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Îñíîâíûå õàðàêòåðèñòèêè
Ïðîñòàÿ îïåðàöèÿ - ðàáîòàåò êàê Ìíîãîôóíêöèîíàëüíàÿ ïåäàëü
êîìïàêòíûé ýôôåêò-ïðîöåññîð ýêñïðåññèè
Êàæäûé ýôôåêò óïðàâëÿåòñÿ ñîîòâåòñòâóþùèì ÌÅ-50 îáîðóäîâàí ïåäàëüþ ýêñïðåññèè, ñ ïîìîùüþ
ðåãóëÿòîðîì. Èíòóèòèâíàÿ îïåðàöèÿ, ïîäîáíàÿ ê êîòîðîé âû ìîæåòå óïðàâëÿòü øåñòüþ ðàçëè÷íûìè
îïåðàöèè íà êîìïàêòíîì ýôôåêò-ïðîöåññîðå, ñïåöèàëüíûìè ïåäàëüíûìè ýôôåêòàìè. Åå òàêæå
ïîçâîëÿåò âàì ïðîèçâîäèòü íåïîñðåäñòâåííûå ìîæíî ïåðåêëþ÷àòü äëÿ èñïîëüçîâàíèÿ â êà÷åñòâå
èçìåíåíèÿ òîíîâ. ïåäàëè ãðîìêîñòè.
001 009
• Ïåðåä èñïîëüçîâàíèåì óñòðîéñòâà îáÿçàòåëüíî • Íå ñãèáàéòå ÷ðåçìåðíî ñåòåâîé øíóð, íå ñòàâüòå
ïðî÷èòàéòå èíñòðóêöèè, ïðèâåäåííûå íèæå, è íà íåãî òÿæåëûõ ïðåäìåòîâ è ò.ä. Ïîâðåæäåííûé
Ðóêîâîäñòâî ïîëüçîâàòåëÿ. øíóð ìîæåò ñòàòü ïðè÷èíîé êîðîòêîãî
çàìûêàíèÿ, ïîæàðà èëè ïîðàæåíèÿ
.........................................................................................................................
002c ýëåêòðè÷åñêèì òîêîì.
• Íå âñêðûâàéòå ñàìîñòîÿòåëüíî óñòðîéñòâî èëè .........................................................................................................................
010
ÀÑ àäàïòåð è íå ïðîèçâîäèòå íèêàêèõ • Óñòðîéñòâî (îäíî èëè â ñî÷åòàíèè ñ óñèëèòåëåì è
âíóòðåííèõ èçìåíåíèé. íàóøíèêàìè èëè àêóñòè÷åñêîé ñèñòåìîé)
......................................................................................................................... ñïîñîáíî ôîðìèðîâàòü òàêèå óðîâíè ãðîìêîñòè,
003 êîòîðûå ìîãóò ñòàòü ïðè÷èíîé óõóäøåíèÿ ñëóõà.
• Íå ïðåäïðèíèìàéòå ïîïûòîê ñàìîñòîÿòåëüíîãî Íå ðàáîòàéòå ïðîäîëæèòåëüíîå âðåìÿ íà âûñîêèõ
ðåìîíòà èëè çàìåíû îòäåëüíûõ äåòàëåé óñòðîé- óðîâíÿõ ãðîìêîñòè èëè íà òàêèõ óðîâíÿõ, êîãäà
ñòâà (çà èñêëþ÷åíèåì ñïåöèàëüíûõ èíñòðóêöèé, âû ÷óâñòâóåòå ñåáÿ íå ñîâñåì êîìôîðòíî. Åñëè ó
ïðåäïèñàííûõ íàñòîÿùèì ðóêîâîäñòâîì, êîòîðûå âàñ íàáëþäàåòñÿ óõóäøåíèå ñëóõà èëè ïîÿâèëîñü
ïðåäóñìàòðèâàþò âûïîëíåíèå âàìè òàêèõ îïåðà- îùóùåíèå "çàëîæåííûõ" óøåé, ñëåäóåò
öèé). Îáðàùàéòåñü òîëüêî â ñåðâèñíûé öåíòð íåìåäëåííî ïðåêðàòèòü çàíÿòèÿ è îáðàòèòüñÿ ê âðà÷ó.
Roland èëè ê îôèöèàëüíûì äèñòðèáüþòîðàì ôèðìû, .........................................................................................................................
àäðåñà êîòîðûõ ïðèâåäåíû íà ñòðàíèöå "Information". 011
......................................................................................................................... • Íå äîïóñêàéòå ïîïàäàíèÿ ïðåäìåòîâ (íàïðèìåð,
004 âîñïëàìåíÿþùèõñÿ ïðåäìåòîâ, ìîíåò, øïèëåê è
• Íèêîãäà íå èñïîëüçóéòå è íå õðàíèòå èíñòðóìåíò ïð.) èëè ïðîòåêàíèÿ æèäêîñòè (âîäà íàïèòêè)
â ìåñòàõ: âíóòðü êîðïóñà óñòðîéñòâà.
• ïîäâåðæåííûõ ïåðåïàäàì òåìïåðàòóðû
(çàêðûòîå òðàíñïîðòíîå ñðåäñòâî, âáëèçè
áàòàðåé îòîïëåíèÿ, íà âûäåëÿþùåì òåïëî .........................................................................................................................
îáîðóäîâàíèè); èëè 012c
• Íåìåäëåííî âûêëþ÷èòå ïèòàíèå, âûíüòå âèëêó ÀÑ
• ñ ïîâûøåííîé âëàæíîñòüþ (íàïð. âàííûå
àäàïòåðà èç ðîçåòêè è îáðàòèòåñü â áëèæàéøèé
êîìíàòû, ìîêðûé ïîë) èëè
ñåðâèñíûé öåíòð Roland èëè ê îôèöèàëüíûì
• âî âëàæíûõ ïîìåùåíèÿõ; èëè äèñòðèáüþòîðàì ôèðìû, àäðåñà êîòîðûõ
• ïîä äîæäåì; èëè ïðèâåäåíû íà ñòðàíèöå "Information", åñëè:
• â ïûëüíûõ ïîìåùåíèÿõ; èëè • ïîâðåæäåí ÀÑ àäàïòåð èëè ñåòåâîé øíóð; èëè
• â ïîìåùåíèÿõ ñ ïîâûøåííûì óðîâíåì âèáðàöèè. • ïîÿâèëñÿ çàïàõ äûìà èëè äðóãîé íåîáû÷íûé
.........................................................................................................................
007 çàïàõ;
• Óñòàíàâëèâàéòå óñòðîéñòâî íà ðîâíîé è ïðî÷íîé • âíóòðü êîðïóñà èíñòðóìåíòà ïîïàëè ïðåäìåòû
ïîâåðõíîñòè. Íå óñòàíàâëèâàéòå óñòðîéñòâî íà èëè ïðîòåêëà æèäêîñòü; èëè
øàòàþùåéñÿ èëè íàêëîííîé ïîâåðõíîñòè. • óñòðîéñòâî èñïîëüçîâàëîñü ïîä äîæäåì (èëè
......................................................................................................................... íàìîêëî); èëè
008b
• Èñïîëüçóéòå òîëüêî ñïåöèàëüíûé ÀÑ àäàïòåð • óñòðîéñòâî íå ôóíêöèîíèðóåò äîëæíûì
(ñåðèè PSA). Óäîñòîâåðüòåñü, ÷òî óðîâåíü íà- îáðàçîì èëè çàìåòíû çíà÷èòåëüíûå èçìåíåíèÿ
ïðÿæåíèÿ â ñåòè ñîîòâåòñòâóåò óðîâíþ, óêàçàí- â ôóíêöèîíèðîâàíèè.
íîìó íà àäàïòåðå. Äðóãèå ÀÑ àäàïòåðû èñïîëü- .........................................................................................................................
çóþò äðóãóþ ïîëÿðíîñòü èëè ðàçðàáîòàíû äëÿ
èñïîëüçîâàíèÿ ñ äðóãèì óðîâíåì íàïðÿæåíèÿ. Èõ
èñïîëüçîâàíèå ìîæåò âûçâàòü ïîâðåæäåíèå, ñáîé
â ðàáîòå èëè ïîðàæåíèå ýëåêòðè÷åñêèì òîêîì.
.........................................................................................................................
2
013 107d
•  ñåìüÿõ, ãäå åñòü ìàëåíüêèå äåòè, âçðîñëûå • Ïðè âêëþ÷åíèè èëè âûêëþ÷åíèè èç ðîçåòêè èëè
íåñóò îòâåòñòâåííîñòü çà ñîáëþäåíèå ïðàâèë óñòðîéñòâà íå áåðèòåñü çà ÀÑ àäàïòåð è åãî âèëêó
áåçîïàñíîãî èñïîëüçîâàíèÿ óñòðîéñòâà. ìîêðûìè ðóêàìè.
.........................................................................................................................
108b
.........................................................................................................................
014 • Åñëè íóæíî ïåðåìåñòèòü óñòðîéñòâî, îòñîåäèíèòå
• Çàùèùàéòå óñòðîéñòâî îò óäàðîâ. Íå ðîíÿéòå ÀÑ àäàïòåð è îòêëþ÷èòå âñå âíåøíèå óñòðîéñòâà.
óñòðîéñòâî!
.........................................................................................................................
......................................................................................................................... 109b
015 • Ïåðåä òåì êàê ïî÷èñòèòü óñòðîéñòâî, âûêëþ÷èòå
• Íå ïîäêëþ÷àéòå ê óñòðîéñòâó ñëèøêîì áîëüøîå ïèòàíèå è âûíüòå âèëêó ÀÑ àäàïòåðà èç ðîçåòêè.
êîëè÷åñòâî äðóãèõ óñòðîéñòâ. Áóäüòå îñîáåííî
îñòîðîæíûìè ïðè èñïîëüçîâàíèè óäëèíèéòåëåé - .........................................................................................................................
110b
îáùàÿ ìîùíîñòü, ïîòðåáëÿåìàÿ âñåìè óñòðîéñò- • Âî âðåìÿ ãðîçû âûíüòå âèëêó ÀÑ àäàïòåðà èç
âàìè, ïîäêëþ÷åííûìè ê ðîçåòêå óäëèíèéòåëÿ, íå ðîçåòêè.
äîëæíà ïðåâûøàòü ñîîòâåòñòâóþùåé íîðìû
ìîùíîñòè (âàòò/àìïåð) äëÿ óäëèíèéòåëÿ. Èç-çà .........................................................................................................................
÷ðåçìåðíûõ íàãðóçîê èçîëÿöèÿ øíóðà ìîæåò 111
ïåðåãðåòüñÿ è, â êîíå÷íîì ñ÷åòå, îïëàâèòüñÿ. • Ïðè íåïðàâèëüíîì èñïîëüçîâàíèè áàòàðåé ìîæåò
......................................................................................................................... ïðîèçîéòè âçðûâ èëè âûòåêàíèå ýëåêòðîëèòà, ÷òî,
016 â ñâîþ î÷åðåäü, ìîæåò ñòàòü ïðè÷èíîé
• Ïåðåä èñïîëüçîâàíèåì óñòðîéñòâà â äðóãîé ïîâðåæäåíèÿ èëè òðàâìû. Â èíòåðåñàõ
ñòðàíå ïðîêîíñóëüòèðóéòåñü â áëèæàéøåì áåçîïàñíîñòè ïðî÷èòàéòå è ñîáëþäàéòå
ñåðâèñíîì öåíòðå Roland èëè ñ îôèöèàëüíûìè ñëåäóþùèå ìåðû ïðåäîñòîðîæíîñòè (ñòð.6).
äèñòðèáüþòîðàìè ôèðìû, àäðåñà êîòîðûõ ïðèâåäåíû íà
• Òùàòåëüíî ñîáëþäàéòå èíñòðóêöèè ïî
ñòðàíèöå "Information".
óñòàíîâêå áàòàðåé ñ ïðîêëàäêîé ïîëÿðíîñòüþ.
.........................................................................................................................
019 • Íå âñòàâëÿéòå ñâåæèå áàòàðåè ñ èñïîëüçî-
• Íåëüçÿ ïåðåçàðÿæàòü, íàãðåâàòü, ðàçáèðàòü èëè âàííûìè. Íå ñìåøèâàéòå ðàçíûå òèïû áàòàðåé.
áðîñàòü â îãîíü èëè âîäó áàòàðåè. • Ïðè äëèòåëüíîì õðàíåíèè óñòðîéñòâà áàòàðåè
äîëæíû áûòü èçúÿòû èç íåãî âî èçáåæàíèå
âûòåêàíèÿ ýëåêòðîëèòà.
• Åñëè âûòåê ýëåêòðîëèò áàòàðåè, ìÿãêîé ñóõîé
......................................................................................................................... òêàíüþ èëè ñàëôåòêîé âûòðèòå îñòàòêè
ýëåêòðîëèòà. Çàòåì âñòàâüòå íîâûå áàòàðåè.
×òîáû èçáåæàòü îæîãîâ, íå äîïóñêàéòå
ïîïàäàíèÿ ýëåêòðîëèòà íà êîæó. Ñîáëþäàéòå
îñòîðîæíîñòü, ÷òîáû èçáåæàòü ïîïàäàíèÿ
ýëåêòðîëèòà â ãëàçà.  ñëó÷àå ïîïàäàíèÿ
ýëåêòðîëèòà â ãëàçà íåìåäëåííî ïðîïîëîùèòå
101b
èõ ïðîòî÷íîé âîäîé.
• Óñòàíîâèòå óñòðîéñòâî è ÀÑ àäàïòåð òàêèì • Íå õðàíèòå áàòàðåè âìåñòå ñ ìåòàëëè÷åñêèìè
îáðàçîì, ÷òîáû îáåñïå÷èòü èõ ñîîòâåòñòâóþùóþ ïðåäìåòàìè, òàêèìè êàê øàðèêîâûå ðó÷êè,
âåíòèëÿöèþ. îæåðåëüÿ, øïèëüêè è ò.ï.
......................................................................................................................... .........................................................................................................................
102d 112
• Ïðè âêëþ÷åíèè èëè âûêëþ÷åíèè èç ðîçåòêè èëè • Èñïîëüçîâàííûå áàòàðåè ñëåäóåò óòèëèçèðîâàòü â
óñòðîéñòâà âñåãäà áåðèòåñü òîëüêî çà âèëêó ñîîòâåòñòâèè ñ ïðàâèëàìè äëÿ èõ áåçîïàñíîé
øíóðà èëè ÀÑ àäàïòåð. óòèëèçàöèè, êîòîðûå ñîáëþäàþòñÿ â âàøåì
......................................................................................................................... ðåãèîíå.
103b .........................................................................................................................
• Íàêîïëåíèå ïûëè ìåæäó ÀÑ àäàïòåðîì è
øòåïñåëüíîé ðîçåòêîé ìîæåò ñòàòü ïðè÷èíîé
ïëîõîé òåïëîèçîëÿöèè è ïðèâåñòè ê âîçãîðàíèþ.
Ïåðèîäè÷åñêè âûòèðàéòå ïûëü ñóõîé òêàíüþ.
Òàêæå, âûíüòå âèëêó øíóðà èç ðîçåòêè åñëè âû íå
èñïîëüçóåòå óñòðîéñòâî ïðîäîëæèòåëüíîå âðåìÿ.
.........................................................................................................................
104
• Íå äîïóñêàéòå ñïóòûâàíèÿ øíóðîâ è êàáåëåé.
Òàêæå âñå øíóðû è êàáåëè ñëåäóåò õðàíèòü â
íåäîñòóïíîì äëÿ äåòåé ìåñòå.
.........................................................................................................................
106
• Íå ñòàíîâèòåñü è íå óñòàíàâëèâàéòå íà
óñòðîéñòâî òÿæåëûå ïðåäìåòû.
.........................................................................................................................
3
ÂÀÆÍÛÅ ÇÀÌÅ×ÀÍÈß
 äîïîëíåíèå ê ïóíêòàì, ïðèâåäåííûì â "ÁÅÇÎÏÀÑÍÎÌ ÈÑÏÎËÜÇÎÂÀÍÈÈ ÓÑÒÐÎÉÑÒÂÀ" íà ñòð. 2 è 3,
ïðî÷èòàéòå è ñîáëþäàéòå ñëåäóþùèå èíñòðóêöèè.
4
ÑÎÄÅÐÆÀÍÈÅ
ÁÅÇÎÏÀÑÍÎÅ ÈÑÏÎËÜÇÎÂÀÍÈÅ Ñîõðàíåíèå è çàãðóçêà ñîçäàííûõ
ÓÑÒÐÎÉÑÒÂÀ..................................................2 òîíîâ
(Memory Mode/Ðåæèì Ïàìÿòü)............20
ÂÀÆÍÛÅ ÇÀÌÅ×ÀÍÈß................................4 Ïåðåêëþ÷åíèå ìåæäó Ðó÷íûì (Manual MODE)
Âîñïðîèçâåäåíèå çâóêîâ ..........................................6 ðåæèìîì è ðåæèìîì Ïàìÿòü .............................. 20
Óñòàíîâêà áàòàðåé......................................................6 ×òî òàêîå Ïàò÷ .......................................................... 20
Ïðîèçâåäåíèå ïîäêëþ÷åíèé...................................6 Ïðîöåäóðà çàïèñè..................................................... 21
Âêëþ÷åíèå ïèòàíèÿ .............................................. 7 Âûçîâ è èñïîëüçîâàíèå õðàíÿùèõñÿ òîíîâ
Ðåãóëèðîâêà ãðîìêîñòè............................................. 7 (Patch Change) ............................................................ 21
Ïåðåêëþ÷åíèå íîìåðîâ ..................................... 21
Âûêëþ÷åíèå ïèòàíèÿ ................................................ 7
Ïåðåêëþ÷åíèå áàíêîâ ........................................ 21
Èñïîëüçîâàíèå ýôôåêòîâ .........................8 Ïåðåêëþ÷åíèå áàíêîâ
íîæíûì ïåðåêëþ÷àòåëåì .................................. 22
Ïîñëåäîâàòåëüíîñòü ïîäêëþ÷åíèÿ ýôôåêòîâ ...8
Ïðèìå÷àíèÿ ïðè èñïîëüçîâàíèè ðåæèìà
TONE MODIFY................................................................9 Ïàìÿòü ......................................................................... 22
Âêëþ÷åíèå è âûêëþ÷åíèå èçìåíåíèÿ òîíà Îá èçìåíåíèÿõ òîíîâ ........................................ 22
(Tone Modify On/Off) Îá óñòàíîâêå òåìïà ........................................... 22
íîæíûì ïåðåêëþ÷àòåëåì.....................................9
DELAY HOLD....................................................... 23
COMPRESSOR .............................................................. 10 DELAY TAP$ ....................................................... 23
Âêëþ÷åíèå è âûêëþ÷åíèå êîìïðåññîðà
íîæíûì ïåðåêëþ÷àòåëåì................................... 10 Èçìåíåíèå óñòàíîâîê Ïàò÷à
(ðåæèì ðåäàêòèðîâàíèÿ Ïàò÷à).......................... 23
OVERDRIVE/DISTORTION ..........................................11
MODULATION .............................................................. 12 Óäîáíûå ôóíêöèè.....................................24
Äîáàâëåíèå ýôôåêòà, ñèíõðîíèçèðî- Íàñòðîéêà ãèòàðû (Òþíåð).................................... 24
âàííîãî ñ òåìïîì èñïîëíåíèÿ .......................... 14
Çàíÿòèÿ âìåñòå ñ CD è MD (AUX IN) .................. 25
DELAY ............................................................................ 15
Äîáàâëåíèå çàäåðæêè, ñèíõðîíèçèðî- Ïðèëîæåíèÿ ................................................26
âàííîé ñ òåìïîì èñïîëíåíèÿ............................ 16
Âîçâðàò ïàðàìåòðîâ ÌÅ-50 ê çàâîäñêèì
Èñïîëüçîâàíèå ôóíêöèè HOLD ..........................17
óñòàíîâêàì (Factory Reset) .................................... 26
NS (Noise Supressor).................................................. 18
Ðåãóëèðîâêà ïåäàëè ýêñïðåññèè.......................... 26
REVERB.......................................................................... 18
Óñòðàíåíèå íåèñïðàâíîñòåé ..................................27
Ïåäàëü .......................................................................... 19
Òåõíè÷åñêèå õàðàêòåðèñòèêè ............................... 28
Èñïîëüçîâàíèå ïåäàëè â êà÷åñòâå
ïåäàëè ãðîìêîñòè............................................... 19 Ñïèñîê ïàò÷åé ............................................29
Èñïîëüçîâàíèå ïåäàëè â êà÷åñòâå ïåäàëè
ýêñïðåññèè .......................................................... 19 Çàâîäñêèå óñòàíîâêè................................30
5
Âîñïðîèçâåäåíèå çâóêîâ
6
Âîñïðîèçâåäåíèå çâóêîâ
z Íå óáàâëåíà ëè ãðîìêîñòü?
Çàâåðøèâ ïîäñîåäèíåíèÿ, âêëþ÷àéòå ïèòàíèå íà âàøèõ
Ïðîâåðüòå óðîâíè ãðîìêîñòè íà ïîäêëþ÷åííîì
óñòðîéñòâàõ â óñòàíîâëåííîì ïîðÿäêå. Âêëþ÷èâ ïèòàíèå
óñèëèòåëå èëè ìèêøåðå.
â íåïðàâèëüíîì ïîðÿäêå, ìîæíî âûçâàòü ñáîé â ðàáîòå
è/èëè ïîâðåæäåíèå àêóñòè÷åñêîé ñèñòåìû è äðóãèõ z Ñëûøèòå ëè âû çâóê â ïîäñîåäèíåííûõ íàóøíèêàõ?
óñòðîéñòâ. Åñëè íå ñëûøèòå, ýòî ìîæåò ïðîèñõîäèòü èç-çà òîãî,
1. ÑD-/MD-ïëååð ÷òî â êàáåëå, èñïîëüçóåìîì äëÿ ïîäñîåäèíåíèÿ
óñèëèòåëÿ èëè äðóãîãî óñòðîéñòâà, ïðîèçîøëî
2. ÌÅ-50 êîðîòêîå çàìûêàíèå èëè îøèáêà â óñòàíîâêàõ
âíåøíåãî óñòðîéñòâà. Åùå ðàç ïðîâåðüòå
ñîåäèíèòåëüíûå êàáåëè è âíåøíèå óñòðîéñòâà.
7
Èñïîëüçîâàíèå ýôôåêòîâ
Ïðè âêëþ÷åíèè ïèòàíèÿ ÌÅ-50 âñåãäà ïåðåêëþ÷àåòñÿ â ðåæèì Manual/Ðó÷íîé, à OVERDRIVE/DISTORTION, MODULATION
è DELAY âûêëþ÷åíû.
* Åñëè DELAY TYPE óñòàíîâëåí íà HOLD, çàãîðàåòñÿ èíäèêàòîð DELAY, èíäèêàòîð ïåäàëè DELAY ìèãàåò ÷åðåç
óñòàíîâëåííûå ïðîìåæóòêè âðåìåíè, èíôîðìèðóÿ î ðåæèìå ïîäãîòîâêè ê çàïèñè (ñòð. 17).
Âñå íàçâàíèÿ èçäåëèé, óïîìÿíóòûå â ýòîì ìàòåðèàëå, ÿâëÿþòñÿ òîðãîâûìè ìàðêàìè èëè çàðåãèñòðèðîâàííûìè
òîðãîâûìè ìàðêàìè ñîîòâåòñòâóþùèõ âëàäåëüöåâ. Ýòè êîìïàíèè íå ÿâëÿþòñÿ äî÷åðíèìè êîìïàíèÿìè BOSS è íå
îáëàäàþò ðàçðåøåíèåì íà ME-50 BOSS. Èõ íàçâàíèÿ èñïîëüçóþòñÿ òîëüêî äëÿ èäåíòèôèêàöèè óñòðîéñòâ, çâóêè
êîòîðûõ èìèòèðóåò ÌÅ-50 BOSS.
OVERDRIVE /
TONE MODIFY COMPRESSOR EXPRESSION
DISTORTION
Òàêæå, åñëè òèïîì MODULATION ÿâëÿåòñÿ TREMOLO èëè UNI-V, MODULATION ïîäêëþ÷àåòñÿ ïåðåä OVERDRIVE/
DISTOTTION.
8
Èñïîëüçîâàíèå ýôôåêòîâ
TONE MODIFY
ACOUSTIC
Ìåíÿåò òîí ýëåêòðè÷åñêîé ãèòàðû íà òîí àêóñòè÷åñêîé.
Âêëþ÷åíèå è âûêëþ÷åíèå
èçìåíåíèÿ òîíà (Tone Modify On/
Off) íîæíûì ïåðåêëþ÷àòåëåì.
Èçìåíÿåò ñâîéñòâà ïîäêëþ÷åííîé ãèòàðû.
Íîæíûì ïåðåêëþ÷àòåëåì (îïöèîíàëüíûì FS-5U),
ïîäêëþ÷åííûì ê ãíåçäó FOOT SW íà çàäíåé ïàíåëè, âû
Ðåãóëÿòîð TYPE ìîæåòå âêëþ÷àòü è âûêëþ÷àòü èçìåíåíèå òîíà (Tone
Modify).
OFF
Çâóê çàáëîêèðîâàí.
* Åñëè óñòàíîâèòü ïîëîæåíèå OFF, èíäèêàòîð TONE
MODIFY ïîãàñíåò.
FAT
Ïëîòíûé òîí ñ óñèëåííûì ñðåäíèì äèàïàçîíîì.
PRESENCE
ßðêèé òîí ñ óñèëåííûì âûñîêèì-ñðåäíèì äèàïàçîíîì.
MILD
Ìÿãêèé òîí ñ "ïîäðåçàíèåì" âåðõíèõ ÷àñòîò.
H S
Ïåðåõîä îò òîíà äâóõêàòóøå÷íîãî çâóêîñíèìàòåëÿ ê
ñìåøàííîìó òîíó äâóõ îäíîêàòóøå÷íûõ
çâóêîñíèìàòåëåé.
H HF
Ïåðåõîä îò òîíà äâóõêàòóøå÷íîãî çâóêîñíèìàòåëÿ ê
ïîëóòîíó îäíîêàòóøå÷íîãî çâóêîñíèìàòåëÿ.
HOLLOW
Äîáàâëÿåò ðåçîíàíñ êîðïóñà äëÿ ñîçäàíèÿ òîíà, áëèçêîãî
ê òîíó àêóñòè÷åñêîé ãèòàðû.
9
Èñïîëüçîâàíèå ýôôåêòîâ
COMPRESSOR
Âêëþ÷åíèå è âûêëþ÷åíèå
Êîìïðåññîðà íîæíûì
ïåðåêëþ÷àòåëåì
Èñïîëüçóÿ ñïåöèàëüíûé êàáåëü (îïöèîíàëüíûé PCS-31)
äëÿ ïîäêëþ÷åíèÿ äâóõ íîæíûõ ïåðåêëþ÷àòåëåé
(îïöèîíàëüíûå FS-5U) ê ãíåçäó FOOT SW íà çàäíåé
ïàíåëè, âû ìîæåòå èñïîëüçîâàòü îäèí íîæíîé
Ýòîò ýôôåêò ïðîèçâîäèò äëèòåëüíûé ñóñòåéí ïóòåì ïåðåêëþ÷àòåëü äëÿ âêëþ÷åíèÿ/âûêëþ÷åíèÿ èçìåíåíèÿ
âûðàâíèâàíèÿ óðîâíÿ ãðîìêîñòè âõîäíîãî ñèãíàëà. Âû òîíà (Tone Modify ON/OFF), à äðóãîé äëÿ âêëþ÷åíèÿ è
òàêæå ìîæåòå åãî èñïîëüçîâàòü â êà÷åñòâå "ëèìèòåðà" âûêëþ÷åíèÿ Êîìïðåññîðà (COMPRESSOR ON/OFF).
äëÿ ïîäàâëåíèÿ òîëüêî çâóêîâûõ âåðøèí è Ïðîèçâîäèòå ïîäêëþ÷åíèÿ êàê óêàçàíî íà ñõåìå íèæå.
ïðåäîòâðàùåíèÿ èñêàæåíèÿ.
Ðåãóëÿòîð SUSTAIN
Ñëóæèò äëÿ ðåãóëèðîâêè ãëóáèíû ýôôåêòà. Âðàùàÿ
ðåãóëÿòîð âïðàâî (ïî ÷àñîâîé ñòðåëêå) ìîæíî
ïðîèçâåñòè ýôôåêò áîëåå äëèòåëüíîãî ñóñòåéíà.
Èñïîëüçóÿ â êà÷åñòâå ëèìèòåðà, âðàùàéòå ðåãóëÿòîð
SUSTAIN âëåâî (ïðîòèâ ÷àñîâîé ñòðåëêè).
* Åñëè íå èñïîëüçóåòå Êîìïðåññîð, óñòàíîâèòå
ðåãóëÿòîð SUSTAIN â ïîëîæåíèå "OFF". Åñëè ýòîò
ðåãóëÿòîð óñòàíîâëåí â ïîëîæåíèå OFF, èíäèêàòîð
COMPRESSOR ïîãàñíåò.
Ðåãóëÿòîð LEVEL
Ñëóæèò äëÿ ðåãóëèðîâêè ãðîìêîñòè ïðè âêëþ÷åííîì
Êîìïðåññîðå. Èñïîëüçóéòå åãî äëÿ äîñòèæåíèÿ áàëàíñà
*  ðåæèìå Memory äîñòóïíà ôóíêöèÿ ïåðåêëþ÷åíèÿ
ãðîìêîñòè ïðè âêëþ÷åíèè è âûêëþ÷åíèè Êîìïðåññîðà.
áàíêîâ (ñòð. 22).
10
Èñïîëüçîâàíèå ýôôåêòîâ
OVERDRIVE/DISTORTION
Distirtion ON/OFF). Ñ âêëþ÷åííûì ýôôåêòîì çàãîðàåòñÿ
èíäèêàòîð OVERDRIVE/DISTORTION è èíäèêàòîð ïåäàëè.
Ðåãóëÿòîð DRIVE
Ðåãóëèðóåò îáúåì èñêàæåíèÿ. Âðàùàÿ ðåãóëÿòîð âïðàâî
(ïî ÷àñîâîé ñòðåëêå), âû ñîçäàåòå áîëåå ñèëüíîå èñêà-
æåíèå (äèñòîðøí) è óâåëè÷èâàåòå ãðîìêîñòü. Ñ âðàùå-
íèåì ê ïîëîæåíèþ TURBO ýôôåêò óâåëè÷èâàåòñÿ åùå
áîëüøå.
Ðåãóëÿòîð BOTTOM
Ðåãóëèðóåò íèçêî÷àñòîòíûé äèàïàçîí. Ñ âðàùåíèåì
ðåãóëÿòîðà âëåâî (ïðîòèâ ÷àñîâîé ñòðåëêè) ïðîèñõîäèò
áîëüøèé çàâàë íèçêèõ ÷àñòîò; ïîäúåì íèçêèõ ÷àñòîò
ïðîèñõîäèò ïðè âðàùåíèè ðåãóëÿòîðà âïðàâî.
Ðåãóëÿòîð TONE
Ðåãóëèðóåò òîí. Ïðè âðàùåíèè ðåãóëÿòîðà âëåâî
ñîçäàåòñÿ áîëåå ìÿãêèé çâóê; áîëåå ðåçêèé çâóê
ïðîèçâîäèòñÿ ïðè âðàùåíèè ðåãóëÿòîðà âïðàâî.
Ñïèñîê òèïîâ
[VARIATION] âûêë. [VARIATION] ãîðèò
OD-1 Ìîäåëèðóåò BOSS OD-1 NATURAL Îâåðäðàéâ, êîòîðûé ïðèäàåò áîëåå íàòóðàëüíî çâó÷àùåå
èñêàæåíèå
OD-2 Ìîäåëèðóåò BOSS OD-2 CRUNCH "Áëåñòÿùèé" õðèïëûé çâóê, ïðèäàþùèé ýëåìåíò óñèëèòåëüíîãî
èñêàæåíèÿ
BD-2 Ìîäåëèðóåò BOSS BD-2 LEAD Ïðîèçâîäèò ýôôåêò èñêàæåíèÿ ñ ãëàäêîñòüþ îâåðäðàéâà è
ãëóáîêèì äèñòîðøíîì (èñêàæåíèåì)
DS-1 Ìîäåëèðóåò BOSS DS-1 LOUD Òÿæåëîå èñêàæåíèå (äèñòîðøí) ñ óñèëåííûìè íèçàìè
ÌÒ-2 Ìîäåëèðóåò BOSS MT-2 METAL Ñèëüíîå, èíòåíñèâíîå èñêàæåíèå
SCREAM Ìîäåëèðóåò Ibanez TS-808 MODERN OD Îâåðäðàéâ ñ îñîáûì òîíîì ñðåäíåãî äèàïàçîíà
TUBESCREAMER
DST+ Ìîäåëèðóåò MXR DISTOR- STACK Ïëîòíûé çâóê, ïðèäàþùèé ýëåìåíò èñêàæåíèÿ ïðè
TION+ èñïîëüçîâàíèè ñòåêà óñèëèòåëåé
GUV Ìîäåëèðóåò Marshall Hi GAIN Çâóê îâåðäðàéâà ïðè èñïîëüçîâàíèè ñòåêà óñèëèòåëåé
GUV'NOR
RAT Ìîäåëèðóåò Proco RAT MODERNDS Çâóê áîëüøîãî óñèëèòåëÿ ñ óñèëåíèåì âåðõíèõ ÷àñòîò
MUFF Ìîäåëèðóåò Electro-Har- SQUARE Çâóê ñèíòåçàòîðà ñ ïðÿìîóãîëüíîé ôîðìîé èìïóëüñà
monix Big Muff ?
FACE Ìîäåëèðóåò FUZZ FACE OCT FUZZ Íå÷åòêèé çâóê, ïðîèçâåäåííûé îêòàâíûìè îáåðòîíàìè
11
Èñïîëüçîâàíèå ýôôåêòîâ
MODULATION
Ðåãóëÿòîð DEPTH/HARMONY
Ðåãóëèðóåò ãëóáèíó ìîäóëÿöèè.
Ðåãóëÿòîð E.LEVEL/RESONANCE
Ðåãóëèðóåò ãðîìêîñòü õîðóñà.
ST CHORUS 1
Ýòî ýôôåêò ñòåðåî õîðóñà, êîòîðûé ïðèäàåò ðàçëè÷íûå
çâóêè õîðóñà ê L è R.
Ðåãóëÿòîð RATE/KEY
Ðåãóëèðóåò ÷àñòîòó ìîäóëÿöèè.
Ðåãóëÿòîð DEPTH/HARMONY
Ðåãóëèðóåò ãëóáèíó ìîäóëÿöèè.
Ðåãóëÿòîð E.LEVEL/RESONANCE
Ðåãóëèðóåò ãðîìêîñòü õîðóñà.
ST CHORUS 2
Ýòî ýôôåêò ñòåðåî õîðóñà, ïðîèçâåäåííûé ñèíòåçîì
ïðîñòðàíñòâåííîé õàðàêòåðèñòèêè ïðÿìîãî çâóêà è çâóêà
ýôôåêòà.
Ðåãóëÿòîð RATE/KEY
Ðåãóëèðóåò ÷àñòîòó ìîäóëÿöèè.
Ðåãóëÿòîð DEPTH/HARMONY
Ýôôåêò, êîòîðûé ðàñøèðÿåò çâóê è ïðèäàåò åìó Ðåãóëèðóåò ãëóáèíó ìîäóëÿöèè.
êîëåáàíèÿ, íàçûâàåòñÿ "ìîäóëÿöèåé".
Ðåãóëÿòîð E.LEVEL/RESONANCE
 ÌÅ-50 âñòðîåíî 11 ðàçíûõ òèïîâ ýôôåêòîâ Ìîäóëÿöèè.
Ðåãóëèðóåò ãðîìêîñòü õîðóñà.
Âûáåðèòå îäèí èç íèõ.
PHASER
Ïåäàëü MOD Äîáàâëÿÿ ÷àñòè èç ðàçëè÷íûõ ôàç ê ïðÿìîìó çâóêó,
Íàæàâ íà ïåäàëü, ìîæíî âêëþ÷èòü/âûêëþ÷èòü ïðèäàåò çâóêó êðóòÿùèéñÿ "èñêàæåííûé" ýôôåêò.
Ìîäóëÿöèþ. Ðåãóëÿòîð RATE/KEY
Ïðè âêëþ÷åíèè èíäèêàòîð MODULATION è èíäèêàòîð Ðåãóëèðóåò ÷àñòîòó ýôôåêòà ôåéçåð.
ïåäàëè çàãîðàþòñÿ.
Ðåãóëÿòîð DEPTH/HARMONY
Ðåãóëÿòîð TYPE Ðåãóëèðóåò ãëóáèíó ôåéçåðà.
CHORUS
Ýòîò ýôôåêò õîðóñà âûâîäèò îäèíàêîâûå çâóêè èç
âûõîäîâ L è R.
Ðåãóëÿòîð RATE/KEY
Ðåãóëèðóåò ÷àñòîòó ìîäóëÿöèè.
12
Èñïîëüçîâàíèå ýôôåêòîâ
VIBRATO
Ýòîò ýôôåêò ñîçäàåò âèáðàòî ïóòåì ëåãêîé ìîäóëÿöèè
ïèò÷à.
Ðåãóëÿòîð RATE/KEY
Ðåãóëèðóåò ÷àñòîòó âèáðàòî.
Ðåãóëÿòîð DEPTH/HARMONY
Ðåãóëèðóåò ãëóáèíó âèáðàòî.
* Ðåãóëÿòîð E.LEVEL/RESONANCE ýôôåêòà íå
ïðîèçâîäèò.
Ðåãóëÿòîð DEPTH/HARMONY
UNI-V
Îïðåäåëÿåò ïèò÷ çâóêà, äîáàâëåííîãî ê âõîäíîìó çâóêó
âî âðåìÿ ñîçäàíèÿ âàìè ãàðìîíèè. Âû ìîæåòå óñòàíàâ- Õîòÿ ýòîò ýôôåêò è íàïîìèíàåò ýôôåêò ôýéçåðà, îí
ëèâàòü åãî (ïèò÷) ìàêñèìóì íà îäíó îêòàâó âûøå èëè òàêæå îáåñïå÷èâàåò íåïîâòîðèìîå êîëåáàíèå, êîòîðûå
íèæå, ÷åì âõîäíîé çâóê. Óñòàíîâèâ íà "0", âû ïîëó÷àåòå âû íå ìîæåòå ïîëó÷èòü îáû÷íûì ôýéçåðîì.
"ðàññòðîåííûé" ýôôåêò, êîòîðûé ïðèäàåò âõîäíîìó çâóêó Ðåãóëÿòîð RATE/KEY
çâóê ñ íåñêîëüêî èíûì ïèò÷åì.
Ðåãóëèðóåò ÷àñòîòó ýôôåêòà UNI-V.
Ðåãóëÿòîð DEPTH/HARMONY
Ðåãóëèðóåò ãëóáèíó ýôôåêòà UNI-V.
Ðåãóëÿòîð E.LEVEL/RESONANCE
Ðåãóëèðóåò ãðîìêîñòü ýôôåêòà UNI-V.
13
Èñïîëüçîâàíèå ýôôåêòîâ
14
Èñïîëüçîâàíèå ýôôåêòîâ
DELAY
0-30 ms
Äèàïàçîí âðåìåíè çàäåðæêè îò 0 äî 30 ìñ
25-125 ms
Äèàïàçîí âðåìåíè çàäåðæêè îò 25 äî 125 ìñ
100-500 ms
Äèàïàçîí âðåìåíè çàäåðæêè îò 100 äî 500 ìñ
400-2000 ms
Äèàïàçîí âðåìåíè çàäåðæêè îò 400 äî 2000 ìñ
ANALOG
Ïðîèçâîäèò ìÿãêîå çâó÷àíèå àíàëîãîâîé çàäåðæêè.
Âðåìÿ çàäåðæêè ìîæíî óñòàíàâëèâàòü â äèàïàçîíå îò
100 äî 500 ìñ.
SLOW ECHO
Ïðîèçâîäèò ýôôåêò, êîòîðûé ñî÷åòàåò íàðàñòàíèå è
îñëàáëåíèå çâóêà ñ çàäåðæêîé. Âðåìÿ çàäåðæêè ìîæíî
óñòàíàâëèâàòü â äèàïàçîíå îò 200 äî 1000 ìñ.
PAN
Ïàíîðàìèðîâàííàÿ çàäåðæêà, â êîòîðîé ïîâòîðÿþùèåñÿ
çâóêè âûõîäÿò ïî î÷åðåäè èç ëåâîãî è ïðàâîãî êàíàëîâ.
Âðåìÿ çàäåðæêè ìîæíî óñòàíàâëèâàòü â äèàïàçîíå îò
200 äî 1000 ìñ.
Ýòîò ýôôåêò äîáàâëÿåò ê ïðÿìîìó çâóêó çàäåðæàííûé
çâóê, ïðèäàâàÿ çâóêó áîëüøå îáúåìíîñòè èëè ñîçäàâàÿ * Ïðè èñïîëüçîâàíèè ÌÅ-50 â ðåæèìå ìîíî
ñïåöýôôåêòû. ïàíîðàìèðóþùàÿ çàäåðæêà íå äåéñòâóåò, äàæå ïðè
âûáîðå PAN.
Ïåäàëü DELAY
SPACE PAN
C êàæäûì íàæàòèåì íà ïåäàëü âêëþ÷àåòñÿ èëè
âûêëþ÷àåòñÿ ýôôåêò Çàäåðæêè (Äèëåé). Åñëè ýôôåêò Ïàíîðàìèðóþùàÿ çàäåðæêà, êîòîðàÿ ïðîèçâîäèò áîëåå
âêëþ÷åí, èíäèêàòîð DELAY è èíäèêàòîð ïåäàëè øèðîêèé ïðîñòðàíñòâåííûé ýôôåêò, ÷åì PAN. Âðåìÿ
çàãîðàþòñÿ. çàäåðæêè ìîæíî óñòàíàâëèâàòü â äèàïàçîíå îò 200 äî
1000 ìñ.
* DELAY ON/OFF ïåðåêëþ÷àåò çàäåðæêó íà âõîäå äëÿ
îáåñïå÷èâàíèÿ áîëåå íàòóðàëüíîãî ýôôåêòà. Ïî ýòîé * Ïðè èñïîëüçîâàíèè ÌÅ-50 â ðåæèìå ìîíî èëè ïðè
ïðè÷èíå, åñëè, ïðè âûêëþ÷åííîì ýôôåêòå Çàäåðæêè èñïîëüçîâàíèè íàóøíèêîâ ïàíîðàìèðóþùàÿ
ðåãóëÿòîð FEEDBACK óñòàíîâëåí â âåðõíåå çàäåðæêà íå äåéñòâóåò, äàæå ïðè âûáîðå SPACE PAN.
ïîëîæåíèå, çàäåðæàííûé çâóê áóäåò êîðîòêèì.
REVERSE
Ðåãóëÿòîð TYPE Ïðîèçâîäèò ýôôåêò, â êîòîðîì çâóê âîñïðîèçâîäèòñÿ â
Óñòàíàâëèâàåò òèï çàäåðæêè. îáðàòíîì ïîðÿäêå.
*Åñëè âûáðàíà óñòàíîâêà ëþáàÿ, êðîìå HOLD, âû ìîæåòå Âû ìîæåòå ïîëó÷èòü äâà ðàçíûõ ýôôåêòà - "direct sound/
èñïîëüçîâàòü ïåäàëü DELAY äëÿ ââîäà òåìïà è ïðÿìîé çâóê + effect sound/çâóê ýôôåêòà" èëè "effect
óñòàíîâèòü âðåìÿ çàäåðæêè ñèíõðîíèçèðîâàííî ñ sound only/òîëüêî çâóê ýôôåêòà" - â çàâèñèìîñòè îò
òåìïîì èñïîëíåíèÿ. ïîëîæåíèÿ ðåãóëÿòîðà E.LEVEL. Åñëè ðåãóëÿòîð E.LEVEL
óñòàíîâèòü â ìàêñèìàëüíîì ïðàâîì ïîëîæåíèè,
óñòðîéñòâî ïåðåêëþ÷èòñÿ ê "effect sound only".
"ÒÀÐ $" (ñòð. 16) Âðåìÿ çàäåðæêè ìîæíî óñòàíàâëèâàòü â äèàïàçîíå îò
"Äîáàâëåíèå ñèíõðîíèçèðîâàííîé çàäåðæêè ê òåìïó 400 äî 2000 ìñ.
èñïîëíåíèÿ" (ñòð. 16)
15
Èñïîëüçîâàíèå ýôôåêòîâ
Ðåãóëÿòîð E.LEVEL
Ðåãóëèðóåò ãðîìêîñòü çâóêà çàäåðæêè. Åñëè TYPE
óñòàíîâëåí íà REVERSE, ðåãóëèðóåòñÿ áàëàíñ ïðÿìîãî
çâóêà è çâóêà ýôôåêòà.
16
Èñïîëüçîâàíèå ýôôåêòîâ
5. Îòðåãóëèðóéòå ãðîìêîñòü
Ðåãóëèðóéòå ãðîìêîñòü çâóêà âîñïðîèçâåäåíèÿ
ðåãóëÿòîðîì E.LEVEL.
17
Èñïîëüçîâàíèå ýôôåêòîâ
Ýòîò ýôôåêò ïîäàâëÿåò øóì è ôîí, ïðîèçâåäåííûé Ýòîò ýôôåêò äîáàâëÿåò ê çâóêó ðåâåðáåðàöèþ.
ãèòàðíûì çâóêîñíèìàòåëåì. Ïîñêîëüêó îí ïîäàâëÿåò øóì Ñ ïîìîùüþ ðåãóëÿòîðà ìîæíî âêëþ÷àòü ëþáóþ èç
ñèíõðîíèçèðîâàííî ñ îãèáàþùåé ãèòàðíîãî çâóêà ÷åòûðåõ ðåâåðáåðàöèé: ROOM, HALL, SPRING èëè MOD.
(ñïîñîá, êîòîðûì ãèòàðíûé çâóê çàòóõàåò ïî âðåìåíè),
* Ìåòêè íà ïàíåëè äëÿ ROOM, HALL, SPRING èëè MOD
îí î÷åíü ñëàáî âîçäåéñòâóåò íà ãèòàðíûé çâóê è íå
- äëÿ îðèåíòèðîâî÷íûõ óñòàíîâîê. Ïðîâåðÿéòå
íàðóøàåò åñòåñòâåííûé õàðàêòåð çâóêà.
çâó÷àíèå ýôôåêòîâ ïðè ðåãóëèðîâêàõ.
Ðåãóëÿòîð THRESHOLD * Êîãäà âêëþ÷åíà Ðåâåðáåðàöèÿ, èíäèêàòîð
çàãîðàåòñÿ, à ïðè âûêëþ÷åíèè Ðåâåðáåðàöèè ãàñíåò.
Îòðåãóëèðóéòå ýòîò ïàðàìåòð ñîîòâåòñòâåííî ãðîìêîñòè
çâóêà. Åñëè óðîâåíü øóìà âûñîêèé, ïîäõîäèò âûñøàÿ
ROOM
óñòàíîâêà. Åñëè óðîâåíü øóìà íèçêèé, ïîäõîäèò íèçøàÿ
óñòàíîâêà. Ðåãóëèðóéòå ýòó âåëè÷èíó äî òåõ ïîð, ïîêà Èìèòèðóåò çâóê ðåâåðáåðàöèè ìàëåíüêîé êîìíàòû.
çàòóõàíèå ãèòàðíîãî çâóêà íå ñòàíåò êàê ìîæíî
åñòåñòâåííûì. HALL
* Óñòàíîâèòå ðåãóëÿòîð â ïîëîæåíèå OFF, åñëè âû íå Èìèòèðóåò çâóê ðåâåðáåðàöèè áîëüøîãî çàëà.
èñïîëüçóåòå ïîäàâèòåëü øóìà. Åñëè óñòàíîâëåíî
ïîëîæåíèå OFF, èíäèêàòîð NS âûêëþ÷àåòñÿ. SPRING
* Âûñîêèå óñòàíîâêè äëÿ ïàðàìåòðà ïîðîãà (Threshold) Èìèòèðóåò çâóê âñòðîåííîãî ïðóæèííîãî ðåâåðáåðàòîðà
ìîãóò ñòàòü ðåçóëüòàòîì îòñóòñòâèÿ çâóêà, êîãäà âû ãèòàðíîãî óñèëèòåëÿ.
èãðàåòå íà ãèòàðå ñ óáàâëåííîé ãðîìêîñòüþ.
MOD
Äîáàâëÿåò ìîäóëÿöèþ â ðåâåðáåðàöèþ çàëà è ïðîèçâî-
äèò î÷åíü ïðèÿòíûé çâóê (ýôôåêò) ðåâåðáåðàöèè.
18
Èñïîëüçîâàíèå ýôôåêòîâ
Ïåäàëü WAH
Ýôôåêò ôóíêöèîíèðóåò êàê ïåäàëü wah.
RESONANCE
Ýòîò ïîëíîñòüþ îðèãèíàëüíûé ýôôåêò ïðåäëàãàåò
óñîâåðøåíñòâîâàíèÿ òèïè÷íûõ ðåçîíàíñîâ,
ïðîèçâåäåííûõ àíàëîãîâûìè ñèíòåçàòîðíûìè
ôèëüòðàìè. Èñïîëüçîâàíèå ýòîãî ýôôåêòà â ñî÷åòàíèè ñ
óñòàíîâêîé ðåãóëÿòîðà TYPE OVERDRIVE/DISTORTION â
ïîëîæåíèå "SQUARE" ïðîèçâîäèò çâó÷àíèå, áëèçêîå ê
çâó÷àíèþ ñèíòåçàòîðà.
À ïðè èñïîëüçîâàíèè âìåñòå ñ çàäåðæêîé, õîðóñîì è
Âû ìîæåòå ïðîèçâåñòè óñòàíîâêó, êîòîðàÿ îïðåäåëÿåò, ðåâåðáåðàöèåé ïîñëåäíèå ñòàíîâÿòñÿ åùå áîëåå
ôóíêöèîíèðóåò ëè ïåäàëü ýêñïðåññèè ÌÅ-50 êàê ïåäàëü ýôôåêòèâíûìè.
ãðîìêîñòè èëè êàê ïåäàëü ýêñïðåññèè. Â äîïîëíåíèå,
èñïîëüçóÿ åå â êà÷åñòâå ïåäàëè ýêñïðåññèè, âû ìîæåòå VOICE
óïðàâëÿòü îäíèì èç ñïåöèàëüíûõ ïåàäëüíûõ ýôôåêòîâ,
Êàê óñîâåðøåíñòâîâàíèå BOSS HUMANIZER ýòîò ýôôåêò
êîòîðûé âû âûáåðèòå.
ïðîèçâîäèò "ðàçãîâîðíûå" çâóêè ìîäóëÿöèè è
ðåàëèñòè÷åñêèå çâóêè ÷åëîâå÷åñêîãî ãîëîñà.
Èñïîëüçîâàíèå ïåäàëè â êà÷åñòâå
ïåäàëè ãðîìêîñòè RING MOD
Èñïîëüçóÿ ïåäàëü ýêñïðåññèè â êà÷åñòâå ïåäàëè ãðîìêî- Ýòî ýôôåêò, êîòîðûé ñìåøèâàåò âíóòðåííèé ãåíåðàòîð
ñòè, íàæèìàéòå íà ïåäàëü ýêñïðåññèè âïåðåä, à çàòåì ÌÅ-50 ñî çâóêîì ãèòàðíîãî èñòî÷íèêà, ôîðìèðóÿ
íàæìèòå ñèëüíåå, ÷òîáû èíäèêàòîð PEDAL MODE ïîãàñ. ìåòàëëè÷åñêèé çâóê áåç ïèò÷à.
Ñ íàæàòèåì íà ïåäàëü ÷àñòîòà âíóòðåííåãî ãåíåðàòîðà
èçìåíÿåòñÿ åùå áîëåå ðàäèêàëüíî, ñîçäàâàÿ îñîáåííûé
êîëåáëþùèéñÿ çâóê.
* Èç-çà íåîáõîäèìîñòè àíàëèçà ïèò÷à àêêîðäû
(îäíîâðåìåííî ñûãðàííûå äâà èëè áîëåå çâóêà)
ñûãðàòü íåâîçìîæíî.
+1 OCTAVE
Ïîçâîëÿåò ïîâûñèòü ïèò÷ ìàêñèìóì íà îäíó îêòàâó âûøå
ïåðâîíà÷àëüíîãî ãèòàðíîãî çâóêà.
Ãðîìêîñòü óìåíüøàåòñÿ ñ ïîäúåìîì ïåðåäíåé ÷àñòè
ïåäàëè è óâåëè÷èâàåòñÿ ñ åå íàæàòèåì. * Èç-çà íåîáõîäèìîñòè àíàëèçà ïèò÷à àêêîðäû
(îäíîâðåìåííî ñûãðàííûå äâà èëè áîëåå çâóêà)
Èñïîëüçîâàíèå ïåäàëè â êà÷åñòâå ñûãðàòü íåâîçìîæíî.
ïåäàëè ýêñïðåññèè -1 OCTAVE
Èñïîëüçóÿ ïåäàëü â êà÷åñòâå ïåäàëè ýêñïðåññèè, Ïîçâîëÿåò ïîíèçèòü ïèò÷ ìàêñèìóì íà îäíó îêòàâó íèæå
íàæèìàéòå íà ïåäàëü ýêñïðåññèè âïåðåä, à çàòåì ïåðâîíà÷àëüíîãî ãèòàðíîãî çâóêà.
íàæìèòå ñèëüíåå, ÷òîáû çàãîðåëñÿ èíäèêàòîð PEDAL * Èç-çà íåîáõîäèìîñòè àíàëèçà ïèò÷à àêêîðäû
MODE. (îäíîâðåìåííî ñûãðàííûå äâà èëè áîëåå çâóêà)
ñûãðàòü íåâîçìîæíî.
19
Ñîõðàíåíèå è çàãðóçêà ñîçäàííûõ
òîíîâ (Memory Mode/Ðåæèì Ïàìÿòü)
ÌÅ-50 ïðåäóñìàòðèâàåò ðåæèì Ïàìÿòü, êîòîðûé
ïîçâîëÿåò âàì ñîõðàíÿòü ðàçëè÷íûå óñòàíîâêè â ñàìîì
×òî òàêîå Ïàò÷ (Patch)
ÌÅ-50, à çàòåì âûçûâàòü èõ è èñïîëüçîâàòü. Ïðè èñïîëíåíèè íà ãèòàðå â ðàçëè÷íûõ ñèòóàöèÿõ
íåîáõîäèìû ðàçíîîáðàçíûå òîíû. Ýôôåêòû, êîòîðûå âû,
ìîæåò áûòü, çàõîòèòå âêëþ÷èòü, è óñòàíîâêè ïàðàìåòðîâ
Ïåðåêëþ÷åíèå ìåæäó äëÿ òàêèõ ýôôåêòîâ èçìåíÿþòñÿ â ñîîòâåòñòâèè ñ
Ðó÷íûì/ðåæèìîì Manual âûáðàííûì òîíîì.
 ÌÅ-50 âû ìîæåòå óñòàíàâëèâàòü ýòè ïàðàìåòðû,
Mode è ðåæèìîì Ïàìÿòü óðîâíè ãðîìêîñòè è ò.ä., ñîõðàíÿòü öåëûé ðÿä îáùèõ
óñòàíîâîê â ïàìÿòè è ñ ïîìîùüþ ïåäàëåé ïåðåêëþ÷àòü
Ðåæèì, â êîòîðîì ïðîèçâåäåííûé òîí îòðàæàåò ñîõðàíåííûå óñòàíîâêè, ÷òîáû ìãíîâåííî èçìåíÿòü òîíû.
ñîîòâåòñòâóþùèå óñòàíîâêè ïàíåëè òàêèìè, êàêèìè îíè
Òàêèå ñîõðàíåííûå íàáîðû óñòàíîâîê íàçûâàþòñÿ
åñòü, íàçûâàåòñÿ "Ðó÷íûì (Manual) ðåæèìîì". Êîãäà ÌÅ-
"Ïàò÷àìè". Âû ìîæåòå ñîçäàòü äî 30 ïàò÷åé.
50 â Ðó÷íîì ðåæèìå íà äèñïëåå ïîÿâëÿåòñÿ òî÷êà.
Òðèäöàòü ïàò÷åé ðàçäåëåíû íà äåñÿòü "áàíêîâ", êàæäûé
èç êîòîðûõ âìåùàåò òðè ïàò÷à.
20
Ñîõðàíåíèå è çàãðóçêà ñîçäàííûõ òîíîâ (Memory Mode/Ðåæèì Ïàìÿòü)
Ïðîöåäóðà çàïèñè
Òîí, õðàíÿùèéñÿ â ïàò÷å, îïðåäåëåííîì êàê íàçíà÷åíèå
"Ïðîöåäóðà çàïèñè" äàåò âàì âîçìîæíîñòü ñîõðàíÿòü â
ñîõðàíåíèÿ, ñòèðàåòñÿ ïî âûïîëíåíèè ïðîöåäóðû çàïèñè.
Ïàò÷àõ óñòàíîâêè ñîçäàííûõ òîíîâ, èñïîëüçóÿ ðàñïîëî-
æåííûå íà ïàíåëè ðåãóëÿòîðû è ïåäàëè, óñòàíîâêó ðå-
ãóëÿòîðà MASTER LEVEL è óñòàíîâêè ïåäàëè ýêñïðåññèè.
* Âû ìîæåòå âûïîëíèòü ïðîöåäóðó çàïèñè êàê â
Âûçîâ è èñïîëüçîâàíèå õðà-
Ðó÷íîì ðåæèìå, òàê è â ðåæèìå Ïàìÿòü. íÿùèõñÿ òîíîâ (Patch Change)
* Åñëè ïðîöåäóðà çàïèñè íå âûïîëíÿåòñÿ, òîãäà ïðè
âûêëþ÷åíèè ïèòàíèÿ èëè ïðè ïåðåêëþ÷åíèè äðóãîãî Ïåðåêëþ÷àéòå ïàò÷è ñ ïîìîùüþ BANK [ ][ ]è
Ïàò÷à ñòèðàåòñÿ òîí, êîòîðûé âû ñîçäàëè. ïåäàëåé (ñ íîìåðàìè) 1-3.
* Áàíê 1, íîìåð 1 âñåãäà âûáèðàåòñÿ ïåðâûì ïðè
ââåäåíèè ðåæèìà Ïàìÿòü ïîñëå âêëþ÷åíèÿ ïèòàíèÿ.
Ïåðåêëþ÷åíèå íîìåðîâ
Ñ íàæàòèåì íà ïåäàëü (1), çàãîðàåòñÿ íîìåð èíäèêàòîðà
(2) íàä íàæàòîé ïåäàëüþ, âûçûâàþòñÿ ïàò÷ ñ ýòèì
íîìåðîì â òåêóùå âûáðàííîé ãðóïïå è áàíê, à òîí
ïåðåêëþ÷àåòñÿ ìãíîâåííî.
1. Íàæìèòå [WRITE]
Çàãîðàåòñÿ èíäèêàòîð MEMORY. Â òî æå âðåìÿ
èíäèêàöèÿ áàíêà íà äèñïëåå è èíäèêàòîð ïåäàëè
ìèãàþò è íà äèñïëåé âûâîäÿòñÿ òåêóùå âûáðàííûé
áàíê Ïàò÷åé è íîìåð Ïàò÷à.
21
Ñîõðàíåíèå è çàãðóçêà ñîçäàííûõ òîíîâ (Memory Mode/Ðåæèì Ïàìÿòü)
Îá óñòàíîâêå òåìïà
Åñëè âû óäåðæèâàåòå íàæàòîé òåêóùå âûáðàííóþ ïåäàëü
ñ íîìåðîì íå ìåíåå 2 ñåêóíä, çàãîðàåòñÿ èíäèêàòîð
ïåäàëè è ÌÅ-50 ïåðåêëþ÷àåòñÿ ê ðåæèìó óñòàíîâîê
òåìïà, à ïåäàëü áóäåò èñïîëüçîâàòüñÿ äëÿ ââîäà òåìïà.
Ñëåäóþùèå ôóíêöèè óñòðîéñòâà çàâèñÿò îò ñîñòîÿíèÿ
âêëþ÷åíèå/âûêëþ÷åíèå MODULATION è DELAY.
* Åñëè DELAY è MODULATION îáà âûêëþ÷åíû, âû íå
ñìîæåòå âêëþ÷èòü ðåæèì óñòàíîâîê òåìïà.
Ñ ïîìîùüþ ñïåöèàëüíîãî êàáåëÿ (îïöèîíàëüíîãî PCS-
31) âû ìîæåòå ïîäêëþ÷èòü äâà íîæíûõ ïåðåêëþ÷àòåëÿ è
èñïîëüçîâàòü èõ äëÿ ïåðåêëþ÷åíèÿ Áàíêîâ. Åñëè DELAY âêëþ÷åí
(íî ðåãóëÿòîð TYPE íå óñòàíîâëåí
íà HOLD èëè ÒÀÐ$)
Âû ìîæåòå óñòàíîâèòü âðåìÿ çàäåðæêè ñ ïîìîùüþ
íàæàòèÿ íà ïåäàëü.
* Åñëè è DELAY, è MODULATION âêëþ÷åíû, ìîæíî
óñòàíàâëèâàòü òîëüêî çàäåðæêó.
22
Ñîõðàíåíèå è çàãðóçêà ñîçäàííûõ òîíîâ (Memory Mode/Ðåæèì Ïàìÿòü)
2. Íàæìèòå [EXIT/EDIT]
Çàãîðàåòñÿ èíäèêàòîð MEMORY è ðåäàêòèðîâàíèå
Ïàò÷à ñòàíîâèòñÿ âîçìîæíûì (ðåæèì
ðåäàêòèðîâàíèÿ Ïàò÷à).
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Óäîáíûå ôóíêöèè
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Óäîáíûå ôóíêöèè
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Ïðèëîæåíèÿ
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Ïðèëîæåíèÿ
Óñòðàíåíèå íåèñïðàâíîñòåé
Åñëè îòñóòñòâóåò çâóê èëè åñëè ÌÅ-50 íå ôóíêöèîíèðóåò
äîëæíûì îáðàçîì, ñíà÷àëà ïðî÷èòàéòå è ïðîâåðüòå
íèæåïðèâåäåííûå ïóíêòû. Åñëè ñëåäóþùèå ìåðû íå
ïîìîãàþò óñòðàíèòü âîçíèêøóþ ïðîáëåìó, ñâÿæèòåñü ñ
âàøèì äèëåðîì èëè áëèæàéøèì ñåðâèñíûì öåíòðîì
Roland.
z Íå óáàâëåíà ëè ãðîìêîñòü?
Ïðîâåðüòå óðîâíè ãðîìêîñòè íà ïîäñîåäèíåííîì
óñèëèòåëå èëè ìèêøåðå.
Íå èçìåíÿþòñÿ ïàò÷è
z Íå óñòàíîâëåí ëè Ðó÷íîé ðåæèì (ñòð. 20)?
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Ïðèëîæåíèÿ
Òåõíè÷åñêèå õàðàêòåðèñòèêè
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Ñïèñîê ïàò÷åé
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Çàâîäñêèå óñòàíîâêè
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Çàâîäñêèå óñòàíîâêè
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Òàáëèöà äëÿ îòìåòîê ïàðàìåòðîâ
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Òàáëèöà äëÿ îòìåòîê ïàðàìåòðîâ
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Àëôàâèòíûé óêàçàòåëü
Numerics/×èñëà H S
0-30 ms ...................................... 15 H HF ........................................... 9 S H .............................................. 9
-1 OCTAVE .................................. 19 H S .............................................. 9 SCREAM ....................................... 11
+1 OCTAVE ................................. 19 HALL ........................................... 18 SLOW ECHO ................................ 15
100-500 ms ................................. 15 HARMONIST ................................ 13 SPACE PAN .................................. 15
25-125 ms ................................... 15 Hi GAIN ....................................... 11 SPRING ....................................... 18
400-2000 ms .............................. 15 HOLD ..................... 8, 16–17, 21, 23 SQUARE ....................................... 11
HOLLOW ....................................... 9 ST CHORUS 1 ............................... 12
A ST CHORUS 2 ............................... 12
ACOUSTIC ..................................... 9 L STACK .......................................... 11
ANALOG ..................................... 15 LEAD ............................................ 11 SUSTAIN ..................................... 10
AUX IN ....................................... 25 LEVEL ..................................... 10–11
LINE/PHONES ............................... 7 T
B LOUD ........................................... 11 TAP$ ................................. 16, 21, 23
BANK ........................................... 21 THRESHOLD ................................ 18
Bank ............................................ 20 M TIGHT ............................................ 9
BD-2 ............................................. 11 Manual mode ............................. 20 TIME ........................................... 16
BOTTOM ...................................... 11 MASTER LEVEL ........................ 7, 20 TONE ........................................... 11
Memory mode ............................ 20 TONE MODIFY .............................. 9
C METAL ......................................... 11 TREMOLO .................................... 13
CHORUS ....................................... 12 MILD ............................................. 9 TUNER ........................................ 24
COMPRESSOR ............................. 10 MOD ...................................... 12, 18 Tuner mode ................................ 24
CRUNCH ...................................... 11 MODERN DS ................................ 11 TYPE ............................. 9, 11–12, 15
MODERN OD ............................... 11
D MODULATION ............................. 12 U
DELAY ......................................... 15 MT-2 ............................................ 11 UNI-V .......................................... 13
DEPTH/HARMONY ............... 12–14 MUFF ........................................... 11
DRIVE ........................................... 11 V
DS-1 ............................................. 11 N VARIATION .................................. 11
DST+ ............................................ 11 NATURAL ..................................... 11 VIBRATO ...................................... 13
NS ............................................... 18 VOICE ......................................... 19
E Number Pedal .............................. 21 VOLUME ..................................... 19
E.LEVEL ....................................... 16
E.LEVEL/RESONANCE ............ 12–14 O W
EDIT/EXIT .................................... 23 OCT FUZZ .................................... 11 WAH ........................................... 19
ENHANCE ...................................... 9 OD/DS ......................................... 11 WRITE .......................................... 21
EXPRESSION ................................ 19 OD-1 ............................................. 11
OD-2 ............................................ 11
F OFF ............................................... 9
FACE ............................................ 11
Factory Reset .............................. 26 P
FAT ............................................... 9 PAN ....................................... 13, 15
FEEDBACK ................................... 16 Patch ........................................... 20
FLANGER ..................................... 13 PEDAL MODE SW ....................... 19
FOOT SW ......................... 9–10, 22 PHASER ........................................ 12
PRESENCE ..................................... 9
G
GUV ............................................. 11 R
RAT .............................................. 11
RATE/KEY .............................. 12, 14
RATE/KEY knob ........................... 13
RESONANCE ............................... 19
REVERB ....................................... 18
REVERSE ...................................... 15
RING MOD .................................. 19
ROOM ......................................... 18
ROTARY ...................................... 14
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