multiple sites in which experimentalism emerges and becomes meaningful beyond Eurocentric interpretative frameworks. Challenging the notion of experimentalism as defined in conventional narratives, contributors take a broad approach to a wide variety of Latin@ and Latin American music traditions conceived or perceived as experimental. The conversation takes as starting point the 1960s, a decade that marks a crucial political and epistemological moment for Latin America; militant and committed aesthetic practices resonated with this moment, resulting in a multiplicity of artistic and musical experimental expressions.
Experimentalisms in Practice responds to recent
efforts to reframe and reconceptualize the study of January 2018 experimental music in terms of epistemological perspective and geographic scope, while also engaging Paperback traditional scholarship. This book contributes to the 368 pages current conversations about music experimentalism while providing new points of entry to further 978-0-19-084275-8 reevaluate the field. $39.95 $27.97 £25.99 £18.19 Ana R. Alonso- Minutti is associate professor of music and faculty affiliate of the Latin American and Iberian Institute at the University of New Mexico. Eduardo Herrera is assistant professor in ethnomusicology and music history at Rutgers, The State University of New Jersey. Alejandro L. Madrid is author or editor of more than half a dozen books and edited volumes about the intersection of modernity, tradition, globalization, and ethnic identity in popular and art music, dance, and expressive culture of Mexico, the US- Mexico border, and the circum- Caribbean.
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