ing Thy com - mand
,
mp
%#
B. " # # '* ' 2+ ' 2' #' ' 2' ' + ) $ $
ming - ling line of night and day
% ## &* ',
Pno. 2
# ' 2 ' '* 2 '* '* '* '* 2 '* '* '* '* 2 ' '* '*
' * * * *
* * * * *
Transcendental Sonnets: The Son
20
Transcendental Sonnets:
Enoch
Jones Very
! $$ ! %h = 88
Kyle Gann
1838
' & &
2001-2
f
& ' & & & & & &
Soprano # "
I looked to find a man who walked with
$
# $ "! % & &
f
Alto & ' & ' & & & & &
I looked to find a man who walked with
$ &
# $ "! % ' & ' &
f
& & & & '
#
Tenor
))
$! & ) ) ) ) ) ) ) ) && )& && && & && && &&
5 5
$ & &
A. # $ '* + & & & ' & ' &
God, Like the trans - la - ted pat - - ri arch of
$ & '
# $ ,' + -' & & & ' & &
# God,
T.
($ & &
" $ '
B. + ' & & & ' ' &
God, Like the trans - la - ted pat - - ri - arch of
# $ ,) ) ) ) ) -) ) ) & + ) ,) ) ) ) ) ) ) & )) )
) ) ) ) ) ) ) &&
Pno. 1
& & & & ' && ' &
'**
( $$ ,' -'
' & & & & ' ' &
S. # ' & & & ) ) & ' & & & &
old; Though glad - dened mil - lions on his foot - stool trod, Yet none with
$
A. # $ ,' -& & ' & & ) ) & ' ' & & & &
old; Though glad - dened mil - lions on his foot - stool trod, Yet none with
Though glad - dened mil - lions on his foot - stool trod, Yet none with
! $$ '
17
&
p
S. # & ' & & & '* & + & ' &
him did such sweet con - verse hold; I heard the
$
A. #$ ' & & ' & & & '* &
+ + %
him did such sweet con - verse
hold.
($
B. " $ & & & & ' ' & '* & + + %
him did such sweet con - verse
hold.
$ & & ))
5
&
5 & ' &
#$ ' &&
5
'
' & & )))& && && &&& )))) ) ) ) ) ) ) ) p &
) ) ) )* &
Pno. 1
! ### !
1838 Kyle Gann
mp2001-2
Solo Soprano " ! $ $ $ %& ' ()
Alto " # !! $ $ $ $
##
" # !! $ $ $ $
#
Tenor
+### !!
Bass " $ $ $ $
## ( ( ( ( ,&
( ( ( ( ( ( (& '
" # !! % % ' ) ( ( (
(
( ((
mp
Piano
+### !! $ $ $ $
(((((((((((((((( (((((((((((((((( (((((((((((((((( -
-
#
## !
" !
pp
Piano
+### !! $ $ $ $
46
! ### ( ( ( ( ( ( ( ( ( ,
5
S.S. " , % $ $
### (&
asked of time to tell me where was Love;
S. " ' % $ $ $ $
### $ %
mp
' * (&& ( (& * .( *' $
A. " ( ( ( ( ( ( ,
### ' (* (&& ( (& (* ( (
mp I asked of Time to tell me where was Love;
" $ % ( ' ( ( $
#
T. ) ,
mp I asked of Time to tell me where was Love;
B.
+# #
" # $ % ' (* (&& ( (& (* ( ( ( ' ( (
) , $
/ ( ( (
### (& ) (
I asked of Time to tell me where was Love;
((((((((((((((((
### $ $ $ $
"
Pno.
+### $ $ $ 0 %
( (
, ,
Transcendental Sonnets: Love
47
! ### * ( ((( (
) (& ( ( ( ,
10 mp
S.S. " $ $ ' ( ( %
He poin - ted to her foot - steps on the snow,
## (& ( ( (
p
" $ $ $ % 0& * *
A.
&
( ( ((( (& (
###
He
mp poin - ted to her foot - steps
0& * *
" $ $ $ % ( (& ( ( ( (& (
#
T.
He
mppoin - ted to her foot - steps
+### * ( (& *
B. " $ $ $ % 0& ( (& ( ( (
! ### ( ( (( ( ( ( ( ( ( ( ,
15 mp Rit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
S.S. " $ $ % ( 0 0 0
Where first theAn - gel ligh - ted from a - bove,
## p
S. "# $ $ $ $ %& ' () ( ( ( ( ((
Where first theAn - gel, theAn -
## p
A. "# , ( ( ( ,& 0 $ $ % 0 ' () ( ( ( ( ((
Where first theAn - gel, theAn -
##
onthesnow
( ( ((
p
"# , ( ( ( ,& 0 $ $ $ 0& )
#
T.
+###
B. " , ( ( ( ,& 0 $ $ $ $
(
( (
onthesnow
### ( ( , * Rit. . . . . . . . . . . . . . .*. . . . . . . . . . . .
" (( ( , ( 0 $ % 0 ' () (( (( (& (& (( ((
, )
( ( ((
Pno. pp mf pp
+### ,
, (( (( ( ,& 0 $ $ $ 0 ')
( ,&
( ( ( (&
Rit. . . . . p. . . . . . . . . . . . . . . . . . . . . .
( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ,, -
- ((
### $ 0 %& ') )
"
Pno. p
+### % 0 $ $ $ $
( ( ( ,&
Transcendental Sonnets: Love
49
! ### (& ( (
( (& (* ( ( ,&
21
" $ $ ' ( ) ( 0 $
S.S.
)
And bid me note the way and on - ward go Molto ritard . . .
## 1,
p
"# , (& ( , ( ( #( , % $ ( ( .(
S. ) .( ( ( (
gel light - ted from a bove Note the way and on - ward go
##
p
"# , (&
*
( (&
*
( , , % $ , ( ( ((
1 .( ( (
A.
gel ligh - ted from a - bove Note the way and on ward go
##, 1
p
*
"# (& ( (& ( ( ( , , % $ , ( ( (( ( ( (
#
T.
+### $ $ $ $ ., ( ( ( .( .( ( (
.1, ( ( ( .( .( ( (
p
Transcendental Sonnets: Love
50
A
A tempo
q = 92
((&& ((* (( ,,
### 3 - 4 .. . 2 (( ( (
" - ! $ $ $ $ $ % 0 0 (& () (
+### 3
pp
- 44 ... !2
Pno.
$ $ $ $ $ $ $ $
. (& .3
,
### ( 4 ... !2
" ) $ $ $ $
, (5& ,, (( ,, (( ,, ((
pp
5& 5& 5&
Pno.
+### 3
- 44 ... !2 0 ( (( ,&
- , (5& , (5& , (5& , (5& , (5& , (5& , , (
pp
Transcendental Sonnets: Love
A tempo
q = 92
68 Transcendental Sonnets:
Jones Very
1838-9 q = 144
Faith Kyle Gann
&$% 2001-2
&$%
!
# " '$$$ ( ( * * *
Piano
) "!
mp
+
$ $ $ $ ' $% $% $ $ $% $% $ $ '- $ $ $
$ $,% $,% $,% % %
&% ' &$% &$ $,% $,%
&$
% &$ $,% $,% '- $% $,% $,%
!
. $ '. $
5 . $ . $ '. $ $ $ $ '..$
$
$$'$ $$%% $$%% ' $$$ $$
# . $
$ '$ '$ $ $
$
'$ $ '$ $ $ $ $ '$ $ '$ $ $
$
$ $ $ $ ' $ $ $ '$ $ $ '$ % $% $
' $ ' $
mp
$
Pno. 1 f
) $ + ( * * * $% $% $ $
&$% &$% $ $
# * / $$%% $% '$$ $
. $ . $ $% ' $ $ ' $ ' $ %
' $f $ $ $$
% $ %
Pno. 2 $ $' $
)
- $ $ $ ' $% $% $ $ $% $% $ $ '- $ $ $ $ % $% $ $
- $,% $,% $,% % % % %
' &$% &$ $,% $,%
&$
% &$ $,% $,% '- $ $ $ &$ &$ $ $
69
"
10
* * * ( +
mp
S. # $ $ $ '$ $ $ $
There is no faith, There is no
* * * ( +
mp
A. # $ $ $ '$ $ $ $
There is no faith, There is no
* * * ( +
mp
# $ $ $ '$ $ $ $
$
T.
" $
A
$ "! '&$% &$% '$ $ '$ '$ 1&$% &$%
15
"2 '$ . $
f
S. # + $ $ $ $ + $ $ $ +
faith, There is no faith, There is no faith, The moun - tain stands with - in still un - re - buked
& &
# $ + $ + "2 '$ + '$ "! $% '$% $ '$
f
$ $ $ $ $ $ $ $ 0$% '. $
& &$%
A.
faith, There is no faith, There is no faith, The moun - tain stands with - in still un - re - buked
& & $ & &$% .
# $ + $ + "2 '$ + $ "! 1$% $% $ '$ $ 1$% $
f
$ $ $ $ $ $
$ faith,
T.
There is no faith, There is no faith, The moun - tain stands with - in still un - re - buked
) $ $ $ $ $ $ $ $ 2" '$ $ "! 0&$% &$% $ 1$ & & . $
B. # $ $ $% $ %
f
+ + +
faith, There is no faith, There is no faith, The moun - tain stands with - in still un - re - buked
'$$ $ $ $ 0$ $ $ $ $
' $ $ $ $ $ 0$ $ $ $ $ 2 ' $' $ $ $ % ! '$ % $ % '$
# " '$$ " $% '$% $ '$$ '$$ '$$01$$%% $$%% '--%% $$ $$
,% $%
$ ' $%% $$%% ' $ $ '$ '$ 1,$% %
f %
- -%% $ $
ff
- ' - 0$$$%%%
Pno. 1
) $ $ $ $ $ $ "2 $ "! 0$ $ 1$ $ $ $% - $ $
S. # * ( ( $ % '$ %
its sum - mit rea - ches hea - ven; And eve - ry ac - tion adds its load of sin
& & & & &$
# * '$ 3" $% $% '$% 0$% "! 0$ '$ ( ( ( '$ $ $ $% % $ '$ 0$ % $ % '-
& & &
A.
its sum - mit rea - ches hea - ven; And eve - ry ac - tion adds its load of sin
B. #
) * $ 3" 0&$% &$% 1&$% &$% "! 0$ 1$ ( ( ( $ $ '$ 0&$% '&$% $ 1$ & & -
$% $%
hea - ven; And eve - ry ac - tion adds its load of sin
& &
' $$$ 00 $$$%%% &$$%%% 0$$ 1$$ ' $ % '$ $ 0,$$% %% 1,$$%%% '$$ $ $%
%
# 00$$$%% $$%% 1'$$$ $$$ 3" '$$%% $$%% '',$$%%% 1$% "! 0$$ '$$ $ $ $ '$$ $ $ '$ 0$ % '$$%% '$$ 1$$$
0 $,% % 0$%
& &$% & &
&$
0 &$$%% &$% ' $$ $ ' $% $$% ' ,$% % ,$% % % &$% % 0 &
$ 0 $ ' 1 $ $% ' $ $ 0 ,$$% %% 1 ,$% % ' $ $ &
'&$% $$
Pno. 1
* $ '$ '$ % % $
S. # '$ 1$ $ '$ + $ $ $ + $ $ $
& &
For ev - ery ac - tion wants the lit - tle lea - ven There is no faith, There is no
For ev - ery ac - tion wants the lit - tle lea - ven There is no faith, There is no
'$ $ $ $ $
$ '$ $ $ $ $ $ $ $ $
% '$$ '$$ $% '$%
# 00$$$%% $$%% 1'$$$ $$ 0&$% &$% ''$$ $$ ''$$%% 1$% '$$ '$$ + + (
& &$% & &$% f
" $
B
+ $ "! '$% $% '$ $ + $ '$ % $%
32
"2 '$
p
S. # + $ $ $ '$ '$ 1$% $% - ( +
faith, There is no faith, The moun - tain stands with - in still un - re - buked its sum - mit
'$ $ $% $%
"2 '$ + "! * $ $ '$ ' $% $%
p
T. # $ + $ $ $ + '- ( +
$ faith, There is no faith, The moun - tain stands with - in still un - re - buked;
0 $$ $$ $$ $$ $$ '$ $ , , '$
0$ $ $ $ $ 2 ' $'$ $ $ $$ ! '$$%% ' $$%% 0$ 1' $$ '' $$ $$ 1 -%
' -%
-- 0--%% '-
-
-%
'$% $%
# " "
p
$
Pno. 1
) '$$ '$ 01--%% 1'-- -% '--
* "2 * "! (% + $ -% (%
lightly
$
& &
# $ + $ $ $ "2 '$ + "! * * * + ' $ $ % $%
$ '$ $
lightly p
Pno. 2
) $% $% '$ 1$ $ $%% '$% $ $ $%% $%% $ $ $%% $%
"2 "! $% $% '$ $$
p
! !
h = 40
! ! mp
Soprano " ! # # $ &% % % &%' % %
(
% &)' % &*
There is no voice but that which speaks in Thee
" !!
mp
# # # # +
Alto ) % % )
There is no voice mp
" !! # # # # # +' %
#
Tenor
mp There
, !! -
Bass " # # # $ % % % %' % ) % )'
There is no voice but that which speaks
. '
* ) &) % &) % )' % ) &% %' &)
! /
"!
mp
% % &%
!! &%%% % / %% ( / &&%% % / &% %- / &%% %( / $ &%% % / &%% %- / &%
% %
Piano 1
" %- %' $ % $
3
A. ) &% % ) % ) % % ) &% % %
but that which speaks in Thee For this the world cre - a - ted
- - $ -
" %' % ) % % % % %' % ) % %' % )' %
# is
T.
no voice but that which speaks in Thee; For this, the world cre -
, -
B. " % % ) + % % % % ) % )' % %' % )
in Thee; For this the world cre - a - - ted and cre ates
% &% ) )'
) ) ) &) %' % %
" $ ( / $
Pno.
% &% % % % &%% %
" &%% ( / &% - ( / % / &%%
-
&% %( / & % % / & %% ( / $ &% % / %
( &% ( % / &&%% ( / $
3
" % % % % &% ) $ % &)' $ $ &% ) % &% ) % &) %%%
# a - ted
T.
and cre - ates This was, be - fore it bade the light to be;
, )
"
B. + ) ) % % ) % ) % % &% % ) $ % )
This was be - fore it bade the light to be; It is,
% %% &% %%
&%% % / &%% ( / &%% % / &&%% %- / &% &%( / $ &% / &&%% ( / &%% &%
Pno.
S. "
) $ &% % % % &) % &) % % $ &% % $ + &)
and is to come; It is to come It knows no dates By it spring
$ - - $ $
" % &% % % &)' &% &)' &% ) &% ) % 0*
#
T.
, %
"
B. ) % * $ ) % % % ) + % % ) )
and is to come; It knows no dates; By it, spring forth
! &)'
There is no voice but that whichspeaks in Thee
the time-born sons of earth the time - born sons of earth That as the
, %
"
3
B. $ ) ) ) &% % ) $ % ) ) % % % % $ )
the time - born sons of earth, the time - born sons of earth That
" %/ $ ( /
&% ( ( ( (
" )'
% ) &% * &* % % )' ) &)
%- - - - -
Pno.
, $ % %' % %' %% % $ % % % %' %' % ) $ % %' % % %
% %' % % %' %% % % % % % ' %' % ) % %' % % %
! &)'
For this the world cre - a - ted and cre -
- $' - - - $
" )' % %' % % &% ) % % % %) % % % % ) %
# grass
T.
be - fore the mo - wer falls the mo - wer falls In it are born the
, - -
"
3
B. %' % ) $ % ) %' % &% % % ) + % % % &% % 0)' %
as the grass be - fore the mo - wer falls In it are born the sons of