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  • How To Sound Like Jazz With 3 Easy Bebop Licks

    Загружено:

    J Araujo
    78 просмотров2 страницы
    The document provides 5 examples of jazz licks and techniques to help sound more like bebop jazz. Example 1 shows a D minor 7th to G 7th to C major 7th lick. Example 2 demonstrates arpeggiating chords from the 3rd note. Example 3 presents another D minor 7th to G 7th to C major 7th lick. Example 4 uses triads with leading notes. Example 5 is a final D minor 7th to G 7th to C major 7th lick.

    Исходное описание:

    jens larsen

    Оригинальное название

    How to Sound Like Jazz With 3 Easy Bebop Licks

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    The document provides 5 examples of jazz licks and techniques to help sound more like bebop jazz. Example 1 shows a D minor 7th to G 7th to C major 7th lick. Example 2 demonstrates arpeggiating chords from the 3rd note. Example 3 presents another D minor 7th to G 7th to C major 7th lick. Example 4 uses triads with leading notes. Example 5 is a final D minor 7th to G 7th to C major 7th lick.

    Авторское право:

    © All Rights Reserved
    Скачайте в формате PDF, TXT или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    78 просмотров2 страницы

    How To Sound Like Jazz With 3 Easy Bebop Licks

    Загружено:

    J Araujo
    The document provides 5 examples of jazz licks and techniques to help sound more like bebop jazz. Example 1 shows a D minor 7th to G 7th to C major 7th lick. Example 2 demonstrates arpeggiating chords from the 3rd note. Example 3 presents another D minor 7th to G 7th to C major 7th lick. Example 4 uses triads with leading notes. Example 5 is a final D minor 7th to G 7th to C major 7th lick.

    Авторское право:

    © All Rights Reserved
    Скачайте в формате PDF, TXT или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    из 2

    How To Sound like Jazz with 3 Easy Bebop Licks

    www.jenslarsen.nl
    Standard tuning
     = 120
    Example 1 - Lick #1
    Dm7 G7 Cmaj7
             
        
             
    8 10 8
     7 10 7 9
    7 10 10 8 9
    7 8
    9 10

    Example 2 - Arpeggio and Arpeggio from the 3rd of each chord


    Dm7 G7 Cmaj7   
               
             
    7 7 10
    10 8 8
     7 10 7 10
    9
    9
    7 10
    9
    7 10
    10
    9 9
    8 8 10
    10

    Example 3 - Lick #2
    Dm7 G7 Cmaj7
           
                 

    9 8
     10
    6 7
    9 7
    10 7 8 9 9
    7 10 9
    9
    7

    Example 4 - Triads with leading notes


        
                         
       
    7 8
    7 8 7 8
     6 7
    6 7
    8 9
    6 7
    9 10
    8 9
    7 8 9 10
    9 10

    Example 5 - Lick #3
    Dm7 G7 Cmaj7
    3
                 
      
         
     7 10 7 9
    7
    10
    8 7 8 8 10 9 8 10 7
    9 10

    1/2
    Example 6 - Arpeggios with Triplet Rhythm
    Dm7 G7 Cmaj7 
    3 3
          
           
                     
    3 3 3
    3
    7 7 10
    10 8 8
     7 10 7 10
    9
    9
    7 10
    8 9
    7 10
    9 10
    9 8 9
    8 7 8 9 10
    9 10

    2/2

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