Академический Документы
Профессиональный Документы
Культура Документы
Sum 41 - Chuck (Authentic Transcriptions With Notes and Tablature) PDF
Загружено:
keithrusОригинальное название
Авторское право
Доступные форматы
Поделиться этим документом
Поделиться или встроить документ
Этот документ был вам полезен?
Это неприемлемый материал?
Пожаловаться на этот документАвторское право:
Доступные форматы
Sum 41 - Chuck (Authentic Transcriptions With Notes and Tablature) PDF
Загружено:
keithrusАвторское право:
Доступные форматы
from Sum 41 - Chuck
Gtrs. 1, 3, 4 & 5: Tune down 1/2 step:
Intro
(low to high) Eb-Ab-Db-Gb-Bb-Eb By Deryck Whibley
Gtr. 2: Drop D tuning, down 1/2 step:
(low to high) Db-Ab-Db-Gb-Bb-Eb
Intro
Slowly q = 80
* Em Cmaj7 D
Gtr. 3 (clean)
3
mf
7 9 7
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 1 (slight dist.) 3 3
mf let ring
let ring
9 10 9 9 10 9 7 5 4
7 7 7 7 9 10 7 7 7 5 5 5
0 0 0 8
Gtr. 2 (clean)
mf
2 4
3 5
2 0
* Chord symbols reflect overall harmony.
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Em Cmaj7 D
Riff A1
End Riff A1
Gtr. 4 (clean)
3
3
mp let ring
7 7 8 7
0 0 1 0 0 0 0 10 8 7
Riff A
Gtr. 3
End Riff A
3
3
7 9 7
5 7 5 7 9
Gtr. 2 Rhy. Fig. 2
End Rhy. Fig. 2
0 0
0 0
0 0
2 2 2 4
2 2 3 5
2 2 0
© 2004 EMI APRIL MUSIC (CANADA) LTD. and RECTUM RENOVATOR MUSIC
All Rights in the U.S. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Rhy. Fig. 2
Gtr. 3: w/ Riff A (2 times)
Gtr. 4: w/ Riff A1
Em Cmaj7 D
Gtr. 5 (clean)
3
mf 1/2
14
9 11 9 11 11 12 16 12 12 11 12 12 14
9 10 12 14
Segue to "No Reason"
Em Cmaj7 D
Gtr. 5
3
1/2
14
9 11 9 11 11 12 16 12 12 11 12 12 14
9 10 12 14
Gtr. 4
3
3
* f
let ring
7 7 8 7
0 0 1 0 0 0 0 10 8 7
Gtr. 1
3 3
* f
let ring let ring
9 10 9 9 10 9 7 5 4
7 7 7 7 9 10 7 7 7 5 5 5
0 0 0 8
Gtr. 2
* f
0 0
0 0
0 0
2 2 4
2 2 3 5
2 2 0
* Vol. swell
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Sum 41 - Chuck
No Reason
Words and Music by Deryck Whibley and Greig Nori
Gtr. 1 chords
E5 B5 D5 C5 G5
5fr
Gtrs. 1, 2 & 4: Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb-Bb-Eb
11 134 134 134 134
Gtr. 3: Drop D tuning, down 1/2 step: Gtr. 3 chords
(low to high) Db-Ab-Db-Gb-Bb-Eb
E5 C5 D5 B5 D5 V G5 Em E5 VII
5fr 5fr 7fr 7fr
Intro 111 134 134 134 111 14321 134
Moderately slow Rock q = 98
** E5 C5 G5 E5 B5 D5/A E5 C5 G5 E5
3
Screamed: All of us be - lieve that this is not up to you. The fact of the mat - ter is
* Gtr. 1 (dist.)
P.M.
f (cont. in slashes)
5 4 5
2 5 5 2 2 4 0 2 2 5 5 2
2 3 5 2 2 2 0 2 2 3 5 2
0 3 0 0 0 0 0 0 3 0
* Doubled throughout
** Chord symbols reflect implied harmony.
E5 B5 D5 E5 E5 C5 G5
Rhy. Fig. 1
Gtr. 1
that it’s up to me!
† Shouted: (Hey! Hey! Hey!
*** Gtr. 2 (dist.)
Riff A
f
5 5 5
5 5 5 5 5 5
10 10 9 10 10 9 10 10 9 3 3 3 5 5 5
15 0 0 10 0 0 10 0 0 10 3 3 3 3 3 3
*** Doubled throughout † Gang vocals
E5 B5 D5
End Rhy. Fig. 1
Screamed: Let's go!
Hey! Hey! Hey!)
End Riff A
4 4 4 4 7 7 7 7
4 4 4 4 7 7 7 7
10 10 9 10 10 9 10 10 9 2 2 2 2 5 5 5 5
0 0 10 0 0 10 0 0 10 2 2 2 2 5 5 5 5
© 2004 EMI APRIL MUSIC (CANADA) LTD., RECTUM RENOVATOR MUSIC and BUNK ROCK MUSIC, INC.
All Rights for EMI APRIL MUSIC (CANADA) LTD. and RECTUM RENOVATOR MUSIC in the U.S. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Double-time feel
E5 C5 D5 E5 B5 D5 V
* Gtr. 3 (dist.)
f (cont. in notation)
Gtr. 2 Riff B End Riff B
10 10 9 10 10 9 10 10 9 9 9 12 12
0 0 10 8 8 10 0 0 10 7 7 10 10
* Doubled throughout
Verse
Gtr. 2 tacet
E5
**
1. How can we fake this an - y - more?
Gtr. 3
Riff C End Riff C
P.M.
5 4 5 4
3 3 2 2 5 5 3 3 2 2 5 5
0 2 2 2 0 2 2 2 0 2 2 2 0 2 2 2 2
** w/ echo set for half-note regeneration w/ 1 repeat.
*** Voc. Fig. 1
†
And turn our backs a - way and choose to just ig - nore?
Shouted: (Some
Riff D End Riff D
P.M.
5 4 5 4
3 3 2 2 5 5 3 3 2 2 5
0 2 2 2 0 2 2 2 0 2 2 2 0 2 2 2
*** Applies to upstemmed part only.
† w/ echo, as before.
Gtr: 3: w/ Riff C (2 times) Bkgd. Voc.: w/ Voc. Fig. 1
End Voc. Fig. 1
Some say it’s ig - nor - ance. It makes me feel some in - no - cence. It
say!)
Gtr. 4
(dist.) Riff E End Riff E
mf
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5 5 5 5 7 7 7 7 8 8 8 8 10 10 10 10 12 12 12 12 10 10 10 10 8 8 8 8 10 10 10 10
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 4: w/ Riff E
D5
takes a - way a part of me but I won’t let go.
Tell me why
Gtr. 1
P.S.
XX
X
X
Riff F End Riff F
Gtr. 3
P.M. (cont. in slashes)
7 7 7 7 7 7 7 7
5 4 7 7 7 7 7 7 7 7
3 3 2 2 5 5 3 3 2 2 5 5 5 5 5 5 5 5
0 2 2 2 0 2 2 2 2 0 2 2 2 0 0 0 0 0 0 0 0
Chorus
C5 G5 D5 C5 G5
Rhy. Fig. 2A
Gtr. 3
End Voc. Fig. 2
* Voc. Fig. 2
can’t you see it’s not the way? When we all fall down, it will
(Not the way!)
Rhy. Fig. 2
Gtr. 1
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
* Applies to upstemmed part only.
1st time, Gtrs. 1 & 3: w/ Rhy. Figs. 2 & 2A
2nd time, Gtrs. 1 & 3: w/ Rhy. Figs. 2 & 2A (1st 3 meas.)
D5 Em C5 G5 D5
End Rhy. Fig. 2A
** Voc. Fig. 3
be too late. Why is there no rea - son we can’t change? When we
End Rhy. Fig. 2 (No rea - son!)
8 8 8 8 8 8 8 8
7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7
** Applies to upstemmed part only.
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
To Coda 1
C5 G5 D5 Em E5 G
10fr
Gtrs.
1&3
End Voc. Fig 3
all fall down who will take the blame? What will it take?
Gtr. 4
P.M. P.M. P.M. P.M.
7 9 10 5
10 0 0 0 0 0 0 0 0 2 3 2 3
Verse
Gtrs. 1 & 4 tacet
Gtr. 3: w/ Riff C (2 times)
E5 Gtr. 3: w/ Riff D
*
2. If noth - ing could ev - er be this real. A life un - sat - is - fied that
* w/ echo, as before.
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times) Gtr. 3: w/ Riff C (2 times)
Gtr. 4: w/ Riff E (2 times)
**
I could nev - er feel. This fu - ture’s not so bright, but
** w/ echo, as before.
D.S. al Coda 1
Gtr. 3: w/ Riff F
D5
some can't make the sac - ri - fice. It’s much more than just black and white and I won’t fol - low.
Tell me why
Coda 1 Bridge
D5 Em E5 VII D5 C5 G5 B5 D5 B5 D5 V
Rhy. Fig. 3A End Rhy. Fig. 3A
Gtr. 3
take the blame? What will it take?
Times like these I’ve come to see how.
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 1
8 8 8 8 8 8
7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 9 9 9 9 7 7 7 7 5 5 5 5 4 4 4 4 7 7 7 7 4 4 4 4 7 7 7 7
7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 9 9 9 9 7 7 7 7 5 5 5 5 5 5 5 5 4 4 4 4 7 7 7 7 4 4 4 4 7 7 7 7
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 3 3 3 3 5 5 5 5 2 2 2 2 5 5 5 5 2 2 2 2 5 5 5 5
3 3 3 3 2 2 2 2 5 5 5 5 2 2 2 2 5 5 5 5
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
End double-time feel
Gtr. 1: w/ Rhy. Fig. 1
Gtrs. 1 & 3: w/ Rhy. Figs. 3 & 3A Gtr. 2: w/ Riff A
E5 D5 C5 G5 B5 D5 B5 D5 E5 C5 G5 E5 B5 D5
Voc. Fill. 1 End Voc. Fill. 1
Voc. Fig. 4 End Voc. Fig. 4
Ev - ’ry - thing but time is run - ning out.
(Hey! Hey! Hey! Hey! Hey! Hey! Right!)
Bkgd. Voc.: w/ Voc. Fig. 4 (3 times)
Gtr. 2: w/ Riff B (2 times)
E5 C5 D5 E5 B5 D5 E5 C5 D5
All of us be - lieve in what we need. What we
Gtr. 3
(cont. in slashes)
5 5 5 5 4 4 4 4 7 7 7 7 5 5 5 5
2 2 2 2 2 2 2 2 5 5 5 5 0 0 0 0 2 2 2 2 2 2 2 2 4 4 4 4 7 7 7 7 2 2 2 2 2 2 2 2 5 5 5 5 0 0 0 0
2 2 2 2 2 2 2 2 3 3 3 3 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 5 5 5 5 2 2 2 2 2 2 2 2 3 3 3 3 0 0 0 0
2 2 2 2 2 2 2 2 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0
Outro-Chorus
Double-time feel
Gtrs. 1 & 3: w/ Rhy. Figs. 2 & 2A (4 times)
Bkgd. Voc.: w/ Voc. Fill 1 Gtr. 2 tacet
E5 B5 D5 D5 V C5 G5
Gtr. 3
P.M.
have’s what we don't see. Tell me why can't you see it's
Riff G
Gtr. 2 Gtr. 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
8 8 7 7 8 8 10 10 8 8 5 5 7 7 3 3
12 12 12 12 12 12 12 12
10 10 10 10 10 10 10 10
Bkgd. Voc.: w/ Voc. Fig. 2 Gtr. 4: w/ Riff G (7 times)
D5 C5 G5 D5 Em
not the way? When we all fall down it will be too late. Why is
End Riff G
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
8 8 7 7 8 8 10 10 8 8 7 7 5 5 3 3
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bkgd. Voc.: w/ Voc. Fig. 3
C5 G5 D5 C5 G5 D5 Em
there no rea - son we can’t change? When we all fall down who will take the blame? What will it
Bkgd. Voc.: w/ Voc. Fig. 2
C5 G5 D5 C5 G5 D5 Em
Can’t you see it’s not the way? When we all fall down it will be too late. Why is
take?
So how long has this gone? I don't see this end - ing. It's too late, we can't change what has now be - gun.
Bkgd. Voc.: w/ Voc. Fig. 3
C5 G5 D5 C5 G5
there no rea - son we can’t change? When we all fall down who will
We act like it's not right. Why are we pre - tend - ing? We’ve been wrong for so long.
D5 Em E5
Gtr. 3
take the blame? What will it take?
We knew this all a - long.
Gtrs. 1 & 4
2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Sum 41 - Chuck
We’re All to Blame
Words and Music by Deryck Whibley, Greig Nori, Steve Jocz and Ben Cook
Gtrs. 4 & 7 chords
Gtrs. 1-5, 7 & 8: Tune down 1/2 step:
Am Dm G Em F C G III E
(low to high) Eb-Ab-Db-Gb-Bb-Eb
Gtr. 6: Drop D tuning, down 1/2 step:
(low to high) Db-Ab-Db-Gb-Bb-Eb 231 231 21 4 12 134211 13331 134211 231
Gtr. 6 chords
A5 F5 C5 G5
5fr
Intro
11 111 134 111
Moderate Rock q = 160
*** E5 F5 E5 F5 E5 F5 E5
* Gtrs. 1 & 2 (elec.)
(Talking)
f
w/ dist.
9 9 9 9 9 9 9 10 9 9 9 9 9 9 9 9 10 9 9 9 9 9 9 9 9 10 9
X X X X X X X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 8 7 7 7 7 7 7 7 7 8 7 7 7 7 7 7 7 7 8 7
** Gtr. 3 (elec.)
Fill 1 End Fill 1
f
w/ dist.
12
* Composite arrangment *** Chord symbols reflect implied harmony.
** Doubled throughout
C5 B5 C5 D5 C5 B5 E5 µ E5 µ
3 3
Shouted: Take ev - ’ry - thing left from me! All to
Gtrs. 1, 2 & 3
3 3
P.M. Harm. P.M. Harm.
5 5
5 4 5 7 4 5 5 5
3 2 3 5 2 3 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Pitches: G G
D D
E5 µ C5 B5 C5 D5 C5 B5 C5 B5 C5 D5 C5 B5 E5
blame!
3 3 3 3
P.M. Harm. P.M.
5
5 5 4 5 7 4 5 5 4 5 7 4 5
2 2 3 2 3 5 2 3 3 2 3 5 2 3 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0
Pitches: G
D
© 2004 EMI APRIL MUSIC (CANADA) LTD., RECTUM RENOVATOR MUSIC, BUNK ROCK MUSIC, INC.,
BONER CITY MUSIC, INC. and BEN COOK PUBLISHING DESIGNEE
All Rights for EMI APRIL MUSIC (CANADA) LTD. and RECTUM RENOVATOR MUSIC in the U.S. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
Gtr. 3 tacet Gtr. 3: w/ Fill 1
E5
1. How can we still suc - ceed tak - ing what we don’t
Gtrs. 1 & 2
Riff A End Riff A
7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 10 10 10 10 10 10 10 10 8 8 8 8 7 7 7 7
Gtrs. 1 & 2 tacet Gtr. 3: tacet
G5 E5 F#5 E5 F5 E5 F5 E5 F5 E5
Tell - ing lies, al - i - bis,
need?
(need?)
Gtr. 3 Rhy. Fig. 1 End Rhy. Fig. 1 Riff B
Gtrs. 1 & 2
P.M. P.M.
3 3
2 5 2 2 4 2 2 3 2 2 3 2 3 7 7 7 7 7 7 7 7 7 7 7 7
0 0 3 0 0 0 2 0 0 0 1 0 0 1 0 1 7 7 7 7
Gtr. 3: w/ Fill 1 Gtrs. 1 & 2 tacet
Gtr. 3: w/ Rhy. Fig. 1
G5 E5 F#5 E5 F5 E5 F5 E5 F5
sell - ing all the hate that we breed.
End Riff B
8 8 8 8 8 8 8 8 10 10 10 10 8 8 8 8
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2 tacet
Gtr. 1: w/ Riff A Gtr. 3: w/ Fill 1 Gtr. 3: w/ Rhy. Fig. 1
E5 G5 E5 F#5 E5
Voc. Fig. 1
Su - per size our trag - e - dies.
(You can’t de - fine me,
Gtr. 2 Riff C End Riff C
9 9 9 9 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
10 10 10 10 10 10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
Gtr. 1: w/ Riff B Gtr. 3: w/ Fill 1
F5 E5 F5 E5 F5 E5
End Voc. Fig. 1
Bought in the land of the
or just - i - fy greed.)
Riff D
Gtr. 2 End Riff D
9 9 9 9 9 9 9 9 9 9 9 9 7 7 7 7 10 10 10 10 10 10 10 10 7 7 7 7 7 7 7 7
10 10 10 10 10 10 10 10 10 10 10 10 9 9 9 9 12 12 12 12 12 12 12 12 9 9 9 9 9 9 9 9
Chorus
Slower q = 154
Gtr. 2 tacet Half-time feel
G5 E5 F#5 E5 C5 B5 C5 D5 C5 B5 Am Dm
Rhy. Fig. 3
* Gtr. 4
(elec.)
mp
rit.
free. And we’re all to
(Land. Free.)
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 3 Gtr. 3
3 3
rit.
P.M.
2
5 4 5 7 4 5 2
2 5 2 2 4 2 3 2 3 5 2 3 0
0 0 3 0 0 0 2 0
* w/ slight dist. & tremolo.
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3 tacet
G Em Am
End Rhy. Fig. 3 Rhy. Fig. 4
Gtr. 4
blame. We’ve gone too far, from
Riff E
Gtr. 5 (slight dist.)
mf
let ring
5
5 5
5
Dm G Em End Rhy. Fig. 4
pride to shame. We’re try - ing so
End Riff E
let ring let ring let ring
1 3 0
3 3 3 3 0 0
2 0 0
Gtr. 4: w/ Rhy. Fig. 4 (2 times)
Gtr. 5: w/ Riff E (2 times)
Am Dm G Em
3 3
hard, we’re dy - ing in vain. We’re hope - less - ly bliss - ful and
T o Coda
Am Dm G Em
blind to all we are. We want it
End half-time feel Faster q = 160
Gtrs. 4 & 5 tacet
Gtr. 3: w/ Fill 1
Em C5 B5 C5 D5 B5 C5 E5
3
3
all with no sac - ri - fice!
Gtr. 3
Gtrs. 4 & 5 3 3
0
0
0 5 4 5 7 4 5
2 5 4 5 7 4 5 2 2 2 2
2 3 2 3 5 2 3 2 2 2 2
0 0 0 0 0
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
Gtrs. 1 & 2: w/ Riff A
Gtr. 3 tacet Gtr. 3: w/ Fill 1 Gtr. 3: w/ Rhy. Fig. 1
E5 G5 E5 F#5 E5 F5 E5 F5 E5 F5
2. Re - al - ize we spend our lives liv - ing in a cul - ture of fear.
(Fear.)
Gtrs. 1 & 2: w/ Riff B Gtr. 3: w/ Fill 1 Gtr. 3: w/ Rhy. Fig. 1
E5 G5 E5 F#5 E5 F5 E5 F5 E5 F5
Stand to sa - lute and say thanks to the man of the year.
Gtr. 1: w/ Riff A Bkgd. Voc. : w/ Voc. Fig. 1
Gtr. 2: w/ Riff C Gtr. 3: w/ Fill 1 Gtr. 3: w/ Rhy. Fig. 1
E5 G5 E5 F#5 E5 F5 E5 F5 E5 F5
How did we all come to this? It’s
Gtrs. 1 & 2 tacet
D.S. al Coda
Gtrs. 1 & 2: w/ Riffs B & D Gtr. 3: w/ Fill 1 Gtr. 3: w/ Rhy. Fig 2
E5 G5 E5 F#5 E5 C5 B5 C5 D5 C5 B5
greed that we just can’t re - sist. And we’re
(Re - sist.)
Coda
Bridge III
Am F C G
Rhy. Fig. 5 End Rhy. Fig. 5
Gtr. 4
all. Ev - ’ry -
(all.)
Gtr. 5
12 12 12 12 13 13 13 13 15 15 15 15 10 10 10 10
13 13 13 13 13 13 13 13 13 13 13 13 12 12 12 12
Am F C G III
one wants it all with no
12 12 12 12 13 13 13 13 15 15 15 15 10
13 13 13 13 13 13 13 13 13 13 13 13 12
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude
End half-time feel Faster q = 160
Gtrs. 4 & 5 tacet
E5 G5 E5 F#5 E5 G5 F#5 E5 G5 E5 F#5
sac - ri - fice!
Gtr. 5
Gtr. 3
Gtr. 3
divisi
P.M. P.M. P.M. P.M. P.M.
10
12
3
2 5 2 4 2 5 2 5 2 4
12 0 0 0 0 0 3 0 0 0 0 0 2 0 0 0 0 0 3 2 3 5 0 0 0 0 0 3 0 0 0 0 0 2
E5 G5 F#5 E5 µ E5 µ E5 µ
Tell me now what have we done. We don't know.
I can't al - low what has
P.M. P.M. P.M. P.M.
3
2 5 2 2 2 2 2 2
0 0 0 0 0 3 2 3 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
E5 µ E5 C5 E5 B5
Be - lieve me now, we have no choice. Left with our
be - gun to tear me down.
P.M. P.M. P.M.
5 4
X X
2 2 2 2 3 2 2 2
0 0 0 0 0 0 0 0 12 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
E5 C5 G5
backs a - gainst the wall. And
P.M. P.M.
5
X
2 2 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus
Half-time feel
Gtrs. 4: w/ Rhy. Fig. 4 (2 times)
Gtr. 5: w/ Riff E (2 times)
Gtr. 3 tacet
Am Dm G
now, we’re all to blame. We’ve
*Gtr. 6
(elec.)
Rhy. Fig. 6
f
w/ dist.
2 2 2 2 2
2 2 2 2 2 0 0 0 0 0 5 5 5 5 5
0 0 0 0 0 0 0 0 0 0 5 5 5 5 5
0 0 0 0 0 5 5 5 5 5
* Doubled throughout
Gtr. 6: w/ Rhy. Fig. 6
Em Am Dm
gone too far, from pride to
End Rhy. Fig. 6
2 2 2 2 2
2 2 2 2 2
2 2 2 2 2
3 3
G Em
shame. We’re hope - less - ly bliss - ful and
Gtr. 4: w/ Rhy. Fig 5 (4 times)
A5 F5 C5 G5
Rhy. Fig. 7 End Rhy. Fig. 7
Gtr. 6
blind. And all we need is some - thing
Gtr. 5 Riff F
let ring
mp
let ring let ring let ring
5 7 8 3
5 5 5 5 5 5 3 3
5 5 5 0
Gtr. 1
mf
14 14 9 9 9 9 9 9 12 12 12 10 10 10 9 9 7 7 7 9 9 9 9 9 7 7 7 10 10 10 9 9
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
12 12 7 7 7 7 7 7 10 10 10 8 8 8 7 7 5 5 5 7 7 7 7 7 5 5 5 8 8 8 7 7
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 6: w/ Rhy. Fig. 7 (3 times)
Am F C G
true to be - lieve. Don’t we
Gtr. 5 End Riff F
let ring let ring let ring let ring
5 7 8 3
5 5 5 5 5 5 3 3
5 5 5 0
Riff G
End Riff G
Gtr. 1
9 9 9 9 9 9 9 9 12 12 12 10 10 10 10 10 7 7 7 9 9 9 9 9 7 7 7 10 10 10 10 9
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 10 10 10 8 8 8 8 8 5 5 5 7 7 7 7 7 5 5 5 8 8 8 8 7
Gtr. 1: w/ Riff G (1 3/4 times)
Gtr. 5: w/ Riff F
Am F C G
all? Ev - ’ry - one, ev - ’ry -
(It’s ev - ’ry - one, ev - ’ry -
Am F C
- one. We will fall
Outro
* Gtr. 7 (acous.): w/ Rhy. Fig. 3
G Am
Gtr. 4
’cause we’re all to
Gtr. 1
12 12 12 10 10 10 9 9 9
X X X X X X X X X
10 10 10 8 8 8 7 7 7
Gtr. 6
2
2
0
* Played mf
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 7: w/ Rhy. Fig. 4 (1 3/4 times)
Gtrs. 1, 4 & 6 tacet * Gtr. 8 (acous.): w/ Riff C (1 3/4 times)
G Em Am
blame. We’ve gone too far from
* Played mf
Dm G Em
pride to shame. We’re try - ing so
Am Dm G
hard, we’re dy - ing in vain. We
E Am Dm
Gtr. 7
want it all. Ev - ’ry -
Gtr. 8
let ring let ring let ring
0 5 1
0 0 5 5 3 3
1 5 2
G E Am
rit.
-one, don’t we all?
let ring
rit.
let ring
3 0 0
3 3 0 0 1
0 1 2
2
0
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Sum 41 - Chuck
Angels with Dirty Faces
Words and Music by Deryck Whibley and Greig Nori
Drop D tuning, down 1/2 step
(low to high) Db-Ab-Db-Gb-Bb-Bb
Intro
Moderately slow Rock q = 96
* Dm Bb Dm Am
I need this to get me through. Can’t re - sist, don’t want to
Gtr. 1
(slight dist.)
Rhy. Fig. 1 End Rhy. Fig. 1
mf
0
0
10
0
7
0
8
0
7
8
10
8
7
8
8
8
7
8
0
0
10
0
7
0
8
0
7
7
7 7 8
7 7
7
7
*Chord symbols reflect implied harmony.
Gtr. 1: w/ Rhy. Fig. 1
Dm Bb Dm Am
be - lieve it. I know it's true. Can’t beat it, don’t want to
Double-time feel
Dm Bb5 A5 Dm
try.
Gtr. 2 (dist.)
mf
0
10 10 10 10 10 10 10 10 10 10 10 10 12 12 12 12 9 9 9 9 9 9 9 9 10 10 10 10
X X X X X X X X X X X X X X X X X X X X X X X X X X X
0 0 8 8 8 8 0 0 8 8 8 8 8 8 8 8 10 10 10 10 7 7 7 7 7 7 7 7 8 8 0 0 0 8 8 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
**Gtr. 3 (dist.)
f
0
10 10 10 10 10 10 10 10 12 12 12 12 9 9 9 9 10 10 10 10
X X X X X X X X X X X X X X X X X X X
0 0 8 8 8 8 0 0 8 8 8 8 8 8 8 8 10 10 10 10 7 7 7 7 7 7 7 7 8 8 0 0 0 8 8 0 0 0 0
0 0 0 0 8 8 8 8 7 7 7 7 0 0 0 0 0 0 0 0
**Doubled throughout
© 2004 EMI APRIL MUSIC (CANADA) LTD., RECTUM RENOVATOR MUSIC and BUNK ROCK MUSIC, INC.
All Rights for EMI APRIL MUSIC (CANADA) LTD. and RECTUM RENOVATOR MUSIC in the U.S. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
Bb5 A5 D5
1. It’s more to me than you ev - er will know. Down here where the rest of us fell.
(A per - fect hell.)
10 10 10 10 12 12 12 12 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 7 10 10 10 9 9 10 10 7 7 7 7 7 7 7 7 7 10 10 10 9 9 10 10
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
8 8 8 8 10 10 10 10 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 8 8 8 7 7 8 8 5 5 5 5 5 5 5 5 5 8 8 8 7 7 8 8
P.M.
12 12 12 12 9 9 9 9
X X X X X X X X
8 8 8 8 10 10 10 10 7 7 7 7 7 7 7 7 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
8 8 8 8 7 7 7 7 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
F5 E5 D5 Bb5 A5 F5 C5
Waste a - way noth - ing left to show while I’m in this per - fect hell. Ob - ses - sion has be - gun,
Rhy. Fig. 2 End Rhy. Fig. 2
f
7 7 7 7 7 7 7 7 7 10 10 10 9 9 10 10 7 7 7 7 7 7 7 7 10 10 10 10 10 9
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 8 8 8 7 7 8 8 5 5 5 5 5 5 5 5 8 8 8 8 8 7 0 0 0 0 8 7 7 7 3 3 3 3 3 10 10 10
0 0 0 0 8 7 7 7 3 3 3 3 3 10 10 10
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 2 0 0 0 0 8 7 7 7 3 3 3 3 3 10 10 10
0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 2 0 0 0 0 8 7 7 7 3 3 3 3 3 10 10 10
End double-time feel
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (3 times)
D5 Bb5 A5 F5 C5 D5 Bb5 A5 F5 C5 D5 Bb5 A5 F5 C5
pos - sessed by de - struc - tion. How did I get so low? Be - lieve me, no one knows.
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Pre-Chorus
Bbsus2 Csus2
Some - times I can’t hold on and no one can help me.
Gtr. 4 (dist.)
mf
P.S.
X
XX
X
* Gtrs. 2 & 3
10 10 10 10 10 10 10 10 10 10 10 10 12 12 12 12 12 12 12 12 12 12 12 12
8 8 8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 10 10 10 10 10 10 10
8 8 8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 10 10 10 10 10 10 10
* Composite arrangment
Chorus
1st & 2nd time, Quadruple-time feel
3rd time, Double-time feel
Gtr. 4 tacet
D5 F5 Bb5 C5 F5
Now it’s got a hold of me. I don't think I can make it through this.
Voc. Fig. 1 End Voc. Fig. 1
(Hold of me!)
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 2
14 14 14 14 10 10 10 10 12 12 12 12 5 5 5 5 7 7 7 7 9 9 9 9 10 10 10 9 9 9 9
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
12 12 12 12 8 8 8 8 10 10 10 10 3 3 3 3 5 5 5 5 7 7 7 7 8 8 8 7 7 7 7
Gtr. 3 Rhy. Fig. 3A End Rhy. Fig. 3A
0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 8 8 8 8 8 8 8 8 10 10 3
0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 8 8 8 8 8 8 8 8 10 10 5 7 7 3
To Coda 1
Bkgd. Voc.: w/ Voc. Fig. 1
To Coda 2
Gtrs. 2 & 3: w/ Rhy. Figs. 3 & 3A
End quadruple-time feel
F5
D5 F5 Bb5 C5
Now it's got a hold of me. The less I do, the more it makes no
Spoken: I’m
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge
Double-time feel
D5 C/E F5 G5
3 3
3
sense.
walk - ing pol - lu - tion who’s drained by de - lu - sions. On the verge of de - struc - tion I cave in to ab -
Gtrs. 2 & 3
0 3 3 5
0 2 3 5
D5 C/E F5 G5
3 3 3
duc - tion. Thin blood, I'm bleed -ing. Pulse won’t stop rac - ing just as my heart ex - plodes.
0 3 3 5 5 5 5 5 5 5 5
0 2 3 5 5 5 5 5 5 5 5
D.S. al Coda 1
Verse
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (4 times) End double-time feel
D5 Bb5 A5 F5 C5 D5 Bb5 A5 F5 C5 D5 Bb5 A5 F5 C5 D5 Bb5 A5 F5 C5
2. No chance that I could win, too hard to not give in. I just don’t feel the same ’cause I’m the one to blame.
Coda 1
Bb5 C5 F5 D5 µ Eb5 D5 µ Eb5
less I do the more it makes no sense.
I need this to be my - self. It feels like I need some help.
Gtrs. 2 & 3
P.M. P.M.
0 1 1 1 0 1 1 1
0 1 1 1 0 1 1 1
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5 µ Eb5 D5 µ D5
It’s too late to save my - self or it’s just in my head.
P.M. P.M.
0 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
D.S.S. al Coda 2
3 3
P.M.
0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 17
Coda 2 End double-time feel Quadruple-time feel
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)
Gtrs. 2 & 3: w/ Rhy. Figs. 3 & 3A (2 times)
Bb5 C5 F5 D5 F5
less I do the more it makes no sense.
Now it’s got a hold of me.
Bb5 C5 F5 D5 F5 Bb5 C5 F5
I don’t think I can make it through this. Now it’s got a hold of me. The less I do the more it makes no
Dm
sense.
Gtrs. 2 & 3
10 10 10 10 10 10 10 10 10 10 10 10
X X X X X X X X X X X X
0 0 8 8 8 8 0 0 8 8 8 8 0 0 8 8 8 8 0
0 0 0 0 0 0 0
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Sum 41 - Chuck
Some Say
Words and Music by Deryck Whibley and Greig Nori
G Bm D/A A5 Em
Tune down 1/2 step:
134211 13421 132 11 12
(low to high) Eb-Ab-Db-Gb-Bb-Eb
Verse
Moderately slow q = 82
Bm D/A Em G
1. Some say we’re nev - er meant to grow up. I’m sure they nev - er knew e - nough.
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 1 (acous.)
mp
let ring throughout
2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 0 0 0 0 0 0 3 3 3 3 3 3
4 4 4 4 4 4 2 2 2 2 2 2 0 0 0 0 0 0 4 4 4 4 4 4
4 4 4 4 4 4 0 0 0 0 0 0 2 2 2 2 2 2 5 5 5 5 5 5
2 2 2 2 2 2 0 0 0 0 0 0 2 2 2 2 2 2 5 5 5 5 5 5
0 0 0 0 0 0 3 3 3 3 3 3
Gtr. 1: w/ Rhy. Fig. 1 (3 times)
Bm D/A Em G
I know the pres - sures won’t go a - way; it’s too late.
Bm D/A Em G
Find out we’re diff -’rent some - how. It’s too late to e - ven have faith.
Riff A End Riff A
Gtr. 2 (elec.)
mf
w/ slight dist. let ring let ring
5 5
7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7
9 9 9
Gtr. 2: w/ Riff A
Bm D/A Em G
Don’t think things will ev - er change. You must be dream - ing.
© 2004 EMI APRIL MUSIC (CANADA) LTD., RECTUM RENOVATOR MUSIC and BUNK ROCK MUSIC, INC.
All Rights for EMI APRIL MUSIC (CANADA) LTD. and RECTUM RENOVATOR MUSIC in the U.S. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus
Gtr. 2 tacet
G Bm G D/A A5
Gtr. 1
Rhy. Fig. 2
Think be - fore you make up your mind. You don’t seem to re - al - ize
Gtr. 2
5
7 7 7
7 7
*Gtr. 3 (elec.) Rhy. Fig. 2A
mf
w/ dist.
5
3 3 3 3 3 5
4 4 4 4 4 2 2 2 2 2 2 2 2 2 2
5 5 5 5 5 5 5 5 4 4 4 4 4 5 5 5 5 5 0 0 0 0 0 2 2 2 2 2
5 5 5 5 5 5 5 5 2 2 2 2 2 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 3 3
*Doubled throughout
Em G D/A A5
I can do this on my own. And if I fall, I’ll take it all.
(Not with me, not with you.)
Gtr. 3
3 3 3 3 3 5
2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 5 5 5 5 5 0 0 0 0 0 2 2 2 2 2
2 2 2 2 2 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 3 3 3 3 3
Interlude
Gtr. 1: w/ Rhy. Fig. 1 Gtr. 3 tacet
Em G Bm D/A Em G
End Rhy. Fig. 2
It’s so eas - y af - ter all.
End Rhy. Fig. 2A
4 4
2 2 2 2 2 5 5 5 5 5 5 5 4 4
2 2 2 2 2 5 5 5 5 5 5 5 2 2
0 0 0 0 0 3 3 3 3 3 3 3
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
Gtr. 1: w/ Rhy. Fig. 1 (4 times)
Bm D/A Em G
2. Be - lieve me ’cause now’s the time to try. Don’t wait, the chance will pass you by.
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 4 (elec.)
mp
w/ clean tone
let ring throughout
2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 0 0 0 0 0 0 3 3 3 3 3 3
4 4 4 4 4 4 2 2 2 2 2 2 0 0 0 0 0 0 4 4 4 4 4 4
4 4 4 4 4 4 0 0 0 0 0 0 2 2 2 2 2 2 5 5 5 5 5 5
2 2 2 2 2 2 0 0 0 0 0 0 2 2 2 2 2 2 5 5 5 5 5 5
0 0 0 0 0 0 3 3 3 3 3 3
Gtr. 4: w/ Rhy. Fig. 3 (3 times)
Bm D/A Em G
Time’s up to fig - ure it out. You can’t say it’s too late.
Gtr. 2: w/ Riff A (2 times)
Bm D/A Em G
Seems like ev - ’ry - thing we knew turned out were nev - er e - ven true.
Bm D/A Em G
Don’t trust things will ev - er change. You must be dream - ing.
Gtr. 3
mf f
P.M.
5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus
Gtrs. 1 & 3: w/ Rhy. Figs. 2 & 2A
Gtrs. 2 & 4 tacet
G Bm G D/A A5
Gtrs.
1&4
Think be - fore you make up your mind. You don’t seem to re - al - ize
(Dream - ing.)
EndRiff B
Gtr. 2
Riff B
5 5
7 7 7 7 7 7
7 7 7 7
Gtr. 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Em G D/A A5
I can do this on my own. And if I fall, I’ll take it all.
(Not with me, not with you.)
Guitar Solo
Em G G D/A Em Bm
Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 1
It’s so eas - y af - ter all.
Gtr. 5 (elec.)
f *w/ delay
w/ dist.
7 7 14 14 11 12 11 12 11 9 9 9 9 11 11 11 11 12 12 12 12 11 12 11 9
X X X X X X X X X X X X X X X X X X X
5 5 12 12 9 10 9 10 9 7 7 7 7 9 9 9 9 10 10 10 10 9 10 9 7
3 15
*Delay set for whole note regeneration w/ 1 repeat.
Rhy. Fig. 4A End Rhy. Fig. 4A
Gtr. 3
3 3 3 3 3 3 3
2 2 2 2 2 2 2 4 4 4 4 4 4 4
5 5 5 5 5 5 5 0 0 0 0 0 0 0 2 2 2 2 2 2 2 4 4 4 4 4 4 4
5 5 5 5 5 5 5 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 0 0 0 0 0 0 0
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 3: w/ Rhy. Figs. 4 & 4A (3 times)
G D/A Em Bm
Gtr. 5
7 7 14 14 11 12 11 12 11 9 9 9 9 11 11 11 11 12 12 12 12 11 12 11 9
X X X X X X X X X X X X X X X X X X X
5 5 12 12 9 10 9 10 9 7 7 7 7 9 9 9 9 10 10 10 10 9 10 9 7
G D/A Em Bm
(delay off)
7 7 7 7 9 9 9 9 9 11 11 11 11 12 12 11 11 11 12 11 11 9 9 9 9 9 7 7 7 7 7 9 9 9 9 9 11 12 11 9
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 7 7 7 7 7 9 9 9 9 10 10 9 9 9 10 9 9 7 7 7 7 7 5 5 5 5 5 7 7 7 7 7 9 10 9 7
G D/A Em Bm
7 7 7 7 9 9 9 9 9 11 11 11 11 12 12 11 11 11 12 11 11 9 9 9 9 9 7 7 7 7 7 9 9 9 9 9 11 12 11 9
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 7 7 7 7 7 9 9 9 9 10 10 9 9 9 10 9 9 7 7 7 7 7 5 5 5 5 5 7 7 7 7 7 9 10 9 7
Verse
Gtr. 1: w/ Rhy. Fig. 1 (3 1/2 times)
Gtr. 3 tacet
G Bm D/A
Gtr. 1
3. Some say we’re bet - ter off with - out
Gtr. 5
pp
7 7 7 7 9 7
X X X X X
5 5 5 5 7 5
Gtr. 3
pp
5 5 5 5 5 5
5 5 5 5 5 5
3 3 3 3 3 3
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 5 tacet
Em G Bm D/A
know - ing what life is all a - bout. I’m sure they’ll nev - er re - al - ize
Gtr. 2: w/ Riff A (2 times)
Em G Bm D/A
the way it’s too late. Some - how it’s diff - ’rent ev - ’ry day.
Em G Bm D/A
In some ways, it nev - er fades a - way. Seems like it’s nev - er gon - na change.
Gtr. 2: w/ Riff B
Em G
Gtr. 1
I must be dream - in’.
(Dream - in’.)
(Dream - in’.)
Gtr. 3
mf f
5 5 5 5 5 5 5
5 5 5 5 5 5 5
3 3 3 3 3 3 3 0
Chorus
G
Gtrs. 1 & 3: w/ Rhy. Figs. 2 & 2A (1st 3 meas.)
Bm G D/A A5 Em
Think be - fore you make up your mind. You don’t seem to re - al - ize I can do this on my own.
Gtrs. 1 & 3: w/ Rhy. Figs. 2 & 2A
Bm G D/A A5 Em G
Think be - fore you make up your mind. You don’t seem to re - al - ize I can do this on my own.
D/A A5 Em G
And if I fall, I’ll take it all. It’s so eas - y af - ter all.
(Not with me, not with you.)
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro
Gtrs. 1 & 3: w/ Rhy. Figs. 2 & 2A (1st 2 meas., 2 times)
Bm G D/A A5 Bm G D/A A5
It’s so eas - y af - ter all. It’s so eas - y af - ter all.
(Be -lieve me, it’s all right. Be -lieve me, it’s all right.)
(Ah, ah.)
Gtr. 6 (elec.)
mf
w/ clean tone
let ring throughout
0 0 0 2 2 0 0 2 2
2 2 2 2 2 2 4 4 2 2 2 2 2 2 4 4
4 4 4 4 4 4
Gtrs. 1 & 6 tacet
G
Gtr. 1
pp
Gtr. 7 (elec.)
p pp
w/ clean tone & amp tremolo
let ring throughout
2 2 3 3 2 2 3 3 2 2 3 3 2 2 3 3 2 2 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Gtr. 6
pp
5
3
4
Gtr. 3
pp
5
5
3
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Sum 41 - Chuck
Tune down 1/2 step:
The Bitter End
Words and Music by Deryck Whibley
(low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro
Fast Rock q = 202
F#5 E5 D5 C#5/G# A5 E/G#
Rhy. Fig. 1 End Rhy. Fig. 1
*Gtrs. 1 & 2 (dist.)
3
3
f
4
9
7
9
7
9
7
9
7
7
5
7
5
7
5
7
5
6
4 7 7 7 7
2 4 5 5 4 4
*Composite arrangement
Gtr. 2 tacet
F#5 G5 F#5 G5 F#5 G5 F#5 G5 F#5
Gtr. 1
P.M. P.M. P.M. P.M. P.M.
4 5 4 4 5 4 5 4 4 5 4 4 5 4 5 4
0 2 3 2 0 2 3 2 0 2 3 0 2 2 0 2 3 2 0 2 3 2 0 2 3 0 2 2
F#5 G5 F#5 G5 F#5 G5 F#5 G5 F#5
*
Shuh!
Gtrs. 1 & 2
Rhy. Fig. 2 End Rhy. Fig. 2
P.M. P.M. P.M. P.M. P.M.
4 5 4 4 5 4 5 4 4 5 4 4 5 4 5 4
0 2 3 2 0 2 3 2 0 2 3 0 2 2 0 2 3 2 0 2 3 2 0 2 3 0 2 2
*Sung 1st time only.
Gtrs. 1 & 2 tacet
F#5
Riff A End Riff A
*Gtr. 3 (dist.)
f P.M.
12 11 11 11 11 11 11 11 12 11 11 11 11 11 11 11 12 11 11 11 11 11 11 11
X X X X X X X X X X X X X X X X X X X X X
10 9 9 9 9 9 9 9 10 9 9 9 9 9 9 9 10 9 9 9 9 9 9 9 7
7 8 10
*Doubled throughout
Gtr 3: w/ Riff A
© 2004 EMI APRIL MUSIC (CANADA) LTD. and RECTUM RENOVATOR MUSIC
All Rights in the U.S. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
Double-time feel
F#5 A5 C5 B5
1. There’s no doubt in my mind when it’s o - ver,
look at your - self as time keeps rac - ing. Is
Gtrs. 1 & 2
Rhy. Fig. 3
f P.M. P.M. P.M. P.M. P.M.
2 2 2 5 5 5 4
5 5 4 4 4 4 4 4 4 4 0 0 0 3 3 3 2
3 3 2 2 2 2 2 2 2 2
Gtrs. 1 & 2: w/ Rhy. Fig. 3
F#5 C5 B5 F#5 A5 F#5
what is done will be. You will find when
all you’ve come to be what you ex - pect - ed? Are
End Rhy. Fig. 3
P.M. P.M. P.M. P.M.
5 4 4 2 2 2
4 4 4 4 4 3 2 2 4 4 4 4 4 0 0 0
2 2 2 2 2 2 2 2 2 2
End double-time feel
A5 C5 B5 F#5 C5 B5 F#5 A5
life gets cold - er, there’s no sym - pa - thy. There’s
you still chas - ing pos - si - bil - i - ties? ’Cause
F#5 E5 D5 A5 C#5 F#5 E#5
no point try - ing. You can’t es - cape the bit - ter
all your prayers won’t save you from the bit - ter
Rhy. Fig. 4 End Rhy. Fig. 4
Gtrs. 1 & 2
P.M. P.M. P.M. P.M.
11 9 7 6 6 6 6 11
9 9 9 9 9 7 7 7 7 7 5 5 5 5 5 7 7 4 4 4 4 9 8
5 5
Gtrs. 1 & 2: w/ Riff A
F#5
end. Well,
end.
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Rhy. Fig. 4
T o Coda
F#5 E5 D5 A5 C#5 F#5 E#5
who will greet you when you’re at the bit - ter
Riff B
Gtr. 2
End Riff B
P.M. P.M. P.M. P.M.
6 6 6 6 6 7 7 7 7 7 7 6
9 9 9 9 9 4 4 4 4 4 4
Guitar Solo
F#5 F#5 E5
end?
8v a
Gtr. 3
1
f
14 19 19 17 14 19 19 17 14 19 19 17 14 19 19 17 14 19 19 17 14 19 19 17 14 17 17 14
Gtrs. 1 & 2
4 4 4 4 4 2
2 2 2 2 2 0
Verse
Double-time feel
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (2 times)
A5 G#5 G5 F#5
2. All your choic - es cho - sen,
loco
8v a
3 3
3 3 3 3
1
17 14 14 17 14 14
17 17 14 17 17 14 17 14 14
16 16 14 16 16 14
16 16
2
0 6 5 5 5
4 3 3 3
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3 tacet
A5 C5 B5 F#5 C5 B5 F#5 A5 F#5
you’ve got no say, your de - ci - sion’s made. Face the con - se -
End double-time feel
Gtrs. 1 & 2: w/ Rhy. Fig. 4
A5 C5 B5 F#5 C5 B5 F#5 A5 F#5 E5
quenc - es as your life be - gins to fade. As time keeps
Gtrs. 1 & 2: w/ Riff A
D5 A5 C#5 F#5 E#5 F#5
spin - ning clos - er to the bit - ter end.
Gtr. 1: w/ Rhy. Fig. 4
Gtr. 2: w/ Riff B
E5 D5 A5 C#5 F#5 E#5
Well, who will greet you when you’re at the bit - ter
Guitar Solo
Half-time feel
F#5 F#5 C#5
end.
Gtr. 3
X X 9 11 11 12 11 12 11 9 12 14 12 11
X X 19 12 12 16
Gtrs. 1 & 2 Rhy. Fig. 5 End Rhy. Fig. 5
P.M.
6
4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5 C#5 F#5
1/2 1/2
9 10
11
9 11 9 11 11 11 12 14 12
12 12 16
P.M.
6 6 6
4 4 4 4 4 4 4 4
2 2 2 2 2
Gtrs. 1 & 2: w/ Rhy. Fig. 5
C#5 E5 F#5
3
9 10 9 9 10 10 12 10 9 10 9 9 10 9 10
11 11 9 9 11 11 11 11
3
P.M.
P.M.
6
4 4 4 4 4 2 2 2
2 2 2 2 0 0 0
End half-time feel Double-time feel
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (4 times)
C#5 F#5 A5 C5 B5
Gtr. 3
1
14 17 19 19 19 19 19 14 19 19 19 19 19 14 19 19 19 19 19 14 19 19 19 19 19 19 19 19
9 9 9 13 14 16 14 16
16
F#5 C5 B5 F#5 A5 F#5 A5 C5 B5
8v a loco
3 3 3 3
1 3 3 3 3
3
19 19 17 14 19 19 17 14 19 19 17 14 19 19 17 14 19 19 17 14 19 17 14 19 19 14 17 14 14
17 17 14 17 14 14
16 16 14 16 14 14
16 16 14 16 14 14
16 16 14
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5 C5 B5 F#5 A5 F#5 A5 C5 B5
8v a
3
3
3
3 3 sim.
3 3 3 3
3 3 3 3
3
21 17 17 21 17 17 21 17 17 21 17 17
17 19 19 19 19 19 19 19 19
18 18 18 18
14 14 16
16 14 14 14 14 16 14 16 16
17 17 16 14 16 17 17
F#5 C5 B5 F#5 A5 F#5 A5 C5 B5
8v a
3 3 3
3 3 3
21 17 17 21 17 17 21 17 17 21 17 21 17 22
17 21 0 19 0 17 0 19 0 17 17 19 0 16 0
19 19 19 19 19 19
18 18 18
Interlude
End double-time feel
Gtrs. 1 & 2: w/ Rhy. Fig. 1
F#5 C5 B5 F#5 A5 F#5
8v a
2
17 0 19 0 17 0 19 0 21 0 19 0 21 19 22 19 22 22
Gtr. 3 tacet
E5 D5 C#5/G# A5 E/G#
D.S. al Coda
Double-time feel
F#5 G5 B5 G5 F#5 G5 F#5 G5 B5 G5 F#5 G5
Suy! 3. Take a
Gtrs. 1 & 2
P.M. P.M.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
4 4
4 5 2 5 4 5 4 4 5 2 5 4 5 5
0 0 2 0 3 0 0 3 0 2 0 3 0 2 0 0 2 0 3 0 0 3 0 2 0 3 3
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda
Double-time feel
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
F#5 G5 F#5 G5 F#5 G5 F#5 G5 F#5
end? The bit - ter
G5 F#5 G5 F#5 G5 F#5 G5 F#5
end. The bit - ter
Outro
End double-time feel Half-time feel
F#5 G5 B5 G5 F#5 G5 F#5 G5 B5
end. Suy!
Gtrs. 1 & 2
P.M. P.M.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
4 4
4 4 4 5 2 5 4 5 4 4 5 2
2 2 0 0 2 0 3 0 0 3 0 2 0 3 0 2 0 0 2 0 3 0 0
End half-time feel Double-time feel
G5 F#5 G5 F#5 G5 B5 G5 F#5 G5 F#5
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
4
5 4 5 5 4 5 2 5 4 5 4
3 0 2 0 3 3 0 0 2 0 3 0 0 3 0 2 0 3 0 2
G5 B5 G5 F#5 G5 F#5 A5 E/G# G5
P.M. P.M. P.M. P.M. P.M. P.M.
4
4 5 2 5 4 5 5 4 4 7 7 5
0 0 2 0 3 0 0 3 0 2 0 3 3 2 2 5 4 3
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Sum 41 - Chuck
Open Your Eyes
Words and Music by Deryck Whibley and Greig Nori
F#5 D5 A5 E5
4fr
Drop D tuning, down 1/2 step:
(low to high) Db-Ab-Db-Gb-Bb-Eb
111 11 111
Intro Verse
Fast Rock q = 196
Gtr. 1 tacet
* F#5 F#5 µ
1. I’m
(Late - ly...
Rhy. Fig. 1
Gtr. 1 (dist.) Gtr. 2 (dist.)
mf
w/ wah-wah f
6 6 6 6
4 4 4 4
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 4 4 4 4
4 4 4 4
*Chord symbols reflect implied harmony.
D5 µ Asus4 µ
not quite my - self. I do need some help. Just my
May - be...)
3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2
0 0 0 0 2 2 2 2
0 0 0 0 0 0 0 0
0 0 0 0
E5 D5 E5
con - fu - sion, trust my de - lu - sions.
End Rhy. Fig. 1
2 2 2 2 2 2 0 0 2
2 2 2 2 2 2 0 0 2
2 2 0 2 2 2 2 0 0 2
© 2004 EMI APRIL MUSIC (CANADA) LTD., RECTUM RENOVATOR MUSIC and BUNK ROCK MUSIC, INC.
All Rights for EMI APRIL MUSIC (CANADA) LTD. and RECTUM RENOVATOR MUSIC in the U.S. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Rhy. Fig. 1
F#5 µ D5 µ
re - gret you met me? these steps to get me
(Don’t you... Go through...)
Asus4 µ E5 D5 E5
back to where we start ’fore I fall a - part.
If I could
Gtr. 2 tacet
**
F#m Dmaj7
black - out, it’d be - come so clear. Stand - in’ face to face with ev - ’ry - thing I fear.
Riff A
*Gtrs. 3 & 4 (clean)
mf
let ring throughout
2 2 3 2
2 2
4 4 4 4
*Composite arrangement
Gtr. 2
Rhy. Fill 1 End Rhy. Fill 1
4 4
4 4
**Chord symbols reflect overall harmony.
A E
Watch so close - ly but still I don’t see. As
(Ah.)
Gtrs. 3 & 4
End Riff A
2 0
2 1
2 2 2
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 4 tacet
F#m Dmaj7
bad as it seems, a piece of mind I’d steal. In or - di - nar - y life the con - se - quence is real. I’m
Rhy. Fig. 2
Gtr. 3
2 2 2 2 2 2 2 2 3 2 2 2 2 2 2 2 2 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
A E
past the point of re - al - i - ty. This is - n’t me,
Gtr. 3
End Rhy. Fig. 2
2 2 2 2 2 2 2 2 2 0 0 0 0 0
2 2 2 2 2 2 2 2 2 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2
Gtr. 2
Fill
1 End Fill 1
P.S. (cont. in slashes)
X X X X
Chorus
Gtr. 3 tacet
F#5 D5
Rhy. Fig. 3
Gtr. 2
this is - n’t you, but it’s just ev - ’ry - thing we do ’til you
Rhy. Fig. 3A
*Gtr. 5 (dist.)
mp
9 9 9 9 9 9 9 9 9 10 9 10 9 10 9 9 9 9 9 9 9 9 9 9 10 9 10 9 10 9
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
*Organ arr. for gtr.
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5 E5
End Rhy. Fig. 3
o - pen up your eyes and un - der - stand this is - n’t real. This is - n’t me,
End Rhy. Fig. 3A
9 9 9 9 12 12 12 12 10 10 9 9 10 10 9 9 9 10 9 10 9 10 9 10 12 12 9 9 7
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 9
Gtrs. 2 & 5: w/ Rhy. Figs. 3 & 3A
F#m Dmaj7
this is - n’t you, this is ev - ’ry - thing but true ’til we
A E6sus4 E
come to re - al - ize it’s what we put each oth - er through. 2. It’s like a
Verse
Gtr. 2: w/ Rhy. Fill 1
Gtrs. 3 & 4: w/ Riff A
F#m Dmaj7
bad dream com - ing all too true, leav - ing me with noth - in’ else left to do.
(They take with - out a trace and I’m lost in - side the place, now.
A E
Now so help - less, I’m not so self - ish. Tell me,
Ah.)
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3: w/ Rhy. Fig. 2
F#m Dmaj7
how does it feel to have a face like that? How does it feel to be re - placed like that?
Gtr. 4
14 14 14 14 14 14 14 14 15 14 14 14 14 14 14 14 14 15
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16
Gtr. 2: w/ Fill 1
A E
Now so face - less, do you still feel? This is - n’t me,
14 14 14 14 14 14 14 14 14 12 12 12 12 12
14 14 14 14 14 14 14 14 14 13 13 13 13 13
14 14 14 14 14 14 14 14 14 14 14 14 14 14
Chorus
Gtrs. 2 & 5: w/ Rhy. Figs. 3 & 3A (2 times)
Gtr. 4 tacet
F#m Dmaj7
this is - n’t you, but it’s just ev - ’ry - thing we do ’til you
A E6sus4 E
o - pen up your eyes and un - der - stand this is - n’t real. This is - n’t me,
F#m Dmaj7
Voc. Fig. 1
this is - n’t you, this is ev - ’ry - thing but true. ’til we
(O - pen your eyes.
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A E6sus4 E
End Voc. Fig. 1
come to re - al - ize it’s what we put each oth - er through.
Come to re - al - ize.)
Bridge
F#m D5
It’s hard to be - lieve right
(Ah,
Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 2
7
6
7
4
7
6
7
4 4 0 0
4 4 4 0 0
Gtr. 6 (dist.) Rhy. Fig. 4A End Rhy. Fig. 4A
mp
P.M.
0 0 0 0 0 0 0
0 0 0 0 0 0 0
Gtr. 2: w/ Rhy. Fig. 4 (3 times)
Gtr. 6: w/ Rhy. Fig. 4A (2 times)
F#m D5
now. This seems to be real.
ah,
F#m D5
It’s un - faz - ing by this time.
ah.)
F#m D5
So why can’t I wake up?
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
Gtr. 2: w/ Fill 1 Gtr. 2: w/ Rhy. Fig. 3 (2 times)
F#5 D5
Gtr. 7 (dist.)
f
*w/ DigiTech Whammy pedal & octaver
4 4 6 6 7 7 9 9 11 11 12 12
-2 1/2 -2 1/2 -3 1/2 -3 1/2 -4 -4 -4 1/2
*Whammy pedal set in octave down whammy position. Octaver set for one octave above.
A5
Gtr. 7
11 11 12 12 14 14
-4 1/2 -3 1/2 -5 1/2
Gtr. 8 (dist.)
f
*w/ auto-wah, amp tremolo & octaver
6 4
7 6 7 6
*Tremolo set for eighth-note regeneration w/ heavy intensity. Octaver set for one octave above.
1. 2.
E5
This is - n’t me,
14 14
7 6 4
7
4
7
4
7
4
7
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)
Gtr. 2: w/ Rhy. Fig. 3 (1 7/8 times)
Gtr. 5: w/ Rhy. Fig. 3A (2 times)
Gtr. 7 tacet
F#m Dmaj7
this is - n’t you, but it’s just ev - ’ry - thing we do ’til you
Gtr. 8
pp
Gtr. 8 tacet
A E6sus4 E
o - pen up your eyes and un - der - stand this is - n’t real. This is - n’t me,
F#m
Dmaj7
this is - n’t you, this is ev - ’ry - thing but true
Gtr. 7
4 6 6 7 7 9 9 11 11
-2 1/2 -3 -3 1/2 -4 1/2
A E6sus4 E5 F#5
Gtr. 2
’til we come to re - al - ize it’s what we put each oth - er through.
1/2
11 11 11
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Sum 41 - Chuck
Slipping Away
Words and Music by Deryck Whibley and Greig Nori
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro
Moderately slow q = 81
D5 Em
*Gtr. 1
pp
fade in
let ring throughout
0 0 0
0 0 0
2 2 2 2 2 2 0 0 0
0 0 0 0 0 0 0 2 2 2 0 0
0 2 2 2 2 2 2 2 0 0
0 0 0 0 0 0 0 0 0
*Two gtrs. (elec. w/ slight dist. & acous.) arr. for one.
G Em G
3 0 0 0
3 3 3 3 3 3 0 0 0 3 3
4 4 4 4 4 4 0 0 0 4 4
5 5 5 5 5 5 5 2 2 2 5 5
5 5 5 5 5 5 5 5 2 2 2 2 2 2 5 5 5 5
3 3 3 3 3 3 3 3 0 0 0 0 0 0 3 3 3 3 0
D Em
mf
2 2 2 2 2 0 0 0
3 3 3 3 3 0 0 0
2 2 2 2 2 2 2 2 0 0 0 0
0 0 0 0 0 0 0 0 0 2 2 2
0 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0
G Em G
1. I’m
3 3 0 3
3 3 3 3 3 3 0 3
4 4 4 4 4 4 0 4
5 5 5 5 5 5 2 2 0 5 0
5 5 5 5 5 5 5 5 2 2 2 2 2 0 5 5 5 5 0
3 3 3 3 3 3 3 0 0 0 0 3 0 3 3
© 2004 EMI APRIL MUSIC (CANADA) LTD., RECTUM RENOVATOR MUSIC and BUNK ROCK MUSIC, INC.
All Rights for EMI APRIL MUSIC (CANADA) LTD. and RECTUM RENOVATOR MUSIC in the U.S. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
D A/C# G Em G
slip - ping a - way in
Gtr. 3 (clean) Riff A1
End Riff A1
mf
Harm.
let ring throughout
7
7
7
Riff A End Riff A
Gtr. 2 (clean)
mf
8 8 8 7
7 7 7 7
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 1
2 2 2 2 2 2 2 3 3 0
3 3 3 3 3 3 3 3 3 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 4 4 0 4 0 0
0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 5 5 2 5 0 0
4 4 4 4 4 4 4 4 0 5 5 5 5 5 5 5 5 2 2 2 2 2 2 5 5 5 0 0
3 3 3 3 3 3 3 0 0 0 0 0 0 3 0 3
Gtr. 1: w/ Rhy. Fig. 1
Gtrs. 2 & 3: w/ Riffs A & A1 (3 times)
D A/C# G Em G
ev - ’ry way. I
D A/C# G
can’t stay a - wake.
(And I don’t know why.)
Riff B
Gtr. 4 (clean)
mf
0 0 2 2 5 5
3 3 3 3 5 5 5 5 3 3 3
2 2 2 2 4 4 4
Rhy. Fig. 2
Gtr. 1
2 2 2 2 2 2 2 3 3
3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 4 4
0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 5 5
4 4 4 4 4 4 4 4 0 5 5 5 5 5 5 5 5 2
3 3 3 3 3 3 3 0
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Rhy. Fig. 2
Gtr. 4: w/ Riff B
Em Gm D A/C#
I’m slip - ping a - way.
(And I don’t know why.)
End Riff B
3 2
3 3 3 3
4 3
End Rhy. Fig. 2
0
0
0
2
2 2 2 2 2 1 1 1 1
0 0 0 0 0 3 3 3 3
Chorus
G Em Gm Em
I’m try - ing to make it
Rhy. Fig. 3
*Gtrs. 1 & 5 (dist.)
mf
let ring throughout
0 0 0 0 0 0 0
0 0 0 0 0 0 0
0 0 0 0 0 0 0
2 2 2 2 2 2 2
2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0
*Composite arrangement
G5 D/A A
through each day. I’m fall - ing a - part now in ev - er - y way. I’m
End Rhy. Fig. 3
3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 0 0 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0
X X X X X X X 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 5: w/ Rhy. Fig. 3
Em G5 D/A
find - ing it hard - er to get by. There’s a hole in my heart and I
A Em G5
don’t know why. Now I’ve come to re - al - ize. I’m
Gtrs. 1 & 5
mp
0 0 3
0 0 3
0 0 0 0
2 2 0 0
2 2 2 2 2 2 2 2 X X
0 0 0 0 0 0 0 0 0 0 3 3 3
Gtr. 5 tacet
D5 A/C# G5
slip - ping a - way.
Gtr. 1
P.M.
pp
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4 5
3
Outro
Gtr. 1 tacet
Em G6 G5
*Gtr. 6
mf sim.
w/ fingers
3
0
3
0
3
0
3
0
3
0
3
0
3
0
3
0
3
5
3
5
3
5
3
3
3
3
3
3
3
3
3
3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3
*Strings arr. for gtr.
D A Em G
let ring
2
3
2
3
2
3
2
3
2
3
2
3
2
3
2
3
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2 3
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
5 4 5 4 5 4 7 4
4
5
5
0 0 3
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Sum 41 - Chuck
I’m Not the One
Words and Music by Deryck Whibley and Greig Nori
Drop D tuning, down 1/2 step:
(low to high) Db-Ab-Db-Gb-Bb-Eb
Intro
Half-time feel q = 197
* D5 Bbadd9 C Gsus4
Gtr. 1 (slight dist.)
Rhy. Fig. 1
(Hi-hat)
End Rhy. Fig. 1
mp
10 10 10 5 5 5 5
0 0 0 0 8 8 8 10 10 10 5 5 5 5 5
0 0 0 0 8 8 8 10 10 10 5 5 5 5 5
Gtr. 3 (clean)
Riff A End Riff A
mp
2
5 3
0
Gtr. 2 (dist.)
Rhy. Fig. 1A End Rhy. Fig. 1A
mp
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
*Chord symbols reflect overall harmony.
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (2 times)
Gtr. 3: w/ Riff A (2 times)
D5 Bbadd9 C Gsus4
Gtr. 4 (dist.)
mf
let ring throughout
D5
Bbadd9
C
Gsus4
5 5
6 6 6 6
7 7 7 7
© 2004 EMI APRIL MUSIC (CANADA) LTD., RECTUM RENOVATOR MUSIC and BUNK ROCK MUSIC, INC.
All Rights for EMI APRIL MUSIC (CANADA) LTD. and RECTUM RENOVATOR MUSIC in the U.S. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5 Bbadd9 C Gsus4
Gtr. 4
5 5 5
6 6 6 6 6 6
7 7 7 7 7
Gtr. 1
10 10 10 5
0 0 0 0 8 8 8 10 10 10 5 5
0 0 0 0 8 8 8 10 10 10 5 5
Gtr. 3
2
5 3
0
Gtr. 2
P.M.
0 0 0 0 0 0 0 0 8 8 8 8 8 8 8 8 10 10 10 10 10 10 10 10 5 5 5 5
0 0 0 0 0 0 0 0 8 8 8 8 8 8 8 8 10 10 10 10 10 10 10 10 5 5 5 5
1., 2., 3.
Gtr. 3 tacet
D5 Bbsus2 C G5
Gtr. 4
5
6
5
6 6 8
10
8 8
7 7 7 9 9 9
*Gtrs. 1 & 2
f let ring let ring
w/ dist.
0 0 0 0 0 0 0
10
10
8
10
8
10
8
10
8
10
8
10
8
10
8
14
10 10 10 10 10 10 10
5
5
5
5
5
5
5
5
5
5
5
5
5
5
0 0 0 0 0 0 0 8 8 8 8 8 8 8 10 10 10 10 10 10 10 5 5 5 5 5 5 5
*Composite arrangement
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
4.
Verse
End half-time feel
Gtr. 4 tacet
C G5 F5 D5 F5 D5 F5 G5 F5 D5
Spoken: 1. Wel - come to ob - ses - sion, it
2. lu - tion? We
Gtr. 4
8
10
8 8
9 9 9
Gtr. 3
5
6
7
Gtrs. 1 & 2
Rhy. Fig. 2
let ring
P.M.
14
10 10 10 10 10 10 10
5
5
5
5
5
5
5
5
5
5
5
5
5
5 3
0 3 0 3 5 3 0
10 10 10 10 10 10 10 5 5 5 5 5 5 5 3 0 3 0 3 5 3 0
F5 D5 F5 D5 F5 D5 F5 G5 F5 D5 F5 D5 F5
makes the world go ’round. We’re made up by the peo - ple we sur - round. (So!)
don’t al - read - y know. There’s no tell - ing how far this could go. (No!)
Gtr. 3
5 5
6 6
7 7
Gtrs. 1 & 2
P.M.
3 0 0 0 0 3 0 3 0 3 5 3 0 3 0 0 0 0 3
3 0 0 0 0 3 0 3 0 3 5 3 0 3 0 0 0 0 3
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5 F5 D5 F5 G5 F5 D5 F5 D5 F5 D5 F5 D5 F5 G5 F5 D5
We live and die for shit we don’t need. Well, may - be that’s the
You do your time, punch in, it’s the same ’cause you’re just
5 5
6 6
7 7
End Rhy. Fig. 2
P.M.
3 0 3 0 3 5 3 0 3 0 0 0 0 3 0 3 0 3 5 3 0
3 0 3 0 3 5 3 0 3 0 0 0 0 3 0 3 0 3 5 3 0
Gtrs. 1 & 2: w/ Rhy. Fig. 2
A5 C5 F5 D5 F5 D5 F5 G5 F5 D5 F5 D5 F5
price of en - vy. Through these eyes I look out for me, but
part of this game. There’s noth - ing you could do to save your - self. You
5 5 5
6 6 6
7 7 7
P.M. P.M. P.M.
2 2 2 5 5
0 0 0 0 3 3 3
3
D5 F5 D5 F5 G5 F5 D5 F5 D5 F5 D5 F5 D5 F5 G5 F5 D5
ev - ’ry - one fades in ways we don’t see. Noth - ing’s gon - na change, (Why?) we’re
leave your life in the hands of some - one else. They’ll nev - er let it go. (Right!) It’s the
Gtr. 3
5 5
6 6
7 7
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3 tacet
F5 D5 F5 D5 F5 D5 F5 G5 F5 D5 A5 C5
go - ing down in flames. (So!)
I’m not the one. (Don’t wait for
on - ly way you know. (No!)
Gtr. 3
5
5
6 6
7 7
Gtrs. 1 & 2
P.M.
2 5 5 5
3 0 3 0 3 5 3 0 0 0 0 0 3 3 3
3 0 3 0 3 5 3 0
Chorus
D5 Bb5
’cause I won’t just sit by...
me... while you just
Riff B
Gtr. 4
10 10 10 10 9 9 9 9 10 10 10 10 12 12 12 12 10 10 10 10 9 9 9 9 10 10 10 10 12 12 12 12
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
8 8 8 8 7 7 7 7 8 8 8 8 10 10 10 10 8 8 8 8 7 7 7 7 8 8 8 8 10 10 10 10
Rhy. Fig. 3
Gtrs. 1 & 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
0 0 0 0 0 0 0 0 0 0 0 0 0 0 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F5
C/E
my - self and oth - ers dry.
bleed... Don’t wait for
End Riff B
14 14 14 14 12 12 12 12 10 10 10 10 9 9 9 9 10 10 10 10 9 9 9 9 7 7 7 7 5 5 5 5
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
12 12 12 12 10 10 10 10 8 8 8 8 7 7 7 7 8 8 8 8 7 7 7 7 5 5 5 5 3 3 3 3
End Rhy. Fig. 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
Gtrs. 1 & 2: w/ Rhy. Fig. 3
Gtr. 4: w/ Riff B
D5 Bb5
to be there in the end.
me... When you don’t
F5 C/E
the truth, you just pre - tend. Don’t wait for
see...)
1. 2.
Bridge
Half-time feel
D5 F5 D5
me. Spoken: 2. What is the so - me.
Gtr. 3
5
6
7
Gtrs. 1 & 2
Gtrs. 1 & 2
Rhy. Fig. 4
P.M.
0 0 0 0 0 0 0 0 3
0 0 0
7
X
5
7
X
5
0 0 0 0 0 0 0 0 3 0 0 0
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
T o Coda
Bbsus2 Csus2
When did we be - gin
End Rhy. Fig. 4
Gtrs. 1 & 2
7 7
X X 10 10 10 10 10 10 12 12 12 12 12 12
0 0 0 5 5 8 8 8 8 8 8 10 10 10 10 10 10
0 0 0 8 8 8 8 8 8 10 10 10 10 10 10
Gtr. 1: w/ Rhy. Fig. 4 (3 times)
Gtr. 2: w/ Rhy. Fig. 4
D5 Bbsus2 Csus2
to let our - selves give in.
D5 Dm D5 Dm Bbsus2 Csus2
How’d it come to this
Rhy. Fig. 5 End Rhy. Fig. 5
Gtr. 2
10 10 10 10
X X X X 10 10 10 10 10 10 12 12 12 12 12 12
0 0 0 8 8 0 0 0 8 8 8 8 8 8 8 8 10 10 10 10 10 10
0 0 0 0 0 0 8 8 8 8 8 8 10 10 10 10 10 10
Gtr. 2: w/ Rhy. Fig. 5
D5 Dm D5 Dm Bbsus2 Csus2
mis - er - a - ble
D5 Eb5 D5 Eb5 D5 Eb5 D5 Eb5
bliss?
Gtrs. 1 & 2
Rhy. Fig. 6 End Rhy. Fig. 6
P.M.
0 0 0 0 0 0 1 1 1 0 0 1 1 0 0 0 0 0 0 1 1 1 0 0 1 1
0 0 0 0 0 0 1 1 1 0 0 1 1 0 0 0 0 0 0 1 1 1 0 0 1 1
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fig. 6 (5 times)
D5 Eb5 D5 Eb5 D5 Eb5 D5 Eb5
Gtr. 4
12
D5 Eb5 D5 Eb5 D5 Eb5 D5 Eb5
P.M. P.M.
0 0 7 0 7 5 0 0 8 0 0 7 0 0 5 7 0 0 7 0 7 5 0 0 8 7 5 7 5
8
5
D5 Eb5 D5 Eb5 D5 Eb5 D5 Eb5
Just take the rest of, just take the best of me.
D5
P.M. P.M.
0 0 7 0 7 5 0 0 10 0 0 8 0 0 5 7 0 0 7 0 7 5 0 0 10 8 7 8 7
10
7
D5 Eb5 D5 Eb5
Shouted: You take the rest of me! Just take the best of me!
Gtr. 4
0 0 7 0 0 5 7 0 8 0 7 7 0 10 10 10 0 0 7 0 0 5 7 0 8 0 7 7 0 10 10 10
Gtrs. 1 & 2
End Rhy. Fig. 7
Rhy. Fig. 7
0 0 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 0 0 1 1
0 0 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 0 0 1 1
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fig. 7
D5 Eb5 D5
You take the rest of me! Just take the
Gtr. 4
0 0 7 0 0 5 7 0 8 0 7 7 0 10 10 10 0 0 7 0 0 5 7 0
D.S. al Coda
(take 2nd ending)
End half-time feel
Gtr. 4 tacet
Eb5 µ
best! (Don’t wait for
Gtrs. 1 & 2
P.S.
X X X
10 8 7 8 7 7
10
X
Coda
D5 Dm D5 Eb5
Gtr. 2
3
P.M.
10 10
X X
0 0 0 8 8 0 1 1 1
0 0 0 0 1 1 1
Gtr. 1
3
P.M.
7 7
X X
0 0 0 5 5 0 1 1 1
0 0 0 0 1 1 1
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Sum 41 - Chuck
Welcome to Hell
Words and Music by Deryck Whibley
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro
Fast Rock q = 169
E5 D5 E5 D5 G5 D5 E5 D5 E5 D5
Gtr. 1 (dist.) *Gtrs. 1 & 2 (dist.)
f
f
9 9 9 9 7 9 9 7 7 7 7 7 7 7 7 9 9 9 9 7 9 9 7 7 7
7 7 7 7 5 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 5 7 7 5 5 5
3 3 3 3 3
*Composite arrangement
Verse
Double-time feel
G5 D5/A µ E5 D5 E5 D5 E5 D5 E5 D5
1. Don’t come to me with your prob - lems, I don’t need them.
Rhy. Fig. 1
7 7
7 7 9 9 7 9 9 7 9 9 7 9 9 7
5 5 5 5 5 5 5 7 7 5 7 7 5 7 7 5 7 7 5
3 3 3 3 3 5 5
Gtrs. 1 & 2: w/ Rhy. Fig. 1
G5 D5 G5 E5 D5 E5 D5 E5 D5
Your con - science is a weight that I won’t hold. You’d rath - er be the
End Rhy. Fig. 1
7 7 7 9 9 9 9 7
5 5 5 5 5 5 5 5 5 7 7 7 7 5
3 3 3 3 3
E5
D5
E5
D5 G5
D5
G5
E5
D5
on - ly one who pre - tends. Is it ’cause you’ve been bought and sold so
© 2004 EMI APRIL MUSIC (CANADA) LTD. and RECTUM RENOVATOR MUSIC
All Rights in the U.S. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude
E5 D5 E5 D5 G5 D5 E5 D5 E5 D5 G5 D5
young?
Gtrs. 1 & 2
9 9 9 9 7 9 9 7 7 7 7 7 7 7 7 9 9 9 9 7 9 9 9 9 7 7 7 7 7 7
7 7 7 7 5 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 5 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3
Verse
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
E5 D5 E5 D5 E5 D5 E5 D5 G5 D5
2. Don’t ask me ques - tions ’cause I don’t got the an - swers. If you on - ly knew what
3. A hyp - o - crite, you’re just a con - tra - dic - tion wrapped up in your lies. Who
G5 E5 D5 E5 D5 E5 D5 E5 D5 E5 D5
time will tell. It’s all a test and les - sons that you can’t learn.
knows what’s real? Well, this is it, your lone - ly life of fic - tion.
G5
D5
G5
E5 D5
You’ll know when you spent your time in hell. So as your
Do you e - ven know how to feel?
Chorus
3rd time, Gtr. 3 tacet
C5 G5 D5 Em C5 G5
blood’s run - ning thin, your time’s run - ning out. No one will be lis - ’ning, not
Gtrs. 1 & 2
8 8
5 9 9 5 5 5
5 5 5 7 7 9 9 9 9 5 5 5
3 3 3 5 5 5 5 5 7 7 7 7 3 3 3 5 5 5
3 3 3 3 3
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5 Em
C5 G5 D5 E5
e - ven when you shout. Your an - gels turn to dev - ils. You’ll fi - n’ly fig - ure out that
8 8
9 9 5 9 9 9
7 7 7 9 9 9 5 5 5 7 7 7 9 9 9
5 5 5 7 7 7 3 3 3 5 5 5 5 5 5 7 7 7
3 3 3
1.
T o Coda
B5 G5 D5 E5 µ
no one will be with you in the end.
(Oh.)
4 9 9
4 7 7 7 7 9 9
2 2 5 5 5 5 5 7 7
0 3
2.
Interlude
E5
end.
Gtr. 3 (dist.)
mf
17
17
Gtrs. 1 & 2
*
9
X
7
9
7
*Gtrs. 1 & 2: w/ misc.
trills, harmonics, fdbk.,
etc. (next 15 meas.)
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8v a
Gtr. 3
19
17 17
8v a
* mf mf
19 19 19
*Vol. swell
D.S. al Coda
So as your
8v a
mf
15
Coda
E5 C5 D5
C5 E5 C5 D5 C5
end, the end, the
9 9 9 5 7 5 9 9 9 5 7 5
7 7 7 3 5 3 7 7 7 3 5 3
E5 C5 D5 E5 µ
end,
the end.
P.M.
9 9 9 5 7
7 7 7 3 5 2 2
0 0
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Sum 41 - Chuck
Pieces
Words and Music by Deryck Whibley
V
and Greig Nori
Dm Bbsus2 F C/E Dm C Bb A5
231 13411 T 3211 T3 2 1 1342 13331 1333 11
Drop D tuning:
(low to high) D-A-D-G-B-E
Intro
Moderately q = 100
Dm Bbsus2
Rhy. Fig. 1
Gtr. 1 (elec.)
mp
w/ slight dist.
let ring throughout
1 1 1 1
3 3 3 3 3
2 2 2 2 0 0
0 0 0 0 0 10 10 10 10 10 10 10
0 0 0 0 8 8 8 8 8 8 8 0
0 0 8 8 8 8 8 8 8 0
F5 C/E
End Rhy. Fig. 1
3 3 3 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 0
3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 0
Verse
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Dm Bbsus2 F5
1. I tried to be per - fect, but noth - ing was worth it. I don’t be - lieve
C/E Dm Bbsus2
it makes me real. I thought it’d be eas - y, but no one be - lieves
F5 C/E
me. I meant all the things I
© 2004 EMI APRIL MUSIC (CANADA) LTD., RECTUM RENOVATOR MUSIC and BUNK ROCK MUSIC, INC.
All Rights for EMI APRIL MUSIC (CANADA) LTD. and RECTUM RENOVATOR MUSIC in the U.S. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus
Bbsus2 F5
said. If you be - lieve it’s in my soul, I’d say all
Riff A
Gtr. 2 (elec.)
mp
w/ clean tone
let ring throughout
5 5 5 5 5 5
6 6 6 6 6 6 6 6 6 6 6 6
7 7 7 7 7 7 7 7 5 5 5 5
Gtr. 1 Rhy. Fig. 2
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 3 3 3 3 3 3 3 3 3 3
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 3 3 3 3 3 3 3 3 3 3
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 3 3 3 3 3 3 3 3 3 3
Gtr. 1: w/ Rhy. Fig. 2
Gtr. 2: w/ Riff A
C/E Bbsus2 F5
the words that I know just to see if it would show that I’m try -
End Riff A
3 3
5 5 5 5
5 5 5 5
End Rhy. Fig. 2
2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 2 tacet
C/E Bbsus2 Dm
Rhy. Fig. 3
Gtr. 3
(acous.)
mf
let ring throughout
- ing to let you know that I’m bet - ter off on my own.
Rhy. Fig. 3A
Gtr. 2 *Gtr. 4 (elec.)
f
w/ slight dist.
let ring throughout
5 5 5 5 5 5 5 5 5 5 5
3 6 6 6 6 6 6 6 6 6 6 6
3 7 7 7 7 7 7 7 7 7 7 7
*Doubled throughout
Gtr. 1
10
8
8
Bbsus2 F C/E
End Rhy. Fig. 3
EndRhy.Fig.3A
6 6 6 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Fill 1
Gtr. 5 (elec.)
mf
w/ clean tone
3
3 5 5 3
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Gtrs. 3 & 4: w/ Rhy. Figs. 3 & 3A (2 times) Gtr. 5 tacet
Dm Bbsus2
2. This place is so emp - ty, my thoughts are so tempt -
Gtr. 5 End Fill 1
Gtr. 5: w/ Fill 1
F C/E Dm
- ing. I don’t know how it got so bad. Some - times it’s so cra -
Bbsus2 F C/E
- zy that noth - ing can save me, but it’s the on - ly thing that I have.
Chorus
Gtr. 1: w/ Rhy. Fig. 2 (2 times)
Gtr. 2: w/ Riff A (2 times)
Bbsus2 F
Rhy. Fig. 4
Gtr. 3
Voc. Fig. 1
If you be - lieve it’s in my soul, I’d say all
(Ah.)
Rhy. Fig. 4A
Gtr. 4
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5 5 5
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bkgd. Voc.: w/ Voc. Fig. 1
Gtrs. 3 & 4: w/ Rhy. Figs. 4 & 4A
C/E Bbsus2
End Rhy. Fig. 4
End Voc. Fig. 1
the words that I know just to see if it would show
End Rhy. Fig.4A
8 8 8 8 8 8 8 8 8 8 8
8 8 8 8 8 8 8 8 8 8 8
9 9 9 9 9 9 9 9 9 9 9
F C/E Bb5
that I’m try - ing to let you know that I’m bet - ter off on my
Gtr. 4
6
6
7
Gtrs. 1 & 3
10
8
8
8
Guitar Solo
F5 Bb5 C5 F5 Bb5 C5
own. On my own!
10 10 10 11 10 10 10 11 10 10 10 11 13 13 13 13 10 10 10 11 10 10 10 11 10 10 10 11 13 13 13 13
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
(Gtr. 3, cont. in slashes)
3 3 3 3 3 3 3 3 5 3 3 3 3 3 3 3 3 5
3 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
DmV C Bb F Dm V C
Gtr. 3
Gtr. 4
8 8 8 8
10 8 10 10 10 8
10 10 9 9 10 10 10 10 10 10 9 9
12 12 10
Gtr. 1
7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 5 5 5 5 5 3 3 3 3 3 7 7 7 7 7 5 5 5 5 5
5 5 5 5 5 3 3 3 3 3 1 1 1 1 1 3 3 3 3 3 5 5 5 5 5 3 3 3 3 3
0 0 3 3 3 3 3 0 0
Bb F A5
10 10 8 8 8 10 8 8 8 8 10 8 8 10 8 8 8 8 8 8 8
10 10 10 10 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
12 12 10
3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
1 1 1 1 1 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3
Verse
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Gtrs. 3 & 4: w/ Rhy Figs. 3 & 3A (2 times) Gtr. 5 w/ Fill 1
Dm Bbsus2 F C/E
3. I tried to be per - fect, it just was - n’t worth it. Noth - ing could ev - er be so
Voc. Fig. 2 End Voc. Fig. 2
(Ah, ah.)
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bkgd. Voc.: w/ Voc. Fig. 2
Dm Bbsus2 F
wrong. It’s hard to be - lieve me, it nev - er gets eas - y. I guess I
Chorus
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)
Gtr. 1: w/ Rhy. Fig. 2 (2 times)
Gtr. 2: w/ Riff A (2 times)
Gtrs. 3 & 4: w/ Rhy. Figs. 4 & 4A (2 times)
C/E Bbsus2
knew that all a - long. If you be - lieve it’s in my soul,
F C/E Bbsus2
I’d say all the words that I know just to see
F C/E
if it would show that I’m try - ing to let you know
Gtr. 3 tacet
Bb5 F5
that I’m bet - ter off on my own.
Gtr. 4
mp
6
6
3
3
Gtrs. 1 & 3 Gtr. 1
mp
10 5
8 3
8 3
8 3
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Sum 41 - Chuck
There’s No Solution
Words and Music by Deryck Whibley and Greig Nori
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro
Moderately q = 107
* E5 C5 D5
Riff A End Riff A
Gtr. 1 (slight dist.)
mf
let ring throughout
7 7 7 7 7 8 7 7 7 7 7 8 7 7 7 7 7 8 7 7 7 7 7 8
5 5 5 5 5 5 5 5 5 5 5 5
Gtr. 2 (slight dist.)
mf
X
X 0
*Chord symbols reflect overall harmony.
Gtr. 1: w/ Riff A
E5 C5/G G5 D/F#
Gtr. 2
5
5
2 2 2 3 3 3 5 5 5 5 5
0 0 0 3 3 3 3 0 0 2 2 0
Verse
Gtr. 1: w/ Riff A (2 times)
E5 C5/G G5 D/F#
1. Well, may - be noth - ing else will ev - er be so clear, or may - be that’s on - ly my fear.
2. The con - stant pres - sure that keeps hang -ing o - ver me, it makes me feel so emp - ty.
Rhy. Fig. 1 End Rhy. Fig. 1
2
2
2
2
2 2 2
2 2 2
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 0
© 2004 EMI APRIL MUSIC (CANADA) LTD., RECTUM RENOVATOR MUSIC and BUNK ROCK MUSIC, INC.
All Rights for EMI APRIL MUSIC (CANADA) LTD. and RECTUM RENOVATOR MUSIC in the U.S. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Rhy. Fig. 1
E5 C5/G G5 D/F#
If just for one day, I wish I could dis - ap - pear. Just take me far from here.
It’s more than an - y - thing that I could ev - er be. What else could you take from me?
C5 D5 E5
May - be I’d find out noth - ing new.
It’s get - ting hard - er to re - late.
Gtr. 3 (dist.)
mf
12 12 12 13 12 12 12 13 12 12 12 10 10 10 8 8 8 8 8 7 7 7 5 5
9 9 9 9 9 9 9 9 X X X X X X X X X X X X X X X X
9 9 9 7 7 7 5 5 5 5 5 4 4 4 2 2
Gtr. 4 (dist.)
mf
8 8 8 10 7 7 7 8 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
X X X X X X X X X X X X X X X X X X X X X X
5 5 5 7 4 4 4 5 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
C5 D5 E5
May - be I’d end up just like you.
There’s no so - lu -
Don’t want to make the same mis - takes.
12 12 12 13 12 12 12 13 12 12 12 12 12 12 12 12 12 12 12 12 12
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
8 8 8 10 7 7 7 8 5 5 5 5 5 5 5 5 5 5 5 5 5
X X X X X X X X X X X X X X X X X X X
5 5 5 7 4 4 4 5 2 2 2 2 2 2 2 2 2 2 2 2 2
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus
Gtrs. 3 & 4 tacet 2nd time, Bkgd. Voc.: w/ Voc. Fill 1
E5 G D5/A C5
- tion, give me truth to my con - vic - tion. Is my own con - fu -
(No so - lu - tion.
Rhy. Fig. 2
*Gtr. 5 (dist.)
f
3
3
4 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5
2 2 2 2 2 2 2 5 5 5 5 5 5 5 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5
2 2 2 2 2 2 2 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 3 3 3 3 3 3 3 5 5 5 5 5 5
*Doubled throughout
E5 G D5/A B5 D5/A
- sion re - al - i - ty or fic - tion? Am I out of my mind?
My con - fu - sion.)
End Rhy. Fig. 2
3
3
4 7 7 7 7 7 7 4 4 X X 7 7
2 2 2 2 2 2 2 5 5 5 5 5 5 0 0 7 7 7 7 7 7 0 0 4 4 X X 7 7
2 2 2 2 2 2 2 5 5 5 5 5 5 0 0 5 5 5 5 5 5 0 0 2 2 X X 5 5
0 0 0 0 0 0 0 3 3 3 3 3 3 5 5 5 5 5 5 5 5
1.
Interlude
Gtr. 1: w/ Riff A
Gtr. 5 tacet
E5 C5 G5 D5
Gtr. 2
pp
2
2 X X
0 X X
Voc. Fill 1
(Ah. Ah.)
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2.
Bridge
C5 D5 E5 D/F# G5 A5
It took me so long to find out it’s right there in front of me, too close to
Gtr. 5
5 5 5 5 5 5 X X 7 7 7 7 7 7 7 7 2
5 5 5 5 5 5 X X 7 7 7 7 7 7 7 7 0 0 0 0 0 0
3 3 3 3 3 3 X X 5 5 5 5 5 5 5 5 2 2 2 2 X X X X 5 5 X X 7 7 0 0
0 0 0 0 2 2 2 2 3 3 X X 5 5
Gtr. 6 (dist.)
f
0
2 2 5 5 5 7 7 7 7 0
12 0 0 0 2 2 2 3 3 3 5 5 5 5
C5 D5 B5 D5/A
see what I thought was true. I see right through what’s kill - ing you. There’s no so - lu -
*Gtrs. 5 & 6
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 4 4 4 4 4 4 4 4 4 4 7 7 7 7
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 4 4 4 4 4 4 4 4 4 4 4 7 7 7 7
3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 0 2 2 2 2 2 2 2 2 2 2 2 5 5 5 5
5 5 5 5
*Composite arrangement
Chorus
Gtr. 5: w/ Rhy. Fig. 2
Gtr. 6 tacet
E5 G D5/A C5
- tion, give me truth to my con - vic - tion. Is my own con - fu -
(I can’t see. Ah.
E5 G D5/A
B5 D5/A
- sion re - al - i - ty or fic - tion? Am I out of my mind?
That I feel. Ah.)
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
Gtr. 1: w/ Riff A (2 times)
E5 C5 G5 D/F#
3. So may - be noth - ing else will ev - er be so clear, or may - be that’s on - ly my fear.
(Am I out of my mind?
Voc. Fig. 1 End Voc. Fig. 1
(Ah, ah, ah.)
Gtr. 5
5 5 5 5 5 5 5
2 2 2 2 2 2 2 5 5 5 5 5 5 5
2 2 2 2 2 2 2 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 0 0 0 0 0 3 3 3 3 3 3 3 2 2 2 2 2 2 2
Bkgd. Voc.: w/ Voc. Fig. 1
E5 G5 D5/A B5 D5
If just for one day, I wish I could dis - ap - pear. Just take me far from here.
Am I out of my mind?)
7 7 7 7 7 7 7 4 4 7 7 7
2 2 2 2 2 2 2 5 5 5 5 5 5 5 7 7 7 7 7 7 7 4 4 7 7 7
2 2 2 2 2 2 2 5 5 5 5 5 5 5 5 5 5 5 5 5 5 2 2 5 5 5
0 0 0 0 0 0 0 3 3 3 3 3 3 3 5 5 5 5 5 5 5
Outro
Gtr. 1: w/ Riff A
E5
2 2 2
2 2 2
0 0 0
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Sum 41 - Chuck
88
Words and Music by Deryck Whibley and Greig Nori
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro
Fast Rock q = 176
** Em C A5 B5
Riff A End Riff A
*Gtr. 1 (elec.)
f
w/ slight dist.
0 0
10
0
9
0
7 7
8 8
10
8
9
8
7 7
5 5
9
5
10
5
9 9
7 7
9
7
10
7
12 12
*Doubled throughout
**Chord symbols reflect implied harmony.
Em C A5 B5
Gtr. 2 (elec.)
mf
w/ slight dist. let ring
7 5 5 7 7 7 7 7 7 7
8 5 7 7 7 7 7 7 7
9
Gtr. 1
10 9 7 7 10 9 7 7 9 10 9 9 9 10 12
0 0 0 0 8 8 8 8 5 5 5 5 7 7 7 7
Gtr. 1: w/ Riff A (2 times)
Em C A5 B5
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 2
7
8
7
8
7
8
7
8
7
8
7
8
7
8
7
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
© 2004 EMI APRIL MUSIC (CANADA) LTD., RECTUM RENOVATOR MUSIC and BUNK ROCK MUSIC, INC.
All Rights for EMI APRIL MUSIC (CANADA) LTD. and RECTUM RENOVATOR MUSIC in the U.S. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
Half-time feel
Gtr. 2 tacet
Em C G
1. Wait. How long would you wait
Rhy. Fig. 2
Gtr. 3 (acous.)
mp
let ring throughout
0 0 0 0 0 0 0 0 0 0 3 3 3
0 0 0 0 0 0 0 1 1 1 3 3 3 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 0 0 0 0 0
2 2 3 3 3 X X X
0 0 3 3 3
Em C7 D
just for me to call?
End Rhy. Fig. 2
0 0 0 0 0 0 0 0 0 0 0 2 2 2 2
0 0 0 0 0 0 0 1 1 1 1 3 3 3 3
0 0 0 0 0 0 0 3 3 3 3 2 2 2 2
2 2 2 2 2 2 2 0 0 0 0
2 2 3 3
0 0
Gtr. 3: w/ Rhy. Fig. 2
Em C G
I know you make mis - takes,
Em C7 D
yeah, but I hope some - day you have it all.
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
End half-time feel
G
’Cause
Gtr. 3
3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
X X 2 2
3 3 3 3 3 3
Chorus
Gtr. 3 tacet
E5 D5 C5 G5
I feel like a pris - ’ner trapped in - side this bro - ken world while
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 1
f
w/ dist.
9 9 9 9 9 7 7 7 7 7 7 5 5 5 5 5
9 9 9 9 9 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5
7 7 7 7 7 5 5 5 5 5 5 5 3 3 3 3 3 5 5 5 5 5 5
3 3 3 3 3 3 0
Gtr. 1: w/ Rhy. Fig. 3
E5 D5 C5 G5
I’m play - ing the vic - tim a - gain, rid - ing in cir - cles. To
T o Coda
C5 G5 D5 Em
me it’s all the same and though noth - ings gon - na change, still,
Gtr. 1
8 8 8 8 8
5 5 5 5 5 7 7 7 7 7 9 9 9 9 9 9
5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 9 9 9 9 9 9 9 0
3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 0
3 3 3 3 3 3 3
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5 D5 G5
I hope some - day you have it all.
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Guitar Solo
E5 B5 G5 B5 E5 D5 G5 A5 B5
Gtr. 4 (elec.)
mf
w/ slight dist. & RotoVibe
7 5 7 7 5 7 5 7 7 7 5 5
8 8 7 7
7 7
4 4 5 5 7 7 4 4
Gtr. 1
mf
P.M.
4 4 4 4 4 4 4 4 7 7 7 7
2 2 2 2 2 2 2 2 5 5 5 5 2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 7 9 9 9 9
0 0 0 0 3 3 3 3 0 0 0 0 3 3 3 5 7 7 7 7
E5 B5 G5 B5 E5 D5 G5 A5 B5
4 5 7 4 4 5 7 5 4 4
5 5 4 4 2 2
5 5 2 2 3 5 2 2 2 2
P.M.
4 4 4 4 4 4 4 4 7 7 7 7
2 2 2 2 2 2 2 2 5 5 5 5 2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 7 9 9 9 9
0 0 0 0 3 3 3 3 0 0 0 0 3 3 3 5 7 7 7 7
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
Gtr. 4 tacet
E5 C5 G5
2. Take this ag - gra - va - tion that I’ve thrown my - self in - to.
Gtr. 1
f
5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5
2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 5 5 5 5 5 5 5 5
0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3
D.S. al Coda
E5 C5 D5
Change this sit - u - a - tion just ’cause I need some - thing new. And still
5 5 5 5 5 7 7 7 7 7 7 7 7
5 5 5 5 5 7 7 7 7 7 7 7 7
2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 5 5 5 5 5 5 5 5
0 0 0 0 0 0 0 0 0 0
Coda
Gtr. 1: w/ Riff A (2 times)
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
A5 B5 Em C
I hope some - day you have it all.
2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2
A5 B5 Em C
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude
A5
B5
E5
I hope some - day you have it all.
Gtr. 1
P.M.
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0
Half-time feel
Rhy. Fig. 4
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Guitar Solo
Gtr. 1: w/ Rhy. Fig. 4 (2 times)
E5
End Rhy. Fig. 4
Gtr. 5 (elec.)
3 3 3 3
f 3 3 3 3
w/ dist.
P.M.
7 3
5 5
3 7 3
5 5
3 7 3
5 5
3 7 3
5 5
5
2 2 2 2 2 2 2 2 2 2
4 4 4 4
0 0 0 0 0 0 0 0 0 0
Gtr.5
3 3
3 3 3
3 3 3
8 5
6 6
5 8 5
6 6
5 8 7 5 7 5
8
5
8 7 5 7 8 5 5
5 5
Rhy. Fig. 5
Gtr. 1
P.M.
2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
End half-time feel
Gtr. 5 tacet
Gtr. 1 End Rhy. Fig. 5
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 12
Double-time feel
G5 E5 F#5 E5 G5
Play 3 times
Rhy. Fig. 6 End Rhy. Fig. 6
P.M. P.M. P.M.
2 2 2 2 2 2 2 2 5 2 2 2 2 2 2 2 2 4 2 2 2 2 5
0 0 0 0 0 0 0 0 3 0 0 0 0 0 0 0 0 2 0 0 0 0 3
Gtr. 1: w/ Rhy. Fig. 6 (3 times)
E5 G5 E5
Gtr. 5
grad. bend
w/ wah-wah
12 12
12 12
12
Gtr. 1
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 12
F#5 E5 G5 E5 G5 E5 F#5 E5 G5 E5 G5 E5
Gtr. 5 8v a
grad. bend
2
1/2 1 1/2 2
15 12 12 17 12 12 15 12 12 17 12 12 15 12 17 12
12 12 12 12
12 12 12 12
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Rhy. Fig. 5
F#5 E5 G5 E5
loco
8v a
3 3 3
3 3 3
12 15 12 15 12 14 12 14
1
15 12 12 17 12 12 15 12 12 17 12 12 15 12 17 12 15 12 15
1412 14 12
14 14
Gtr. 5 tacet
Em
Gtr. 1
*
0
0
0
2
2
0
*2 gtrs. (elec., w/ dist.) w/ misc.
fdbk & toggle switch effects, till end.
Interlude
Slower q = 68
Em
Riff B End Riff B
Gtr. 3
mp
4 4 4 4
6 5 6 5 6 5 7 6 5 6 5 6 5 7
Riff B1 End Riff B1
Gtr. 6 (elec.)
mp
w/ clean tone & amp tremolo
6 5 7 6 5 7
Gtr. 1
pp
2
0
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro
Gtr. 1 tacet Em
Gtrs. 3 & 6: w/ Riffs B & B1
Gtrs. 3 & 6: w/ Riffs B & B1 (3 times)
If we could all de - pend...
If you could un - der - stand...
(On what we know. I’m los - ing con - trol,
that I’m los - ing con - trol, that I’m los - ing con - trol,
I’m los - ing con - trol, I’m los - ing con - trol,
that I’m los - ing con - trol.)
I’m los - ing con - trol.)
Gtr. 6
Gtr. 3
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Вам также может понравиться
- Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space RaceОт EverandHidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space RaceРейтинг: 4 из 5 звезд4/5 (895)
- The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good LifeОт EverandThe Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good LifeРейтинг: 4 из 5 звезд4/5 (5794)
- The Yellow House: A Memoir (2019 National Book Award Winner)От EverandThe Yellow House: A Memoir (2019 National Book Award Winner)Рейтинг: 4 из 5 звезд4/5 (98)
- Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic FutureОт EverandElon Musk: Tesla, SpaceX, and the Quest for a Fantastic FutureРейтинг: 4.5 из 5 звезд4.5/5 (474)
- The Little Book of Hygge: Danish Secrets to Happy LivingОт EverandThe Little Book of Hygge: Danish Secrets to Happy LivingРейтинг: 3.5 из 5 звезд3.5/5 (399)
- Never Split the Difference: Negotiating As If Your Life Depended On ItОт EverandNever Split the Difference: Negotiating As If Your Life Depended On ItРейтинг: 4.5 из 5 звезд4.5/5 (838)
- A Heartbreaking Work Of Staggering Genius: A Memoir Based on a True StoryОт EverandA Heartbreaking Work Of Staggering Genius: A Memoir Based on a True StoryРейтинг: 3.5 из 5 звезд3.5/5 (231)
- Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New AmericaОт EverandDevil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New AmericaРейтинг: 4.5 из 5 звезд4.5/5 (266)
- The Hard Thing About Hard Things: Building a Business When There Are No Easy AnswersОт EverandThe Hard Thing About Hard Things: Building a Business When There Are No Easy AnswersРейтинг: 4.5 из 5 звезд4.5/5 (344)
- The Emperor of All Maladies: A Biography of CancerОт EverandThe Emperor of All Maladies: A Biography of CancerРейтинг: 4.5 из 5 звезд4.5/5 (271)
- Team of Rivals: The Political Genius of Abraham LincolnОт EverandTeam of Rivals: The Political Genius of Abraham LincolnРейтинг: 4.5 из 5 звезд4.5/5 (234)
- The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You AreОт EverandThe Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You AreРейтинг: 4 из 5 звезд4/5 (1090)
- The Unwinding: An Inner History of the New AmericaОт EverandThe Unwinding: An Inner History of the New AmericaРейтинг: 4 из 5 звезд4/5 (45)
- The World Is Flat 3.0: A Brief History of the Twenty-first CenturyОт EverandThe World Is Flat 3.0: A Brief History of the Twenty-first CenturyРейтинг: 3.5 из 5 звезд3.5/5 (2259)
- The Sympathizer: A Novel (Pulitzer Prize for Fiction)От EverandThe Sympathizer: A Novel (Pulitzer Prize for Fiction)Рейтинг: 4.5 из 5 звезд4.5/5 (120)
- Ges SacДокумент30 страницGes SacHåkon HallenbergОценок пока нет
- Grade 2 Music Theory TermsДокумент1 страницаGrade 2 Music Theory TermsSiva PrasadОценок пока нет
- Guided Tuning ManualДокумент3 страницыGuided Tuning Manualspectrum777Оценок пока нет
- Some Beethoven Thing: ViolinДокумент18 страницSome Beethoven Thing: ViolinjaydenjitjitОценок пока нет
- Sweet Dreams Are Made of This PDFДокумент11 страницSweet Dreams Are Made of This PDFDennison SantosОценок пока нет
- Expressive and Formative Essence of Harmonic VerticalДокумент3 страницыExpressive and Formative Essence of Harmonic VerticalresearchparksОценок пока нет
- Phil Collins - Another Day in Paradsie TABSДокумент4 страницыPhil Collins - Another Day in Paradsie TABSqvertyplaygamesОценок пока нет
- Second Periodic Test Mapeh 3Документ8 страницSecond Periodic Test Mapeh 3Aurea Rose OcañaОценок пока нет
- Mapeh 9 1st Quarter TestДокумент4 страницыMapeh 9 1st Quarter TestCherrie Ann BonifacioОценок пока нет
- Melody in Carnatic MusicДокумент2 страницыMelody in Carnatic Musicneeraja_iraharshadОценок пока нет
- Ebook PDF Worlds of Music An Introduction To The Music of The Worlds Peoples 6th Edition PDFДокумент52 страницыEbook PDF Worlds of Music An Introduction To The Music of The Worlds Peoples 6th Edition PDFmichael.valazquez436100% (38)
- Chord Vocabulary 2Документ24 страницыChord Vocabulary 2oda_eterna3592Оценок пока нет
- Bach Minuet in G Major (BWV Anh. 116) Sheet MusicДокумент1 страницаBach Minuet in G Major (BWV Anh. 116) Sheet MusiccharlotteОценок пока нет
- Vstep Reading Practice Test 7Документ9 страницVstep Reading Practice Test 7vananhhgmtОценок пока нет
- Stylefiles v100Документ45 страницStylefiles v100atzaatzaОценок пока нет
- Hallelujah I Love Her So Tenor SaxophoneДокумент1 страницаHallelujah I Love Her So Tenor SaxophoneJames Aramis GaleОценок пока нет
- Musical Expression With Non-Pitched PercussionДокумент7 страницMusical Expression With Non-Pitched PercussionAmy DunkerОценок пока нет
- Lirik Dan Chord Lagu BaratДокумент19 страницLirik Dan Chord Lagu BaratNingsih ArdiningsihОценок пока нет
- Yandex - Translate - Dictionary and Online Translation Between English and Over 90 Other Languages 5Документ1 страницаYandex - Translate - Dictionary and Online Translation Between English and Over 90 Other Languages 5Robbie PieОценок пока нет
- Saxophone QuartetsДокумент2 страницыSaxophone Quartetsyvesaintlauren0% (1)
- Saliba El Qatrib - Oud TaqasimДокумент12 страницSaliba El Qatrib - Oud TaqasimJacob Miron100% (5)
- EM - Wes Mus - T2 - G9 - I, II PP Ans - 2018Документ7 страницEM - Wes Mus - T2 - G9 - I, II PP Ans - 2018SAWANMEE PERERAОценок пока нет
- Introduction To Art Appreciation: Fundamental Principles of HumanitiesДокумент54 страницыIntroduction To Art Appreciation: Fundamental Principles of HumanitiesHabit Svt100% (1)
- WHLP - MAPEH - Week Sept. 26-30Документ4 страницыWHLP - MAPEH - Week Sept. 26-30Zendrick Guerrero CatolosОценок пока нет
- Will The Circle Be UnbrokenДокумент2 страницыWill The Circle Be UnbrokenbonnardotОценок пока нет
- AchieveWorks IntelligencesДокумент27 страницAchieveWorks IntelligencesM. Fachry Aldiano fashaОценок пока нет
- Whitney Houston: Pre-ReadingДокумент7 страницWhitney Houston: Pre-ReadingChagualo Alpargate LuisОценок пока нет
- Alvamar Overture - 03 C OboeДокумент4 страницыAlvamar Overture - 03 C OboeArwen TurnerОценок пока нет
- Notes and Rest ValuesДокумент37 страницNotes and Rest Valuescyril aratiaОценок пока нет
- Department of Education National Capital Region Schools Division of Paranaque City Self-Learning Modules MAPEH 9, QUARTER 2, MODULE 2 (Week 5-8)Документ12 страницDepartment of Education National Capital Region Schools Division of Paranaque City Self-Learning Modules MAPEH 9, QUARTER 2, MODULE 2 (Week 5-8)nicolekate reyОценок пока нет
