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14th-century polyphony
Ars Nova…
based on the enormous new range of musical expression made possible by the notational techniques ex-
plained in Philippe de Vitry's treatise Ars nova (c1322).
the treatise is seen as one of the major turning-points in the history of notation
atmosphere of musical concepts developed over centuries new and original musical concepts
"tempus perfectum" (triple meter) was predominant new freedom and acceptance of "tempus imperfectum" (duple
meter)
preoccupation with the science of music popularity of music, practical considerations, music for enter
tainment
sacred forms (organum, conductus, and motet) secular forms, lighter melodic figures
widespread use of cantus firmus gradual rejection of cantus firmus (esp. Italy), use of secular
sources for cantus firmus
strict use of ancient modes new dissonance, contrapuntal freedom, isorhythm, melody &
accompaniment
Roman de Fauvel
Docta sanctorum patrum (1324–5)--Pope John XXII decrying
the musicians who were ‘novellae scholae discipuli’
Ars Nova
refers to French music (1310-1377) from the Roman de Fauvel to the death of Guillaume de Machaut
Vices…
F lattery,
A varice (greed),
U ntruthfulness,
V ariability (unfaithfulness),
E nvy,
L aziness