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Qianlong Emperor
The Qianlong Emperor (25 September 1711 – 7 February 1799) was
Qianlong Emperor
the sixth Emperor of the Qing dynasty, and the fourth Qing emperor to
rule over China proper, reigned from 1735 to 1796. Born Hongli, the
fourth son of the Yongzheng Emperor, he reigned officially from 11
October 1735 to 8 February 1796.[a] On 8 February, he abdicated in
favour of his son, the Jiaqing Emperor—a filial act in order not to reign
longer than his grandfather, the illustrious Kangxi Emperor.[1] Despite
his retirement, however, he retained ultimate power as the Retired
Emperor until his death in 1799; he thus was one of the longest-reigning
de facto rulers in the history of the world, and dying at the age of 87, one
of the longest-lived. As a capable and cultured ruler inheriting a thriving
empire, during his long reign the Qing Empire reached its most splendid
and prosperous era, boasting a large population and economy. As a
military leader, he led military campaigns expanding the dynastic
territory to the largest extent by conquering and sometimes destroying
Prince Bao of the First Rank
Central Asian kingdoms. This turned around in his late years: the Qing
empire began to decline with corruption and wastefulness in his court
(寶親王 )
Reign 1733–1735
and a stagnating civil society.
6th Emperor of the Qing dynasty
A British valet who accompanied his diplomat master to the Qing court Reign 18 October 1735 – 9
in 1793 described the emperor: February 1796
Predecessor Yongzheng Emperor
The Emperor is about five feet ten inches in height, and of
Successor Jiaqing Emperor
a slender but elegant form; his complexion is
comparatively fair, though his eyes are dark; his nose is Born Aisin Gioro Hongli
rather aquiline, and the whole of his countenance presents (愛新覺羅 弘曆)
a perfect regularity of feature, which, by no means, 25 September 1711
announce the great age he is said to have attained; his (康熙五十年 八月 十三
person is attracting, and his deportment accompanied by 日)
an affability, which, without lessening the dignity of the Prince Yong Mansion
prince, evinces the amiable character of the man. His dress
Died 7 February 1799
consisted of a loose robe of yellow silk, a cap of black velvet
(aged 87)
with a red ball on the top, and adorned with a peacock's
(嘉慶四年 正月 三日)
feather, which is the peculiar distinction of mandarins of
Forbidden City
the first class. He wore silk boots embroidered with gold,
and a sash of blue girded his waist.[2]
Burial Yu Mausoleum,
Eastern Qing tombs
Consorts Empress Xiaoxianchun
(m. 1727; died 1748)
Lady Hoifa Nara
Contents (m. 1734; died 1766)
Early years Empress Xiaoyichun
(died 1775)
Accession to the throne
Issue Yonghuang, Prince
Frontier wars
Ding'an of the First
Cultural achievements
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The Dzungar genocide has been compared to the Qing extermination of the Figurine of the three-year-old
Jinchuan Tibetan people in 1776, which also occurred during the Qianlong Qianlong Emperor having a bath.
Emperor's reign.[6] When victorious troops returned to Beijing, a Artefact in Yonghe Temple, Beijing.
celebratory hymn was sung in their honour. A Manchu version of the hymn
was recorded by the Jesuit Amoit and sent to Paris.[7]
The Qing Empire hired Zhao Yi and Jiang Yongzhi at the Military Archives Office, in their capacity as members of the
Hanlin Academy, to compile works on the Dzungar campaign, such as Strategy for the pacification of the Dzungars
(Pingding Zhunge'er fanglue).[8] Poems glorifying the Qing conquest and genocide of the Dzungar Mongols were
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Khalkha Mongol rebels under Prince Chingünjav had plotted with the
Dzungar leader Amursana and led a rebellion against the Qing Empire
around the same time as the Dzungars. The Qing army crushed the
rebellion and executed Chingünjav and his entire family.
The circumstances in Vietnam were not successful either. In 1787, Lê Chiêu Thống, the last ruler of the Vietnamese
Lê dynasty, fled from Vietnam and formally requested to be restored to his throne in Thăng Long (present-day Hanoi).
The Qianlong Emperor agreed and sent a large army into Vietnam to remove the Tây Sơn (peasant rebels who had
captured all of Vietnam). The capital, Thăng Long, was conquered in 1788, but a few months later the Qing army was
defeated and the invasion turned into a debacle due to the surprise attack during Tết (Vietnamese New Year) by
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Nguyễn Huệ, the second and most capable of the three Tây Sơn brothers.
The Qing Empire gave formal protection to Lê Chiêu Thống and his
family, and would not intervene in Vietnam for another 90 years.
At the end of the frontier wars, the Qing army had started to weaken significantly. In addition to a more lenient
military system, warlords became satisfied with their lifestyles. Since most of the warring had already taken place,
warlords no longer saw any reason to train their armies, resulting in a rapid military decline by the end of the
Qianlong Emperor's reign. This was the main reason for the Qing military's failure to suppress the White Lotus
Rebellion, which started towards the end of the Qianlong Emperor's reign and extended into the reign of the Jiaqing
Emperor.
Cultural achievements
The Qianlong Emperor, like his predecessors, took his cultural role
seriously. First of all, he worked to preserve the Manchu heritage, which he
saw as the basis of the moral character of the Manchus and thus of the
dynasty's power. He ordered the compilation of Manchu language
genealogies, histories, and ritual handbooks and in 1747 secretly ordered
the compilation of the Shamanic Code, published later in the Siku
Quanshu. He further solidified the dynasty's cultural and religious claims
in Central Asia by ordering a replica of the Potala Palace, the Tibetan
temple, to be built on the grounds of the imperial summer palace in
The Qianlong Emperor in his study,
Chengde.[25] In order to present himself to Tibetans and Mongols in
painting by Giuseppe Castiglione,
Buddhist rather than in Confucian terms, he commissioned a thangka, or 18th century
sacred painting, depicting him as Manjushri, the Bodhisattva of
Wisdom.[26]
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The Qianlong Emperor was a major patron and important "preserver and
restorer" of Confucian culture. He had an insatiable appetite for collecting,
and acquired much of China's "great private collections" by any means
necessary, and "reintegrated their treasures into the imperial
collection."[27] The Qianlong Emperor, more than any other Manchu
emperor, lavished the imperial collection with his attention and effort:
The imperial collection had its origins in the first century BC,
and had gone through many vicissitudes of fire, civil wars
and foreign invasions in the centuries that followed. But it
was Qianlong who lavished the greatest attention on it,
certainly of any of the Manchu rulers... One of the many roles
played by Qianlong, with his customary diligence, was that of
the emperor as collector and curator. ...how carefully
Qianlong followed the art market in rare paintings and
antiquities, using a team of cultural advisers, from elderly
Chinese literati to newly fledged Manchu connoisseurs.
These men would help the emperor spot which great private
collections might be coming up for sale, either because the
fortunes of some previously rich merchant family were
unraveling or because the precious objects acquired by
Manchu or Chinese grandees during the chaos of the
conquest period were no longer valued by those families'
surviving heirs. Sometimes, too, Qianlong would pressure or
even force wealthy courtiers into yielding up choice art The Qianlong Emperor Viewing
objects: he did this by pointing out failings in their work, Paintings
which might be excused if they made a certain "gift", or, in a
couple of celebrated cases, by persuading the current owners
that only the secure walls of the forbidden City and its
guardians could save some precious painting from theft or
from fire.[28]
The Qianlong Emperor's massive art collection became an intimate part of his life; he took landscape paintings with
him on his travels in order to compare them with the actual landscapes, or to hang them in special rooms in palaces
where he lodged, to inscribe them on every visit there.[27] "He also regularly added poetic inscriptions to the paintings
of the imperial collection, following the example of the emperors of the Song dynasty and the literati painters of the
Ming dynasty. They were a mark of distinction for the work, and a visible sign of his rightful role as emperor. Most
particular to the Qianlong Emperor is another type of inscription, revealing a unique practice of dealing with works of
art that he seems to have developed for himself. On certain fixed occasions over a long period he contemplated a
number of paintings or works of calligraphy which possessed special meaning for him, inscribing each regularly with
mostly private notes on the circumstances of enjoying them, using them almost as a diary."[27]
"Most of the several thousand jade items in the imperial collection date from his reign. The (Qianlong) Emperor was
also particularly interested in collecting ancient bronzes, bronze mirrors and seals,"[27] in addition to pottery, ceramics
and applied arts such as enameling, metal work and lacquer work, which flourished during his reign; a substantial part
of his collection is in the Percival David Foundation in London. The Victoria and Albert Museum and British Museum
also have collections of art from the Qianlong era.
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"The Qianlong Emperor was a passionate poet and essayist. In his collected writings, which were published in a
tenfold series between 1749 and 1800, over 40,000 poems and 1,300 prose texts are listed, making him one of the
most prolific writers of all time. There is a long tradition of poems of this sort in praise of particular objects ('yongwu
shi), and the Qianlong Emperor used it in order to link his name both physically and intellectually with ancient artistic
tradition."[27]
One of the Qianlong Emperor's grandest projects was to "assemble a team of China's finest scholars for the purpose of
assembling, editing, and printing the largest collection ever made of Chinese philosophy, history, and literature."[28]
Known as the Four Treasuries Project (or Siku Quanshu), it was published in 36,000 volumes, containing about 3,450
complete works and employing as many as 15,000 copyists. It preserved numerous books, but was also intended as a
way to ferret out and suppress political opponents, requiring the "careful examination of private libraries to assemble
a list of around eleven thousand works from the past, of which about a third were chosen for publication. The works
not included were either summarised or—in a good many cases—scheduled for destruction."[28]
Literary works
In 1743, after his first visit to Mukden (present-day Shenyang, Liaoning),
the Qianlong Emperor used Chinese to write his "Ode to Mukden,"
(Shengjing fu/Mukden-i fujurun bithe), a fu in classical style, as a poem of
Qianlong Emperor entering Suzhou
praise to Mukden, at that point a general term for what was later called
and the Grand Canal.
Manchuria, describing its beauties and historical values. He describes the
mountains and wildlife, using them to justify his belief that the dynasty
would endure. A Manchu translation was then made. In 1748, he ordered a jubilee printing in both Chinese and
Manchu, using some genuine pre-Qin forms, but Manchu styles which had to be invented and which could not be
read.[32]
Languages
In his childhood, the Qianlong Emperor was tutored in Manchu, Chinese and Mongolian,[33] arranged to be tutored in
Tibetan, and spoke Chagatai (Turki or Modern Uyghur) and Tangut. However, he was even more concerned than his
predecessors to preserve and promote the Manchu language among his followers, as he proclaimed that "the keystone
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for Manchus is language." He commissioned new Manchu dictionaries, and directed the preparation of the Pentaglot
Dictionary which gave equivalents for Manchu terms in Mongolian, Tibetan and Turkic, and had the Buddhist canon
translated into Manchu, which was considered the "national language". He directed the elimination of loanwords
taken from Chinese and replaced them with calque translations which were put into new Manchu dictionaries.
Manchu translations of Chinese works during his reign were direct translations contrasted with Manchu books
translated during the Kangxi Emperor's reign which were transliterations in Manchu script of the Chinese
characters.[34]
The Qianlong Emperor commissioned the Yuding Xiyu Tongwen Zhi (欽定西域同文志; "Imperial Western Regions
Thesaurus") which was a thesaurus of geographic names in Xinjiang in Oirat Mongol, Manchu, Chinese, Tibetan, and
Turki (Modern Uyghur).
Tibetan Buddhism
The long association of the
Manchu rulership with the
Bodhisattva Manjusri and his
own interest in Tibetan
Buddhism gave credence to the
Qianlong Emperor's patronage
of Tibetan Buddhist art and
patronage of translations of the
Buddhist canon.[35] The
accounts in court records and
Tibetan language sources
affirm his personal
commitment. He quickly
learned to read the Tibetan
language and studied Buddhist
texts assiduously. His beliefs
Engraving of the Qianlong Emperor
are reflected in the Tibetan
Qianlong Emperor on a hunting trip
Buddhist imagery of his tomb,
perhaps the most personal and private expression of an emperor's life. He
supported the Yellow Church (the Tibetan Buddhist Gelukpa sect) to "maintain peace among the Mongols" since the
Mongols were followers of the Dalai Lama and Panchen Lama of the Yellow Church, and the Qianlong Emperor had
this explanation placed in the Yonghe Temple in Beijing on a stele entitled "Lama Shuo" (on Lamas) in 1792, and he
also said it was "merely in pursuance of Our policy of extending Our affection to the weak." which led him to patronize
the Yellow Church.[36] Mark Elliott concludes that these actions delivered political benefits but "meshed seamlessly
with his personal faith."[35]
This explanation of supporting the "Yellow Hats" Tibetan Buddhists for practical reasons was used to deflect Han
criticism of this policy by the Qianlong Emperor, who had the "Lama Shuo" stele engraved in Tibetan, Mongol,
Manchu and Chinese, which said: "By patronizing the Yellow Church, we maintain peace among the Mongols. This
being an important task we cannot but protect this (religion). (In doing so) we do not show any bias, nor do we wish to
adulate the Tibetan priests as (was done during the) Yuan dynasty."[37][38]
The Qianlong Emperor turned the Palace of Harmony (Yonghe Palace) into a Tibetan Buddhist temple for Mongols in
1744 and had an edict inscribed on a stele to commemorate it in Tibetan, Mongolian, Chinese, and Manchu, with most
likely the Qianlong Emperor having first wrote the Chinese version before the Manchu.[39]
Persecution of Christians by his father became even worse during his reign.[40]
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Palaces
The Qianlong Emperor was an aggressive builder. In the hills northwest of
Beijing, he expanded the villa known as the "Garden of Perfect Brightness"
(Yuanmingyuan) (now known as the Old Summer Palace) that was built by
his father. He eventually added two new villas, the "Garden of Eternal
Spring" and the "Elegant Spring Garden". In time, the Old Summer Palace
would encompass 860 acres (350 hectares), five times larger than the
Forbidden City. To celebrate the 60th birthday of his mother, Empress
Dowager Chongqing, the Qianlong Emperor ordered a lake at the "Garden
Consorts and children of the
of Clear Ripples" (Qingyiyuan) (now known as the Summer Palace) Qianlong Emperor
dredged, named it Kunming Lake, and renovated a villa on the eastern
shore of the lake.[41]
The Qianlong Emperor also expanded the imperial summer palace in Rehe
Province, beyond the Great Wall.[42] Rehe eventually became effectively a
third capital and it was at Rehe that the Qianlong Emperor held court with
various Mongol nobles. The emperor also spent time at the Mulan hunting
grounds north of Rehe, where he held the imperial hunt each year.
Banner system
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The identification and interchangeability between "Manchu" and "Banner people" (Qiren) began in the 17th century.
Banner people were differentiated from civilians (Chinese: minren, Manchu: irgen, or Chinese: Hanren, Manchu
:Nikan) and the term Bannermen was becoming identical with "Manchu" in the general perception. The Qianlong
Emperor referred to all Bannermen as Manchu, and Qing laws did not say "Manchu", but "Bannermen".[50]
Select groups of Han Chinese bannermen were mass transferred into Manchu Banners by the Qing, changing their
ethnicity from Han Chinese to Manchu. Han Chinese bannermen of Tai Nikan 台尼堪 (watchpost Chinese) and Fusi
Nikan 抚顺尼堪 (Fushun Chinese)[51] backgrounds into the Manchu banners in 1740 by order of the Qing Qianlong
emperor.[52] It was between 1618-1629 when the Han Chinese from Liaodong who later became the Fushun Nikan and
Tai Nikan defected to the Jurchens (Manchus).[53] These Han Chinese origin Manchu clans continue to use their
original Han surnames and are marked as of Han origin on Qing lists of Manchu clans.[54][55][56][57]
Anti-gun measures
The Solons were ordered by the Qianlong Emperor to stop using rifles and instead practice traditional archery. The
emperor issued an edict for silver taels to be issued for guns turned over to the government:[58]
Chinese nobility
The Qianlong Emperor granted the title of Wujing Boshi (五经博士; 五經博士; Wǔjīng Bóshì) to the descendants of
Zhang Zai, Fu Sheng, and Yan Hui.[59][60][61][62][63][64][65][66][67][68][69][70]
The Manchu prince Abatai's daughter was married to the Han Chinese general Li Yongfang ( 李 永 芳 ).[71][72] The
offspring of Li received the "Third-class Viscount" ( 三等子爵; sān děng zǐjué) title.[73] Li Yongfang was the great-
great-great-grandfather of Li Shiyao (李侍堯), who, during the Qianlong Emperor's reign, was involved in graft and
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embezzlement, demoted of his noble title and sentenced to death; however, his life was spared and he regained his title
after assisting in the Taiwan campaign.[74][75]
The Qianlong Emperor rejected the views of Han officials who said Xinjiang was not part of China and that he should
not conquer it, putting forth the view that China was multiethnic and did not just refer to Han.[78] The Qianlong
Emperor compared his achievements with that of the Han and Tang ventures into Central Asia.[79]
Han settlement
Han Chinese farmers were resettled from north China by the Qing government in the area along the Liao River in
order to restore the land to cultivation.[80] Wasteland was reclaimed by Han squatters in addition to other Han people
who rented land from Manchu landlords.[81] Despite officially prohibiting Han settlement on the Manchu and Mongol
lands, by the 18th century the Qing government decided to settle Han refugees from northern China who were
suffering from famine, floods, and drought into Manchuria and Inner Mongolia. Due to this, Han people farmed
500,000 hectares in Manchuria and tens of thousands of hectares in Inner Mongolia by the 1780s.[82] The Qianlong
Emperor allowed Han peasants suffering from drought to move into Manchuria despite him issuing edicts in favor of
banning them from 1740-76.[83] Han tenant farmers rented or even claimed title to land from the "imperial estates"
and Manchu Bannerlands in the area.[84] Besides moving into the Liao area in southern Manchuria, the path linking
Jinzhou, Fengtian, Tieling, Changchun, Hulun, and Ningguta was settled by Han people during the Qianlong
Emperor's reign, and Han people were the majority in urban areas of Manchuria by 1800.[85] To increase the Imperial
Treasury's revenue, the Qing government sold lands along the Sungari which were previously exclusively for Manchus
to Han Chinese at the beginning of the Daoguang Emperor's reign, and Han people filled up most of Manchuria's
towns by the 1840s, according to Abbé Huc.[86]
Later years
In his later years, the Qianlong Emperor became spoiled with power and glory, disillusioned and complacent in his
reign, and started placing his trust in corrupt officials such as Yu Minzhong and Heshen.
As Heshen was the highest ranked minister and most favoured by the Qianlong Emperor at the time, the day-to-day
governance of the country was left in his hands, while the emperor himself indulged in the arts, luxuries and literature.
When Heshen was executed by the Jiaqing Emperor, the Qing government discovered that Heshen's personal fortune
exceeded that of the Qing Empire's depleted treasury, amounting to 900 million silver taels, the total of 12 years of
Treasury surplus of the Qing imperial court.[87]
The Qianlong Emperor began his reign with about 33.95 million silver taels in Treasury surplus. At the peak of his
reign, around 1775, even with further tax cuts, the treasury surplus still reached 73.9 million silver taels, a record
unmatched by his predecessors, the Kangxi and Yongzheng emperors, both of whom had implemented remarkable tax
cut policies.
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Macartney Embassy
During the mid-18th century, European powers began to pressure for
increases in the already burgeoning foreign trade and for outposts on the
Chinese coast, demands which the aging Qianlong emperor resisted. In
1793 King George III sent a large-scale delegation to present their requests
The Qianlong Emperor in his old
directly to the emperor in Beijing, headed by George Macartney, one of the
age
country's most seasoned diplomats. The British sent a sample of trade
goods that they intended to sell in China; this was misinterpreted as tribute
that was adjudged to be of low quality.
Historians both in China and abroad long presented the failure of the
mission to achieve its goals as a symbol of China's refusal to change and
inability to modernize. They explain the refusal first on the fact that
interaction with foreign kingdoms was limited to neighbouring tributary
states. Furthermore, the worldviews on the two sides were incompatible,
China holding entrenched beliefs that China was the "central kingdom".
Lord Macartney's embassy, 1793
However, after the publication in the 1990s of a fuller range of archival
documents concerning the visit, these claims have been challenged. Some
assert that China's present day autonomy and successful modernization
put the Qianlong Emperor's actions in a new light. One historian summed
the newly revised view by characterizing the emperor and his court as
"clearly clever and competent political operators". They acted within the
formal claims of Qing claims to universal rule, but also simply reacted
prudently by placating the British with unspecified promises in order to
avoid military conflicts and loss of trade.[89]
The letter was preserved in archives but was largely unknown to the public until 1914.[92]
The Empire of China is an old, crazy, first-rate Man of War, which a fortunate succession of able and
vigilant officers have contrived to keep afloat for these hundred and fifty years past, and to overawe their
neighbours merely by her bulk and appearance. But whenever an insufficient man happens to have the
command on deck, adieu to the discipline and safety of the ship. She may, perhaps, not sink outright;
she may drift some time as a wreck, and will then be dashed to pieces on the shore; but she can never be
rebuilt on the old bottom.[93]
Emperor Qianlong's skepticism toward the British Empire would later prove prophetic. After Great Britain began
importing Chinese tea, the balance of trade no longer favored Britain, and the empire came up with a strategy to force
China to become a market for a good that British traders could sell as the Qing Dynasty's trade policy only allowed
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their merchants to accept silver as payment for tea exports. British traders would be responsible for smuggling large
quantities of opium to southern China, causing a national addiction crisis and resulting in two wars.
Titsingh Embassy
A Dutch embassy arrived at the Qianlong Emperor's court in 1795, which would turn out to be the last time any
European appeared before the Qing imperial court within the context of traditional Chinese imperial foreign
relations.[94]
Representing Dutch and Dutch East India Company interests, Isaac Titsingh traveled to Beijing in 1794–95 for
celebrations of the 60th anniversary of the Qianlong Emperor's reign.[95] The Titsingh delegation also included the
Dutch-American Andreas Everardus van Braam Houckgeest,[96] whose detailed description of this embassy to the
Qing court was soon after published in the United States and Europe. Titsingh's French translator, Chrétien-Louis-
Joseph de Guignes, published his own account of the Titsingh mission in 1808. Voyage a Pékin, Manille et l'Ile de
France provided an alternate perspective and a useful counterpoint to other reports that were then circulating.
Titsingh himself died before he could publish his version of events.
In contrast to Macartney, Isaac Titsingh, the Dutch and VOC emissary in 1795 did not refuse to kowtow. In the year
following Mccartney's rebuff, Titsingh and his colleagues were much feted by the Chinese because of what was
construed as seemly compliance with conventional court etiquette.[97]
Abdication
In October 1795, the Qianlong Emperor officially announced that in the spring of the following year he would
voluntarily abdicate his throne and pass the throne to his son. It was said that the Qianlong Emperor had made a
promise during the year of his ascension not to rule longer than his grandfather, the Kangxi Emperor, who had reigned
for 61 years.
The Qianlong Emperor anticipated moving out of the Hall of Mental Cultivation (Yangxindian) in the Forbidden City.
The hall had been conventionally dedicated for the exclusive use of the reigning sovereign, and in 1771 the emperor
ordered the beginning of construction on what was ostensibly intended as his retirement residence in another part of
the Forbidden City: a lavish, two-acre walled retreat called the "Palace of Tranquil Longevity (Ningshou Palace)",[28]
which is today more commonly known as the "Qianlong Garden".[98] The complex, completed in 1776, is currently
undergoing a ten-year restoration led by the Palace Museum in Beijing and the World Monuments Fund (WMF). The
first of the restored apartments, the Qianlong Emperor's Juanqinzhai, or "Studio of Exhaustion From Diligent
Service," began an exhibition tour of the United States in 2010.[98]
The Qianlong Emperor relinquished the throne at the age of 85, after almost 61 years on the throne, to his son, the 36-
year-old Jiaqing Emperor, in 1796. For the next three years, he held the title "Taishang Huang (or Emperor Emeritus
)" ( 太上皇) even though he continued to hold on to power and the Jiaqing Emperor ruled only in name. He never
moved into his retirement suites in the Qianlong Garden.[1] He died in 1799.[88][99]
Legends
A legend, popularised in fiction, says that the Qianlong Emperor was the son of Chen Shiguan (陳世倌), a Han Chinese
official from Haining County, Zhejiang Province. In his choice of heir to the throne, the Kangxi Emperor required not
only that the heir be able to govern the empire well but that the heir's son be of no less calibre, thus ensuring the
Manchus' everlasting reign over China. The son of Yinzhen, the Kangxi Emperor's fourth son, was a weakling so
Yinzhen surreptitiously arranged for his daughter to be exchanged for Chen Shiguan's son, who became the favourite
grandson of the Kangxi Emperor. Yinzhen succeeded his father and became the Yongzheng Emperor, while his "son",
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Hongli, succeeded him in turn as the Qianlong Emperor. During his reign, the Qianlong Emperor went on inspection
tours to southern China and stayed in Chen Shiguan's house in Haining, where he wrote calligraphy. He also
frequently issued imperial edicts to waive off taxes from Haining County.
However, there are major problems with this story. First, the Yongzheng Emperor's eldest surviving son, Hongshi, was
only seven when Hongli was born, far too young to make the drastic choice of replacing a child of imperial birth with
an outsider (and risking disgrace if not death). Second, the Yongzheng Emperor had three other princes who survived
to adulthood and had the potential to ascend the throne. Indeed, since Hongshi was the son forced to commit suicide,
it would have been far more logical for him to be the adopted son, if any of them were.
Stories about the Qianlong Emperor's six inspection tours to southern China in disguise as a commoner have been a
popular topic for many generations. In total, he visited southern China six times – the same number of times as his
grandfather, the Kangxi Emperor.
Family
Father: Yinzhen, the Yongzheng Emperor (世宗 胤禛; 13 December 1678 – 8 October 1735)
Grandfather: Xuanye, the Kangxi Emperor (聖祖 玄燁; 4 May 1654 – 20 December 1722)
Grandmother: Empress Xiaogongren, of the Uya clan (孝恭仁皇后 烏雅氏; 28 April 1660 – 25 June 1723)
Mother: Empress Xiaoshengxian, of the Niohuru clan (孝聖憲皇后 鈕祜祿氏; 12 January 1692 – 2 March 1777)
Grandfather: Lingzhu (凌柱; 1664–1754), served as a fourth rank military official (四品典儀), and held the title
of a first class duke (一等公)
Empress Xiaoxianchun, of the Fuca clan (孝賢純皇后 富察氏; 28 March 1712 – 8 April 1748)
嫡福晉→皇后
Married Septeng Baljur (色布騰巴爾珠爾; d. 1775) of the Khorchin Borjigit clan in April/May 1747, and
had issue (one son, four daughters)
Yongcong, Prince Zhe of the First Rank (哲親王 永琮; 27 May 1746 – 29 January 1748), seventh son
Empress, of the Hoifa Nara clan (皇后 輝發那拉氏; 11 March 1718 – 19 August 1766)
側福晉→嫻妃→嫻貴妃→皇貴妃→皇后
Yongji, Prince of the Third Rank (貝勒 永璂; 7 June 1752 – 17 March 1776), 12th son
Fifth daughter (23 July 1753 – 1 June 1755)
Yongjing (永璟; 22 January 1756 – 7 September 1757), 13th son
Empress Xiaoyichun, of the Weigiya clan (孝儀純皇后 魏佳氏; 23 October 1727 – 28 February 1775)
貴人→令嬪→令妃→令貴妃→皇貴妃
Princess Hejing of the First Rank (固倫和靜公主; 10 August 1756 – 9 February 1775), seventh daughter
Married Lhawang Dorji (拉旺多爾濟; 1754–1816) of the Khalkha Borjigit clan in August/September
1770
Yonglu (永璐; 31 August 1757 – 3 May 1760), 14th son
Princess Heke of the Second Rank (和碩和恪公主; 17 August 1758 – 14 December 1780), ninth daughter
Married Jalantai (札蘭泰; d. 1788) of the Manchu Uya clan in August/September 1772
Miscarriage at eight months (13 November 1759)
Yongyan, the Jiaqing Emperor (仁宗 顒琰; 13 November 1760 – 2 September 1820), 15th son
16th son (13 January 1763 – 6 May 1765)
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Yonglin, Prince Qingxi of the First Rank (慶僖親王 永璘; 17 June 1766 – 25 April 1820), 17th son
Imperial Noble Consort Huixian, of the Gaogiya clan (慧賢皇貴妃 高佳氏; 1711 – 25 February 1745)
格格→側福晉→貴妃→皇貴妃
Imperial Noble Consort Zhemin, of the Fuca clan (哲憫皇貴妃 富察氏; d. 20 August 1735)
格格
Yonghuang, Prince Ding'an of the First Rank (定安親王 永璜; 5 July 1728 – 21 April 1750), first son
Second daughter (May/June 1731 – December 1731 or January 1732)
Imperial Noble Consort Shujia, of the Korean booi aha Gingiya clan (Kim clan or Jin clan) (淑嘉皇貴妃 金佳氏;
14 September 1713 – 17 December 1755)
格格→貴人→嘉嬪→嘉妃→嘉貴妃 Her family was later moved into a Manchu banner.[100] Her original
surname Jin (Kim) was Manchufied to Gingiya.
Yongcheng, Prince Lüduan of the First Rank (履端親王 永珹; 21 February 1739 – 5 April 1777), fourth son
Yongxuan, Prince Yishen of the First Rank (儀慎親王 永璇; 31 August 1746 – 1 September 1832), eighth
son
Ninth son (2 August 1748 – 11 June 1749)
Yongxing, Prince Chengzhe of the First Rank (成哲親王 永瑆; 22 March 1752 – 10 May 1823), 11th son
Imperial Noble Consort Chunhui, of the Su clan (純惠皇貴妃 蘇氏; 13 June 1713 – 2 June 1760)
格格→純嬪→純妃→純貴妃→皇貴妃
Yongzhang, Prince Xun of the Second Rank (循郡王 永璋; 15 July 1735 – 26 August 1760), third son
Yongrong, Prince Zhizhuang of the First Rank (質莊親王 永瑢; 28 January 1744 – 13 June 1790), sixth son
Princess Hejia of the Second Rank (和碩和嘉公主; 24 December 1745 – 29 October 1767), fourth
daughter
Married Fulong'an (福隆安; 1746–1784) of the Manchu Fuca clan on 10 May 1760, and had issue (one
son)
Imperial Noble Consort Qinggong, of the Lu clan (慶恭皇貴妃 陸氏; 12 August 1724 – 21 August 1774)
常在→貴人→慶嬪→慶妃→慶貴妃
Noble Consort Xin, of the Daigiya clan (忻貴妃 戴佳氏; 26 June 1737 – 28 May 1764)
忻嬪→忻妃
Yongqi, Prince Rongchun of the First Rank (榮純親王 永琪; 23 March 1741 – 16 April 1766), fifth son
Noble Consort Ying, of the Barin clan (穎貴妃 巴林氏; 7 March 1731 – 14 March 1800)
貴人→那常在→那貴人→穎嬪→穎妃→穎貴妃
Noble Consort Xun, of the Irgen Gioro clan (循貴妃 伊爾根覺羅氏; 29 October 1758 – 10 January 1798)
循嬪→貴人→循嬪→循妃
Noble Consort Wan, of the Chen clan (婉貴妃 陳氏; 1 February 1717 – 10 March 1807)
格格→常在→貴人→婉嬪→婉妃..婉貴妃
Consort Shu, of the Yehe Nara clan (舒妃 葉赫那拉氏; 7 July 1728 – 4 July 1777), fourth cousin once removed
貴人→舒嬪→舒妃
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Consort Dun, of the Wang clan (惇妃 汪氏; 27 March 1746 – 6 March 1806)
永常在→永貴人→永常在→永貴人→永常在→惇嬪→惇妃→惇嬪→惇妃
Princess Hexiao of the First Rank (固倫和孝公主; 2 February 1775 – 13 October 1823), tenth daughter
Married Fengšeninde (丰紳殷德; 1775–1810) of the Manchu Niohuru clan on 12 January 1790, and
had issue (one son)
Miscarriage (1777 or 1778)
Consort Fang, of the Chen clan (芳妃 陳氏; d. 20 September 1801)
明常在→明貴人→明常在→明貴人→芳嬪→芳妃
Consort Jin, of the Fuca clan (晉妃 富察氏; d. 19 January 1823)
晉貴人..晉妃
Concubine Yi, of the Huang clan (儀嬪 黃氏; d. 1 November 1736)
格格→嬪
Concubine Yi, of the Bo clan (怡嬪 柏氏; d. 30 June 1757)
常在→貴人→怡嬪
Concubine Shen, of the Bai'ergesi clan (慎嬪 拜爾葛斯氏; d. 2 July 1764)
伊貴人→慎嬪
Concubine Xun, of the Huoshuote clan (恂嬪 霍碩特氏; d. 24 September 1761)
常在→貴人
Concubine Cheng, of the Niohuru clan (誠嬪 鈕祜祿氏; d. 29 May 1784)
蘭貴人→蘭常在→蘭貴人→誠嬪
Concubine Gong, of the Lin clan (恭嬪 林氏; d. 16 January 1806)
常在→貴人→常在→貴人→恭嬪
See also
Chinese emperors family tree (late)
Jean Joseph Marie Amiot
Giuseppe Castiglione
Manwen Laodang
Canton System
Xi Yang Lou
Long Corridor
Putuo Zongcheng Temple
Qianlong Dynasty
https://en.wikipedia.org/wiki/Qianlong_Emperor 17/24
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Qianlong Tongbao
Notes
a. The Qianlong era name, however, started only on 12 February 1736, the first day of that lunar year. 8 February
1796 was the last day of the lunar year known in Chinese as the 60th year of Qianlong.
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Further reading
Chang, Michael (2007). A court on horseback: imperial touring & the construction of Qing rule, 1680–1785.
Cambridge: Harvard University Asia Center.
Ho Chuimei, Bennet Bronson. Splendors of China's Forbidden City: The Glorious Reign of Emperor Qianlong.
(London: Merrell, in association with The Field Museum, Chicago, 2004). ISBN 1858942039.
Kahn, Harold L. Monarchy in the Emperor's Eyes: Image and Reality in the Ch'ien-Lung Reign. (Cambridge,
Mass.,: Harvard University Press, Harvard East Asian Series, 59, 1971). ISBN 0674582306.
Kuhn, Philip A. Soulstealers: The Chinese Sorcery Scare of 1768. (Cambridge, MA: Harvard University Press,
1990). ISBN 0674821513 (alk. paper).
James A. Millward, Ruth W. Dunnell, Mark C. Elliot and Philippe Foret. ed., New Qing Imperial History: The
Making of Inner Asian Empire at Qing Chengde. (London; New York: Routledge, 2004). ISBN 0415320062.
Nancy Berliner, "The Emperor's Private Paradise: Treasures from the Forbidden City" (New Haven: Yale Univ.
Press, 2010) ISBN 978-0-87577-221-9.
External links
Qianlong Emperor
House of Aisin-Gioro
Born: 25 September 1711 Died: 7 February 1799
Regnal titles
Emperor of the Qing
Preceded by Succeeded by
dynasty
Yongzheng Jiaqing
Emperor of China
Emperor Emperor
1735–1796
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