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African literature is literature of or from Africa and includes oral literature (or "orature", in the term coined
by Ugandan scholar Pio Zirimu).[1]
As George Joseph notes in his chapter on African literature in Understanding Contemporary Africa, whereas
European views of literature often stressed a separation of art and content, African awareness is inclusive:
"Literature" can also simply mean an artistic use of words for the sake of art alone. [...]Traditionally, Africans
do not radically separate art from teaching. Rather than write or sing for beauty in itself, African writers,
taking their cue from oral literature, use beauty to help communicate important truths and information to
society. Indeed, an object is considered beautiful because of the truths it reveals and the communities it
helps to build.
Oral literature[edit]
Oral literature (or orature) may be in prose or verse. The prose is often mythological or historical and can include
tales of the trickster character. Storytellers in Africa sometimes use call-and-response techniques to tell their stories.
Poetry, often sung, includes: narrative epic, occupational verse, ritual verse, praise poems of rulers and other
prominent people. Praise singers, bards sometimes known as "griots", tell their stories with music [3]. Also recited,
often sung, are love songs, work songs, children's songs, along with epigrams, proverbs and riddles. These oral
traditions exist in many languages including Fula, Swahili, Hausa, and Wolof [4].
In Algeria, oral poetry was an important part of Berber traditions when the majority of the population was illiterate.
These poems, called Isefra, were used for aspects of both religious and secular life. The religious poems included
devotions, prophetic stories, and poems honoring saints. The secular poetry could be about celebrations like births
and weddings, or accounts of heroic warriors [5]. As another example, in Mali, oral literature or folktales continue to
be broadcast on the radio in the native language Booma.[6]
Precolonial literature[edit]
Examples of pre-colonial African literature are numerous. In Ethiopia, there is a substantial literature written
in Ge'ez going back at least to the fourth century AD; the best-known work in this tradition is the Kebra Negast, or
"Book of Kings." One popular form of traditional African folktale is the "trickster" story, in which a small animal uses
its wits to survive encounters with larger creatures. Examples of animal tricksters include Anansi, a spider in the
folklore of the Ashanti people of Ghana; Ijàpá, a tortoise in Yoruba folklore of Nigeria; and Sungura, a hare found in
central and East African folklore.[7] Other works in written form are abundant, namely in north Africa,
the Sahel regions of west Africa and on the Swahili coast. From Timbuktu alone, there are an estimated 300,000 or
more manuscripts tucked away in various libraries and private collections,[8] mostly written in Arabic but some in the
native languages (namely Fula and Songhai).[9] Many were written at the famous University of Timbuktu. The
material covers a wide array of topics, including astronomy, poetry, law, history, faith, politics, and
philosophy.[10] Swahili literature similarly, draws inspiration from Islamic teachings but developed under indigenous
circumstances. One of the most renowned and earliest pieces of Swahili literature being Utendi wa Tambuka or
"The Story of Tambuka".
In Islamic times, North Africans such as Ibn Khaldun attained great distinction within Arabic literature. Medieval
north Africa boasted universities such as those of Fes and Cairo, with copious amounts of literature to supplement
them.
Contemporary developments[edit]
There are a lot of literary productions in Africa since the beginning of the current decade (2010), even though
readers do not always follow in large numbers.[15] One can also notice the appearance of certain writings that break
with the academic style.[16] In addition, the shortage of literary critics can be explored on the continent
nowadays.[17] Literary events seem to be very fashionable, including literary awards, some of which can be
distinguished by their original concepts. The case of the Grand Prix of Literary Associations is quite
illustrative.[18] Brittle Paper, founded by Ainehi Edoro, has been described as as "Africa’s leading literary journal"[19].