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Secondary development
From Wikipedia, the free encyclopedia
Charles Rosen, who has written extensively on the concept, presents the idea as follows:
The Secondary Development section appears in the great majority of late eighteenth century
works soon after the beginning of the recapitulation and often with the second phrase.
Sometimes it is only a few bars long, sometimes very extensive indeed. The purpose of this
section is to lower harmonic tension without sacrificing interest: it introduces an allusion to
the subdominant or to the related "flat" keys.[1]
The significance of the use of subdominant or similar harmony is related to Rosen's general views
on sonata form, in which the exposition section creates a sense of musical tension by moving to the
dominant key (which lies upward from the home key by one on the circle of fifths). This tension
which is "resolved" in the recapitulation by the return to the tonic.[2] The use of the subdominant in
secondary developments, a downward move from the tonic on the circle, provides a sort of
balance.[3] As Rosen says, "it is the restoration of harmonic equilibrium as well as the need for
variation that gives the Secondary Development its function."[4]
The secondary development sometimes forms a passage of great drama, even the dramatic climax
of the movement. For one such instance, see Rosen's discussion of the secondary development in
the opening movement of Haydn's string quartet in B minor, Op. 33 no. 1.[6]
Notes
1. Rosen (1988, 289)
2. For discussion see Rosen (1997, Chap. 1).
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Secondary development - Wikipedia https://en.wikipedia.org/wiki/Secondary_development
3. The same is true for the "related 'flat' keys" mentioned in the quotation above, which lie even lower on
the circle than the subdominant; Rosen (1997, 24)
4. Rosen (1988, 290)
5. Secondary developments of this type occur, for instance, in Haydn's string quartet Op. 33 No. 5,
Beethoven's piano sonata Op. 49 No. 2, and Mozart's piano sonata K. 333.
6. Rosen (1997, 117-118)
References
Rosen, Charles (1988). Sonata Forms (2nd edition). W. W. Norton & Co. Ltd.
ISBN 978-0-393-30219-6.
Rosen, Charles (1997). The Classical Style, 2nd ed. Norton. ISBN 978-0-571-22812-6.
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