Pasambahan dance

Pasambahan dance is one of the traditional Minangkabau dance arts

that has developed in various regions in the province of West Sumatra,
Indonesia. This dance was shown in a guest welcoming event which
was intended as a welcome greeting and an expression of respect for
the honored guest who had just arrived. But nowadays, pasambah
dance is displayed not only in guest reception events, but also in the art
of staging and performances as a means of entertainment for many
people.

Pasambah dance is displayed when guests arrive from afar, or when the
groom arrives at the bride's house. Guests who come later are shadowed
with oversized umbrellas as a tribute to the guests who come. After the
pasambahan dance was displayed, then the program continued with a
treat of betel leaves in the carano to the guest. During the wedding
ceremony, treat the betel leaves to the groom as a representative of the
group. Betel leaves in the carano are also usually served to the bride's
parents

Gondang Batak Dance Taragadindang tortor

Gondang Batak Dance Taragadindang tortor is a ceremonial dance

presented with gondang music. Physically tortor is a dance, but the
more meaning of its movements shows that tortor is a medium of
communication, in which through the movements presented there is an
interaction between the participants of the ceremony.

Tortor and gondang music are like coins that cannot be separated.
Before the event was opened, the host (Hasuhutan) had a special event
called Tua ni Gondang, so thanks to the gondang sabangunan.

In the implementation of the dance, one of the hasuhutan (who has the
intention to ask for a drummer's request with polite and polite words)

Each time a request is finished, it is interspersed with gondang punches

with a certain rhythm in a few moments. After the request / appeal is
carried out properly, the line of suhut's family who are ready to manoror
(dance) sets the arrangement of the place to start dancing.

Tortor dance is used as a means of conveying the mind both to the

spirits of the ancestors and to those who are respected (guests) and
delivered in the form of dance showing respect.

Zapin dance

Zapin dance comes from Arabic, which is "Zafn" which means the
movement of feet quickly follows a punch. It is estimated that
originating from Yemen, Zapin is the treasure of the Malay family of
dances which has Arab influence. This traditional dance is educative
and entertaining at the same time, used as a medium of Islamic
propagation through poetry of zapin songs that are sung ... Zapin dance
is very diverse in dance movements, although basically the basic zapin
movements are the same, danced by the people on the east and west
coasts of Sumatra, Peninsular Malaysia, Sarawak, Riau Islands, the
coast of Kalimantan and Brunei Darussalam

Jaipong Tanjung Anyar dance

Jaipong Tanjung Anyar dance is one of the traditional West Javanese

arts which is very popular in Indonesia. This Jaipong dance is a
combination of several traditional arts such as pencak silat, wayang
golek, ketuk tilu and others. This dance is often displayed on various
events such as big guest reception and cultural festivals.

In the show, this dance is usually played by dancers individually, in

pairs or in groups. The movement in this dance is an attractive dance
with dynamic movements. With the dominant movement between the
hands, shoulders, hips which are moved agile and dynamic. When
dancing in pairs or in groups, dancers dance with solid movements
between one dancer and the other dancers. In addition, the lines or
formations that are carried out on a move will add to the beauty of the
dance. In dance performances also accompanied by traditional music
with music instruments such as drum, gong, saron, kecapi and others.

Ruai Kalimantan dance

Ruai Kalimantan dance is an energetic style in every movement that

depicts a typical West Kalimantan bird. This bird with the Latin name
Argusianus Argus has beautiful feathers and a loud voice. This dance
tells of the incarnation of a princess of the Dayak king. In the story of
the Dayak king having seven daughters. Affection for the father of the
king to the youngest is different, after leaving the empress, making the
youngest brothers even jealous.
The evil intentions of his brothers came to harm the youngest. Because
of the grandfather's grandfather, the youngest was saved from the cave
and turned the youngest into a bird Ruai. Then from the top of the tree,
the youngest witnessed the father punishing siblings.

Kemaharajaan Majapahit

Nagari Karajan Mojopait reached the peak of the Great Empire at the
time of King Hayam Wuruk with the title Rajasanegara from 1350 to
1389 AD Assisted by his grandfather Gajah Mada with SUMPAH
PALAPA "sira Gajah Mada, the chief of the Amangkubumi Tan,
swung Amukti Palapa”, “Lamun humus kalah Nusantara isun amukti
palapa, lamun kalah ring Haru, ring Pahang, Dompo, ring Bali, Sunda,
Palembang, Tumasik, samana isun AMUKTI PALAPA” (Sangsekerta
Language)