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Please leave this program at The Butcher Shop, unless you really want it!
T H E N A T I ON A L A N T HE M O F S O L A N D I A The Eleventh Hour
-OR-
C T
hico lost a great actor and artist when he play you’ll see tonight is a prod-
Jesse Mills died this year. He was a uct of Slow Theatre; the culmination
long time Butcher, in the show both as
of a process that included writing
a teenager in its first incarnation in my
parent’s backyard, and later as an adult here in workshops in New York City and Chico over
Greg’s orchard. Like a lot of great actors—like the past year, along with internet and con-
our theater father Brad Moniz who we lost two
ference call discussions over many months.
years ago—he seemed completely possessed
by the characters he played. That dedicated We want to thank you, our audience, for your attention and enthusiasm for this annual event;
demonism—his obvious passion for artistic the- you give us the hope that theatre is a vital form of storytelling and that keeps us working all
ater—is emblematic of the ideas and feelings
year on this show. We would not have been able to mount this ambitious musical production
that my friends and I had when we started writ-
without the talent and generosity of our community’s artists, actors, dancers, musicians, and
ing poetry-plays and making trout masks in our
backyard 27 years ago. It’s hard to sum up, but it’s the confluence of our love of the local com- students. This has been a total team effort, and we are privileged to work with such a diverse
munity, our sense of justice, the mystery of theatrical experience, and the sense that we can group of creative spirits. We are especially thankful to all the actors and artists who traveled
all create something beautiful that’s as good
across the country to join us for this special week. We would like to acknowledge and thank
The Butcher Shop 2016 as anything we’ve seen or experienced before.
is dedicated to the memory Thanks to Ken Roye and Nati Osa, who put Dylan Latimer for taking a huge chunk of his year to write, direct, and production manage this
of Jesse Mills. me up while I’m in town, 1078 Gallery for show. His vision is what you are seeing on stage tonight, and we are proud to support it. We
the incredibly generous use of their fantastic
are immensely grateful to Greg Amaral for donating his incredible orchard property for the
(air conditioned) space for rehearsal, Debra
Cannon for her dedication and vision in keeping eighth consecutive year. He’s always been our biggest supporter, and the property he has
this tradition alive and funded, and my parents cultivated here is proof that Chico is a magical place. We would like to thank the sponsors
Mary Ann and Dennis Latimer, without whom
of this year’s Butcher Shop, including The O’Donnell Group, Asset Management Group, Lulu’s,
the whole tradition of Butchering wouldn’t
even exist. Biggest thanks goes to my brother Duffy’s Tavern, John Barroso Realty, Baywood Realty, Ernie Washington Law, Greg Brislain
Denver, the big meat cleaver on which this Family Law, Bear Star Press, and Pat Conroy Construction—who have demonstrated their faith
Jesse Mills whole complicated animal corpse dismember-
1975-2016 in our town’s artistic culture and made it possible for this event to grow and improve every
ment depends. He’s the longest, oldest, sharp-
“Grasp the nettle” est, most important behind-the-scenes knife in year. Please patronize their businesses, and let them know you appreciate their support of
the drawer. —Dylan Latimer The Butcher Shop. —Michael Gannon and Denver Latimer
CAST CREW
Sylvia Romo, Our Great Leader Stephanie Starmer Production Managers Sound Board Operator
Dylan Latimer Justin Vodeen
Middle Sylvia Hilary Telleson
Jesse Karch
Young Sylvia Ilani Skye Stage & Sound
Set Design & Technician
Feronia Carcera, Sylvia’s Best Friend Kate Corey
Construction Robert Karch
Young Feronia Zoe Karch Haley Hughes
Dr. Amos Flynn, Chief Surgeon Denver Latimer Wendell Seitz Costume Designers Lighting Technician Video Shooting,
Tek Kuykendal Sandra Barton Kevin White Editing & Production
Sammy Lewandowski, Chief of Staff Shannon McNally Tev Kuykendal
Josh Olivera Leanne Corvis
General Hunter, Head of Defense Tom LaMere Sound Technician
Rik Pape
Scenic Artists David Love Sculpture Garden
Franklin Como, Nurse Greg Ellery
Haley Hughes Tour Guide
Tony Romo, The President’s Son Josh Indar Stage Managers Erin Wade
Wendell Seitz Additional Production
Jeffery Burkhardt Amanda Riner
Young Tony Jackson Indar Josh Olivera Lee Dent
Nevada Earp Mim Roeder
Boots Romo, The President’s Daughter Muir Hughes Tev Kuykendal Stuart Mayer
House Manager Brian Sampson Nevada Earp
Young Boots Seven Mills Steve Givens Parking
Molly Roberts Jeffery Burkhardt
Captain Oko, Special Forces Michael Gannon Marke Flicker-Skytte
Amanda Riner Hayes Tellesen
Technical Director, Wyatt Culbert
Ensign Yandro, Special Forces Johnny Lancaster Erin Wade Aidee Orejel
Lighting Design/ Jason Murry
Sierra Sisk Greg Ellery
Xenobia Nyx, Phlebologist Leesa Palmer Charlie Murphy
Light Board Operator Chelsea Lakis
Chick Desclafani, Mechanic Roger Montalbano Naiya Sullivan
DANCE COMPANY
a symbol of freedom
Holly Ray Wright—Heartbeat
Erin Wade—Balance in Power
Erin Lizardo—The State Upon
Chico Dance Lab choreographed this year’s Butcher Shop
production. They are a group of dancers focused on creat- Tev Kuykendal—The Martyr’s Hand
ing a creative and loving environment for all dancers, from Amanda Riner and Sierra Sisk—Singe
teen to adult.
Along These Lines is a submission-based reading series within the fold of Slow Theatre. Its mission
THANK YOUS is to showcase original writing by people in or from this region (the counties of Butte, Colusa, Glenn,
Plumas, Sutter, Tehama, and Yuba). We invite anyone with something to say to submit work by Sep-
Greg Amaral Robert Karch Trevor Lalaguna Joe Hammons tember 19, 2016. See slowtheatre.com for more information.
Rampage
Recording Studio