Академический Документы
Профессиональный Документы
Культура Документы
Dr. Sunil V T
Prathamanga and Dvitiyanga are the two parts of a Pallavi and the
dividing point is called Pada Garbham or Arudi. At this point, there is a period
of rest or Visranti. In an adi tala Pallavi, the Pada Garbham coincides with the
first Drutam. The two parts may be equal or unequal length.
Pallavis involving gati bheda and pallavis in more kaalas are more
complex. Rettai Pallavi (double Pallavi) is an interesting variety and is unique
by them. The whole Pallavi in this case consists of two independent pallavis
with independent Padagarbham. The first Pallavi naturally suggests and leads on
to the second. Both of them admit of independent treatment.
EXPOSITION
Anuloma consists in keeping the tala constant and singing the Pallavi in
various speeds. Pratiloma consists in keeping the speed of singing constant but
reckoning the tala with the hand at double or quadruple speeds. As a
consequence the tala will be reckoned twice and four times respectively within
the space of the original period of duration.
2
E.g. Pallavis in different kalais
TISRAM
From the point of view of musical construction, pallavis may be classified into:-
Misrachappu 8 Talli