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and the Saviour cried out with the Scripture terest as the great artist worked on his
on His lips, he saw the light too, and said, painting of the crucifixion. One day she
"Truly this was the Son of God." Matthew said to Stenberg, "He must have been a
27:54. We come next to- very bad man to have been nailed to a
cross."
4. The Careless Watchers.
" 0," the artist said, "He was a good man
The Scripture calls them "They that
passed by." Matthew 27:39. They took a -the best man that ever lived. In fact, He
look but did not stay long. They went on died for all men."
about the little things of life-into the city "Did He die for you?" asked the girl.
to buy and sell, into the country to work This pointed question pierced the artist's
or to visit. They were the passing throng. heart, for he had not surrendered to Christ.
Look at their faces. The interest of curiosi- Soon after this he chanced to attend a meet-
ty is there. Like Moses when he saw the ing of the Reformers, where the Scriptures
bush on fire, they seem to say, "I will now were opened to him and he was converted.
turn aside, and see this great sight." Exodus Then he went back to work on his painting
3:3. of the crucifixion, not only with the skill
Simon of Cyrene was just passing by of an artist but with the love of a believer
when he was "drafted" (that's the word in in Christ. When the masterpiece was com-
the original), drafted against his own desire pleted, it was hung in the great art gallery
to carry the cross. And what at first was a of Dusseldorf.
burden became a blessing. Are you, friend, One day a young German count, wander-
just "passing by" now? Stop a moment and ing through the gallery, paused before
look at your Saviour crucified for you. Stenberg's "Crucifixion." He seemed froz-
One day early in the eighteenth century, en to the spot. He looked and looked again,
the artist Stenberg walked through the mar- and what he saw moved him greatly. Then
ket place and was attracted by the face of he noticed the words written under the
a dancing gypsy girl. He invited her to his painting: "All this 1 did for thee; what hast
studio where he used her as a model for thou done for Me?" A great change came
his painting, "The Dancing Gypsy Girl." over the young nobleman, and Count Jic-
The little girl was much impressed with olaus Zinzendorf (for such it was) went
what she saw there and watched with in- forth to found that noble missionary broth
12 I.'3
erhood of the Moravians, who have carried and who with loving-kindness draws us to
the gospel to many lands. Himself as we find ourselves ~mong those
5. The "f,[ob1,Vatchers. faces about the cross.
Last of all, we see other faces about the Have faith in God-
cross-angry, distorted faces, the faces of They stood there-gold and dross;
the mob-people who "follow a multitude
Have faith in God-
to do evil" (Exodus 23: 2) or to do good.
They are swayed by the spirit of the times Beyond all gain or loss;
or of the hour. About a week before the Have faith in God-
crowd had shouted, "Hosannah in the Faces about the cross.
highest," as Jesus rode triumphantly into Have faith, dear friend, in God.
Jerusalem. But now they cry, "Crucify
Him," and they mock Him upon the cross.
How often has it been sadly true that a
crowd, swayed by strong leaders, will do
what they would never do as individuals.
As you pray in these latter days, think of
those faces about the cross. Our whole
world was there. In those faces of hate, of
love, of blind indifference, of careless cur-
iosity, and of popular emotion, we behold
the attitude of everyone in this old world
as we all gather about the cross of Christ.
But where do we belong? What sort of
face is yours? What SOli of face is mine? Sate: All rights reserved. To reproduce any part
Jesus said: of this publication, please obtain permission from
"And I, if I be lifted up from the earth, THE VOICE OF PROPHECY
will draw all men unto me."-John 21:32. Box 55. Los Angeles .53, California