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TEMA 1

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TEMA 2

ICONOGRAFÍA E ICONOLOGÍA.
DEFINICIÓN, HISTORIA y USOS

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TEMA 4

EL MÉTODO ICONOLÓGICO DE ERWIN


PANOFSKY: LA INTERPRETACIÓN INTEGRAL
DE LA OBRA DE ARTE

A menudo nuestras intuiciones, observaciones y


percepciones exteriores son ya engañosas y erróneas;
con más razón debe ocurrir lo mismo en nuestras
representaciones internas, puesto que poseen una
gran fuerza hasta el extremo de que nos arrastran
irresistiblemente hacia la pasión.
9; o; X404-; Introducción a la estética

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1.2. LENGUA, SISTEMA Y SIGNO

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LOS PROCESOS DE CREACIÓN Y DESARROLLO


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