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1
Choose your leaf.
As noted, broader flatter leaves are easier to work with (spinach, maple or oak for example).
This is a great way to engage your local environment, visit a park or your backyard! Think
about how the leaf would add to your piece, either in composition or subject matter. Also,
when cutting your sample, for transportation and preparation, cut the stem at an angle,
leaving as much of the stem as possible, and immediately place the end in bag or bottle of
water.
2
Choose an image and create your positive/transparency.
Higher contrast of your positive with help with the overall clarity of your results though it is
possible to achieve a wide spectrum of mid-tones.
3
Arrange the positive on the leaf and sandwich both together in the contact printing
frame or pressed tight between sheets of glass.
This is the tricky part of the process as you are dealing with a living organism. A contact
frame works well as it presses the leaf flat for a solid and easy exposure. However, if you
want to attempt to keep the leaf from drying out and dying for an even longer exposure,
you’ll need to provide water. For this, I’ve found that pressing between glass sheets or a
glass sheet and a masonite board works well. It is a more tedious set-up to fasten/tape the
sheets together so the positive and leaf are as flat as possible, but you can position the leaf
and positive so that the stem hangs out one side. This will allow you to secure a small bag of
water to the stem tied tight with a rubber band. As noted, I use florist water tubes and
periodically have to refill the water.
4
Place in an area of direct sunlight.
As noted, sunlight intensity affects the rate of bleaching and the overall results. As a result,
the time of year and geographic location will also have an impact on your prints.
Example of Chlorophyll print, four years later with no resin preservation and moderate open
display. Tiffany Pereira – Boy at the River. Chlorophyll Print, 2010
5
Checking and removing your print.
After at least 24 hours of direct sunlight, carefully check on your print to see if the bleaching
process is occurring. As the leaf may have changed color overall due to drying, remember to
let your eyes adjust to the color and texture of the leaf as chlorophyll print images can often
be ghost like and vague. The leaf may also be thin, delicate and slightly moist. Thus, peel
back the positive very slowly when removing it. Place the leaf in between newsprint or
blotting paper to dry off.
6
Preserving your Chlorophyll Print.
As this is a natural process, the sun’s bleaching power will continue to affect the leaf until it’s
dry and brittle. From my experience, the image is not lost entirely over the years, but you do
lose some of the crisp clarity. When not on display, press your leaf in a book to keep it flat
and out of direct sunlight, remembering to use extreme caution when removing it for show.
It is also possible to cast your leaf in a ¼ to ½ in layer of UV stabilized polyester resin (link
above). Once the casting is completed, the print can be mounted and displayed without fear.
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