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Learning Progression for Narrative Writing

Pre-Kindergarten Kindergarten Grade 1 Grade 2 Grade 3 Grade 4 Grade 5 Grade 6


STRUCTURE
Overall The writer told a story with pictures The writer told, drew, and wrote a The writer wrote about when she did The writer wrote about one time The writer told the story bit by bit. The writer wrote the important part The writer wrote a story of an The writer wrote a story that had
and some “writing.” whole story. something. when he did something. of an event bit by bit and took out important moment. It read like a tension, resolution, and realistic
unimportant parts. story, even though it might be a true characters and conveyed an idea or
account. lesson.

Lead The writer started by drawing or The writer had a page that showed The writer tried to make a beginning The writer thought about how to The writer wrote a beginning in The writer wrote a beginning The writer wrote a beginning in The writer wrote a beginning in
saying something. what happened first. for his story. write a good beginning and chose a which he helped readers know who in which she showed what was which he not only showed what which she not only set the plot or
way to start her story. She chose the the characters were and what the happening and where, getting was happening and where, but also story in motion, but also hinted at
action, talk, or setting that would setting was in his story. readers into the world of the story. gave some clues to what would the larger meaning the story would
make a good beginning. later become a problem for the main convey.
character.

Transitions The writer kept on working. The writer put his pages in order. The writer put her pages in order. She The writer told the story in order by The writer told her story in order by The writer showed how much time The writer used transitional The writer used transitional phrases
used words such as and and then, so. using words such as when, then, using phrases such as a little later went by with words and phrases phrases to show passage of time to connect what happened to why it
and after. and after that. that mark time such as just then in complicated ways, perhaps by happened such as If he hadn’t . . . he
and suddenly (to show when things showing things happening at the might not have . . . , because of . . . ,
happened quickly) or after a while same time (meanwhile, at the same although . . . , and little did she know
and a little later (to show when a time) or flashback and flash-forward that. . . .
little time passed). (early that morning, three hours
later).
Ending The writer’s story ended. The writer had a page that showed The writer found a way to end his The writer chose the action, talk, The writer chose the action, talk, The writer wrote an ending that The writer wrote an ending that The writer wrote an ending that
what happened last in her story. story. or feeling that would make a good or feeling that would make a good connected to the beginning or the connected to the main part of the connected to what the story was
ending. ending and worked to write it well. middle of the story. story. The character said, did, or really about.
The writer used action, dialogue, or realized something at the end that The writer gave readers a sense of
feeling to bring her story to a close. came from what happened in the closure by showing a new realization
story. or insight or a change in a character
The writer gave readers a sense of or narrator.
closure.

Organization On the writer’s paper, there was a The writer’s story had a page for the The writer wrote her story across The writer wrote a lot of lines on a The writer used paragraphs and The writer used paragraphs to The writer used paragraphs to The writer used paragraphs
place for drawing and a place where beginning, a page for the middle, three or more pages. page and wrote across a lot of pages. skipped lines to separate what separate the different parts or times separate different parts or time of purposefully, perhaps to show time
she tried to write words. and a page for the end. happened first from what happened of the story or to show when a new the story and to show when a new or setting changes, new parts of
later (and finally) in her story. character was speaking. character was speaking. Some parts the story, or to create suspense for
of the story were longer and more readers. He created a sequence of
developed than others. events that was clear.

DEVELOPMENT
Elaboration The writer put more and then more The writer’s story indicated who was The writer put the picture from his The writer tried to bring her The writer worked to show what was The writer added more to the The writer developed characters, The writer developed realistic
on the page. there, what they did, and how the mind onto the page. He had details characters to life with details, talk, happening to (and in) his characters. heart of her story, including not setting, and plot throughout his characters and developed the
characters felt. in pictures and words. and actions. only actions and dialogue but also story, especially the heart of the details, action, dialogue, and internal
thoughts and feelings. story. To do this, he used a blend of thinking that contributed to the
description, action, dialogue, and deeper meaning of the story.
thinking.

May be photocopied for classroom use. © 2013 by Lucy Calkins and Colleagues from the Teachers College Reading and Writing Project from Units of Study in Opinion, Information, and Narrative Writing (firsthand: Portsmouth, NH).
Learning Progression for Narrative Writing (continued)
Pre-Kindergarten Kindergarten Grade 1 Grade 2 Grade 3 Grade 4 Grade 5 Grade 6
DEVELOPMENT
Craft In the writer’s story, she told and The writer drew and wrote some The writer used labels and words to The writer chose strong words that The writer not only told her story, but The writer showed why characters The writer showed why characters The writer developed character
showed what happened. details about what happened. give details. would help readers picture his story. also wrote it in ways that got readers did what they did by including their did what they did by including their traits and emotions through
to picture what was happening and thinking. thinking and their responses to what what characters said and did. He
that brought her story to life. The writer made some parts of the happened. developed some relationships among
story go quickly, some slowly. The writer slowed down the heart of characters to show why they acted
the story. She made less important and spoke as they did. He told the
The writer included precise and
parts shorter and less detailed and internal as well as the external story.
sometimes sensory details and used
figurative language (simile, metaphor, blended storytelling and summary as The writer chose several key parts
personification) to bring his story needed. to stretch out and several to move
to life. The writer included precise details through more quickly.
The writer used a storytelling voice and used figurative language so that The writer wove together precise
and conveyed the emotion or tone readers could picture the setting, descriptions, figurative language, and
of his story through description, characters, and events. She used symbolism to help readers picture the
phrases, dialogue, and thoughts. some objects or actions as symbols setting, actions, and events and to
to bring forth her meaning. bring forth meaning.
The writer varied her sentences to The writer not only varied his
create the pace and tone of her sentences to create the pace and
narrative. tone of his narrative and to engage
his readers, but also used language
that fit his story’s meaning, for
example, in parts that had dialogue,
different characters used different
kinds of language.

LANGUAGE CONVENTIONS
Spelling The writer could read his pictures and The writer could read her writing. The writer used all he knew about To spell a word, the writer used what The writer used what he knew about The writer used what she knew The writer used what he knew about The writer used resources to be sure
some of his words. The writer wrote a letter for the words and chunks of words (at, op, she knew about spelling patterns spelling patterns to help him spell about word families and spelling word families and spelling rules to the words in her writing were spelled
The writer tried to make words. sounds she heard. it, etc.) to help him spell. (tion, er, ly, etc.). and edit before he wrote his final rules to help her spell and edit. She help him spell and edit. He used the correctly.
The writer spelled all the word wall The writer spelled all of the word draft. used the word wall and dictionaries word wall and dictionaries when
The writer used the word wall to help
words right and used the word wall wall words correctly and used the The writer got help from others to when needed. needed.
her spell.
to help him spell other words. word wall to help him figure out how check his spelling and punctuation
to spell other words. before he wrote his final draft.

Punctuation The writer could label pictures. The writer put spaces between The writer ended sentences with The writer used quotation marks to The writer punctuated dialogue When writing long, complex The writer used commas to set off The writer used punctuation to help
The writer could write her name. words. punctuation. show what characters said. correctly with commas and quotation sentences, the writer used commas introductory parts of sentences, such set a mood, convey meaning, and/or
The writer used lowercase letters The writer used a capital letter for When the writer used words such marks. to make them clear and correct. as One day at the park, I went on the build tension in his story.
unless capitals were needed. names. as can’t and don’t, he used the While writing, the writer put slide; she also used commas to show
apostrophe. punctuation at the end of every talking directly to someone, such as
The writer wrote capital letters to The writer used commas in dates
sentence. Are you mad, Mom?
start every sentence. and lists.
The writer wrote in ways that helped
readers read with expression, reading
some parts quickly, some slowly,
some parts in one sort of voice and
others in another.

May be photocopied for classroom use. © 2013 by Lucy Calkins and Colleagues from the Teachers College Reading and Writing Project from Units of Study in Opinion, Information, and Narrative Writing (firsthand: Portsmouth, NH).

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