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As a publisher-broadcaster, Channel 4 does not

produce its own programmes but commissions them


from more than 300 independent production com-
panies across the UK, a far greater number than any
other broadcaster, including the whole of the BBC.
Channel 4 transmits across the whole of the UK, It works very closely with the independent produc-
except some parts of Wales, which are covered by tion sector, and invests heavily in training and talent
the Welsh language S4C. It is available on all digital development throughout the industry.
platforms (terrestrial, satellite and cable) as well as
through traditional analogue transmission. The Channel 4 service was originally established
under the Broadcasting Act 1981 and was provided
Channel 4 also operates a number of other services, for by the Independent Broadcasting Authority. The
including the free-to-air digital TV channels E4, Channel Four Television Corporation was subse-
More4 and Film4, and an ever-growing range of on- quently established under the Broadcasting Act
line activities at channel4.com, including the broad- 1990 and the Channel’s functions were transferred
band service FourDocs and Channel 4’s bespoke over to the new Corporation in 1993. The Corpora-
video-on-demand service 4oD. The Film4 produc- tion’s board is appointed by OFCOM in agreement
tion division produces and co-produces feature films with the Secretary of State for Culture, Media and
for the UK and global markets. Sport.
25
YRS
AT
THE

TOP
W
e here at channel four want to say a big thank you,
to you. Our beautiful viewers, a big thank you to taking a lot of stuff out of the cupboard,” said the
every one of you. From the youngest child who to More4 controller, Peter Dale.
the oldest person out their. We thank you.
“The details of the programming lineup are be-
We know from our demographic that most of you tune ing finalised because a number of rights issues
into channel four for one reason, and that is to hear the mi- have still yet to be cleared up.
nority, to see what most organizations wouldn’t let your eyes
rest upon, and more so to be told the truth through that most “But what we want to do is give a sense of how
amazing of media’s the television. Also our demographic tells good and how bad Channel 4 has been over the
us that you love your technology and make the most of our years, how in the best possible way it has pushed
4OD service which tops around 4 million episode downloads the boundaries but also fallen flat on its face. Be-
a week. cause that is what Channel 4 is about.”

More4’s Channel 4 25th birthday season will run throughout It is understood Channel 4 had initially planned to
October and include some of the highlights - and lowlights - air a less deferential 25th anniversary tribute sea-
of the network’s sometimes controversial history. son.

Programmes thought to be in the frame to feature in the More4 But there is said to have been a change of tack af-
season include 80s music show The Tube and the drama Walter, ter a difficult past few months in which Ofcom
which was broadcast on Channel 4’s opening night on November officially carpeted Channel 4 over the Celebrity
2, 1982. Big Brother racism row and it was caught up in
the phone vote scandal with Richard & Judy’s You
Directed by Stephen Frears, Walter told the story of a mentally Say We Pay competition.
retarded boy who lost his parents and starred Sir Ian McKellen
in one of his first big TV roles. “Initially Channel 4 didn’t want to have a schmaltzy
celeberation - that was how it perceived ITV1’s
Other likely candidates are the 1985 film My Beautfiul Laun- 50th anniversary programming last year,” said a
derette, the first big success for the broadcaster’s movie pro- source familiar with the 25th birthday plans.
duction arm FilmFour, which was also directed by Mr Frears,
and Jonathan Ross’s 80s chatshow The Last Resort. “It also never celebrated its 20th birthday. But
now Channel 4 wants to make this much more
Archive clips understood to be considered by Channel 4 celebratory and, given its problems this year, it is
among the lowlights include the famous “Oliver Reed mo- not hard to realise why it needs to do this.”
ment”, when the actor hijacked an episode of late-night chat-
show After Dark when he was drunk and proceeded to insult
feminist writer Kate Millet by trying to kiss her and calling her
“big tits”.

Channel 4 stopped the show and hastily replaced it with a


grainy documentary about coal mining, but not before Reed
C4.COM
was seen falling over a sofa on his way to the toilet.
“The retropective will go right back to 1982 and we will be

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